The Secrets Are Everywhere

The Change

2012-01-13T23:29:00.000-08:00

I sit here, my mind playing, bouncing between two sides of a colored spectrum. The question lingers, reverberating through every memory as I sift through the contents of three known decades in seconds and wonder about other lifetimes on the fringes of easily lost dreams.
Did I make the decision to take it in, or did it chose me? I, an open vessel, lights blinking, looking for port. Did I decide to take it in one day while peeling apples at the kitchen counter, old tiles all stacked full of fruits and old melons rescued from the bin? Was it a choice?
The thoughts roll though me as I stare at the moon. A cool summer breeze full of jasmine and tangible teenage memories of long midnight walks flows past me, igniting the soft skin on my arms. I stare at the moon, awash in its pale calming glow. The lights around blink as distant worlds do.
Do choices begin or are they like stones tumbling in the ocean current, bumping off one red-haired mermaid and another until you find yourself in an unfamiliar house in a foggy city, surrounded by people you’ve known for years but seem like newly-acquainted strangers.
I squint my eyes and look for the trail. Just how did I get here and what is this? I think back- when did the choice come? When the doors opened with a small ding? When I went down, skirting the equator by just a few hundred miles?
I was looking for something then. I searched for it in the eyes of every person I saw, looked for it in unfamiliar cities and in the arms of strangers. When did the doors open? Each choice begets the next and they lap against each other, altering the north wind so that orange butterflies can dance in the hurricane winds of time eternal.
I think back to the night so long ago. A night beside a house on the edge of a hill. On the cemented patio, beside the blue sparkling pool, we looked down at the smog-covered city streets below and sucked on small pieces of tasteless paper.
Those people with whom I attempted to travel, I thought I would always know them, carry their names and numbers with me as the years changed my skin and hair. But that, as all things do, changed. That night we sat in plastic lawn chairs in the summer twilight, watching as city lights turned on and started blinking, talking to us through the altered gray air.
The house, I would later come to understand, was inspired by the architecture of Frank Lloyd Wright, but at the time, I just observed the clean angles, the lack of tightness, the open, flowing use of space. We sucked on little pieces of tasteless paper and as the sky turned darker and the lights started to blink, as other worlds do, the familiar faces and words lost the meaning I once understood as inherent and fixed.
I think back to a day so long ago sitting on the bright grassy lawn of my junior high school, El Roble. We picked small white clover flowers and turned them into garlands. We sat like children, so utterly content to lay in the field. The grass, so much more green. The grass, so much more soft. The sky, so much more blue. There was nothing else to do, nowhere to be, no one else to find. It was utterly perfect, the moment without rush and obligation. That day, so long ago.
When did I decide to take it in? Was it a decision or a series of accidents? Me, or it moving through me? Paper, door, blinking lights, other worlds. The open door, blinking lights, eyes I can no longer remember and black shadows. It can be different. It takes one tiny piece of paper, a little sugar cube, and worlds dissolve in your cup of water. Did I decide to change, or did the change find me after one tiny, tasteless piece of paper?

Giant

2012-01-07T16:12:00.000-08:00

The giant barks.
I bark back.
There is only one way for a giant to act. I know this.
I have read it in story rhymes,
so many stories, so many rhymes.
Then I finally encounter one, I am offended by what I see.

The giant barks, sitting on all fours.
His sneakers chewed up and smelling of bile.
Where has this creature come from?
Not even the swamp down by Knott’s old road house could have produced such a dank creature.

This is not what I wanted to see this early in the morning. Out for a morning stroll, thinking about a good breakfast, some sausage and black coffee, maybe a smile from Bettie. I wake from nightmares with visions like this, but to see it barking out on Upper West Tollridge like the full moon was out, like transformation is upon him- I must do something.

The giant barks and I bark back. I release my savage dog. The wild rascal I have tamed inside. My skin starts to burn with the boil of hate.
Soon, the night is black, smelling of old rotten things and dark, still waters that have not moved in centuries. I took him by surprise, myself, covered in the scent of fish, of old and new cigars.

When the giant barked, I barked back.

Before The Journey

2011-11-14T12:33:00.001-08:00

There once was a magician who lived alone in a cave. From time to time, other travelers and seekers would find the cave as it was next to a fresh water source and close to the dirt path that led all the way over mountains and forests and deserts to the land of spices and smoke. Sometimes students came and brought him sacks of tea and paper and ink. Sometimes the children of the nearest mountain village would leave sweets at the mouth of the cave and rice in burlap bundles. Mostly, he was alone, left with the slow steady rhythm of his own breath and the restless occasional cracking of the rocks surrounding him, the sounds all houses make when they think they’re alone.
He had been there before his hair ever turned white, when his muscles had been firm, and though he had been there for decades, he was aware of how little time there really was, how birth seemed to have come just a few days before. Because of his acute awareness of time, he practiced his art with urgency and strict attention. He kept detailed notes about experiments, their results and the methods employed. There were charts that outlined his emotions, his health, the weather and time of year.
In his dreams, he saw another world where there were tall buildings made of glass and steel. He had dreamt of this place for many months. Upon waking, he felt the lingering desire to voyage deeper into the dream, to go so far in that there would be no memory of a cave. The place in his dream was not better, it was only different, with smells and textures that did not exist where he sat. He wanted to look into the eyes of the people and see what they had to share.
For months he tried various things. He played in his dreams and covered himself in the smoke of local plants. He chanted and organized and re-organized the order in which he set up the space around him and the methods in which he relaxed and let himself drift into dreams. Sometimes, when the spell was working, it seemed like he could reach out and touch the glass of the tall buildings, but just as he stretched out his arm and moved his fingertips towards the glass, he would awake suddenly, aware that something had brought him back. He had not made full contact.
One night, he waited for the full moon to crest above him. He could feel the light changing, growing stronger. Though he had no direct sight from the deep interior of the cave, the waters inside him vibrated in louder ripples as the moon rose over the mountain range. Sensations rippled over his skin, it felt lighter, smoother, stronger somehow. He waited, patiently breathing, allowing his body to move as slowly and calmly as the moon that gently rose. When the energy peaked, his body began to rock. His eyes no longer perceived the clear lines of his world, they shifted like a color show and melted into each other.
He journeyed that night into the world of glass and steel, walking through streets that showed no signs of the earth, where the trees seemed planted as ornaments rather than mighty elements in the natural landscape.
He wandered for hours, looking intently at the people that crossed his path. They were women and men in bodies like his own, but their attention seemed taken, turned inward on earthly matters, squandered on abstractions and worries. He could sense their tension more acutely than ever, as though none could remember their true purpose. They walked past him like ghosts, never taking their eyes off the ground or off the objects in their palms. He noted their presence and posture.
He continued his walk, collecting his notes of the other world. Soon he came upon a piece of paper that seemed misplaced on the sidewalk. He stooped to pick it up and was startled to see his own writing on the paper. He looked at it more and realized they were the instructions he had written to himself prior to the journey. He looked at it with different eyes now. Not the man that had thought of dreaming, the man that thought of going to other worlds, but this new man now, the man he was after touching glass and steel, the man that walked among ghosts.
He was struck by the second and third lines of his instructions. Before every journey it was his habit to write out a list of directives, things we would need to remember while travelling, the incantations he would need in order to come back to the cave chamber. He kept them in his right hand pocket always, a place he could easily remember to check when he felt the time was right. It was strange now to find it on the ground, easily lost or blown off by the wind.
He looked at the writing, at his familiar script. But he felt a slight alarm as he noticed the extra embellishments on the curls of several script characters. It was a minor detail of handwriting, but he knew himself well enough to know what it meant.
Over the years and countless hours of inner exploration, he had come to glimpse the many parts of himself, the light, the dark, the terrors another man would have hid away in fear. The benevolent teacher and the raw animal. There were a thousand faces in between the extremes of his machine and he had met with each one, he had come to know their habits and he knew the extra curls in his script indicated that several of his egos were active, manifesting themselves in his writing.
Without realizing it at the time, back in the cave, he had begun his journey with them inside, active, unbeknownst to him, they had piggy-backed through his dreams, stepping with him through the door. Had he known, had he paid enough attention, as he surely should have, he would have caught a glimpse of their presence. It was a mistake, a dangerous one, bringing them along into this altered land, in this altered state, was a hazard. They could lead him to a very nasty place, a place dripping with identifications and worldly demons and monsters hard to defeat.
He had not been careful enough. But he could begin again now.
He stood on the sidewalk and placed himself in the center of a circle, imagining its firm golden walls. He closed his eyes and began to breath rapidly, letting the palpitations in his stomach push those creatures to the surface of his flesh. He felt them emerging and he saw their contorted faces in the awful visions before his eyes. Each breath pushed them further to the surface.
He stood in place for many minutes, breathing rapidly with intense concentration, visualizing a clear, cleansed circle around him until finally he could feel that that his inner landscape had shifted. He slowed his breathing and began to walk once again. The sidewalk ahead was illuminated in the glare from a dozen mirrored buildings in the high sun. He walked through them, letting his intuition pull him forward.

Instructions

2011-09-28T15:13:00.001-07:00

When the springs were longer and the earth was not covered in salt as it is now, you once asked me how to construct a talisman. At the time I told you to gather yellow crystals along the ridge of our mountain and construct a bag of fabric and twigs. At the time, I thought you were not ready for more complicated instructions. It was not just the degree of difficulty you might have had in procuring the substances and objects, but I also thought you were not ready for the power of a more sophisticated talisman.
As I said, the springs have gotten shorter, and there are many we could count and remember in the years we have spent together, so as I survey the white streaks in your hair, as I watch what was once a more impatient, angry man and see the slow, deliberate person before me at the fire, as I observe in simple detail the careful watch of a man that has grown into what will be a fine king, I see that you are ready.
It has taken years, harder work than I am sure you initially thought, but as I have tried to show you through example, change is possible. As I have told you many times, kings are not made by riches, but by metaphor, and you, now, have developed the awareness necessary to hold your many facets in equal balance, at least much of the time. No gold or jewels could make a finer king.
I see now that more detailed instructions will be useful to you, perhaps not now or in the upcoming cool weather, but perhaps soon. I will impart what I have.
As I have said many times, both to you and to others, there is no truth, just versions of it. Each one will look different depending on the man who perceives it, and although it may be redundant, I much emphasize, there are many ways to make a talisman. This is simply my way and the way of my teacher before me, it is not the only truth. You are free, after careful thought and consideration, to alter the instructions if need be. This mountain will change and the instructions may need to change with them.
As I am sure you have understood, though I will emphasize it again now, it is not only the materials which are important (for indeed they are), but it is the way they are gathered, the calmness in you body as you design and construct, the even flow of breath as you move over the mountain. So if you must change something, do so always maintaining your awareness.
When I am gone, as one of these days my body will return to the soil and a new journey will begin, you may look though the leather journals of my office and find other instructions, not just for various talismans but other things you may find useful. I must once again state that the world of magick is vast and deep, so do not hold onto the instructions like the habits and identity you once carried like a torch before your heart. These are instructions, not rules. Look at them creatively, like you are creating something from the other worlds and bringing it to life (and indeed you are.) Life takes many forms and at some points, you may find it necessary to alter. Use your careful and creative judgement.

Now for the instructions:

Take a piece of virgin parchment, made from the skin of a stillborn lamb.
It will probably be cold to the touch, warm it beside a low fire of hot coals.
Use your finger to draw blood, either yours or that of your female companion.
She will give to you, as she always does.
Take what you need, she is willing.
After the skin of the animal is cured and soft, (this I know you are capable of doing as I have seen you do it many times) take the parchment and lay it flat against a wooden surface. Let the moonlight cleanse it of human touch, of animal remains, of anything that ever was before.
Now it is something new.
Draw a star in the center.
At the center of the star, trace the image of the sun in red ink and paint its center in gold.
Let the parchment rest in the moonlight for several hours.
Roll the parchment into a scroll, as tight as you can make it. Fold it in half.
Set it into a jar of water and let it sit until completely tender and pliable.
Form it into an oval and cover with the red sand at the mountain’s base.
Dry it in the sun.
The entire process may take half a moon cycle.

The Dead Weight Of The Past

2011-09-05T00:23:00.000-07:00

What is it that he said so many years ago? Those words that went into her, dug into the muscles of her being like they were made for her cavernous places. Fitted just right, sculpted to stay there for decades, to resist change in all its forms and call to her like a siren’s deadly song. When the moon was ripe and the waters within her rattled with the call of wolves, the little steel sinkers would brush up against a few spiral shells and other lines and hooks left by other people, and though they swayed slightly in the current, they remained firmly planted.
“You’re dead weight,” he said, putting her down.
Exasperated, he continued, “there’s no way I can carry you.”
She looked to the ground, saddened by how her piggy-back ride had turned sour; all the joy she had initially felt gutted by one knife-shaped sentence.
“You don’t know how to use your body,” he said, “you just hang there like dead weight.”
She kept her eyes low, ashamed, but not sure what she had done wrong or how she could change. No matter what he said, he somehow, within the unspoken space between his words and the way his tone hinted at a past she was still unclear of, he always seemed to make a comparison between her and the other girls he had been with, girls who had not been dead weight. Others he had been able to carry and hold against a wall and fuck, but not her. His words, like a stone wrapped in white cloth, sunk to the bottom and settled in. He would send others soon.

Later, when his tattooed arms were gone and the smell of his cigarettes had been washed from her hair, she knew someone, just for one night, that did hold her against the wall of the white tiled shower with his grip. But the stone was still there.
Those things that he said so many years ago. Did he throw those words to hurt her, for pleasure, to get the many things he desired? His gallons of milk required with every meal. Orange soda, the only other liquid he would drink. The unfiltered cigarettes, the potatoes and pork chops and marijuana so he could pretend to desire her. All the things he wanted, that he said he needed, they all required a sacrifice and with each demand, she left a part of herself in the supermarket aisle, left it there to be swept up by the nighttime staff. When they went back home, all she wanted was an orgasm, but he blamed her for his inability to stay hard. She was too wet. Too wide. Too desperate, too loud. He told her each reason, sending more stones to the bottom.

In all the years they were together, she never saw him completely naked. He walked out of rooms backwards, unwilling to let her see every part of him. Did he believe himself to be dead weight? Not his body or his size or the way he held his body, but the pain with which he came. The heroin he took, the cigarettes he smoked, the marijuana he inhaled, were they the worldly manifestations of the hooks that had been thrown into him so long ago?

The other night, laying in a warm lap with the black curtains drawn and candles flickering across the white, naked wall, in a room that he had not known and would never know, she said, “make sure to tell me if I’m like dead weight.” It took her many days to remember were the words had come from, for they did not originate in her. They came up, out of her mouth, unearthed in the calm, clear waters of that long night. Those words, left by someone else, now they were her own fears, her own worry, her own weighted anchors.

Endless Search

2011-08-06T00:27:00.000-07:00

I come into your world.
I bring what I know.
The open door leads to a warm hearth and narrow bed.
I see in you the life I never had.
The hot cup of coffee for breakfast.
The sweet smell behind the ears, mended laundry.
Your face is missing in the red rocks of still giants.
The range and nights of smoky fires by a river.
You cannot be here, just as I could never be there.

I can not join your world.
I am gone.
I’ve stayed away too long,
I let the wind tear apart my cheeks,
let the moon see my secrets.
The open night sky has sewn itself into me,
making me its own,
making me a man of the wild,
unfit for the walls of your house,
the sweet soapy smell of your skin.

I have stayed away too long, but maybe I was never there.
A stranger, a wild child itching to break free of mother’s arms.
A lone drifter.

I wander.
I look for home, for rest, for the end;
but they are not in houses, in open arms.
They are not in anything I seek,
but still I look.
Behind the mountain, across the stream,
under rocks, in the houses of other men.
I can hear voices, a howling wind, screams of women I loved but never knew.
I wander, searching.

I am the ghost without eyes.
The spirit who grabs onto any change of season, yet finds no rest.
There is no home, but my quest remains.
The endless search for those things I believe are real.

There is no home.
No destination, no goal.
I am a drifter. Searching.
Sometimes finding that glowing piece of light,
but it melts as the day turns into a black canvas,
and then I feel it again,
the shrill high call of the wind.
The shadows, the swirling stories of open fires and sunrise over the mesa.
I cannot be of another world,
I am a searcher.

The scene is dark, the home is not mine.
I am of the wind and its journey entwines with mine.
I am of the sun, moving always.
Shadows are all I know.

I search because I know nothing else.
Could it be any other way?
A home and kin and rocking chair by the fire?
A woman smelling of sunshine?
A child with my eyes?

I wander because I know no other way.
I am of the light,
of the places without walls,
of the fire without end.
The search with no conclusion
the seeking without end.

I am the searcher.
I cannot be found.
I cannot find.
I can never rest.

Solar Energy

2011-06-24T19:27:00.000-07:00

I was on the 38, the orange bus that always takes me to the same place. Every morning, five days a week. My regular job. The one I do because I have to. The one I should be proud of but I'm not.
I like to take some time before I spend those eight hours sitting inside a box. I like to take my time before I get there to take a little flight into unexplored territory, to make a switch in dimensions... you know what I mean?
It's something similar to those digital abstract graphics. You know the ones I mean. You see these digital colorful patterns repeating over and over across a sheet of paper. There is nothing defined in them, no clear distinct shape you can recognize. However, if you stare long enough, if you concentrate on readjusting your eyes, all of a sudden, your eyes discover something three dimensional floating inside the picture, something that wasn't there before. Something that was there but you couldn't see it. Not before you readjusted, your eyes, your basic way of looking. A landscape or an object or a group of bodies, all floating in space. Invisible one moment, visible the next.
I play a similar game when I am sitting every morning in the back of the 38 Geary bus. The one that always takes me to the same place. At least it seems to be the same.

This morning I had the intention of playing, just as I usually would. I love playing. I always have. I love to sit and watch, looking out at the world through a transparent bubble of open presence, carefully readjusting the basic elements of my attention. I keep on doing that until I make the switch, until the switch happens. That's what I call it. The switch.

This particular morning, even though the intention was there, I felt as if my body was lacking the necessary energy to accomplish it. My mind was too busy, my attention jumped from one place to the other. This concern here, this memory there, an old conversation, a coming confrontation. I couldn’t pin it down, my mind that is. Flying around like that, I couldn't use it to make the switch. I couldn't be still and quiet long enough.
'There must be something I can do’ I thought. ‘All I need is energy, but how can I generate energy now? Where can I find it? How can I make new energy flow through me? What can I do sitting here in the back of this bus?'
I looked around, trying to see if there was something inside the bus I could use for my own purposes. I noticed how almost everyone inside the bus had their eyes fixed on their cell phones or their books. Hardly anyone was observing what was happening around them.
I then noticed the light dancing inside the bus as it rushed down the street. The light entered through the subtly curving windows, it reflected off the smooth surfaces, creating elusive shining shapes and shadows. It created quite a spectacle. A spectacle without an audience, other than myself. All of it was coming from the very bright sun outside.
'That’s it,' I thought. 'I could use the solar energy. This energy is available at all times. It has always been available. I just have to use it...I have to figure out a way to use it!'
This realization made me remember something I had seen in the news. A powerful political movement that wants to use solar energy as a way of generating electricity. I thought that maybe that there was some kind of relationship between my current thoughts and the things I had just read. A source of energy so evident and so all encompassing that we would tend to forget that it's there, always there.
I looked down at my own body, seated as I was next to the window of the moving bus. My body is a machine like any other. Made of different materials obviously. But still a machine.
I began to concentrate on extracting this energy. I pictured it flowing up my spine, spreading through my muscles, my nervous system. I felt it surging into my heart. I could feel it inside of me. Even if it was my imagination to begin with, the results of my concentration were not imaginary at all.
The machine was moving now. I could feel the motor running inside of me, roaring like a small counterpart to the big motor of the bus on which I was riding. That big orange metal machine came to a stop. It was time for me to get off.

'But now that I have my motor on, why not take a quick dimensional flight as I walk from here to the office?' I thought.
Using the same energy I had newly acquired, I propelled into a new adventure. I allowed myself to fly among the thick coats and hands grasping plastic cups of Starbucks coffee. Following the movement with my eyes, I let myself be blown away by the spectacle. So available and yet so easy to miss.
I remained conscious of the place where I ultimately needed to land….'right there on Montgomery street, that’s my destination.'
I flew freely and gracefully, from Bush to Sutter, from Sutter to Post. I started to slow down as I approached my goal until I finally made a full landing in front of the building that I knew so well.
Just as I landed, I noticed something at the on top of the gateway that beckoned me: a sign, a big star with the words "solar energy" written underneath.
'Ah!' I thought, 'In case I forget here is another way to remember!'

