Judgement

They stand with their arms open, their bodies springing from freshly unearthed graves. At their feet is the earth, once their womb, but something has changed. They are dirty with soot and trails of fallen dew. They stand, the small group of men and women; beside them, three young children. All are pale, as though their time in the ground had been long, so long without sun and air. Now they stand, open, their chests exposed to the sky, their arms open as much as their bodies will allow.

They welcome it. “Judge me,” they say with their hands.

“Judge me,” they call to the heavens, their heads bent back, letting the Real wash over them.

Rolling clouds bubble overhead. The grass beside the open graves quivers.

And what is Judgement? That look, a bit of opinion as I shower you with a stare.
What is Judgement? That bit of presumed knowledge of morality in the symbolic order?
To throw words upon your shrouded body, covering you with a set of expectations I have known almost since birth.

I look at them and see the world through the narrow lens I have chosen to understand it. I watch everything through this porthole. Afloat on a sea of dark mystery, I watch it, a tiny point without reference.

“Bad people are people who do bad things.” I look at that tiny pale body sitting in the car next to me. A little boy so convinced of himself. He is the eye of judgement, a tiny being, clueless, yet so sure of his place.

“Judge me,” the white bodies call.

The angel comes, bringing with it the Real. It is death. The void has no symbolic order, for it is nothing. It is without words, without definable shapes and morality. Step into it like a bath, for the real has come. Open you arms if you can, throw your head back and relish the ecstasy of a new set of eyes. They are doorways, not merely windows. Step up, step inside.

Though their eyes are closed, they see the angel and his red cross. North, south, east, west. The sound comes from the horn at his lips. And it is music, shape without context. Sound without attachment. It has all fallen like a cleansing rain and they welcome him, opening their bodies to a new type of noise.

How many do I judge? I see all of them through the lens of my language. I either assume an understanding, or cross their names from my book, calling them evil and rich. They find a home within the boxes of my aesthetic or I call them ugly and laugh at their pants. I laugh with them if we share the same language, or I squint my eyes and stare, waiting for the sentence to end.

Judgement comes with my language and I throw it out like dice on a filthy street.

Their bodies rise from the earth, covered in soil.
“Judge me,” they say.
No words are necessary. They bask in the void, holding themselves open for a new page to turn.

The Apple

I walk through the garden. Light steps. Walking gently on a narrow path of crushed rocks. Fine as gold dust. One clear objective shines like a blue jewel between my eyes, lightly beaming from my smooth pale forehead. To the left, my eyes wander. To the right I look, searching for that one piece of fruit. That one bright and shinning red apple, aglow and pregnant below the bright eyes of the sun. I hold it in my mind, a perfect image, a treasure waiting for my hands and kisses. Calling out for adoration. Red. Alive as all things are. Red like the rivers of blood moving through thin arms. Red like this throbbing pussy that awaits its sword.

I walk with one objective, one bit of reality taking over my mind. That round and sweet fruit. Red. Nothing stops me. Not a warm breeze smelling of jasmine, not a curious flower with twelve soft pink petals and a perfume that smells of the moon and death.

I walk with an ever-present determination, my eyes scanning the sandy ground constantly, looking past the ground up sparkles, searching for the color of deep life. Breathing. A mouth to be kissed. Each step is a new lifetime, another chance. A glance down another path that leads to the sea. Tendrils escape me. I let them go, flying like a curling explosion of laughter and song. They extend to the clouds, sweeping in armfuls of mist and the hopes of air.

I let them go, my eyes searching the dark secrets of trees. Their caves, their shadows. I look, hoping for contact, a gasp escaping its leaves. Will its gift be mine? Will I bite into pale flesh, dripping with desire and sugar, both of us, wanting to be planted. Consumed and turned into something beyond imagination. We will leap past the stagnant shapes of squares and circle, journeying to a place of layered dimension, places undescribed. We are the same. Red and round, ripe and waiting for knowing hands, rough and dirty, full of rain.

I sense that the sun has shifted, that my brother calls my name from a far off field. I can see the white fluffy sheep beside him, herds of cotton and simple stares. The softness of those blades of green, the electric blue of the sky, burning above him like fire. But this shifting, I sense that the air has turned sour, that my brother calls me with a different voice, sounding more like drums than bells. I search the sky for clues, looking, pulling apart clouds with the precision of a hungry animal, pulling limb by limb, bit by bit and muscles tear and bones crumble beneath the force of my hands. I search, hearing my body move like the clocks I left in an old shop. Left and let the door shut quietly as I walked away into the bright daylight.
I hear it once more. This reality is nothing if not the senses, my beating heart, the thump of its call, the sound of its opening and closing valves. What am I if not a beat? A tone in the drummer’s wail…a sound in the dark countryside. What am I if not a blip on the manuscript sheet, just one tiny note, one life.