I made a full landing and made my way towards the elevator. I was a little disappointed that I had so much fuel, but couldn’t really take any real journeys inside this building. It's not too safe to take flight inside buildings such as this one. Too many eyes, too many ears, too many rules, too little sky. So I forced my self to land, to put down those invisible arms which were my landing gear and allow me to come back into the world of simple phrases spoken in a reasonable voice.
I did keep my motor running, just in case. It's so difficult for it to turn on and so easy for it to fall away and be forgotten.

I stepped out of the elevator and slowly walked trough the hall that leads to the entrance to the office, my office in a manner of speaking (although I certainly don't own it, it is more precise to say that it owns me.) As I approached the predictable day, with the predictable grounded people who had apparently forgotten all about flight, my body felt heavier and heavier. With each step the weight grew on the sides of my head, the place where sometimes wings could sprout. The motor started to fade, the energy I had just recently managed to accumulate was already going away.
'How do I keep it going?' I asked myself. …'It's as if the gum I had been chewing started to loose its flavor. Why keep chewing it if there isn’t any flavor left?'
But maybe there was some flavor left, maybe I could still find it. Maybe the sun hadn’t stop providing that dazzling juice which I had called energy, maybe it was still coming down all around me, an orgy of generosity so overwhelming that it could only be ignored.
'Maybe if I try once again?'

I entered the office and was greeted unintentionally by a bunch of tightly knit eyes and serious faces. The entire office had gathered in the reception area. There was a large meeting going on. One of those monthly meetings where they discussed revenue, premiums and profit and other stuff I still didn’t understand or care about. I couldn't bring myself to understand or care about these things, even if I was supposed to care, even if was supposed to understand. I couldn't find the handle that would make these things appetizing.
The others gave me a quick glance, then quickly returned their eyes and attention to the standing man who was talking. He was giving them, (or us I should say, as much as it is difficult for me to conceive of myself as part of this particular structure) the news of how much money we were generating by our dally confinement to a desk chair.
'Well, it's all the same, it's all about energy. How much we make, how much we use, how much we generate and get in return.'
Since I didn’t care much about the results or performance of this particular machinery (even if I probably should have, even if I was supposed to), I returned my attention to my own energy. My own machine.
It was quite difficult to do this. The larger machine that engulfed me kept insisting on using my will as its fuel. It was a role I couldn't fully accept and yet I couldn't reject it either under threat of starvation and other unwholesome consequences.

The meeting finally ended (as all things end eventually, even if it doesn't seem like it at the time.) I walked towards my cubicle, and grabbed my coffee mug, as I usually do. I didn’t know if I needed coffee. (If I doubted it, I probably didn't.) But I did know that I had the habit of getting coffee every morning to start the day.
Before I sat for 8 hours straight in that chair, I liked to take a quick detour to the downstairs cafeteria. I would meet the Mexican ladies that worked there, serving drinks and food to the many creatures like me who were serving an indefinite sentence in this luxurious prison. I liked to chat with them every day. I liked to be reminded of my origins, the rhythms of my early thoughts, the melodies of my most basic language.
I liked to speak freely in Spanish with them. There was something so comfortable, so honest, so naked, and so delicious about it.
Inside the office I felt as if my origin had to remain hidden. I had to wear a particular uniform (the uniform of executives and executive assistants, which only pretended to be free but had very distinct rules in its practical application.) I had to speak a foreign language and I had to speak it in a particular way, modulating my voice to be comfortable but not too casual, firm but not too harsh. I was always adjusting my appearance to maintain a particular illusion for the sake of the others. (I didn't have a name for this illusion, but I had learned to recognize it, I had learned to create it. I could taste it, I could sense it all around me like a palpitating mouth made of metal and electricity.)
All this work on maintaining appearances could get very tiresome. Downstairs with the Mexican girls that inhabited the cafeteria I could briefly drop the disguise and breathe calmly, even if it was only for a few minutes.
There was also another distinct flavor to our conversations, something that set them aside from all other conversations I could have within this building. Sometimes we remembered our childhood, our lives back in the lands of brown dust and bananas.
We all came from underdeveloped countries, places where people are very poor, not too well educated, where people struggled to survive from day to day. These were places where life was quite difficult, where life is still very difficult to this day, much more difficult than anything experienced by the executives that surrounded us.
We shared these memories with each other. While talking to them, I would remember that I was in the distant United States, the pearl of the North which beckoned to all of us from the distance like an emerald city in the horizon. I would remember "Estados Unidos" with all the implications those words carried, the good and the bad, the seductive and the fearsome.
I would remember that I now lived surrounded by gringos, gringos obsessed with “making money,” gringos obsessed with "looking good," gringos obsessed with "getting ahead of the pack," with "being on top." They all had it so easy! They grew up without any real obstacles, certainly not the kind of daily obstacles we knew! They had time to get a regular education, they had the luxury of being picky with their food, they could indulge their days in cuddling their overdeveloped self esteem.
We, the Latins, we came from poor backgrounds where people struggled to survive. By remembering how different our lives had been, we remembered how strange this place was. By invoking our Latin sisterhood, we also invoked the foreign, we made it come out into high relief. The foreign was all around us, the foreigner with a different language, the foreigner with a different understanding of life, the foreigner with different ways of seeing.
I was now part of that foreign world. I worked among them. In many ways I was one of them. But down here in the cafeteria I could see them once again as the Mexican girls saw them, as I once saw them before I got too close.
As I mentioned already, I liked to switch dimensions. Talking to the Mexican girls allowed me to do so. Ultimately, by talking in our own language, we invoked the sun of our tropical countries. The damp heat of a day outside in the open air, surrounded by palm trees and mangles and wild vegetation growing freely around us. Our feet remembered a ground of raw dirt, instead of ceramic tiles, where we used to wear sandals every day instead of high heel shoes.

I left the girls and the cafeteria. I could only have a brief moment there and the moment had passed. I walked back to the elevator, coffee in hand. As I was approaching it, I noticed a girl I knew. She was a Salvadorean like me, another Salvadorean who worked undercover in these regions of quiet greed and silky hardships.
I had learned from the Mexican girls that she was from El Salvador. I had talked to her before, thinking we would connect at some level. At the very least, we would be able to relate to each other based on our common nationality, our related memories. On top of that, given that we worked in this same building our jobs were probably very similar. We had come here from almost the same place, to do almost the same thing.
It was as if she was a mirror of me, a reflection that had sprung from me a long time ago and I was now finally coming to find her (or was I the reflection and she was the original? was she the one finding me?)
Based on all these various similarities, I figured our contact would come smoothly and easily. But, in practice, it was not so easy. In fact, it was awkward and easily broken. There was no clear reason for the difficulty that I could see.
The few times I talked to her, I found that she was making a strong effort to avoid talking in Spanish, an effort to maintain her ‘office-English speaking-persona'. She would hardly ever speak Spanish, or say much about herself to me. Maybe because those few times I saw her we had been surrounded by other people in the elevator, maybe the presence of those alien eyes forced her to hide her true face.
But this time, we were all alone in the elevator. It was only me and her. I felt very free to invoke my Salvadorian nature to her. I was already vibrant with its tropical syncopated rhythms after talking to the Mexican girls in the cafeteria.
I asked her how she was doing, how was her baby, how was everything. I asked it all in a very Salvadorian way, emphasizing certain syllables, dropping certain vocals, shifting certain consonants. I wanted her to come out and speak to me in Spanish, in our language, the language that drags memories back out of that place where we have left them, our home, the turbulent chaos where we grew up, where we played, where we cried and suffered, where we had our first living taste of reality.
She answered all my questions in Spanish. We exchanged questions back and forth for a few moments. I could feel she was getting comfortable talking to me and that made me happy. In the middle of the conversation I realized that I had never asked her specifically what she did, what kind of job she performed within the building.
The elevator kept going higher and higher, my stop was coming soon. So I rushed and blurted out the question that had taken up space in my forebrain:
“Y en que es que trabajas?” (What do you do for work? )
She replied almost immediately.
“Yo trabajo en…” ( I work in…) “….en, …en” (in...in...)
I realized she was making an effort to say it in Spanish. I had forced her to switch to this dimension with me and now she was having a hard time remembering how to describe what she did in the language of this other dimension. It was as if I was forcing her to change her currency from dollars to colones and she was having some difficulty doing the calculations.
“Trabajo en….” ( I work on…)
She made another effort, but the word didn’t convert easily enough. She still had to work on it a bit more. Her face showed the amount of effort she was going through.
Suddenly, the elevator stopped. The doors opened. I said to her:
“Me lo podes decir otro dia.” ( You can tell me another day).
But just as I stepped outside, she yelled at me in a voice full of sincere triumph:
"ENERGIA SOLAR!!" ( SOLAR ENERGY).
She said it just in time, right before the doors of the elevator closed, sending us both back to the foreign dimension that was our daily residence.
My mirror reflection had just confirmed my thoughts of the morning, in a manner too oblique to explain, too complex to repeat. I had inadvertently switched dimensions once again. You know what I mean?
As I walked to my cubicle, I looked at the thick windows, at the bright sunlight that managed to make its way through them, at the living energy that was so easy to miss unless you shifted your way of seeing, so invisible unless you flipped the switch.

New Eyes

2011-06-18T23:22:00.000-07:00

I looked through his eyes and the world took on another color. The trees were tinged with a bit more orange around their pointed tips, the sky seemed a tad more shiny, just a few degrees brighter than the way I remembered it being.
I had lived with a slightly dull sky, clouds that were white and trees that were green and yellow. Color was a thing which was learned, like religion and dining room etiquette. We had been a family of green and white and pale blue skies and now that my vision had shifted, it was not just the hues which had changed.
My breathing was somehow heavier, coming from deep in the pit of my stomach, deep in the bowels of this creature I had come to know as myself, but it was all different now. A heavier breath pushed my lungs out and up, my mouth had to open to compensate for the highway of air that sought to escape. Each inhalation came with a ringing tone, a sound only audible to me and the tiny birds in the trees just outside the window.
I had stepped into his skin, taking on a new set of habits, just as deeply imbedded in the fibers and filaments of his being as the ones I had somehow, wonderfully left behind. Baggage left in the train station, I no longer needed it. I was free of myself.
My morals, my interests, the groups of words and movements that could have been described with my character, all of them were scattered letters now without a source of light. Things which had been. Bright stars that had fallen, finding themselves now without pull.
Nothing I knew would work now.
But light seeks a source, and soon I flowed into him. I looked for a door, a small little door that I could jam open with my shoe while I sought to understand. His motivations and secret desires flowed, moving through me, up through the pit of my stomach into the wide open highway of my mouth that was his breathing. I was him. I was me, no longer able to distinguish the me that was with the me that is.
The outside world is no longer relevant. Convention, morality, right and wrong, they were for the rest of them, for the masses that submitted and followed without question, without a chance to ever fully become and blossom. They would stay like closed up rose buds on a thorny branch, waiting for a sun that was forever blocked by clouds.
Dreams were different. The nebulous figure of mother. Harsh, imposing icy looks that lasted for days. A kitchen filled with every needed implement of torture. Skies that could only bleed red.
I cried in the mornings. They were no longer his dreams, they were mine. The day was different now, the colors of the trees changed. The sky became purple, the birds no longer sang.

The King

2011-05-31T01:00:00.000-07:00

What is the king like?

The chorus rumbled, loosening the answer from their stomachs, letting the deep sounds and grumbles manifest into words they knew the crowd would recognize. Things formed. Small things turned into larger shapes that had tails and wagons and little bits of paper that drifted after their tails like sparklers on a warm summer’s night. The room cleared of other thoughts, waiting expectantly, patiently. Silence rumbled from the stone floors and the mosaic tiles along the walls, waiting. And as they waited the things edged forward, the sounds moved into formation, and then the tongues sprang to life, knowing where to go, how to move.

What is the king like?

The answer came.
He’s arrogant and proud and likes the best things of everything. Deep red wines looking like fresh blood swirling in a crystal goblet. Satin sheets for him and his room of full-hipped lovers in little more than colorful scarves. He takes milk baths and freshly made goat cheese served on bejeweled platters. His world is that of comfort and opulence, pride that manifests only from his material power and earthly wealth.

The king? He cannot see that death comes to all, then beneath all spun, golden robes, beneath all skin are bones and flesh that eventually, sooner or later, turn to dust. Blinded by his gilded palace and bountiful gardens, his earthly finery and servants responding to his every desire, he has forgotten that death comes for all things.
One day he will take his last breath. He is not prepared. The core-shattering moment will come, it will come like a new dream and he will look out over the abyss and see that his life was full of things and pleasure and matter, but it was devoid of help.
Help would not come from slaves and servants and the maids of his palace. Help would be uncomfortable, it would pull at the self he had created, it would twist him in all directions, leaving him panting, looking for the window. But he has no help and he takes his luxury for immunity, but death does come.

He cannot see the moment, but the banished witch in her hut watches the events in the smoke of her fire. She can see his gasping last breath, the moment of transition when he truly realizes the time he has wasted, that he has done nothing that will take him towards the clear light of awakening. She watches the curling twists of smoke, knowing she cannot help him, for one must seek help.

What is the king like?
The chorus takes a breath of air, preparing for the next stanza. Again, inside, their answers release themselves from the inner walls of their bodies. They merge deep inside, then find their way out into the air in recognizable form.

Miles away from the thick woods and icy river and old witch, far down the path that turns to gold by the wrought iron gate of the castle, lives a king who is blind to the clear light. In the middle of spring, two days before the new moon, two lankly and well dressed men arrive at the palace gates. Seeking an audience with the king, they claim to be tailors of the highest order. Their credits include royalty throughout the old world as well as the new. Across the deep oceans of the globe, the most important men wear clothes made by their hands. Their secret is the magical cloth, they tell him. Cloth that can only be seen by the most deserving, royal, important men, all others are blind to its magic and colorful wonders. The king, knowing himself to be a man of the highest order, has the tailors make him a new set of clothes for the upcoming spring parade.

What is the king like?
He is dying, not from disease or old age, but atrophy. He breathes, but he dies. He lives, but he does not work, there is no world for him beyond matter. The skeleton behind his meaty cheeks has turned into vague promises he does not intend to keep, promises of the real, promises of a day that will be beyond his control. He cannot imagine such a time. His coffin is empty, for he does not believe in death for the glorious.

After many weeks of working in the stone room on the bottom floor of the castle, the tailors finish the king’s new clothes. In a room full of mirrors, they help him step into his beautiful new pants, his fabulous new shirt and electric robe. The tailors smile and nod, congratulating themselves on a job well done. But as the king looks into the mirror, he sees only thick bare flesh.
“Now you are dressed as all important men should be! And remember, only the truly deserving will be able to see your clothes, this magical cloth reveal true virtue.”
As he looks at himself, naked and covered in patches of thick hair, he nods, remembering his position, his stature, his glory. He begins to nod. “Yes! What fine work you have done! Amazing! Truly a work of art.”

What is the king like?
He is covered in the veil of his habits. A thin, silky veil that blocks out light. It covers him in worn patterns, making his sticky flesh turn to stone with each repeated thought and gesture.

With his new clothes he walks proudly into the square just beyond the iron gates to the castle. Nearly all loyal subjects of the kingdom are gathered on each side of the golden road that leads eventually to the river. Man, woman and child crowd to take a look at the king.
They all hide their surprise as they see him stride confidently down the road without any clothes. By the tallest black walnut tree one small child, no more than five years old, cannot hide his surprise as his parents do:
“The king is naked!”
The witch can see the child is not dead. The child is not stuck in patterns made of stone.

Essence

2011-05-16T00:58:00.000-07:00

The question was asked, and I skirted it like a child running from a wave moving quickly across wet sand.
What is my nature? Too many things cloud my mind, opposing thoughts, statements made and then refuted. I search through the mess, looking for a simple answer. But even that word hurts to look at, like a glare from the sun that could burn to the core of me, making me blind and sweaty and full of hardened thoughts. And so I run skeptically, chasing foam and seawater though staying clear of its chilly touch. Every answer is a guess. But maybe that’s fine, just a tiny lap of water on my calves won’t hurt.
And so what am I?
Am I the moving arrow? The thing moving through time, the constant motion of work.
Eternal.
And this thing, this essence... I truly search for some word, anything to describe it, but it slips through even the most outstretched part of my mind. This thing invisible yet tangible. This thing, quiet and eternal. Energy. A lost sentence made of color, shape and turns.
My function? I am the vessel, the thing through which creation moves.
I am the open door, the portal to the other sides, the other places, the realms where there is different knowledge, knowledge without facts and dates.
On earth, am I the Other way? An example of something else, one of the many paths.
I am another option.
Am I the fish in the river, a creator on earth, choosing time over money?
Colorful, lazy, moving, working through tears, watching sunsets and computer screens.
Am I the future teacher, now the student?
I am a link in the chain, a pink tile in the mosaic of our lineage, another vessel that leads forwards and back. There are truths that cannot be explained, and with each small remembering, I become a stronger link into the past, connecting to the future that waits for my return.
I am the door.
I am the dreamer alone in my bed. I am the dream of another playing with fire and paint while eating donuts. I am the being that struggles under a cloak of confusion and learned rubbish.
I am the vessel, the fleshy pot holding something precious inside, the thing I have glimpsed rarely. This thing that I cannot describe, the essence I search to understand. I am the hidden, the cracked door. The flickering light.

And so I play with the thoughts, searching slightly for something, something, anything.
There are a dozen question marks behind my thoughts and each answer depends on the day, on the rain, on the mood in which I sit and listen.
A thousand changes and the questions turn in on themselves, becoming laughter blowing in the wind, a hint of jasmine as we tilt closer to the sun once again.
My essence is the shifting of time.
Constant.
In motion.
So close.
Yet somewhere beyond the stars.

Recognition

2011-04-13T19:45:00.000-07:00

I walk the edge of understanding. A thin line with nothing below but life itself. I see it like a bird. The world we make with bits of mail scattered on the floor, string in the kitchen, cobwebs on the front stoop. It is where we breath and laugh, cry and scream. A life we are used to, one we know, one that stays. Earthly life with its marked streets and simple maps and clear colored markings. I walk the edge, balancing even as I sit cross-legged on my tan carpet, teetering. I look forward, into the speckled world of dominating blue and light washed hues.
When you sit in front of me, our eyes on each other, the room palpitating with yellow and whispers of bright explosion, my mouth on the verge of laughter, I look into you, into the you that is beyond me. I know then, for a simple true moment, you are the Other. You are Other. The word, making more sense than it can, than it should. The word, with all its explanations and discussion finally culminating in one moment, coming like a surprise wave out of the darkness, still focused for all its strangeness. It is recognition, taking me beyond the word, into gnosis.
Now as I write, so long since our last exchange, I sit in an empty auditorium. The chairs without people, the room full of judges. The many eyes of myself, staring into the empty stage, finding only me staring back.
I walk the edge, a clown balancing the egg of simple truth. I see you, your eyes, opening wide in the late morning sun. While what we know as life continues beyond the walls of our chamber, there is recognition. You are the Other. The boundary of my solitary stage is broken, for a moment, I am not in this room alone. I see you for what you are. I see the word, alive in experience. The light begins to shift once again, darkening the area around your face. My eyes are fixed, locked softly, somehow, on yours. There are no lines to define your shape, no word to describe your presence. There are only colors, vibrations dancing on a spectrum of perception.
One pure bit of experience, a simple understanding that we have tried to allude to with words and music and images that flicker across a screen. For one second, sometimes, bright in the morning, all of it, the explanations, the text, the examples, they all fade away and I see that the Other is right here, sitting in front of me, looking into my eyes.

Him And Dogs Like Him

2011-04-09T15:43:00.000-07:00

Supreme transit, it’s the nearly invisible vehicle in which opposing thoughts share the same metal lines, they move on a whim, crisscrossing the country, converging in neural networks with hyperbolic speed. In white and black robes, with little red books tinged with gold leafing and yard sticks that poke out from their underwear, they move through time, piggy-backing on waves of political enthusiasm and newly-sprung militia groups.

It was happening now. He could smell it in the air. They whispered ‘constitution’ under their breath, the letters reeking of coffee as they spat out the word with religious zeal. They coughed up those letters, spilling the 2nd as if it was word inherited directly from an ancient bearded god.
Francisco was covered in the pulsing blue light of the nightly news, he watched every station, clicking through them in random order until he fell asleep just after10. As he fell into dreams that bulged in their shape and color, he wondered why those men in the news always waved the 2nd Amendment around like a flag.
What about him?
He saw those same people aiming, shooting, trying to take down his children’s right to citizenship, his grandmother’s right to drive to the mercado. They pulled the trigger, firing at sympathetic senators and congressmen, the black suits had jumped ship, leaving him and his family in the sun.

They all sweated, not just from the heat that had bleached even the heartiest saguaro cactus, but fear also dripped down their cheeks, glistening beads of worry dropped off their cracked chin.
Another gun went off, clack! in the night.
Everyone here owned a gun, all the white men that lived in the low foothills and the ranchers that wore red white and blue flag shirts. Yesterday he found his own American flag vandalized, the one that sat beside his Mexican flag.
No they didn’t sit, they waved in the breeze that seemed to come from the lowlands of hell. Pure heat to dry the beads of fear dripping down grandmother’s chin.
The dog lay on the ceramic tiles of the kitchen all day long, living in blissful agony, giving no thoughts to rights and amendments and the news stations. A dog was a dog was a dog. Mexican, American, Indian, dogs responded no matter what color skin delivered a bowl of water and a soft caress.
A dog was a dog was a dog. That’s how they thought of him, his family, the people with skin that looked like his.
A dog was a dog. Those men in their white shirts with guns at their waist, they thought all the browns were the same – Mexicans- a word that described fear instead of a country. A word that was just as ugly as the coffee-scented breath of its speaker.
No, they had come from farms in the valleys, from cities with museums and towns without plumbing, from mountains that touched snow and from the crashing Atlantic ocean. From the central umbilical cord of two continents and the southern hemisphere, from the highlands and the valleys and the places in between where women wore embroidered blouses and woolen skirts and carried babies and chickens alike. They were not the same, but they were linked by one essential quality in the eyes of those men with guns.

He saw the advertisements every night. He saw the guns in their holsters, the posters that could intimidate even the most hardened politician.
The men with the guns knew where to aim. The targets were set, they took down what every man in a suit wants most, pointed the barrel right at the pounding heart of power and squinted an eye. They aimed at those politicians sitting pretty on those shiny leather office chairs on perfectly clean plush carpet. They aimed, and- clack!
There were not enough shelters to hide the tears. The rivers flowed from Fernando, out past concrete dividers. When the insults came, causing the floods to mount, he lost it all, all the salt and all the water. It flowed from him a storm that dried on bleached sand, drying instantly in the land without rain.

He saw their guns, felt them pointed at him, at his family, at people with his same skin. Though nothing had really changed, he had become the villain. The constitution to which they always pointed, that 2nd point that they waved higher than flags, that constitution didn’t apply to him, not to him and the dogs like him.
Their policy was to shoot first. The targets were set, not one, or two, but the millions like him. How they loved their bullets, how they hated his music and food, the smell of his clean clothes, his daughter in pretty pink dresses, his tacos and beans, his lawnmower and round sweet wife, his son in school, his language and the rolling r’s of his tongue. How they hated him and his dogs, him and his enthusiastic use of English and the small home he painted every five years.

Them and those guns, them and the rights that they asserted. Them and those rights that they would deny him, the ones they would deny his children if they could. That Second Amendment they held tight to their heart, those words that they would spit forth, smelling like coffee and disfigured prostitutes, they shaped the world as they would like to imagine it, saw their chosen right as immovable while others were flawed. If his rights were not written in stone, then why did they scream for their guns?

Why did the men of highest power remain so quiet? Gently stroking their hands, rubbing their toes together, waiting to see what the tide of people would endorse before they walked to the microphone and made a statement.
They were always so scared to have an opinion. Only the men with those guns were solid in their statements, they were the ones that never changed, maybe they were getting harder, turning to stone, they were certainly never afraid to scream, their guns talked for them, clack!
Hitting his neighbor in the chest, taking away the breath of that young girl on the border, taking her father too. Their guns talked and not only did they have the right to have them, they thought they had the right to use them, declaring people like him the enemy. Turning his mother, that thick tree that bore a dozen lives, turning her into a villain, into a criminal deserving of a bullet. His children, turning them into aliens with only one signature.

He looked around with tear-stained eyes, unsure when it would stop, maybe now that the devil had sprouted naked from the ground. He wondered if it was ever gone, or had that dusting of sulfur merely hidden in the shadows, waiting for the perfect moment to come out the red door and find them.

He was now a criminal and the ones with the guns were free. The ones that murdered walked around and waved their striped flags and they would rest on the constitution like it was made for them alone, forgetting, perhaps never knowing, that this actually used to be his land, his and the dogs like him.
They didn’t knock on the door, they came in the night, that huge group with their guns and disease, their sickness that would spread, killing their enemy with only a coffee-scented breath discharged in their direction.

The movie had not changed, not a bit of dialogue had been altered. The policy, the billboards, the country and its actors. They smiled on those shiny posters, looking out at them, at that dried land and the browns and whites that dotted the landscape, those with power and bullets, those that lived like dogs under the sun, crying salty tears that ran down grandmother’s face, tasting not of salt, but of pepper.

The Wild Song

2011-03-15T06:54:00.000-07:00

It came like a freak wave. Rising up from still blue waters until I was enveloped in its forceful arms. It circled me with fuzzy golden light, blotting out the details of room and life. Chair, computer, lunch, the garden outside beneath a happy blue sky, they all faded into a blur of colors that quickly merged into a hazy sun colored blur.
There was no room, no city. I was no longer me. I was a body without memory, free of everything before this moment. Swirling around me with abandon, particles entered without permission, moving through the barriers of skin and bone, dancing beyond the laws of physics. The eye, the strongest point of this thing that can only be described as a wave, hovered above my head. I felt it there, pulling slightly.
I opened my mouth, tilted my head back and I began singing.
I was lighter than usual. As it went into me, I reached up into it. Reached out with sound, higher and higher I sang, letting the notes roll out pure and free. Dancing on meadows, rolling in bed. They did what they wanted, went where it felt right.
They came from me, my children, I opened up and let them go without a worry clouding the air. My eyebrows lifted, my body arched as though in orgasm. I closed my eyes though I could still see the hazy golden light all around. I saw the notes, watched as they jumped up and out, finally free of their chains.
These were not the tentative sounds I usually choked out, a body gripping, somehow always scared of the inevitable fall. Timid, quiet sounds just barely louder than the refrigerator that struggled for equal attention. This was all different. Not just a new world, a new planet with nine sided stars and monkeys that spun sugar into gold.
This was a warm bath with a shout. Force mixed beyond the bounds of anger, for it was a gentle wave, an ocean storm meant to free every part of me. A gift that found me in a city of millions, picking up on my particular scent of sticky sex, woods and sweat.
I opened my eyes, but they were closed. I lay back, but I was floating. I sang, but as I sang I kissed every part of the wave. I reached up, my voice touching its swirling shape.
As I sang, any remnants of fear were a far off memory, buried somewhere without a marker. It was just openness that rose up to meet the elements, sound moving to air. Light to fire.
The human had finally fallen. This was song without death fear. This was love without the thought of betrayal.
This was something that came to me. Something that came from me, to me, away and up, into the golden colored wave that took me.

The Order Of The Factors

2011-02-20T18:12:00.000-08:00

I woke up this morning with a sense that it was too early to be up. It was a work day, but it wasn't time to work yet. I still had a couple of hours. I didn't want the night to end.
I had woken up at the wrong time but I was fully awake, all drowsiness had left me like water falling from a bucket, leaving it empty and ready for something new to come to fill it.
I looked at the clock and saw that it was an hour and half earlier than the time I usually woke up. A pain on the side of my hip had been bothering me for several weeks. It wouldn’t let me sleep for long no matter how hard I tried. I tossed and turned during the night, repeatedly pulled out of restless dreams by the recurring shocks of deep pain coursing through my body like tiny messengers wrapped in red flame.
I was wide awake but I didn't get up from the bed. Instead I lay there, vainly trying to understand what had just happened. My eyes were open but I just stared at the gray ceiling in a kind of dazed stupor. The questions that invaded my mind didn't have enough of a clear shape to require answers. Instead they just floated through my consciousness, mute witnesses to aftershocks of searing pain.
Without saying it to myself, I was making a last ditch effort to sleep some more, to find some remaining crumbs of restful peace before the day actually started. Maybe if I stared long enough, sleep would overtake me and I would recede into dreams for just a little longer, enough to let me flee the looming and unavoidable reality.
But my efforts were in vain. I was wrestled out of any remaining sleepiness by my insistent thoughts, by my shapeless questions, by my undefined images.
I looked out the window and saw that the sky was still dark, a dark blue fading into a lighter grayish color, a heavy night that was slowly but stubbornly changing into another ephemeral day. A touch of red was timidly showing up in the distance, over the roofs of the Victorian houses, all the way to where the very top of the Golden Gate Bridge could be glimpsed surrounded by white shining fog. A clear promise that the sun would be coming soon. Unusual for a city as foggy as this one.
I decided to get up and do something I hadn’t done in a very long time: I would watch the sun come out, I would watch it unfold its warm morning light over the city, a spectacle I once enjoyed in my youth but which had been nearly forgotten with the passing of time.
I stood up, went to the closet and picked some sweaters and shoes in case it was very cold. It's usually cold in this city where I live, very different from where I grew up. I'm still not quite used to it. Something inside of me still wishes it was different. As if the weather would follow my wishes, as if my wishes had a grain of objective truth hidden within their multiple subjective folds.
As I went through the choices in my closet, my memory went back to a particular day in the past. I couldn't remember the details of the day. I couldn't say what had happened or what I had been doing. I could only remember that I had been looking for something. It had been a day when, no matter how much effort I put into my search, I couldn’t bring myself to find that thing which I was looking for. I remembered that I eventually found a solution. The way I finally did find what I had been looking for was by sitting and contemplating the world around me for a long period of time. Quietly. Softly. Subtly. Without rush.
To contemplate in length seemed so easy, so simple. And yet I had not done anything like it in such a long time. Like waking up early, like looking at the rising sun. Things I had forgotten.
When I first moved into this apartment, I made sure I went out to the balcony early to sit and contemplate. I would do this for at least thirty minutes every day before engaging in my daily routine.

I kept this up for a while, until one day I suddenly dropped it. I couldn't really say why. I can't even say for sure that I noticed when it happened. Suddenly it was gone. Like so many things, it just fell out of rhythm, out of step. Maybe I didn’t get that much sleep the night anymore, so it was harder to get up early. Maybe I was just too lazy one day and I preferred the warmth of the bed sheets. For whatever reason, one day I didn't do it. And then one day turned into two, and two into three, and soon my thirty minutes of contemplation were gone and forgotten. Like old shoes or lost memories.
Today I once again remembered. Why did I remember today? I was struggling with pain all night, pain that wouldn't let me sleep. I couldn’t go back to sleep even when I tried with every trick I was aware of, every trick I had been taught.
It then occurred to me that it would a good idea to do that thing I used to do. The pain didn't allow me the easiest route so I had to pick the next option in its place, a route not so easy but full of its own rewards. As simple as that. So unpredictable. So completely beyond my conscious control.
I geared up and went to the balcony like I used to do.
Now the sky had more pinks and oranges than earlier, the darkness had disappeared rather quickly and had left behind a glowing whitish blue that suffused everything with its freshness and light. I heard a bird singing in the distance, I heard the honking of a bus coming from a few blocks away, I heard the tinkling of a little boy's laughter, I heard the murmur of a large sprawling city that was slowly waking up, maybe lost in its own city thoughts, maybe struggling with its own kind of urban pain that forced it to awaken from its concrete slumber even if it would have rather stayed asleep a bit longer, even if it wasn't quite finished with its strange city dreams.
I stood there looking and listening. I noticed my mind getting distracted, a stream of thoughts trying to explain what was happening, what I was trying to do, why I was doing it, how it would happen.
"Focus your mind on what you are seeing, don't worry about your tasks for the day, don't worry about what happened yesterday, don't worry about what will happen tomorrow, just place your mind on this that is in front of you, I just have to remember that one project that is due, I have to remember, I can't allow myself to forget. I just don't have to remember right now, right now I just need to look, look at all of it, but I should make a note, a mental note, but I have to set aside the mental note in order to look, look openly, look without thinking, just remember to get the laundry later, remember later but forget it right now..."
I slowly slid into disappointment. I was disappointed with myself, very disappointed, disappointed because I still remembered, I could still remember what it had been like once. I remembered that I didn’t use to do this before, I remembered that my mind had once been quiet, I remembered that I didn't have this long train of thoughts invading my sacred moments of open perception.
This didn't happen before. I used to contemplate and feel…feel and absorb all the beauty I could take into me, without getting distracted by explanations, without being pulled by responsibilities, without being shaken by running thoughts about obligations and random tasks. I could just sit and look and absorb. I got very disappointed and the dark disappointment just added to my struggles, a speeding downward spiral, a sliding avalanche of negative emotion I couldn't stop or set aside.
I opened my mouth to take a long, deep breath. I went back to a particular memory from my childhood, something I always wished for, something that always made me long to go back, even if it was only to live that one little moment, a tiny scene from a not so pleasant past.
I was probably 10 or 11. My father had promised to take us to the beach the next day, but only if we finished our homework in time. I loved the beach, I was really excited to go, but I had a lot of homework to do and I wasn't sure that I could finish it in time.
I made sure that I got up very early to do my homework before the trip. I jumped out of bed as soon as my eyes opened and I picked up my school notes, ready to start working. The homework was to fill a sheet of paper with the following phrase:
‘The order of the factors doesn’t alter the result’
The teacher wanted us to memorize this by writing it many times on a piece of paper. This was the way we were taught back where I came from. Repetition and repetition and more repetition. Rhythmic cycles of linguistic instruction, calculated to drill thoughts into a young mind overpowered by constant change.
I was getting ready to sit at my desk to do the homework, when I noticed that outside the window there were some extremely beautiful colors, shifting and shining and sliding and twisting just outside the glass.
I got on top of the desk so I could look at them. I stood up on the desk right in front of the window, my eyes wide open, my mind wide open, my attention wide open.
I saw the sky turning from deep black to shining orange and then to bright blue and white… I saw flocks of birds flying by, I heard the noise of some of the people in my house waking up, my father walking to the bathroom and yawning, my mother turning on the stove while whispering to herself. I heard a car passing by with the radio on, I heard distant footsteps coming from a block away, the sound of high heels tapping on cement.
All of it fit in perfectly. Like an enormous jigsaw puzzle made of sound and light, a puzzle I had never before been able to decipher. Everything fit with everything else. Nothing was out of place. Nothing was to be discarded, nothing was to be occluded, nothing was to be set aside.
I saw some black birds flying in perfect formation over the roof of the house across the street, I heard roosters announcing the coming of the brand new day, a new day which I was a part of, a day which I was meant to live.
I was taken away by all this perfectly coordinated beauty for what seemed like forever. I must have stood there on the desk, looking out the window, for at least a couple of hours. And yet it felt like nothing. No struggle, no effort, no pain, no purpose. I had completely lost track of time while I looked out the window, time had ceased to run in the way that I was used to. I forgot where I was or why I was there. I forgot everything except for the beauty that was all around me, the extreme and perfect beauty that surrounded me from all directions, the vibrant breathing beauty that called to me, that made me feel welcome, that made me feel alive.
I found myself standing on the balcony now, trying to do the same thing I had once done so easily, that thing I had done which I never meant to do, that thing which just happened on a morning so long ago.
But I was running into serious difficulty now, I was stumbling and crashing into intangible obstacles. I was having problems with this thing which once had been so simple, problems with something that had once seemed to flow unimpeded, soft and smooth and natural. It was not so easy anymore, not as easy as it once was, not easy at all.
Maybe I thought about it a bit too much, maybe the thoughts of loss were like dark clouds that prevented me from seeing openly. Maybe I had lost the gift of simple observation somewhere along the way and now I couldn't say where or how it had happened.
‘I used to have the experience and not the explanation. Now that I have the explanation I am looking for the experience. I can only find it if I get rid of the explanation that I once worked so hard to find. The experience, the direct experience, just like a child, just like the child I once was…just like the day I was working on my homework and the morning went away in a maze of colors and sound and light… the order of the factors does not alter the results… the order of the factors does not alter the results… it doesn’t matter what comes first, the experience, the explanation…the order of the factors doesn’t alter the results…'
And the morning opened up before me, slowly but surely, while I quietly did my homework, the homework I was finally understanding for the first time, the homework that spoke in a rhythm of simplicity and recurring sonic beats, the homework I still had time to finish.

The Arms Of Sleep

2011-02-09T14:05:00.000-08:00

It is what she longs for, that big white cat. She just wants to curl up, let the sunlight warm her up, and then drift. Let’s just drift. Forget it all.
I want to forget. Forget the project, the articles, the words to write, the things to create, the music to make, the work to do that seems to rip at every part of me, making me visualize ropes and running and knives and parking lots in far away places where the night is cool and calm and no one talks.
I want to do all that.
She wants to do all that too, that big lazy cat. So let's take the road of sleep, that big fat white bed with its comfy flatness and thick blanket arms. Let’s just go together because it would be so nice.
Only, they won’t let me. They know what will happen to the big fat cat. The masses await. Their perfectly creased uniforms, their lines, drills, repetitive movement and cat calls. The deadening regimen. They know just how to invade, one dream at a time.
One little nap and then all thoughts become one. Soon there will be no dreams, no drawings or songs. One thought, it is just a train away, as my mom would say.
I shower and pack and sit waiting in my silk jammies, just ready to go. I am tired and the night is dark and cold and there are too many collages to make, so many videos that await my hands and attention. The list is so long, stretching not just through and over this lifetime, but into the next and then the one after that.
On a cold night like this, it seems like too much. The bed looks good and the cat, that big cat is purring, waiting for me to join her.
The train is going, straight to dreamland as my mother would say. They are all calling my name, don’t I want to join them? Their hands urge me forward, the memory of the endless drift beneath a world of warm arms, soon I won’t have to think and struggle.
Just get into bed and let the engines start. Soon, we will be among the masses. The starch, the formation, the highly scripted existence laid out like a simple map. It is all there, just outside the window.
Bodies without life. Smiles without purpose. Breath without creation. It is all right outside.
My cat is there, waiting for me to slip into bed. Just for a moment, just one little nap.

The Mysterious

2011-01-09T03:07:00.000-08:00

I see a thousand mirrors in all directions, all obscured by a thick fog that emerges from my own eyes.

The mysterious engulfs me. There are no final answers, or maybe any answer at all will do. (I know this.) (I don't know this.) There are no reasons that can't succumb to cruel twisting by my restless mind. I can stop myself from doing or speaking occasionally, but my thoughts run through me unbidden, like a horde of unruly children. They make reality in their image. They create the dark funhouse through which I now roam, eyes peeled open, hesitant, unsure of the next step.

There is so much that is completely out of my hands. (I know this.) (I don't know this.)

I hear the sound of a chainsaw up on the hill that overlooks my home. I hear it come and I hear it go, then I hear it come again. I picture the man using it, I picture a thick piece of wood breaking in two. I feel the deadly vibration of the metal blades. Lethal danger and usefulness in a single vibrant machine.

These things I do, these things that I leave nameless, they never had a safety seal. To truly live- to be truly alive is to awaken to that which is uncomfortable, scary, and dangerous. (I know this.) (I don't know this.)

The outside world, the concentric circles of wonder and danger, it is all ruled by that same incessant clamor that dominates and defiles the fragile sanctuary under the dome of my skull. The twisting habits of my mind call things to me in secret, without my consent, making of me a sleeping witch, a conjurer of illusions which can only fool me in the end. The unspoken things die away in the world of endless electronic babble.

The universe outside is still wild, uncontrollable, and unpredictable. Stars are created and burst open into cauldrons of silent destruction, earthquakes ejaculate fire from the depths of the earth, humans continue to die despite modern technology and all the disposable prayers of all the corrupt religions that cover the planet.

Through the wall, I hear the neighbors bickering for the remote. I hear them often.

There is danger as the machine perceives a threat, there is danger while moving against the current, there is implied danger whenever something happens, almost anything at all. The perception may be very subtle, as subtle as the touch of a single current of wind slipping through the cracks on a window, a voice through a thin wall.