I am having the clouds for dinner, they melt on me, my tongue and lips turning them into bright colors and words of nourishment. I suck the marrow out from them, sucking like a dog that claims no owner. I am the master. I am the leash. My choking is the grasp of my own hand pulling me in a thousand directions. I am the fire and the pull of the leash, my own master, the dominator of all that is fur and flesh and love. Undying love whose call covers the hills like a thick blanket. Can you hear me brother? Do the sheep flick their ears with my bright call? My message of love which surpasses human ears. It is us, those of fur, those of the earth and dirt, those of the whispy clouds that move like brushstrokes. The night is clear and I am no god. I am the footprint, stamping the earth with my laugh, walking as though there will never be another. I am the trees, the fruit which I seek. The red that covers us in life and sparkle… there is no other. No ground. Perhaps no brother. No fruit. These are my fears. And am I right? I look into the garden and see nothingness. Where is the sheep? The eye that stares without feeling. The eternal colors of green and white, covering me, denying me pleasure, denying me pain. Where is the needle, the cock that sends its message in rhythm… am neither here nor there, a thousand years have passed and I claim no knowledge. Another turn of the path and I wander past the same footsteps, yearning for my brother and his soft sheep, the call that has turned from bells to questions.

They have all shifted with the search. The dogs have turned to mice. The cats above claim the sun as god. Clear minded once, now I dream about other things.
The play has ended and a pile of red roses are at my feet. I search the dark crows, seeing only halos of lights and a roaring of hands. Who are all these people who stare? Light covers them in a fine sheen, but they are only shapes, circles and lines and rivers of blood. There must be blood, an army of robots could not shine like them. But I wonder.

A single clap rattles my spine and I see the apple. That skin for which I have searched. I have walked on soft grains of sand and compact earth. I have walked for so long, finding only more light. Finding clouds that have turned to night and brothers that have faded into memory. I have left all that have walked before me, left them to die in their tatters and murmurs. I took their thoughts, turning them into me, moving them through every part I move. Throbbing, I feel them all. Each dagger of pain, the thrill of ecstasy.

The endless road moves forever forward, I feel the grains of earth below each toe, calling me by every name. And I know theirs. I know each one. This path is mostly the same, though slightly different. But mostly the same. One different shrub, a flower out of place from the last time I licked its pink. It is endless, beyond words, though I continue to try. I grasp at the edges, looking for more. Finding books and poetry and readings by men in white beards. I stroke each tiny strand, loving the feel on my fingers.

Beyond the rim of my eyes I find the desert left for dead. Without rain, without one orgasm to wake it from sleep. This is the reality of dreams and nightmares. The path from which I have stepped forth, naked, covered in tattoos and a few wrinkles and spots of blood that decorate me like a birthday cake. I am clear, a walking mirage, still searching for the fruit of life. The thing that will spring forth like a pool, the burst of life that will live inside me like an eternal fetus, forever sucking and feeding, forever giving of its dreams. It will not be born, not into the air, not to the trees and the men who would create a god. It will be here, a change without eyes, without language. I will know it, it will be my nature.

Fading Light

I lay on my bed as the last of the sunlight fades, giving us, this small little planet, its final heroic effort of the day. In a dim room, bright orange light streams in through the window, hitting just three different spots on the walls. I lay on the bed, just minutes out of the shower, my hair now wet and cold. My pale legs are covered in oversized black sweats with jaggedly cut ends and a man’s thin striped pajama top.

I look at the last bits of light, feeling suddenly aware of the calm chamber.

My hands rest on my stomach, my feet are extended, supported by a jumble of three blankets that cradle them. Tiny gurgles call to my fingers below my pillowy stomach skin.

“Just be here,” I think to myself.

My chest fills with air, then deflates slowly.

I look to the wall on my left, the wall my bed presses against. There is a rectangular orange-gold piece of light, like a bright framed piece of sunlight on the wall. Cutting through the center of the light is the dark shadow of a cross. I stare.

“So pretty, I should get my camera…” But I don’t move. My hands stay on my stomach, my legs remain in the folds of soft blankets.

The cross, such an intense symbol; a torso and head, two arms extended, two feet pressed together as one. I see Jesus on a hill, I see myself in the morning, just after 7. How long did it take for people to realize the shape could be used for killing? For the structure of torture?