There are things without name or face. Lacking these qualities, they borrow names and faces from the storehouses of my mind, long corridors of dusty boxes and broken toys. When the borrowed guise no longer suits their purpose they vacate the shapes and sounds that once clothed them, and I am left with their empty shells, shells that refer not to their nature, but to my own, as it is from my nature that these shapes were borrowed.

The mysterious is forgotten, denied, wrapped in linguistic structures. When it shows its face I will call it an exception and the enduring rules will be maintained. Maybe it is the other way around. It is the bugs, the quarks, the exceptions that are the rule and my desperate attempts at order are the exception. (I know this.) (I don't know this.)

Maybe I was once a tribe. Now I have been broken into small nuclear units in a larger world, units weakly held together by national borders, language, government.

Instead of embracing beauty in an existence of chaos and moving artfully with the flow of energy- I struggle, I crave safety. I let others decide what is good and bad for me. Laws are crafted in far away rooms- old dying men determine what is legal and illegal, moral and immoral, good and evil. I take it in and abide, sometimes shaking my head, something nodding as I slide back into sleep.

There is a flock of birds outside my window competing for scraps of bread. Their cries are shrill and pregnant with desperation. Not unlike my own cries of need when a wave of energy has become too much and I find an urgent need to release.

My brittle fortresses of order will eventually crumble. (I know this.) (I don't know this.) The hot breathed broken faced Real will lumber and slither and dance in, wreaking havoc over my bones and rambling thoughts, thoughts now bodiless, flowing out free as they once were, broken up, discarded, bits and pieces of moments that will never be together again, not in quite the same way, raw matter to be absorbed into the icy turbulent endlessness of the Real. I am always grasping for answers and peddling them and buying them and clinging to them, but they are only words clung to in desperation. (I know this.) (I don't know this.)

Maybe when I look I can’t see the contour of my face or the glint in my eye, but as I hear that bird chirping like a metronome at 5 in the morning, as I see school children running to the white ice cream truck, the mirror reflects more than the skin over my cheekbones, more than the black sphere at the center of my eyes.

I am hiding from the true answer, I am always hiding from the mysterious abyss that looms beyond the constructs of the tongue. (The tongued mind wagging furiously as though it could fan off the eternal with its chatter.)

I have never been free of the mysterious, it was always clinging to me like a skin. But some part of my self, some part of me, recoiled from it and began to spin the great con to hold it at bay.

Deeper even than the body, reflected back are the habits I carry from form to form. Quick moving bursts of energy that move in cyclical patterns, shapes that are hard to grasp, but I can see their trail. Fallen timber, cyclones of anger, streams of tears. If I look, I can see the path of each invisible impulse, like subatomic particles in a cloud chamber flying towards unknown destinations, leaving behind a record of their passing.

Safe, protected, secure, assurance, solid, invulnerability…
these words have cloaked me in artificial meaning and false structured reality.

If I claim to have answers, I am once again a liar, an artisan of the con. Always. There are no exceptions. There are no answers. No words that can hold the Real absolutely. (I know this.) (I don't know this.)
All that I have experienced has been a play of consciousness. There are no reasons but mind, there are no words but sound, there is no band but only silence.

Lusus Naturae

2011-01-06T02:51:00.000-08:00

They were born with legs but no arms.
Arms but no legs.
A body that stands alone.

There were pinheads and worms, bearded women and clowns.

We watched with fascination though slightly cracked hands, watching with horror, watching with sorrow, looking with a mixture of disgust and pity.

The claw-footed man. The freak of nature. The DNA that mixed and morphed. The body that was tangled and torn. Beneath the tent they were the wonders of the world.

The amazing twelve fingered man.
The magnificent musical stylings of Max, Block Head.

We came for the hot dogs and cotton candy. Came for the beach. The waves and sun, the slides, the lights.

They hide, not in the shadows as we would all expect, but beneath colorful canvas tents that announce their arrival. We wait for the right time, letting the lollipops sit, letting only parts of our imagination wander into the tent. When we finally move through the parted doors, we find nature staring right back. Birth and bodies in all forms, hands that have twisted and turned into tails. Legs that are arms and hands that are ears.

Their bodies point to our own destiny. It is not all two feet and two hands. There are variations in the middle, some that twist, some that never separate, some that never grow. I look into the mirror, looking through cracked hands that cover my eyes. They are words, those bodies, those things, they are words stripped of love by the candy-eating crowds.

They watch us through bars, through social walls made of heavy brick. Babies stare, mothers cry, I watch through the thin cracks between my fingers. Cross yourself and pray. They move from field to field, town to town, carrying their lions, their tricks, their wonders. They are the freaks, sparking stares and quick glances, sudden bursts of curiosity and horror.

This ticket allows me to look. For thirty-five minutes and a paper ticket we stare at the distortion of nature, the wonders of the planet, the amazing freaks of the sideshow. One ticket and the world opens its sleepy eyes, the people that hide from missing toes and extra eyes.

We who call ourselves normal, who hide our perversions and defects. We who have no extra arms, but carry everything inside that begs to rip apart and turn into evil eyes and sword swallowing demons. All of nature twists inside us, turning and re-combining, turning us into mutants.

Soon I will don my silver sequined hat and fishnets. Soon I will be Lydia the tattooed lady. Soon I will be the wondrous mystery from Egypt, the gypsy with three eyes, the mother of twenty snakes.

Soon the hidden cracks will leak, the hands will spread wide and our true selves will pour, decrepit and slow, hissing as we meet the wind. There will be secrets and slime, muttering and new positions added to every act. Soon it will all begin, but for now they stand alone, the freaks beneath the red tent.

Certainty

2010-12-26T18:02:00.000-08:00

The house was shining with the bright light of a brand new day. The cream colored curtains floated like sails beneath the golden light of the incoming sun and yet the room was ringing with crisp cold air. The thick Persian rugs did little to deflect the chill of polished wooden floors and pale-green walls. A TV was on. A young girl sat on an overstuffed couch, absorbing the sounds of barnyard cartoon characters while she slowly ate her breakfast of fried rice and a single peeled banana.

“What!!??”

I looked at the girl on the couch. I saw her little white hands with palms facing upwards, the same way my grandmother held her hands when she just couldn’t believe what she was hearing. Her young body was already formed and aged, all in secret. It had acquired the same basic shape it would have years from now, when this would all be a memory to be replicated and reorganized.
The world of her parents, the clear delineation between right and wrong, black and white, it all lived in her young face. She already thought she knew it all. The world had already been clearly defined and she already knew her place within it.

“How can they say that??!!”
She suddenly looked at me with a smile of disbelief on her face, with a shade of mockery. She shouldn't have looked at me. She wasn't supposed to. I was the one doing the looking.

I used to know it all. I used to know it all before I lost my certainty.

I want to use the word hollow.

I see a female standing at the edge of cliff while fluttering bats shake the night through her hair. I feel the coldness of the house, the artificial sounds of the TV…something is strange.
It is my perception. It is me standing at the side of the slate rock cliff. It is me looking down at the collection of me that is the bottom.
I am the little girl. I am the woman at the edge of the cliff.
The thing that I fear, the thing that keeps me staring in wide-mouthed awe is the subconscious motivations I have just glimpsed. It is that, pulling back the blankets, opening the eyelids and discovering a naked creature that moves without thought, that moves as though pulled by levers and strings.

This moment of discovery is truly shocking, like a zap to the core that laughs in my face as I discover the true intentions behind my own behavior. The behavior I have spent a lifetime justifying, spinning webs and circles around it with my mouth.

It’s not that I lied. A lie requires some sort of consciousness. This is beyond a lie. These are the lies that I believe as truth. The things I call ideas, philosophies, thoughts, life choices. These are the things I call “me.” And I both want to laugh and cry as I look into the abyss of my machine and glimpse the habit behind the impulse.

A girl so young and already she knows everything. She lies that she knows. I know now that she lies.

We all sat in an artificially warmed room. From the shifting light of a glowing electronic box, we watched others like us self-destruct. Through this new form of entertainment, through the captured pain of another girl who walked and talked like Jennifer Lopez in a movie wrought with conflicting personalities and alcohol… through this, I saw myself.

“I started cutting myself when I was thirteen,” the girl admitted to the video camera. “That’s why I like tattoos, it’s a way of doing it without anyone knowing.”

A couple seconds of silence. The sort of time that stops and quiets down even a large TV and two speakers. There was something, something moving, shifting on the currents of artificial warm air, moving through the layers of my body and the soft fabric of the chamber. I felt my body, laying curled up between two pillows. I felt myself still, hardly breathing. A couple minutes before, I had just admitted that I had thought about cutting myself.

I remembered laying in bed, in a heap of hysteria. I had imagined myself walking to the bathroom. Parallel to that vision, I had the thought that perhaps cutting myself would feel good.
That night I didn’t get up, I didn’t walk into the bathroom, I drifted to sleep under a cloud of sadness and awoke nine hours later with anxiety ridden dreams grasping at my heels.

As we watched this girl on TV, I remembered that I had thought about it too. I had never done it, but I had thought about it. Now, as she admitted that her tattoos were part of the same habit, another manifestation of the same impulse, I realized that I too had a body covered in blue and green ink.
The show was paused.

“Did she just say something about you?” I heard my friend ask.

Another second held still in the well of time.
I could think of at least three tattoos that were spawned from a feeling of anxiety that rattled inside me like a soot covered wind I could not shake.
The time my old boyfriend was in jail and I was lonely and scared and felt like the entire world was just too strong and corrupt. That brought the lute-playing mermaid tattooed to my belly.
There was the unfinished doodle on my inner left ankle. It was me, that night alone in my apartment, while my boyfriend went out to score some heroin, me that had picked up the tattoo gun on the coffee table and plunged the needle into my own white flesh. I picked it up out of terror, terror he would not come back, terror that he would. That dark night, I was overwhelmed with his burden and disease, his recurrent need for money that weighed on my young shoulders.
The word “warrior” on my left thigh, the permanent black letters that appeared only a few hours after discovering that another girl was visiting my boyfriend in jail, another layer of his lies revealed. I drove straight to a tattoo shop singing and crying.
The tattoo artist looked up from his hunched position over my leg and asked me “what’s up with this word?” The explanation was crooked and an attempt at ego preservation, a self conscious attempt to hide my own addictive fixation on one diseased person. The man nodded while looking straight through my eyes, sensing the pain that my facial lines and puffy eyes had already outed. Maybe he was already used to this, maybe he had seen it a thousand times, maybe he could have told me so much, maybe I could have heard him. But he didn't say anything. Instead, he nodded and kept working.
That night, as I walked through Bookshop Santa Cruz with a bandaged leg that stung with every step, I held my head higher and noticed that people seemed to be looking at me differently, as though they could see that the orgasmic pain had lifted a dark cloud.

I had painted large artistic circles around the reasons for a body covered in mermaids and foliage, explanations to justify the act, lies to hide the utter lack of certainty.

Now I had glimpsed the energetic contortion, the habit and reaction I could no longer hide. And now here it was, explained in raw simplicity by a brown-skinned girl that still had a mark on her arm and streaks of tears across her cheeks.

The house seemed strange around me, but it was me, not the dwelling that reeked of strangeness. This raw truth, this evidence had opened before me like a gutted pig. How strange to be fooled by myself. How strange to talk and ruminate and make complicated explanations for a behavior that went deeper than skin, deeper than bone, deeper than the existence of this machine.

I am ruled by these habits, these things that I cannot even see. The nature of lies goes so deep that I can't touch it, I can't wrap my fingers around its shape. The nature of self delusion goes even deeper. We have pulled a small layer back and looked inside, a small bit of the subconscious is revealed, naked in the light of day. It is shocking to get a glimpse. So shocking to realize the extent of circular lies and grand explanations.

I see a girl dancing. There are two walls made of bricks. They are miles apart, but they are so tall that their sheer height makes them always known. The pretty girl is in the field, among the gently sloping grass of yellow and green. Her skirt of layered gray chiffon moves like clouds tethered to her waist. She moves around trees and skips over sleeping foxes. She can't know anything. There is nothing to be known.

“How can they say that??!!”

I just shrugged my shoulders and she looked away. She knew too much for me to say anything. She knew too much to wonder who I was or why I was there.

Walking Backwards

2010-11-27T21:47:00.000-08:00

She was sitting in her room. The overhead light was off and just a tall floor lamp provided a slight glow to the quiet chamber. Soft light illuminated her white naked legs, her black and green tattoos that coiled around her thigh and calve. Her thin fingers held the pages of a red-covered book open, its pages a pale yellow, its words in deep black.

“I will stop making efforts to remain asleep.”

The words went through her like waves of truth. They wrapped themselves around her, plunging deep into areas she left dry and untouched.

She sat still on the soft bed, letting the sentence roll through her, letting it resonate wherever there was space. She held on, letting the next sentence wait.

She actually made efforts to remain sleep. She took steps in the opposite direction. She turned her back on the path every day, walking backwards, throwing stones, doing all she could to remain asleep, to remain where she was.

Every argument.

Every eye roll.

Every long tangent of jealousy that held her down like a drowning girl in a shallow pool.

Every reaction of jolting anger.

She sat with the book open, her hands still, her eyes soft and unfocused while the words traveled deep, coiling around the sinews of habits and pride.

“I will stop making efforts to remain asleep.”

This is what she did, everyday, perhaps every hour, as rage poured through her heart, dropping her far from the mountain she was climbing. She remembered sitting on the same bed earlier in the morning, staring up into the aluminum covered piping that ran through a part of her room. She sat there for nearly five minutes, staring into the foil, finding shapes and faces and reliving the comment she heard the day before. The four words that pierced her, the four words that she holds onto for hours, holding on o them, letting them form more bubbles of anger and reaction.

It was what she did, she found ways to remain asleep. It didn’t just come naturally. She made an effort. She actively put her attention on things she could not control. She didn’t focus on herself, which would have been the one place it would have made a difference and instead focused on every misstep of those around her.

“I will stop making efforts to remain asleep.”

Could she actively relax and let go of those efforts? Could the anger just fall away like old skin? She imagined herself on the same bed, still and calm, a slight smile on her face while rage just dripped off, falling to the earth and turning into green sprouts and vapor.

Her machine was trying, actually making an effort to remain in the dirt, to keep as far away from the mountaintop as it could. It tried everyday, reminding her of pain, of pride, of the way it all should be, but was not.

As she held the book open, her eyes softened and she took a deep breath, allowing the exhalation to cleanse her. Moving her eyes slowly onto the next sentence.

Eyes Of Dust

2010-11-18T10:06:00.000-08:00

I look out the window as the train leaves. I am on it, in it, watching a dusty landscape sketched in the shades of white and black. Little dots of brown vie at the edges of the breathing photo and start to scream, warning me of stories better left untold. Of crimes unpunished, of little mouths that cry in hunger and weep tears for a life that will never be. I try and look past it all, searching the mountains for words of poetry, but their shadows, all too real, pull my eyes back. Escape is for the blind, for the heart that has stopped bleeding, for an eye that loses no kiss of salt. I stare in the face of sorrow, pulling its sharp scent in, letting it wrap me with its tears that cannot be shed.
Thin trees dot the land, their scrawny branches hold a few struggling leaves. Dust swirls in tan gusts with every fierce blast of wind.
The elements slap their worn brown faces, those people without tears. The sun takes the side of a heavy handed capitalist, a punishing, unrelenting heat shines never-ending. A cold dark night takes the side of imperialism, the blackness of their glossy boots, their smooth lead of total end.
It whispers in my ear, it is a blue breeze that holds a song waiting under heavy rocks. It whispers… there is a small white flower, a flower easily overlooked and forgotten, only a little girl with bright eyes in a landscape bleached of color. Only she will see the petals before they wither and crack in the sun.
I watch tin roofs that hang by threads. Soil has turned to dust, for the rain has found other places to drench. I see myself in the window, a strange reflection in the afternoon sun. I am spotted in the remnants of dew, I am a silhouette, only a shade different than the surrounding mountains and thirsty crops.
As we leave, I take a thin breath. A pain burns from within, coating my throat, stroking it like the hot hand of Satan, up and down my windpipe, down my vertebrae and into the ligaments of my toes and back up through my torso, escaping out through my fingertips, lingering in a spiral below the crown of my head.
What I see dries my eyes, leaves me without tears, without a drop of moisture in my mouth of desert and skin of old parchment. I am old, a thousand rings surround me. I find myself without a drop of life, breathing in only more heat, more sorrow, more dried up dirt and old wrinkles that had never seen the clouds. But from the front of my soul, something burns and the part of me that dies is like the weeds I never knew I was. I am quiet, but I burn. The worn streets sweep something into my memory, a feeling I cannot contain, an energy that seeks a cup, that reaches out with hungry hands to hold and grasp a metal chalice. I open a door once nailed shut. These people with their rough skin and old eyes, they speak of the conquerors, they talk of disease and death and boils, the masses of hungry, oppressed, searching for a road beyond the small corner they have been given. I shined a light into that small adobe cave, I looked with all the eyes I had, writing, talking, seeing what was there, searching for the answers that tried to evade me like pregnant clouds.
There was a light, a road that traveled a thousand years to end up at my toes, moving up and down, playing games with my limbs and organs until it spurted out, drenching the land with water, creating a road that would last another thousand years, turning past wide stones and tiny sprouts. Water pressed against the rocks, pushing in like woman with soft, giving curves, but it kept moving, never staying, never resting.
The train moves and I watch them walk with their wide hats and their children that look into the sun. There are girls that know of need and dust, dust that finds its way in, working itself into every crevasse, coming in through the ears, through the stomach, seeping in with the toes. They walk along their paths, they walk with wide brimmed hats, they walk with skin dry and cracking, for the hands of their masters had ruined the sprouts, had taken away the rain.
I began to bubble, I could not watch their hats disappear over the mountain crests. I could not continue along this mechanical route made of wooden beams and metal and thick nails. As it poured from my skin, an 'it' which I cannot describe fully, because to see it is to feel. To watch from a train window, to hold their stories, to give your tears for theirs that cannot flow, to hold a thirsty child and see an indifferent hand move through the air sweeping every bit of life into a metal vacuum…to see this is to feel It. To burn from the toes, to burst from the skin.
What I see moves in shades of black and white, screaming of gray and crying for the missing red. The dust, that ever-present dust was talking, finding its way in through my ears, finally ready after all these years to really hear. To simply observe and move on would have been one route. There were a thousand trains, each headed in another direction.
There was the island, there was the medical position, there was Cuba, there was the girl that needed attending, there were a thousand ways, some that I cannot name and describe, some that float by like leaves on a river, floating away before I can even see a shade and shape.
There are so many trains, there were, and I touched them with my hands, feeling the electricity of each, the pulsing hearts, the rhythmic pounding. Some were safe, in some I saw bullets and sticky blood. There were a thousand and I touched them with my fingertips, moving towards the one in which I sit, staring out a window at broken houses and dry people and land that has stopped crying, for there are no tears to spare. I sat with them in hunger, felt their need, the desire of all humanity, the hearts one step away from silence. I sat and touched them with my fingertips, drew in their breath and smell, weaving them into me, turning them into paintings that are colored in black and white and vibrant red.

In The Moment

2010-11-12T23:54:00.000-08:00

She wiggled in bed. At some points she was purely wiggling, her body moving huge blasts of energy in unpredictable bursts from toes to fingertips and then back again. Other times she convulsed, her torso lunging forward with wild power that rivaled thunderstorms and bursts of natural fury. Her arms, legs and torso moved without her consent, buckling on their own, reacting to energy that had reached a peak. Her mouth opened, letting out sounds that broke the boundary between moan, pain and pleasure.
She had reached the mountaintop, a place that had once burst with rainbow colored hand gliders and parachutes. She used to sail down the rocky cliff-side on gusts of earth-scented wings, content to fall once again to the place she had come from. Now, it was the same mountain and the same breeze with its salty smell. It was the same place, but she was not jumping. She stayed at the top, holding hands with the man that had brought her there, holding onto him as the wind tried to push them over the edge and back towards the waiting ground.
And now she held back, holding onto the strings, breathing in spite of the breeze and the cries of energy that desperately wanted to move up and over, falling back to where she had once been when her clothes were on and the bed was still uncrumpled and her mouth unkissed. But she was here now, pulling tighter on the strings as the roar began and the convulsions started.
‘uuuuahhhh’ she let out a sound into his bearded cheek.
He lay still as her body twitched beside his, breathing gently, showing her how to relax.
She took in big gulps of air, holding them, forcing her body to breathe slowly, to do what she could feel was happening beside her.
Another convulsion.
Time passed, ones turned into fives, fives turned the clock until the birds sang outside his barred window and her breathing returned to normal. The hand gliders and parachutes melted back into her bloodstream, sitting eagerly on the edge awaiting another opportunity.
Soon she was getting dressed. Pulling on her jeans, her socks, stuffing her bra into her sweater pocket. It was probably cold out, as it had been when she arrived. She put on her jacket, her scarf and gave him a kiss goodbye.
She started her car on the street beside his house and began the short drive to her house which was just a few blocks away. The streets were empty and she began to think, going back to just a few moments before, back to the bed, back to the warm skin that was not her own, yet was. A part of her leapt away, once again wishing to be there, to be with him, not just kissing, not just touching, it was the mountain, the fall over the edge, the sinking into the abyss. She craved that, though they did not jump.
She spoke, ‘you cannot be in a constant state of orgasm, not like the kind you are wishing for.’
She guided her car down the small ramp beneath the subway platform. She remembered she could be happy. ‘Be here. You can be happy with him in bed, but when you are here, driving, you can be happy too.’
She looked at the road, at the subtle curve ahead. She sunk into the curve, putting her full attention on the shift of the yellow line. She turned the wheel of the car with her whole body, feeling pleasure as the car moved. Feeling the dark night coming through all the car’s windows. She smiled.
She thought about all the things she did, all the places she went, all the times she could just be happy if she just remembered to enjoy it. It was hoping for other things, longing for the bed, for his skin, ultimately for the mountaintop, it was the longing for something else. It was the torturous road she liked to walk.
She drove along the dark road, through the two lanes of parked cars. She could be there, in the car, driving, not wishing for someone else, something else.
Not needing anything to happen differently.
She felt that truth wash over her, she understood the source of her daily pain. Her body vibrated with the kisses from the mountain top while her body relaxed into the night around her and the slow drive towards home.

Abandoning Desire

2010-11-07T20:57:00.000-08:00

I abandon desire and let go of jealousy.

It is my prayer but the ears are closed and the mouth cannot move. My eyes close and I see the sphere of the world mounting over a black horizon. I am naked and the stars begin to fall in mathematical succession, one after the other, falling like beats on the measure. It is precise and I try to grab them with my extra arms but they slip like butter through cracks in the sidewalk, they fall and take the light with them.

I abandon desire and let go of jealousy.

I hear screaming in the distance, a tight space with black bricks and stale smoke that feels like mud as it enters me and smells of old tomatoes. The screams circles me with its sharp shrillness, circling me endlessly like the dark sun that cannot explode, a sun collapsing in on itself, taking every bit of matter with it.

I abandon desire and let go of jealousy.

The chains around my heart cannot let go. The rust is there, the reddish brown crust, the dark spots and hints of green. The links clink and add to the melancholy of the inverted sun. The chains are strung up like Christmas lights in a forgotten memory. Faded yellow and blue, purple that looks like pink. Those thick chains are nailed into old black bricks that have taken on the scent of old tomatoes and cigars. Walls and walls, chain after chain.

I abandon desire and let go of jealousy.

I walk naked through a dark barren landscape, I feel small pebbles beneath my toes and watch the falling stars. My white skin calls to the animals with red bulging eyes. Froth gathers at the corners of my mouth as I imagine my own destruction, a sun cannibalizing the galaxy.

I abandon desire and let go of jealousy.

A soft breeze moves over me as I move up and down on a swing. It is day and I can taste the smell of jasmine on my tongue. Another thought that springs from a time that never existed. Was it a song? A nursery poem? The breeze continues playing its tune over the curving contour of my torso, finding places to hide, finding darkness even on a summer day.

I abandon desire and let go of jealousy.

It is my hope. But I feel the relentless pull. Thick black hands cling to my ankles like serpents from the hell dimension. The wind comes over the horizon, finding me still naked, finding me with pebbles below my toes and hidden stars below my breasts.

I abandon desire and let go of jealousy.

And with the fall, and as I watch, I crumble into the void that opens wet and wide to accept me. It takes in the falling stars, the inverted sun, the pebbles and sticks and the wind that longs for a place to rest.

Reminder

2010-10-30T23:00:00.000-07:00

The TV was on and its volume was turned very low. I watched the bright Technicolor images move across the screen though eyes that were almost ready to shut. Letting my body melt into the plush suede cushions, I held the remote in one limp hand, ready for another attack of toothpaste and car insurance ads.
In front of me, people in bikinis and board shorts were furiously diving through a pool of mud, frantically rooting through the mess for little bags of sand in an attempt to reach the blue finish line ahead of the pack. As the screams of the contestants came through the living room speakers, I heard a faint sound from the other room, something foreign to the sound of cheering and sloshing that came to me through electric magic and science, or science that was so amazing, it was magic. Aiming the remote at the cable box, I turned the volume even lower and strained my ears for the sound, had I heard something?
Waiting…fixing my eyes on the hardwood floor…waiting…there it was, a little cry.
I left my embedded place on the couch and opened the door to the babies' room, where two dark wooden cribs sat against opposing walls, perhaps clearly defining the roles they would one day assume when they were grown men and left their wooden cribs and baby blankets.
Jonas, the six month old and the younger of the two, was crying. As I looked into the crib, I saw him on his back, his little legs wriggling in his sleeping bag-like-jumpsuit that covered both his legs. His tiny hands were balled up in fists.
Reaching into the crib and pulling his little body towards mine, his cries came up to envelop me. He was unable to clearly say what bothered him, but something was not quite right. Was it the lack of light? Was he lonely in his crib surrounded by only darkness and tall bars? I brought him to my chest, covering his body with my arms, stroking his head of thin silk hair, bringing him as close to my heart as I could.
I remembered the song practiced years ago while standing in a circle of three in a dimly lit room, it was the melody I strained to reach when it leapt up the scale. I sang it here now, in this dark room. I sang it for Jonas, ‘nothing ever has happened, nothing ever will happen…”
Over and over, the two line song came out, reaching up and then descending only to start over once again. He stopped crying quickly and I held him in front of me, propping his jumpsuit covered legs on my stomach. Jonas looked at me with alert wide eyes, eyes that were quickly turning from baby blue to a metallic brown. He wiggled slightly, his body bobbing and moving with currents of electricity and unanswered curiosity.
I stopped singing and looked into him, seeing nothing that can be explained, defined, or understood.
“You know,” I said clearly, “nothing has ever happened, nothing ever will happen.”
His eyes widened. We went into each other then, me looking into him looking into me. I understood it. Him looking into me looking into him, understanding.
There was no woman, no baby, no crib or parents at a party. There was no game show on a television in the other room and no sore muscles from a day standing in the sun.
Here the words made sense, in a chamber of feelings without words. In this place, we were the same thing, two parts of the same fabric, not separated by bodies and memories or contorted into a canvas of unequal shapes and designs where egos dance.
I had spoken and we both had heard. His sudden jolting was mine as well. Oh yes, nothing has ever happened. Nothing ever will happen. Nothing ever has. Nothing ever will.

The Beauty Of Loss

2010-10-26T00:23:00.000-07:00

I see thousands of pretty sights.

There are lush and delicate weeping willows whose long drooping branches blow gently in the hot September breeze. I glimpse them as my car continues along at 45 an hour on a newly paved street. I smile, seeing the contrast between the long green branches covered in tiny leaves and the dried up hillsides in the background. I know I will never be here again.

Each vision is beautiful and ephemeral, slipping from sight just as fast as I look.

I am sitting in front of a bread bowl of clam chowder in Monterey. My parents and sister share the wooden table of the restaurant with me. I look up through the front of the restaurant which only has a wide-open roll up door, there is no barrier between us and the foggy day outside. There I see her, walking on the worn wooden pier. A young woman with short dark hair and dark eyes. She’s wearing a low-brimmed hat from the 20s which covers her eyebrows. For a second I see her. She’s smiling brightly, her eyes revealing flirtation and mischief as she turns to someone behind her and smiles even more broadly. She looks like a painting, like a vision. Her body keeps moving though her head and eyes are focused on something behind, a young man, I imagine.

I see thousands of pretty sights. Each vision is beautiful and ephemeral, slipping from sight just as fast as I look. Each worthy of a photo but I can’t even grab it fast enough.

I’m on a train weaving through the Italian countryside. It’s fall and the sky is heavy with gray clouds. As we move at seventy miles an hour, I catch a glimpse of lives beyond the train window. Women hanging up their laundry on old cords between barren trees. Huge persimmon trees with bulbs of orange fruit hanging like Christmas lights on a dark fall day. An old woman walking with a bramble of sticks balanced on her head.

I see thousands of pretty sights. Each vision is beautiful and ephemeral, slipping from sight just as fast as I look. Each worthy of a photo but I can’t even grab it fast enough. They roll in me, through me and pass by just as quickly.

There are people sunbathing on a long cement wall buffered from the Mediterranean by a few dozen feet of large white rocks. I watch the hundreds of sunbathers through the tempered glass of an air-conditioned bus. On my ears are large headphones pumping the hard beats of a Bjork song. As each beat drills into my ears I match it with my eyes, jumping from one person to the other. The tan lovers, the older man laying down his towel, the group of girls sweating in the sun, the mother and toddler. A collection of people moving past me in perfect rhythm to the sounds in my ears. I quickly grasp the moment, feeling its preciousness slipping with each second. The song will end, the cement wall will not go on forever, the bus will change lanes. Soon it will end but as I watch I am struck with each moment of beauty. They mark me as I pass, weaving their way inside without even seeing me inside the bus. I wonder how I could even look at them without the music, they fit so perfectly together. But as the song ends, coming artfully to a close, the bus shifts and the wall ends. Tears rush to my eyes.

I see thousands of pretty sights. Each vision is beautiful and ephemeral, slipping from sight just as fast as I look. Each worthy of a photo but I can’t even grab it fast enough. They roll in me, through me and pass by just as quickly. I gasp and cry, letting salty tears pay the price for the beauty that moves past, forever marking me, for a passing moment, making me remember.

Rockabye Baby

2010-10-10T20:05:00.000-07:00

I heard him from the living room as I was browsing TV listings with a responsive remote, heard the small little gasps he made seeking air to fill his little lungs. By the time I opened the door to his bedroom, the gasps were turning into high pitched wails. I reached into the wooden crib and opened my hands for his little body, bringing him to my chest. I carried him from the room, leaving his brother in the arms of his own dreams in the darkness.
“What’s wrong baby?” I asked with concern, giving his downy covered head a few soft kisses.
In the dim light of the hall, just a few steps from the kitchen, he was not consoled. Wiggling in my arms between gasps for air, his face contorted into a red mess of anger. A sudden fear ran through me, “he’s choking.” I held him upright and patted his back and he cried harder. He wasn’t choking, just mad.
“What’s wrong baby?” I asked with a smile, looking at him.
His face was completely red and his little mouth opened wide with each wail, showing the pink soft gums that would one day house two rows of teeth.
Cradling him in my arms, we went back into his bedroom, I groped around his cradle for the pacifier I expected to find in the left corner. When my hands found nothing, I turned on the light to look again, I still didn’t see it, though I had the memory of his father placing it there earlier. I took a quick look at Noah sleeping in the other crib against the wall, his body in a contorted angle on one side, undisturbed by the noise.
Jonas continued to scream, and we walked back into the hall, taking a few steps to the kitchen. Moving him into another position in my arms, I scanned the kitchen, searching for another pacifier and finding one the side of his automated jumper. I inserted the pacifier into his open, crying mouth, he did not latch on.
I brought him into the living room and sat on the suede couch. I sat him on my lap.
“What’s wrong baby?” I asked smiling at him.
I kissed his head again, feeling the few wisps of his silken hair on my lips. I tried the pacifier again, he didn’t want it.
“What’s wrong baby?”
Not a bit of anger or agitation in my voice, just pure questioning.
“What’s wrong honey?”
I tried holding him in a variety of ways, but nothing seemed soothe him.
Then my eyes fell on the mechanical baby swing by the window. I tried to lower him into the seat, bumping his little head on the three stuffed animals that dangled from the upper plastic arm of the mobile. I realized that his legs couldn’t spread because of the baby suit he was in, it was like a sleeping bag over his legs that snapped at his chest like a vest. I pulled him towards me again, brushing his head against the stuffed hanging animals once more. I let out a little embarrassed laugh and his little face scrunched tighter.
I unsnapped his jumper and then his legs were free, I lowered him into the seat. There was a seatbelt, but I didn’t worry about snapping him in. I sat right in front of him, just inches away and turned on the swing.
“Rockabye baby, on the tree top…”
I held out my two index fingers and he grasped them, holding on tight with his own little fingers. I looked at him, his eyes were still all scrunched up and wet, his mouth was open, showing his red gums.
“when the wind blows, the cradle will rock…”
On the edge of my mind, I remembered the preschool I had worked in for a week, one of the little boys there liked the song, “itsy bitsy spider,” and we sang it to him over and over when he was crying.
“when the bough breaks, the cradle will fall, and down will come baby, cradle and all.”
I opened my eyes wide as I sang, smiling at him.
After repeating the song several times, insisting on the melody, his crying slowed, then eventually stopped.
He looked at me, with his eyes that were turning from blue to brown. They would open wide as I reached for the high notes with my voice. I pushed on him gently with my fingers even though the machine was rocking him, pushing just a little so he could feel me. He looked at me, seeing me, seeing deeper than what was available in the mirror. I looked into him, seeing beyond the baby, seeing a universe of beings.
“Rockabye baby, on the tree top…”
As I sang, and as his crying became a thing of the past, he would break out into a quick smile every now and then when our contact grew strong, then he would sharply turn his head to the left or the right, grasping for something with his open mouth.
I kept singing, kept looking at him, kept providing a bit of pressure with my fingers as he rocked up and down on the swing. He repeatedly returned my contact, his eyes opening wide from time to time, perhaps seeing sound and feeling color. Between phrases I would purse my lips and blow on him gently, letting my breath move across his soft face.
Experimenting, I stopped singing for a moment. When I did, his body would start to squirm once again, preparing to cry.
“rockabye baby, on the tree top…”
I started to forget the lines, or I was repeating them so much, it seemed like there were lines I had skipped, but I kept going, dropping any armor and image, just giving my rawest self.
Soon, I felt like improvising and started making up another melody. From time to time, I went out of tune, and found it difficult to get back. I kept my eyes open, a smile on my face even when I remembered another me that would care about performance.
But here, with him, my desired image was easily dropped. I felt only love for this being in a little body. We could be together without my human ways, I could give my voice to him, calm him, love him with my most intuitive self.

The Mute Girl

2010-09-30T23:35:00.000-07:00

There were always three favorites in any school election, it had been that way in Zephar High School since the beginning of the institution in 1936. Through the clothing and hair styles had changed with the times, the three teenage archetypes prevailed through each decade.
There was what would become known as the “Brittany,” the one who most fit a Hollywood version of beauty. She was busty, thin, pale, symmetrical and had a boyfriend in various forms since the fifth grade.
There was the “Chad,” the masculine counterpart to the Brittany. He was muscular, athletic and strapping, had a deep voice and fit the magazine version of male.
Then there was another viable frontrunner, a decent looking, if not a little awkward girl or guy who ran not just on popularity and body, but veered more towards principles than the other two, believing, truly, idealistically, perhaps naively, that they could do something unique for the school body.
This year, as in all years, there was a chance for a few select sophomores to join the reigning school senate, made up of Brittanies, Chads, and a few naïve faces. There was one significant detail that made this year’s elections worth noting, for as far as Den could tell, the school yearly ritual was just as lame as the one that washed through the country every few years. But this time, there were not just the usual candidates, but a fourth one as well.
The mute girl was running.
According to the pollsters from the statistics class, the mute girl’s chance of winning was whispered to be extremely low, since no one communicated with her or even knew her name. The sign up in front of the office, alerting the school of her intention, just said, “MUTE GIRL, 2009.” No one sat with her at lunch or walked home with her after school. She stood alone in a school of 2000, not one person taking the time to read her notebook scribbles.

Den sat at his desk in Spanish 4, staring into the back of the mute girl who sat in the front row. He thought back to last year’s student election, John and Ivan were defeated by the prettier Laura. He wondered if muscle would replace breasts this year. Or maybe idealism would trump muscle. What would the mute girl offer?
All the posters and speeches and promises, it seemed a bit pointless to Den. Besides adding a vending machine with soda, what had the student senate ever done?
The school was the same drab institution it had always been. They all still sat in rows of uncomfortable plastic seats, read the same old books that had been in the mandated curriculum for 30 years, there were lots of tests and teachers that seemed to only be waiting for retirement or summer break. Everyone learned what they needed to learn for tests and then quickly forgot it. The students were powerless, and the elections only made a joke out of them. It was the illusion of some sort of democracy, but the school had a clear hierarchical structure and Den wondered why everyone went along with the game.
Den’s enemy were the school administrators, he disliked each one he recognized and he knew there were dozens more in unmarked office buildings in the center of town, others in the state capital, still others in the presidential administration. He disliked them all, hated what they imposed on the students of the country- the same standardized tests, the plastic chairs and hard top desks and school lunches.
The student body was akin to factory farms, a processing plant of breathing, living things that came out dead on the other end. The elections were the same thinly veiled joke as the American democracy, promoting the illusion of power in the hands of the people. All the administrators smiled and went along with the elections, like parents nodding and laughing at their children’s buffoonery, smiling through teeth stained with a thousand cups of coffee, smiling and knowing it was all a sham.
The same type of people were elected year in and year out. It was a title to put on college applications and resumes for the local retail jobs that hired teenagers, but nothing more, at least nothing that Den could see. So why was that girl running? What had made the mute girl decide to run?

Intimate Space

2010-09-09T15:43:00.000-07:00

I watch with an open mouth. I try to shut my mouth, but it doesn’t seem possible to sit from this balcony’s edge and look onto the yellow and gold light of the stage without wide open lips. It doesn’t feel right to watch with a closed mouth. I note that I’m breathing though my nose and let the jaw hangs as it wants. A part of me keeps pulling my attention to look to the left, looking for a hand, an eye, a sentence whispered. I feel the tide pulling out towards the west, but I follow my mouth and move forward, giving my heart a center seat. I push my body forwards, my body moves north and I follow.

I look from the cellist to the drummer, jump like a pinball of shiny silver attention from the drummer to the guitarist, from the piano to the violin, from the violin to the conductor with cards and a waving baseball hat in his right hand. He puts the card down, picks up another, places the hat on his head. All hands are up, 14 hands. Pointing. A smile from the beaming violinist.

The balcony melts into a garage, we watch their improv session, not a concert, but a group of people playing, laughing, it’s fun and I somehow have a voyeur’s eye into their moment of creation. A few hundred eyes share their intimate space, scrunched tighter than usual, the lights are hot, but it is theirs. A sphere of intense communication, not an eye darts away. They stay together, moving up, where we could go if we keep on working.

My ears hear noise with only an occasional nod towards melody. My eyes see something, translate gesture into music for my slower ears. I coax my mind into relaxing, let it jump from yellow headband to waving hat, a hand over the mic and guttural bursts of energy. 14 instruments, taking turns, jumping, one eye towards the center in camouflage that’s disguised by the stage, one eye moving always around the semi-circle, those ears which remain open, an entire body like a cup full of hot water that remains still without burning. Pointing, the smiles, hands raised, another quick end, then a jump into rhythm.

I watch their eyes, yearn for something like that. They are talking, I can hear their words come out like screams and vibrato. Zorn writes something down on a piece of paper, he closes the cap of his pen. In the back is a man with a glowing Mac, his left hand moves delicately in the air and I hear corresponding sounds move towards us through the speakers. To his right is a balloon. A dark haired man licks the plastic world, I feel his wet tongue and the sex of a man and pink balloon.

They start fast, building into a fever pitch that starts to turn black, then moves towards red but never falls over the edge into green. The vocals, going so rapidly, the vocals, dark screams into a microphone, the smile, so insistent and so close to the floor.