Perpendicular to the wall is the French glass door that leads to my kitchen. The top half of the door is bathed in soft yellow light, though the top-center of the door is glowing orange in the sun’s last rays. I realize the light is coming through my small window (parallel to the wall with the cross), hitting the doorway, then the glass is reflecting the image on the wall.

I look back and forth between the wall and the door, not needing to turn my head.

To the right of the door, directly in front of my body, on another small section of wall, are a few fragmented pieces of light, long jagged rectangles and bent circles and little speckles.

I think about the photographer I used to work for, Emily Payne. “It’s called the sweet light.” I can hear her say it, holding her big black camera in her hands. I imagine photographers around the world waiting for this time of day, waiting till they have the ‘right light.’ Do they stay indoors like inverted vampires, waiting only for a special hour? How many moments do they let pass? Is everything overlooked until the sweet light emerges?

I look up to the cross and the door. Has the light changed? It must have, the sun is fading by the minute. I search the color of the door. It’s just a bit paler. Still bright, but lacking intensity. It’s fading in front of my eyes and I can’t even watch it, I can’t see its fading unless I look away and then look back.

I turn to the wall. The cross has lost an arm. It looks like a T on its side. I should have gotten my camera. I could have written something about this and I would have had the perfect pictures to go along with it. I stay in bed. It’s too late now. “Just watch it, it’s fading away.”

How often had I missed this light? Maybe it would be the same tomorrow. Or nearly the same. The earth would not tilt too much in one day. What if I had not laid down? Would I have just sat at the desk, doing something, oblivious to the light around me? How many times have I done that?

I look up again, the light is dull.

“Just be still and watch…” I keep wandering away, I can’t even watch the light change for a few minutes without drifting.

The cross has become a single vertical line. The French door creaks open, pulled by the crack of the open window 15 feet away. As the door comes forward, the cross shifts, creating one solid black line, then another slightly lighter shadow line behind it.

Then the door creaks closed, and a single line emerges on the cross once again. The door’s bright orange light has faded almost entirely. I know that soon it will be completely gone, maybe then I’ll wonder what happened, how it left so fast.

I look over at the speckles of light on the wall perpendicular to the cross. The light there has faded too. Watch it. “Don’t take your eyes off it, watch what’s left.” I hold my eyes. Its fading…but a part of me cannot believe it. I realize I can barely watch it straight on. It’s almost painful. Why can I only see something changing if I look away?

The door is now dark. The cross is gone, and just a few sprinkles of light remain on the wall next to the door. I watch them, intent, finally holding my attention fixed as they fade. Dark, darker, then they are gone.

The phone rings.

The Guess

What I almost certainly do not know is that I am blind. BLIND. My sight is an illusion, a minor hope of a machine caught up in kaleidoscopic movies that repeat endlessly. I cannot see. Not you, the dog, a tree, a new facet of thought. Every contour is clouded in a haze of fog and thick assumptions. You are what is past my nose. You are beyond the thin skin that contains my brain. Because you are not me, I cannot see you. You are a cloud of pale skin. A sound that echoes from a distant hillside. A fleeting movement that jumps through a tiny hoop.

You are equally as blind, caught up in the illusion that wraps us both in a tight jacket. Two people, perceiving themselves as right and correct. Two people, seeing only fuzz and gray clouds, hearing selected words from long sentences, getting lost in the white spaces between. The other is beyond. The tiny shape of a walking woman, the tropical tree, the fresh picked banana. They all exist in a world of color and form that I watch as though through a television screen. You are not real. The metal jug, the dirt road. Not real and foreign, past what I can ever understand.

I watch from an overstuffed couch, watching the lights move, watching it as complete fiction, for it is. Though I cannot tell I am on the other end of a screen, another light that moves vaguely in the distance.

I am blind, though so are you.

Both of us trapped in the skin that contains a sense of self. There is me, there is you, the Other. I am blind and cannot know, and the guesses begin. All the assumptions, all the conjecture that rolls like a snowball in a cartoon of pigs and rabbits.

It catches speed and I grasp at words. “woman, poor, fertile, bound…”

They are words and I attach them to you, to her, to all those that move on the horizon.

But another one comes, “young, marriage, style…”

More words. More assumptions. I will never know. You are the shape beyond my skin, you are the Other, and I can only make a guess. How can I talk to the past? How can I talk to a shape without blood? The past and future blend together, I grab with dirty fingers, searching for another word, something to hold, something that will make sense and fit easily in this small wooden box. You are the captured cloud, the note hidden below my pillow in a place I will forget to look. You are the shape that will never be known, you are the Other.