Abraxas

2010-09-06T23:06:00.000-07:00

The way out lies beyond the shell. It is hard and white and so solid it seems like I might stay here forever. So I think this might be my beginning and my death. The way out lays beyond this space, this tunnel of softness covered in thick syrup of ever-giving life. The way out is beyond this wall, an obstacle that I have been dreading, a feat requiring all my will. To live, it must break. To live, I must move through the wall. The egg is the world, the spinning earth on which all other eggs sit. They all wait, behind thin shells that keep like concrete. Waiting behind thin flesh filled with warmth and thick pieces of flesh that house our dreams.
I wait to be born. I await my death. The world awaits, holds still, takes a small breath. The hand is coming. The mouth with its beak and sharp teeth. My eyes that come with lasers and my fist for smashing. The world is out there. The shell sits, waiting for a crack. It sees the splinters, the house in ruins with forgotten windows and missing people and all the sadness of a world of missing dreams. They have all flown.
The world sits, waiting. God is in here. God is out there, waiting. We wait while it all spins. We wait while the rain spills over a thousand shells and full bellies. Our fists bang on the walls, our mouths suck on the food that spills into us without thought.
I see Abraxas in my dreams. God of 365 heavens, creator of my demons and my fists, creator of my beak and my shell.
There is a bird that flies overhead, it is a raven ringing a bell. It signals the birth of a fist, the first hammer that opened onto a desolate world. A world of lush vegetation stripped of its sheen and poetry. A world of sad promises left undone.
There is a bird out there, a cracked shell and tiny splinters. There is a fist. There is a world out there, a shell, an egg, an unborn hand ready to strike.
I must move through this wall. I must crack this shell, for the sky awaits another kiss. There is a bird out there, it is a raven, a bell rings in the distance, another death on a mountainside. Another fist is now born.
It is god’s world, the world of Abraxas and his spawn. His angels and demons, his lineage corrupted and his jewels that sparkle. All are in the sky and sprout little arms in my mind. All surround the egg, my world, both cursing and laughing. Watching for both life and the crumbles to come.
What comes must fight. What must be born will struggle, I will push against the hard forward wind. What comes must clench and grit and hit.
It is the egg. The spawn of the perverted seed. The angel with black wings calls from above, ringing a bell. I hear it through the wall of my shell, so curved and smooth. So absolutely thick it is the mountainside of my womb.
Who is it that calls from the mountaintop? Who knows of my arrival?
I come to destroy that which has made me. I will turn towards the east and then rise into the night, this fist that will move through the first wall and then find another thousand waiting behind what is left.
Brick and flesh.
It will be me, my birth, my flight into the night.
It is his name, his name that I seek.

Lineage of Desire

2010-09-03T22:14:00.000-07:00

The family continues. Or it, as an organism, desires to continue. Despite murder, after betrayal and retribution, after an affair stained with indecent thoughts, the family continues. It is a lineage that travels though blood, mingling and marrying, sharing saliva and mucus, eventually forming other, smaller life forms, who in turn, reach out with tentacle-like arms to find those with a slight taste for blood and reflexes that can easily pull a trigger.
The family continues. It is the desire and impulse, not only of two-legged mammals that claim dominion over the earth, but in every creature that fucks and dies. To continue on, to multiply, to produce more. It is programmed so deep we don’t need brains, even single cells divide and divide and divide, creating more of themselves, not all too different from the warm blooded beings we call offspring. And though our babies cry and smile, it is nearly the same movement through generations, each new life engendered by the one preceding it.
In an old story told to me at a young, open age, it was Abraham who was asked by God to take the life of his son. It was a child hard to come by and with a quick slice of the knife the boy would die and the lineage might end, which would be the greatest of tragedies, but Abraham was willing to make the sacrifice.
My parents told me that story, and now they sit it their marble house, waiting as the clock ticks and no grandchildren are born, it is the greatest of tragedies. For when I die, they will die. The little branch will end, snubbed out, finally, after dozens of incarnations.
In my immediate family, the entire younger generation is female. There are six cousins, all female. Two of my cousins have children, all three of them are girls. Growing up, it was assumed I would have children. But as a minuscule deviate, I always imagined they would carry my last name. In my name I felt all the generations before mine and as a tribute, as a way to preserve them, I thought the most important thing to do was continue the family name, to insist that the next generation not assume the names of their fathers.
It seemed so important. I wanted the family to continue, not just in bodies, but in name. In name as a symbol.
It is different now. Entire species of animals go extinct under the hand of an indifferent man that uses the earth’s plants and soil for profit. Races of humans are taken out, babies are killed for preemptive retribution, one name seems to make little difference.
Is it the wish of every being to keep living? A life eternal, maybe not in their first body, but in the smaller bodies that come after them. Can my child take what I have not finished and redeem me? Can they carry on and change what I have failed? Is this the hope of any parent, that their failings will be altered, the dark memories of their lives changed for the better?
I sit on the edge of this bed and look at the white wall, there is no one who will redeem me, my failings will be my own. Each jealous outburst, each painting left undone, they will be mine. Those are the curses of the invisible generations and their echoes will reverberate through time, just as I carry the unfinished goals and dreams of the generations who never saw me, the ones that exist in faded photographs and memories that I can no longer retrieve.

What I Wonder

2010-08-22T23:17:00.000-07:00

What would the choice be? If lights were coming down, blinking and spinning, twirling with red, blue and white like psychedelic lollipops from beyond the bluest parts of the sky. What would I do?
The grass is swaying in the wind, rustling from side to side in the abnormal breeze. Mailboxes are popping open, the fridge door opens and slams shut every second. Nothing is how I know it. The books fly from the shelves, every loose-leaf bit of paper is airborne. None of this makes sense. When the blender whips through the air of my kitchen and the night sky beyond the window is alive with colors I have yet to discover, what will I do?
Maybe I start to run with all the adrenaline my body can find. Do I step back from the porch into the safety of the doorway, moving slowly into the hallway while my hand latches the flimsy lock? Will I run to save my life, this life that I think of as so valuable and precious. Unique and unlike all other lives. Would you find me under the blankets, breathing as shallow as possible though my chest beats out like hands on a tin drum. What would I do if The Other came to me with flashing lights, red and blue lights and hard gusts of hot air?
I see myself running, jumping over chain link fences and scraping my knees as I fall clumsily to the ground. I can see a tiny scared body hiding in the dark of a closet, my eyes closed and mouth rattling off a small prayer. I feel fear running through me like monstrous rivers, seeping out of every finger and toe.
I see these visions and ask myself, what would I do?
Would I walk towards the ship, my fear held tightly, controlled by a will forged in years of practice.
I walk towards the ship to see what lies just beyond the top of the metal stairs. I walk, hearing an inner voice, ‘Look,’ it says, ‘see what will happen.’ Can I take that step? Will I die? Will I fly? Will I ever look back and see their faces, looking towards me with fear and curiosity.
Or maybe I will take a tiny first step and glance back, seeing all that I have left and sacrificed. Will they hate me? Will they ever know what has happened to me? They will know that I went with a smile, holding hands with the Other, happiness and wonderment radiating out of me like a brilliant sun.
Maybe like now, I will step forward cautiously, taking backward glances, stepping forward, little by little, until the door opens. I walk slowly towards the space lit from inside, but it could shut at any moment. Will I act quickly enough? Will I curse myself afterwards when it closes? Will I walk towards that light, those things that my mind can still not define?
It is the Other, and I reach to try and grasp it, though it slips through the language I have learned. Will I learn new sounds, a simple pentatonic language with clear signals? Without words, will I be able to push my essence through the sounds without concept till they find other ears.
I do not want to run with fear, but my feet seem to carry me away. They are brains with tennis shoes that move on impulse. They run towards small solid corners and little boxes. I see myself running, but I do not want to be that character. The human defending the human. The machine defending the machine. I do not want to play that type of role.
But I have not come far enough. Fear still shoots through me like comets, coming and staining my body before I even realize the atmosphere was breached. Unless I work, I will be the hysterical woman shouting for the world to return to normal. I want the dishes and the clean rugs. I want the plants in their proper pots and the fence in the yard. I am that woman, though I get glimpses of the other one. The woman in dreams that smiles and hops on the back of a bike. The woman that takes the hand of a stranger, calling him by name. I am that woman too, a little of each. A lot of machine, a little bit of amazement that lies hidden under the metal plates and gears.
I need to poke holes in the armor. I need that rustoleum and that pickax. I need to make it crumple. The amazing voyage is here, in my backyard and beaming into my room. It is already here and I need to step towards that brilliant, skin-burning light.
I will leave those kids and pets. I will sacrifice those familial ties and the life of shopping and the mall and beer drinking. It will fall like dead skin and I will walk up the metal platform, holding onto the hand of the Other, watching in amazement as the door shuts and we rise into the dark night. Moving forward and up, towards a new home in the stars.

Deer Hunter

2010-08-19T11:53:00.001-07:00

Everything was known. The limits of the rural town punctuated in the center with smoke stacks, the babushka that walked slowly to church every afternoon, even in the snow. The tiny grocery store that was stocked and always full of etched recognizable faces. Everything was known. There wasn’t a stone he hadn’t seen, not a person he couldn’t call by name. Those friends he had known since infancy, boys he had grown up with until they were full chested men ready to serve god and their country.

He could walk the streets of the town blindfolded. He could walk from his house, down the narrow treeless drive and go down the hill, knowing exactly as he was passing the Mason’s house, walking steadily as the street sloped until the shops of downtown appeared, he could smell them, could imagine their worn shutters and screen doors. Following the street, he could walk towards the edge of town delineated by the raised train tracks that created a tiny tunnel for the semi trucks that hurtled through town towards the plant.

Every breath he took came from that air, every sip of water fell towards his sink from the mountain chain in the distance. Everything was known. His friends with their worn out jokes, the clear beer glasses and the familiar bar. The seasons shifted, colors changed from orange to white to green to yellow and then back once more. Trucks came and went, paychecks were delivered and cashed. It was a familiar rhythm of gentle movement, but everything seemed to stay the same, it was all known.

But sometimes they escaped. Filling the car with the bodies he had grown up with, bringing along their guns and cans of food, they would drive recklessly to the purple mountains, going up and up the curving slopes until the air was thinner and colder, until thousands of trees did not appear to be the same and instead looked different and new. He would walk with the only man he trusted, climbing boulders in clear silence while they tracked the signs of antlers and nibbled leaves. He saw her walking through the trees, evading him, almost. He went towards it, taking her down with one shot, because even the other bleeds.

He drove back recklessly to the known, down the dark slope towards the familiar lights of the bar. There was blinking neon sign with its comforting welcome, the pool table, the waiting frosting mugs, that smell which was so familiar he could no longer distinguish it from his own.

And then he was taken away. A big jet engine and a uniform and god and country gave him the ride. He went to where the syllables all sounded different, where bodies lay for the flies and even babies were red targets. There the familiar memories crumbled and the smell on him changed. He couldn’t walk blindfolded here, there was jungle and bombs and soaring bullets. He managed to keep his breath and mind and was eventually flown back to the known.

But when he saw the smoke stacks and roads and faces it was not the same. They were the same, but he was different. A part of the other remained in him, hollowing out the familiar and turning it into images that rubbed at his heart, touching it all the wrong way.

He drove towards the mountains again, doing what he knew, what he had always done. He brought his gun and his cans and walked slowly and quietly, just as he had always done, following the nibbled leaves and the traces of antlers.

When he saw her, a wide body and dark eyes staring back at him, he did what he always did, raising his gun. One shot, that was what he always wanted. But the other stared back at him, and this time, he saw. He had been changed and this time, there was no need to shoot.

Within

2010-07-16T18:59:00.000-07:00

Do you fear her? That woman with skin different than yours, with eyes that reflect only pure fire and determination?
Do you fear him? That man that lives a world away…whose sounds seem like rocks scattering on pavement.
Does their stare cover you with cold?

If you fear them, then fear yourself, for you are the man with icy words and you are the woman with death giving eyes.
You are what you think you aren’t.

So fear yourself. Fear the parts of you that remain covered in blankets and lies. Fear the self which hides, escaping only in gasps and bursts of red.

All that is not you is you.
All the things called evil, all the shades describes as dark, all the hairy monsters from fairy tales… they cling to your heart by invisible tendrils. They sleep in the caves you hide, in the places you cannot see.

An oval mirror hangs from the clouds, shining light upon a stage.
I am absolutely, completely oblivious to the Other within me. You…inside me.
It is there.
It is the dot of black in a canvas of white. The one dot.

In a clear blue pond resides a single pebble. Not just water, not just liquid…the Other.

I turn to look at the executives in their high rise suites with disgust. I cry when I hear about the man who could kill a young girl…I watch the bear in terror. I view them as totally separate. As something I could never be, of something I am not.
But that is a blind man’s fantasy. I am all the terror that could ever exist. I am the brute, the animal, the psychotic. I am the woman wearing a machine gun, the young girl holding bananas.

Everything I think I am not, I already am.
Right inside where I do not look, where I coat everything in a golden veneer and self righteous pride.
I am the bigot. I am the pebble in a blue lake, the single seed in a ripe piece of fruit.

Perhaps each twinge of pain can be a reminder. Every time I look at the dusty face of a man I think I could never be. It already exists. It is now. Just like I am nothing, I am everything. Every tendency, every shape, every manifestation of the human and its habits, every shift of energy that flows unabated.

There is no need to fear the Other.
I am the Other.
There is no need to fear the other.
I fear myself.

Executive Decisions

2010-07-07T20:52:00.001-07:00

I once considered them monsters. Men without conscience in dark expensive suits and gelled back hair that reeked with the scent of hundred dollar bills and imported cologne. I pictured them as clearly as a dream, surrounded by smoke and ash, rising higher as they trampled over bodies in their shiny leather shoes. They never thought about the blood or the oil, the trash they left or the babies born without arms and organs. Men who lived so far away from the rubble and graves that their gated bubbles allowed in only certain parts of reality. Reality that smelled only of roses, filled only with the sound of cartoon cash registers opening and closing. Cha-ching!

Late at night, surrounded by books and pipes and stories I could hardly bear, I cried. How did those monsters sleep and move and breathe? How could a mirror not crumble with their stare? Were they just hollow shells of flesh, content with their bank accounts and fresh strawberries in winter and champagne at every meal? This was the evil in the world, the web of corporations and their flesh-covered robots that breathed in stocks and exhaled only blood. Money was their god. They sucked on half-dollars and bent over for the penetration of rising stock, orgasming into the bright red passing numbers of the trades. Maiming, bodies…it was just part of the game, those born without fortune.

I studied them in school, corporate criminals. Men who pushed hard towards the bottom line, relentless in their pursuit of power and wealth, one begetting the other in a perfect circle. In round table meetings, they decided to knowingly sell faulty cars and tainted food. They used algorithms to determine which would be cheaper, settling the wrongful death lawsuits or a massive auto recall? They were monsters that hid behind a massive establishment, never finding the harsh eyes of the jury upon them.

I thought of them as inhuman, men who could put money before human life.
I thought of them as monsters, until I became one, until I glimpsed the world through their eyes.

Early Saturday morning I loaded up my truck with baskets of fresh baked artisan bread. It was bread I was proud to sell, being both beautiful and delicious. I was in one of the worse neighborhoods in San Francisco, at the very end of Revere St, where the slumping houses gave way to gray warehouses on the edge of the bay. Here, there was graffiti and piles of refuse and old rotten couches on every other corner. Old Victorians sat crumbling, sagging under the weight of years and poverty; and shriveled, skinny prostitutes wandered the streets, looking for another way to score. It was trash and dog shit that littered the streets, and I drove through there every Saturday morning to load my car with handmade bread.

It was an overcast morning, but the air clung to my skin in humid clumps of moisture and I felt the day growing hotter with each minute. My truck was packed with an umbrella, two tables, and all the bread I could hold. There were loaves covered in sesame seeds, others with poppy, a bin of long plain baguettes. I closed the hatch of the truck and walked to the driver’s door, opening it and taking off my thin sweater before I got in. A sound made me look up and towards the back of the open bed truck. I saw a fluttering and before my mind knew what was happening, I was walking towards the bed of the truck, yelling and waving my hands. A tiny bird flew up and away from the bread basket, beating its wings as it dropped a few of the stolen sesame seeds. It flew back to the withered sapling that stood next to the blue door of the warehouse.

I looked into the basket. There were over ten loaves of bread in there, each one covered in bright white sesame seeds and a golden crust. I looked at them, searching for a sign of the bird; a hole, a place without seeds, I could find nothing. An ethical dilemma had been born, brought into existence by a hungry bird and my own conscience. I had no idea which loaves had been contaminated, if any. I just didn’t know. I knew I would not want any loaf in that basket, but I couldn’t just throw the entire basket away…could I? Should I? There was a chance the bread was fine, but there was a chance it was contaminated. It could make people sick. The possibilities played in my mind. Customers retching, wondering what they had eaten.

I got into the car and drove over the bridge to the market.

When the tables were arranged with a red table cloth and all the baskets, I stood, waiting for a customer. I still didn’t know what to do. The first customer of the day was a loyal regular. He reached out and grabbed one of the seeded breads, though luckily he picked one that was close to the edge of the basket, the least likely place to have been touched by the bird. After he left, I walked around the table and inspected the bread leaves another time. I couldn’t see any sign of the bird, but I grabbed the four loaves in the middle, the most likely ones to have been contaminated and put them behind the table.

These were regular customers, how could I knowingly put them in danger? But what if there was no problem, then I was wasting bread. Which was more important, a few sick people or the sale?

I realized it then. I am not pure. In me lies the flecked specks of every monster. In them must lie the sparks of flowers and soft kisses. In me is that which I despise. Now, I could see the bridge.

Judgement

2010-06-30T23:33:00.000-07:00

They stand with their arms open, their bodies springing from freshly unearthed graves. At their feet is the earth, once their womb, but something has changed. They are dirty with soot and trails of fallen dew. They stand, the small group of men and women; beside them, three young children. All are pale, as though their time in the ground had been long, so long without sun and air. Now they stand, open, their chests exposed to the sky, their arms open as much as their bodies will allow.

They welcome it. “Judge me,” they say with their hands.

“Judge me,” they call to the heavens, their heads bent back, letting the Real wash over them.

Rolling clouds bubble overhead. The grass beside the open graves quivers.

And what is Judgement? That look, a bit of opinion as I shower you with a stare.
What is Judgement? That bit of presumed knowledge of morality in the symbolic order?
To throw words upon your shrouded body, covering you with a set of expectations I have known almost since birth.

I look at them and see the world through the narrow lens I have chosen to understand it. I watch everything through this porthole. Afloat on a sea of dark mystery, I watch it, a tiny point without reference.

“Bad people are people who do bad things.” I look at that tiny pale body sitting in the car next to me. A little boy so convinced of himself. He is the eye of judgement, a tiny being, clueless, yet so sure of his place.

“Judge me,” the white bodies call.

The angel comes, bringing with it the Real. It is death. The void has no symbolic order, for it is nothing. It is without words, without definable shapes and morality. Step into it like a bath, for the real has come. Open you arms if you can, throw your head back and relish the ecstasy of a new set of eyes. They are doorways, not merely windows. Step up, step inside.

Though their eyes are closed, they see the angel and his red cross. North, south, east, west. The sound comes from the horn at his lips. And it is music, shape without context. Sound without attachment. It has all fallen like a cleansing rain and they welcome him, opening their bodies to a new type of noise.

How many do I judge? I see all of them through the lens of my language. I either assume an understanding, or cross their names from my book, calling them evil and rich. They find a home within the boxes of my aesthetic or I call them ugly and laugh at their pants. I laugh with them if we share the same language, or I squint my eyes and stare, waiting for the sentence to end.

Judgement comes with my language and I throw it out like dice on a filthy street.

Their bodies rise from the earth, covered in soil.
“Judge me,” they say.
No words are necessary. They bask in the void, holding themselves open for a new page to turn.

The Apple

2010-06-17T11:40:00.000-07:00

I walk through the garden. Light steps. Walking gently on a narrow path of crushed rocks. Fine as gold dust. One clear objective shines like a blue jewel between my eyes, lightly beaming from my smooth pale forehead. To the left, my eyes wander. To the right I look, searching for that one piece of fruit. That one bright and shinning red apple, aglow and pregnant below the bright eyes of the sun. I hold it in my mind, a perfect image, a treasure waiting for my hands and kisses. Calling out for adoration. Red. Alive as all things are. Red like the rivers of blood moving through thin arms. Red like this throbbing pussy that awaits its sword.

I walk with one objective, one bit of reality taking over my mind. That round and sweet fruit. Red. Nothing stops me. Not a warm breeze smelling of jasmine, not a curious flower with twelve soft pink petals and a perfume that smells of the moon and death.

I walk with an ever-present determination, my eyes scanning the sandy ground constantly, looking past the ground up sparkles, searching for the color of deep life. Breathing. A mouth to be kissed. Each step is a new lifetime, another chance. A glance down another path that leads to the sea. Tendrils escape me. I let them go, flying like a curling explosion of laughter and song. They extend to the clouds, sweeping in armfuls of mist and the hopes of air.

I let them go, my eyes searching the dark secrets of trees. Their caves, their shadows. I look, hoping for contact, a gasp escaping its leaves. Will its gift be mine? Will I bite into pale flesh, dripping with desire and sugar, both of us, wanting to be planted. Consumed and turned into something beyond imagination. We will leap past the stagnant shapes of squares and circle, journeying to a place of layered dimension, places undescribed. We are the same. Red and round, ripe and waiting for knowing hands, rough and dirty, full of rain.

I sense that the sun has shifted, that my brother calls my name from a far off field. I can see the white fluffy sheep beside him, herds of cotton and simple stares. The softness of those blades of green, the electric blue of the sky, burning above him like fire. But this shifting, I sense that the air has turned sour, that my brother calls me with a different voice, sounding more like drums than bells. I search the sky for clues, looking, pulling apart clouds with the precision of a hungry animal, pulling limb by limb, bit by bit and muscles tear and bones crumble beneath the force of my hands. I search, hearing my body move like the clocks I left in an old shop. Left and let the door shut quietly as I walked away into the bright daylight.
I hear it once more. This reality is nothing if not the senses, my beating heart, the thump of its call, the sound of its opening and closing valves. What am I if not a beat? A tone in the drummer’s wail…a sound in the dark countryside. What am I if not a blip on the manuscript sheet, just one tiny note, one life.

I am having the clouds for dinner, they melt on me, my tongue and lips turning them into bright colors and words of nourishment. I suck the marrow out from them, sucking like a dog that claims no owner. I am the master. I am the leash. My choking is the grasp of my own hand pulling me in a thousand directions. I am the fire and the pull of the leash, my own master, the dominator of all that is fur and flesh and love. Undying love whose call covers the hills like a thick blanket. Can you hear me brother? Do the sheep flick their ears with my bright call? My message of love which surpasses human ears. It is us, those of fur, those of the earth and dirt, those of the whispy clouds that move like brushstrokes. The night is clear and I am no god. I am the footprint, stamping the earth with my laugh, walking as though there will never be another. I am the trees, the fruit which I seek. The red that covers us in life and sparkle… there is no other. No ground. Perhaps no brother. No fruit. These are my fears. And am I right? I look into the garden and see nothingness. Where is the sheep? The eye that stares without feeling. The eternal colors of green and white, covering me, denying me pleasure, denying me pain. Where is the needle, the cock that sends its message in rhythm… am neither here nor there, a thousand years have passed and I claim no knowledge. Another turn of the path and I wander past the same footsteps, yearning for my brother and his soft sheep, the call that has turned from bells to questions.

They have all shifted with the search. The dogs have turned to mice. The cats above claim the sun as god. Clear minded once, now I dream about other things.
The play has ended and a pile of red roses are at my feet. I search the dark crows, seeing only halos of lights and a roaring of hands. Who are all these people who stare? Light covers them in a fine sheen, but they are only shapes, circles and lines and rivers of blood. There must be blood, an army of robots could not shine like them. But I wonder.

A single clap rattles my spine and I see the apple. That skin for which I have searched. I have walked on soft grains of sand and compact earth. I have walked for so long, finding only more light. Finding clouds that have turned to night and brothers that have faded into memory. I have left all that have walked before me, left them to die in their tatters and murmurs. I took their thoughts, turning them into me, moving them through every part I move. Throbbing, I feel them all. Each dagger of pain, the thrill of ecstasy.

The endless road moves forever forward, I feel the grains of earth below each toe, calling me by every name. And I know theirs. I know each one. This path is mostly the same, though slightly different. But mostly the same. One different shrub, a flower out of place from the last time I licked its pink. It is endless, beyond words, though I continue to try. I grasp at the edges, looking for more. Finding books and poetry and readings by men in white beards. I stroke each tiny strand, loving the feel on my fingers.

Beyond the rim of my eyes I find the desert left for dead. Without rain, without one orgasm to wake it from sleep. This is the reality of dreams and nightmares. The path from which I have stepped forth, naked, covered in tattoos and a few wrinkles and spots of blood that decorate me like a birthday cake. I am clear, a walking mirage, still searching for the fruit of life. The thing that will spring forth like a pool, the burst of life that will live inside me like an eternal fetus, forever sucking and feeding, forever giving of its dreams. It will not be born, not into the air, not to the trees and the men who would create a god. It will be here, a change without eyes, without language. I will know it, it will be my nature.

Fading Light

2010-06-08T21:52:00.000-07:00

I lay on my bed as the last of the sunlight fades, giving us, this small little planet, its final heroic effort of the day. In a dim room, bright orange light streams in through the window, hitting just three different spots on the walls. I lay on the bed, just minutes out of the shower, my hair now wet and cold. My pale legs are covered in oversized black sweats with jaggedly cut ends and a man’s thin striped pajama top.

I look at the last bits of light, feeling suddenly aware of the calm chamber.

My hands rest on my stomach, my feet are extended, supported by a jumble of three blankets that cradle them. Tiny gurgles call to my fingers below my pillowy stomach skin.

“Just be here,” I think to myself.

My chest fills with air, then deflates slowly.

I look to the wall on my left, the wall my bed presses against. There is a rectangular orange-gold piece of light, like a bright framed piece of sunlight on the wall. Cutting through the center of the light is the dark shadow of a cross. I stare.

“So pretty, I should get my camera…” But I don’t move. My hands stay on my stomach, my legs remain in the folds of soft blankets.

The cross, such an intense symbol; a torso and head, two arms extended, two feet pressed together as one. I see Jesus on a hill, I see myself in the morning, just after 7. How long did it take for people to realize the shape could be used for killing? For the structure of torture?

Perpendicular to the wall is the French glass door that leads to my kitchen. The top half of the door is bathed in soft yellow light, though the top-center of the door is glowing orange in the sun’s last rays. I realize the light is coming through my small window (parallel to the wall with the cross), hitting the doorway, then the glass is reflecting the image on the wall.

I look back and forth between the wall and the door, not needing to turn my head.

To the right of the door, directly in front of my body, on another small section of wall, are a few fragmented pieces of light, long jagged rectangles and bent circles and little speckles.

I think about the photographer I used to work for, Emily Payne. “It’s called the sweet light.” I can hear her say it, holding her big black camera in her hands. I imagine photographers around the world waiting for this time of day, waiting till they have the ‘right light.’ Do they stay indoors like inverted vampires, waiting only for a special hour? How many moments do they let pass? Is everything overlooked until the sweet light emerges?

I look up to the cross and the door. Has the light changed? It must have, the sun is fading by the minute. I search the color of the door. It’s just a bit paler. Still bright, but lacking intensity. It’s fading in front of my eyes and I can’t even watch it, I can’t see its fading unless I look away and then look back.

I turn to the wall. The cross has lost an arm. It looks like a T on its side. I should have gotten my camera. I could have written something about this and I would have had the perfect pictures to go along with it. I stay in bed. It’s too late now. “Just watch it, it’s fading away.”

How often had I missed this light? Maybe it would be the same tomorrow. Or nearly the same. The earth would not tilt too much in one day. What if I had not laid down? Would I have just sat at the desk, doing something, oblivious to the light around me? How many times have I done that?

I look up again, the light is dull.

“Just be still and watch…” I keep wandering away, I can’t even watch the light change for a few minutes without drifting.

The cross has become a single vertical line. The French door creaks open, pulled by the crack of the open window 15 feet away. As the door comes forward, the cross shifts, creating one solid black line, then another slightly lighter shadow line behind it.

Then the door creaks closed, and a single line emerges on the cross once again. The door’s bright orange light has faded almost entirely. I know that soon it will be completely gone, maybe then I’ll wonder what happened, how it left so fast.

I look over at the speckles of light on the wall perpendicular to the cross. The light there has faded too. Watch it. “Don’t take your eyes off it, watch what’s left.” I hold my eyes. Its fading…but a part of me cannot believe it. I realize I can barely watch it straight on. It’s almost painful. Why can I only see something changing if I look away?

The door is now dark. The cross is gone, and just a few sprinkles of light remain on the wall next to the door. I watch them, intent, finally holding my attention fixed as they fade. Dark, darker, then they are gone.

The phone rings.

The Guess

2010-06-04T19:27:00.000-07:00

What I almost certainly do not know is that I am blind. BLIND. My sight is an illusion, a minor hope of a machine caught up in kaleidoscopic movies that repeat endlessly. I cannot see. Not you, the dog, a tree, a new facet of thought. Every contour is clouded in a haze of fog and thick assumptions. You are what is past my nose. You are beyond the thin skin that contains my brain. Because you are not me, I cannot see you. You are a cloud of pale skin. A sound that echoes from a distant hillside. A fleeting movement that jumps through a tiny hoop.

You are equally as blind, caught up in the illusion that wraps us both in a tight jacket. Two people, perceiving themselves as right and correct. Two people, seeing only fuzz and gray clouds, hearing selected words from long sentences, getting lost in the white spaces between. The other is beyond. The tiny shape of a walking woman, the tropical tree, the fresh picked banana. They all exist in a world of color and form that I watch as though through a television screen. You are not real. The metal jug, the dirt road. Not real and foreign, past what I can ever understand.

I watch from an overstuffed couch, watching the lights move, watching it as complete fiction, for it is. Though I cannot tell I am on the other end of a screen, another light that moves vaguely in the distance.

I am blind, though so are you.

Both of us trapped in the skin that contains a sense of self. There is me, there is you, the Other. I am blind and cannot know, and the guesses begin. All the assumptions, all the conjecture that rolls like a snowball in a cartoon of pigs and rabbits.

It catches speed and I grasp at words. “woman, poor, fertile, bound…”

They are words and I attach them to you, to her, to all those that move on the horizon.

But another one comes, “young, marriage, style…”

More words. More assumptions. I will never know. You are the shape beyond my skin, you are the Other, and I can only make a guess. How can I talk to the past? How can I talk to a shape without blood? The past and future blend together, I grab with dirty fingers, searching for another word, something to hold, something that will make sense and fit easily in this small wooden box. You are the captured cloud, the note hidden below my pillow in a place I will forget to look. You are the shape that will never be known, you are the Other.

First Look

2010-05-26T17:03:00.000-07:00

There is me.
I see my hand, my eye, my skin.
I look through these brown eyes.

I look at you.
The other.
You.

You who are not me.
Beyond me skin,
past my eyes,
beyond my hand

You, that I can touch.
You that I can see.
You.

The other.
You, who are not me.
You are the Other.
You, who are not me.
Not my skin, not my hair, my ears.

And because you are not me, I am not you.
Through your eyes, I am the Other.

I am not you.
Not of your hands and skin, not of your body.

No matter how much I may long to merge, no matter the hours I spend staring into your eyes.
I am the Other. Just as you are the Other.

Cherry blossoms drift between us, their pink wings fly, and I know that they too, they are not me. Not my skin and flesh, having nothing to do with my bones and eyes. The are the Other. All that is not me. All that I can see and everything I cannot.
For everything is the Other. Everything past this wall of pale skin and this head of short dark curls. The hills and their stories, the trees and their years. They are all beyond me, by definition and purpose and being. They are all things with other lives and other hurts and laughs.
The wall containing me is my prison and my castle, the way I was birthed, the way I have known. Only now, perhaps now I get a glimmer of the Other. The fear of you, the fear of me.
We look at each other, two sets of eyes wide open and staring, each looking into the Other.
But what if we see?
And what if I only feel one heart beating?
What if I stare into the reality and not the illusion?
Is there me?
Is there really the thing with hair and teeth and skin?
Is there a Me?
Is there a You?
Is there an Other?

Is the great illusion the only way to live?
To survive beyond the white walls of an institution and small capsules three times a day. How long can this be explored before we fall into smelly pits and metal cuffs…I see you as the Other, except those times in which we join, when your eyes look like the golden pools that I remember from a dream, and your skin tastes like mine baked beneath the sun. Then the illusion fades, and I see the Other, wrapped in red threads and dark curls, looking like my image in a mirror, looking like it was never anything Other than me.

You Are Dying

2010-05-10T14:12:00.000-07:00

Do you know that you’re dying? Don’t stare at me with big wide eyes, You Are Dying.

Through the tunnel from the womb, into the cold air, breathing, gasping, a moment from death.
Our birth is an immediate tolling bell of what’s to come.
Our only disease is life itself.

We are dying.

Each breath,
another step
Each day,
a moment closer

There is no need for doctors or prognosis. Skip the tests, the transfusion, the trips to a place of many rooms and fluorescent lights. No man in a white coat can say it any different than I can… you are dying.

Let it sink it.
Let it go to the core.
And if your heart doesn’t start to beat just a little faster,
Then let the words go a bit deeper, for you still haven’t heard:
YOU ARE DYING

Look around, it’s time to pay attention.
There’s no time for anything else, no time for watching the spilled milk or crying for the crimes of the past. We’ve all been fucked, screwed and spit on. It’s part of the experience, like strobe lights at a rock show, it’s just part of the deal. As was once said by a great band, there’s no time for fussing and fighting my friend.

You’re dying, the light at the end of the tunnel is clear, the end is inevitable, you are standing on the tracks, you will be food for the birds.
And so now, take a breath. It is coming. YOU.

If only we could stop the little bits of swirling sand and dust clouding our vision. They are sentences from the past, nuggets of resentment hidden in clenched fists, your father’s wrinkled brow. They whirl so fast, blinding even focused eyes. Clouding the path, making enemies of friends, pointing towards the cliffs.

You are dying.

There’s no time for the complaining.
For the excuses, no time.
The habit of anger, resentment, comparison, there’s just no time. We all end up as dust.
Shall you spend your last few minutes squawking? Complaining about the tart strawberry, the irritating glare of the sun? The child laughing loudly?

There is just too much to do. So much to write, circles to build, songs to hear, careful steps to take. Don’t let it all evaporate below the sun, growing lighter and lighter by the minute, fading into nothingness.

It is all here, every laugh and cry, every person in your path, every sound floating in through your walls. It is all here for you to use, coming to you free and untainted. It is the raw matter for you to bend and shape, bursts of energy to wrangle and harness, converting into fuel and long sticks of light.

It is all here, take it before you’re gone. Before they mourn the bit of dust you were. Before your steps are silenced and forgotten. The path can use another set of hands. There are weeds and misplaced rocks, there are stories to write and gnomes to meet.

Did you know that you are dying?

YOU
YOU who read these words.
YOU ARE DYING.

Look around and breath it in. Then start to work.

The Seed

2010-05-06T16:43:00.000-07:00

The rain clouds had parted and the small patch of earth was damp, emitting a scent that only some knew how to enjoy. Those close to the soil, with orange leaves in their ruffled hair and thoughts of worms and horned beasts. It was a smell they both relished, unlike anything they could find in clear glass bottles. It was not the smell of elegant women, nothing like men in dark suits and slick hair. Nothing like glass buildings or sterilized hospitals. It was a forgotten odor, like the medicinal pollens and balms that had been burned and stuffed into floorboards that swelled with age. It was earth, birth, death. It was change, decay and rebirth. They knew the smell, they sucked it into themselves. It was time.

The two young sisters slept with their windows open. Sleeping with the moon, awaking with the sun’s first kisses. Winter or summer, they dreamt with the elements, living with the constant changes.

After months of wetness, the clouds had parted, like they always eventually did.

It was time. A new season had come, taking its first look at the new world. It was ripe.

The girls gathered the few tools they needed: a shovel, the small yellow watering can, and a basket full of seeds. They entered the narrow yard overgrown with weeds, their eyes shaded by the thin brim of their pink and yellow floral bonnets. The sun warmed their pink cheeks and lips, urging them forward, giving them a bit of encouragement with its heat. They inhaled deeply, at the same time, each one listening closely to the sound of the breath beside her.

Without words, they moved together. Clearing weeds into a tall pile, turning earth with the wide shovel mouth, carving out shallow trenches. When the trenches were prepared, they each took a handful of seeds, scattering the seeds every few inches and then covering them with dark soil.

They worked for hours, planting chamomile and foxgloves, lettuce and sage. The girls looked into the sky and began gathering their tools, they could smell rain.

Big, giant drops of water came, fertilizing the soil and each newly planted seed. It was the Father, the tidal force of dominant energy coming to give the little bits of information what they needed. The girls watched from their tiny second-story window, watching as the skies opened and water poured. It was essential, it was right, it was the way.

When the last bit of moisture disappeared into the soil, they ventured back into the garden, checking every day for the first sprouts. Wide eyes marveled at the birth process. The seed was information, the soil was the womb, the rain the sperm, the sun the food. Each one worked together, seamlessly, a merging of forces that would give birth to something new. A new life. A new plant. A little bit of information, a seed. It needed all the right tools, all the elements.

All the little seeds that had stayed dormant for so long, just waiting. Maybe the moment would never have come. Would they have known, could they just have sat for years on the wooden shelf, never moving, always in the same form, the same little bit of information contained in a thin shell, unused, unchanging. Did it know? Did it want to grow? Was there consciousness in that little seed, or something that could only become consciousness given the right conditions.

That was what they both had been. A little bit of DNA, a little bit of information. Each one of them had needed the right conditions. The right elements had combined, creating two little girls. Each thing that grew and died, that took a breath and pulsed, it had all begun from a tiny seed of information. Something that could be, manifested potential without a present or a past, eternal design waiting for time to come and press it into service.

The Smaller Cookies

2010-04-30T17:57:00.000-07:00

I saw myself again in their little bodies. They were like mini gingerbread men, with thin little crumbling arms and a round head. They were made like me, all the same ingredients. A touch of earth, a bit of blood and water, a heaping of stardust. They spoke like me, did what I do. I watched them and found it disgusting.

“How can you little cookies act like this!”

I wanted to reason with them.

“Don’t you get it? We’re doing this for you…we want you to be happy, to feel safe in a world that tumbles forward. Get out of your own little body and contribute!”

Less than a second would pass and their eyes would glaze over. I watched them, like dolls without will and power, happy to sit in a room of crumpled tissues and bits of torn paper. I was disgusted. The carpet had blue stains, the walls were pockmarked and had the sticky remnants of tape and dirty fingers. I wanted to reason with them:

“Don’t you get it? This place is nice and clean, so different from what you have known. It’s time to take care of these gifts. It’s time to cherish what you have, to keep it clean, to appreciate what is here.”

But my words drifted away, falling on ears that could not hear, on little cookies that just could not move in another way. They stared off, then fought over a piece of string. I watched, shaking my head. They could not follow the most simple tasks, it was like telling a dog to write a letter. It was like watching a beautiful jewel disappear down a toilet. I saw the cookie cutter. They were just smaller versions of the same dough.

I work on different tasks now, but I keep forgetting what I have. I complain. I cannot see the gifts and I cover our space with invisible black paint. Every few days I spit on the altar.

Though I have breasts and a few more memories, I am that small cookie, fighting over a bead and a piece of string. I cannot be reasoned with, for awakening is beyond reason. I watch them, a body removed, eyes that fully comprehend their silliness, their selfish motivations. It is all beyond reason.

They have no discipline, no ability to maintain their attention, no way to change their habits. They lose themselves in balloons and old tissue boxes. I watch little copies of myself. Just as selfish and blind. Just as completely unaware of the moment, of everything that is being offered and given.

I cannot maintain myself long enough to see the gift, to take it and care for it, without complaint and argument. If only I could reason through it. If only I could tell myself to sweep away the petty things, to move forward with enthusiasm and trust and an inward gaze. If only I could remember. If I could just look around and Do. I want to grow up, focus, and use my attention to move with the spirit of a girl. Like a pixie, finally aware of her power, shaking off the dust of sleep.

Facing The Beast

2010-04-15T16:28:00.000-07:00

How can I write about something if I myself cannot even do it? If I let my red dragon tail twist and bend, knocking over buildings and my prized statues and half built friendships? How can I even begin to instruct? To write?
I hold it in my mind for less than a second. Its concept a small flickering flame in the tidal wave of oily black liquid and molten rage. I know what to do, I have heard about it so many times, I have practiced it in the quiet of my bedroom for months every morning, but when I see the tip of reality, when I encounter the real-life moment begin to blow and the filaments inside that hold me up begin to burn, then I run.
Running takes many forms. There are the tears, the ones that lately have become giant orbs of rage seeking to destroy myself and others. The visions of metal flying, sirens wailing, crushed bones and rivers of blood.
There is the hiding. The rage that wafts like air through wall and carpet, the absence of words the only mark of strangeness. The seed of resentment I hold on to for days, years.
Holding and holding, stroking, watering, kissing. I keep it mine, reminding myself of it when all is well, and then I remember, and then I’m mad once again. Cold with fear and rage. Closed as a cement box.
I see it all. It is not right. I am under no delusion of pureness, authority. I see the error in my words, in my steps, in my gestures that signify more than my tongue could ever spit, but they keep coming, for this beast is wild. It lacks a master. I am the beast.
So how can I write about it? What can I say if I watch the city burn, the statues crumbles, the houses cave? I watch, hating the terror, but doing nothing to stop the flames.
I feel three threads, tugging. Around one nipple is the Voyeur, watching it all melt. Around the other is the Mender, seeing it as pettiness, knowing it should end.
But around my heart is the braided rope, holding on to the pain. It holds its indignant head high, feeling righteous, waving its colored flag.
I feel them all, yet I sit paralyzed; not acting, not changing, letting the center rope pull me to the grave.

Training The Dragon

2010-04-08T17:03:00.000-07:00

Did you know there was a dragon inside? I can see him through your eyes, while the green folds of your eyes flex and point, watching me with blunted teeth and heat so intense it has turned to ice.
Did you know there was a dragon? Angry in its cage? Angry in the skin that looks so different from green scales and long gray claws, different than the life it knew as a flying beast. But the rage is there, bottled into an even smaller vessel, so thin and long and hairless. So smooth.
Did you know it was there? Breathing your air like a parasite? Eating your food, transforming your thoughts into fire and coal.
I have looked, and in certain lights, certain mirrors, I see the dragon. Steam streams from my flared nose, its Semitic length perfect for this orange and blue life. I move slightly, just a little turn, and see the green in these otherwise brown eyes. Flecks of fire and rage. But only in certain lights, certain mirrors. I forget about the dragon, the beast that moves with every shake of my arm, every click of my tongue. It fills me from the inside, keeping my breasts pert, my stomach round.
Did you know it was there? Have you seen me in the gray light of dawn? Through tempered blinds? Through the lens my eyes hide?

It is there, waiting, breathing, spitting fire.

Did you know?

Did you know?

Each beast carries a rider, though I’m not sure who moves who. My arm is not my own. And when it roars, when the cage opens, the iron doors releasing the full fury of a pent-up beast, my toes move without direction. My tongue carries me to the worlds I hoped to never see again. I watch from above, riding the back of this black dragon, watching the dark city burn. Sporadic fires and fleeing screams. Horror, laughter, redemption. Are they my thoughts? Are they his? Who rides who?

Can I tame this beast? Train this dragon?

In the right light, in front of the right mirror, I see the dragon’s eyes. I feel the flames of heat moving in my chest, the moment before the explosion. And I remember. My training, my practice, my sword.

One deep breath….Veeeehhhhhhhhh

I hold my breath….Kaahhhhhhhhhhh

I release the breath….Daaayyyyy

I repeat.

Every sound in the room is ignored. I cannot hear who’s talking, what’s playing. There are no thoughts, not if I’m doing it right. Not if I have the sword in my hand and the beast on its belly.

One deep breath….Veeeehhhhhhhhh

I hold my breath….Kaahhhhhhhhhhh

I release the breath….Daaayyyyy

I repeat.

It is strong. It is old. It is me…entwined within the fabric of my eyes and ears and lifetimes of habit. We are coiled like snakes, lovers without boundaries and eyes.

In the right light, in front of the right mirror, I see the dragon’s eyes. I feel the flames of heat moving in my chest, the moment before the explosion.

One deep breath….Veeeehhhhhhhhh

I hold my breath….Kaahhhhhhhhhhh

I release the breath….Daaayyyyy

I repeat.
And as I repeat, I train the dragon.
My dragon.
Me.

Ghost Guest Geist

2010-04-04T09:40:00.001-07:00

We prepare the space.
I, in my dirty jeans and yellow gloves, with piles of split lemons on a table. Each one gives beneath my grip, spilling its sour self to the floor. I push the mop, up and down over faded linoleum, humming a soft tune, because though I sometimes forget, music turns a chore into creation.
Fresh cut flowers sit in a short jar on the round kitchen table. The windows have been opened since dawn first broke, bringing in the smell of a cold spring and the faint whirring of dragonflies. I hear the sound of a vacuum cleaner downstairs, and I feel the dirty remnants of a used-up week disappearing into the black hole of plastic parts and noise.
This is our role. The vessel must be prepared before the Guest can come, before the guest can fall from an upside-down kingdom and land in the cushioned chair of our living room, or another body ripe for the taking. When the walls ring with the scent of myrrh and candles provide the only light, then the guest comes, the ghost. The guest.
It comes through, knocking over u’s and h’s and it takes a reminder to know that they are one and the same. That the man knocking on our door was a copy in flesh, a spark of what was to come.
“Geist!”
I hear someone call, and I turn, flipping through the dictionary until I realize once again, that words move like liquid over tongues and years. Adding u’s and h’s, transforming meaning until it takes a mind-shattering look to see their similar shape.
The same old name, with new letters, now books, new times. The same thing, a new form. Flesh to air, blood to power.
I look at my friend, at his plump smiling lips, his bobbing head. The hole was opened, the dishes washed, the bells rung, the seed planted, the intention set. The walls move with the beat of a ghostly guest, a dancer with no feet, a shaker with no hips. But the walls shake, and I feel my head turning, spinning, moving in ways that it has never moved.
I am spinning, moving through crystal water, bending and turning, following the curves in the music while my mouth runs to keep up.
The guest is here, though we only talk about it afterwards, when the lemons are squeezed again into brown mugs and we sit, using words that always come up short. The geist was among us, jumping between body and wall. Using the vessel, the one of concrete, the one of bone. Taking the water, the sound, the spirit, the space, taking it all for a ride, a lift to the place that can only be experienced.
The ghost is the clear water, the guest for which our doors are opened and the floors are scrubbed and our bodies are cleansed. We prepare for the three, the trifecta, the trinity, the one. I turn on the porch light and set out an extra cup, though there is no flesh and blood, though there is no hand, we set the cup, the plate and serve our snacks.

The Dance of Play

2010-03-26T15:35:00.001-07:00

There is no right and wrong, just play.

I pick up my magic scepter, a thin green extension of will and mind.It is the instrument of my child, the toy of the girl.It is long and thin, found in the garden by a girl with strawberry-smelling curls and a laugh like wolves.

I dance within the circle, pointing to each member of the orchestra like a conductor in wool pajamas, though no one sees me and no one responds, I point with a smile, cheering them on with my scepter and hips.

Somehow the music found its way in, and I jump and move, half child, half woman, half creature. Half guest. And when I divide like that, the numbers don’t matter, the calculator hangs by a sorry string on a doorknob and I sing out 5,3,8,3,8,7 Hey! And the numbers dwindle in significance, though their accumulation births the thing before you, a woman with white breasts and wide hips and lips verging on pale.

Now, there is only play. And when I slip, I imitate myself in a frenzy, turning the fall of a foot into a wild move. Play. It becomes part of the dance, the un-scripted move; chaotic, controlled, graceful, disjointed. It was all there, moving in a twisting tornado of movement. And the melody kept pumping my heart, cheering those little sock-covered toes. Jumping over wires, missing the flame of a candle, kissing those eyes that found mine, dancing with my green scepter, the pointer of desire, the cane of a vaudevillian, the green finger to the clouds, the channel towards the unknown.

It came though, like a prince from heaven. From a sky that may be underground, or within, or both. The rules are wide, the rules bend like putty and squishy breasts and plastic nipples squeezed between white fingertips.

There is no right, there is no wrong, but there is play.

There are words, there is movement, and sound. And as I move through them, I join the different points with gold and blue threads, using the attention of a woman and the joy of a child. They melt, forming the carpet for your soft white feet, the landing for a prince, the home of the voyager.

Jungle Monkeys

2010-03-21T16:10:00.000-07:00

It is a monkey
a monkey with a veil,
and when I finally manage to grasp
just a little piece of white lace,
I catch a look in the mirror.
There is a gasp,
coming from someplace within.

A wide face, hair covering my cheeks,
black beady eyes stare back, blinking every so often.
There is hair,
coarse brown hair
both above and below the veneer of pink skin

I have seen otherwise
all this time.
Looking through the haze
of human,
and different,
and other.

But in these eyes
I see an animal,
a machine,
eat, sleep, and breed
programming.

There is nothing else.
No desire beyond the obvious,
No emotion
beyond empty gestures
and thin words.

This is me, it took a sleepless night to see.

It took all my life.
It took the allies.
It took a gentle hand to discover what I was

What I have been
What I am
What I will continue to be.

I am not now, what I could be.

Flying,
moving through dark space,
arriving at clusters of exploding stars,
Talking to beings with no mouths and eyes.
And we talk, and they share, and we merge,
Dancing as one fleck of light

Dancers among millions
on the dark stage of the universe.

The body is gone
The concerns of the body
The worries of the monkey

Eat
Sleep scratch
fuck
Clothes
warmth
Food
hunger
Anger
Jealousy
Hatred
Envy
Desire

It is all gone
Discarded with the old skin
that lays like a crumpled laundry bag.
And now I travel
I reach for a hand in the darkness,
Finding light

I am not now, what I could be.

I am still chained to the circus tent.
I perform my tricks
I ride a red bicycle
Circle after circle
Decade after decade
Lifetime after lifetime
I like my dress
with tiny blue polka dots
I like my bed,
My sleep, my endless state

I am a monkey
And I see my reflection
sitting in the park
with a sandwich,
In the sports car
Waiting for a bus
Walking on a sidewalk
millions like me
in a forgotten human jungle,
in a place that lacks vines and trees,
but I can hear the shrieks,
if I look
with just the right eyes.

We are not what we could be.
What we could be
What we could be
What we yearn to be
What we yearn to be

The Cord

2010-03-10T18:02:00.000-08:00

The typewriter clicked under his quick-moving fingers. Chik-chik-chik…the pace hardly ever stopped. Light would be streaming in from the window and typed pages would form a stack next to the typewriter. He would lose the sun and then be accompanied by a few of the strongest stars, and the manuscript grew taller and taller. He was unaffected by the hours of man, by the hands of the clock or the tilt of the earth. The sounds of the neighborhood did not disturb him, nor the snoring of his neighbor, Levi, that he could hear through the wall.
He would only break the rhythm of the writing when his body required tending, or when Mrs. Johnson from upstairs would come over to prepare him some lunch. She told him she could not stand to know a man was not eating and wasting away, so she made it her business to prepare him simple meals three times a day. Besides those necessary interruptions and an occasional walk to the living room window, his place was at the desk, before the typewriter and the clean white pages that he would fill with other worlds.
He preferred living in those other places, the realities he created. They were so much more interesting than the city that was just outside his 16th floor window. In his mind, there were no rules, no conventions, no limits as to what could happen. It was total freedom, and he dove into it everyday, as if finally, he was home.
The typewriter clicked.
“…Cintra held onto the helm. She could see the star system fast approaching. It was a cluster of white lights that sparkled brighter than anything she had ever seen. Moving in and out of the clusters were other space craft, smaller than the one she now maneuvered, smaller and more round, like shooting spheres that had the light-willed movement of bubbles. She was not quite sure which direction to turn. Would the smaller ship carrying her crew and supplies follow her into the cluster of light? Perhaps she should circumvent the stars and arc over them…She heard the phone next to her ring. She picked up the receiver, pulling the cord as far as it would go so she could walk towards the wide glass that was the front windshield of the spacecraft. Before waiting for a voice, she said, ‘Let’s go for it Kurt. Let’s see what lives out here.’ ‘OK Captain.’ She walked towards her seat and hung up the phone, resting it gently in its plastic cradle. She got into the chair and gripped the steering device.”
He pushed hard on the key for “period.” He did it more sharply, more exaggerated than the rest of the paragraph. This was getting good. He nodded to himself, enjoying where the story was taking him. He nodded softly, over and over, a small trance coming over him.
It was how he rested. Images of space craft took the place of words. He saw the dark sky of space, imagined what it would be like to approach a thick cluster of stars that seemed to vibrate a thousand times greater than the most populated city. He let himself feel the tension of the space travelers, the anticipation, the curiosity building as they quickly approached the lights.
His body jerked slightly as he heard the rattle of a key in the door. Without even looking up, he could see the round shape of Mrs. Johnson emerging through the doorway, her thick arm pulling the key from the metal hole. Her pudgy pink hand closed the door, locking the deadbolt, she took just a few steps to the small kitchen left of the door, then reached for the apron she left on a single metal hook. He could hear her humming.
He pulled the paper out of the typewriter, tugging gently on it from both corners so as not to bend it. He re-read the paragraph and found it pleasing, though he thought there would be more details he could add later. He liked the world. He read it again, still missing the one thing that would act like a siren to a reader far in the future.
The cord, the phone. In a world of easy space travel, he had inserted an object bound by the world around him. An object he knew, a thing he recognized. His publisher would glaze over it too, both unable to recognize an object from his unconscious daily assumptions.
He walked over to the window, looking out at the constant traffic of a New York street, where cars remained long and bound by the laws of physics. Technology moved so fast, soon engineers would realize that small, round, bubble cars made more sense. He heard the telephone ring and walked to the small wooden end table. He picked up the receiver, trying to untangle the gray cord as he brought the plastic piece to his ear.

The Other Na'vi

2010-02-26T18:52:00.000-08:00

We see the Other,
and they are blue.

And we see the Other,
but they are us.

They are blue and disguised
only slightly
by another planet and another language,
Disguised just slightly
in the guise of fiction.

But we see the Other.

We are the Other,
The Na’vi,
the blue people.
Where war is fought over land
Were precious resources
are the cause for blood and struggle and mothers’ tears
The world, right beyond the window
is bombed and shelled,
it is taken with guns and threats
it is taken by the hands of zealots.
And it is taken,
by those with another language,
by those with other plans
and other dreams.

And though this theater is dark,
and though this is disguised by fiction,
by a big budget and special effects
and James Cameron
and a movie marquee that reads
AVATAR
in big black letters,
and though I still have the money for popcorn
and the children spit
sunflower seeds on the ground
with rhythmic authority,
we still see the Other.
We see us.

We are blue.
We are big eared.
We are the dispossessed.

We are the Na’vi
after the land is stolen,
after the water has run dry and the olive trees have been butchered
and our brothers have been sent to their jails.
We are the Na’vi after 60 years of repression,
after blood, after constant war,
after the grasp has tightened and tightened,
ever so slowly
and now I just cannot breathe.

And I write,
and I see,
and I talk.
I see this fiction,
and I see this true story.
I see me,
my brothers,
my sisters,
all wishing for the land we once farmed and knew.
I see what we want behind rows of tanks, bullets and armor.

We are the Palestinians,
the Na’vi,
the real beyond the fiction.
One side of the fragmented stone,
just one of many who have lost their trees and ancestors and whispers.
We have lost it all
for our resources,
for soil and water and fruits,
for an ideology that can smother even the sharpest eyes.
This is a world of blind men and mute women.
If only we could fly,
If I could ride the dragon of the sky
and defeat those who come with their single minded plans,
but this is not fiction,
this is not a film.
The small have been defeated,
though we march through the forests of failure,
wearing blue and marching towards the fences that create our prison.
Watch us, as you have watched the Other.
The world is a million theater screens,
and the lives behind them drip with real blood,
and taste of sweat
and scream with the nightmare of living,
the nightmare that our lives have become.

We are the Na’vi,
the Palestinians
the Other.

A Death of Scattered Signifiers

2010-02-20T18:29:00.000-08:00

The truth could never be given with a word. It could never be understood with a sentence or on the pages of this text. And maybe you wouldn’t understand, but maybe you would, and if you do, then take my hand as I reach from the grave. I started writing months ago, and what began as a rant became more, and what began as therapy became even more until I saw the dark cloud that loomed on the horizon. It wouldn’t go away when I blinked; even when I cried and cut my fists, it was always there, steady and silent, waiting for me to truly understand. It was black and hard and I knew therapy could not fix it, words could not fix it, but I tried anyway, because I had to.

They just don’t get it. You can spell it out in big words,
And little words
And black and white
And you can make it as simple as possible
And they just don’t get it.
Now they call you demented
And your wife apologizes for you
And someone wonders if you were having marital problems.
But you told them, and you used a few cuss words and your rage was palpable,
But that’s life, that’s anger at injustice, that’s red blood pumping and pumping and pumping.
And they’re calling you demented and crazed,
They’re as blind as you thought, and even spelling it out did not help.
Their eyes are gone and they just cannot see the dots and lines,
but you tried.
You wrote it.
You told them.
Your wife does not get it.
Years and years, hidden under sheets. Years of sweat and tongue and she still doesn’t understand.
And that’s what makes me sad.
You left behind a black charred body, you tried to scream, a final exclamation point in your crash,
But they just shake their heads…another lunatic.
Your sacrifice was for a point the sheep cannot see.
There will be no legions behind you,
No revolution
No violence.
Tax day is coming and the post office will be full and the stamps will carry our money away on wings,
And little will change.
Your sacrificed life will mean so little.
Your death will be a ripple in the ocean, so faint and distant it could be nothing at all.
And that’s what’s makes my heart want to bleed.
The malls are full.
The battles wage on.
The machine grinds steady.
The freeways are crowded.
The money keeps flowing.
You could not change it.
Can it be changed?

My heart has grown weary from the failures. All the fathers have crumbled. The lies are out and as I stare, I vomit and watch them grow. Children still recite the Pledge of Alliance out of synch and they still teach that Columbus discovered America even though it was refuted so long ago. They just cannot change ignorance. Young men still sign on the dotted line, believing in honor and the vision of Country. But I can see all those cracks, not one has escaped me and I cry for the innocence I once knew and I have turned hard while the lights of florescent bulbs flicker. It is all too much. They are all lies, each one of you in suits, each one of you beneath stripes and stars. How dare you speak? You white skinned, white haired, blue eyed liars. And while those men die in roadside bombs for corporations they will never know, profiting people they will never meet, I am prepared to die. The band plays behind me, and I am a patriot. I am a revolutionary in a forgotten country of words without substance. Add me to the pile if there is anything left. Follow if you can, and if you cannot, read my words.

(Text inspired by Joe Stack’s suicide note.)

The Wheel Of Fortune

2010-02-10T12:33:00.000-08:00

I looked into the mirror, there on the street. He was an Asian man. I was an Asian man. With a camera and flannel. I was a man. He looked at a woman in the mirror. He was a woman. I looked into a mirror on the street, and there I was, a man. There was a camera, a flannel, a full cup of curiosity. I was there, a man. A man with breasts, a man with a camera. A mirror revealed. There I was, on the street, with my camera, my curiosity, my heavy cup.

I looked into the mirror, and as I looked, I saw that I could have been her, there, on the other side of the street. There, on the sidewalk, a Latin man with a briefcase. A woman with a tiny white dog peeking from her purse. A flip of the wheel, the crowd chants, a smile of white teeth gleams into the camera. I watch from a blue reclining chair in a far away living room, a chair I have never seen, a chair I bought, a house I sleep in, the phantom in the mirror.

I look into the mirror, and there they are, a thousand reflections. She with her long blond hair, the man with the cigar, a naked child running through a mountainous garbage pile, the little dog with three legs, the man with his camera and a flannel shirt wrapped around his waist. There is the mirror, right on the street. There is the lens and the black eye of curiosity and an open iris hiding behind a wall of glass connected to a finger. There is a mirror, and I stare back with my own black eye. With my own purse and sweater, with my own ceramic cup that steams with fire. They all walk by, holding an ounce of me, a fragment of my reflection. I hear the sound of fortune, the tat-a-tat-tat of the wheel as it spins.

A flip of the hand, a tug of the wrist. The audience chants. The smile, so white and fake frozen. The lights of the studio audience dance: red, green, blue. They move. Lasered strobes of attention jumping from one object to another. Hop, flip, hip. Hope. The man, the dog, the woman and her smile. They could have all been me, and I watch through a lens, through a mirror that allows me to see, even months later, what I was and who I am and what we all could have been with just a slight turn of the hand, a spin of the wheel, and a jump in time.

I Could Have Been Any Woman

2010-02-03T17:43:00.000-08:00

I could have been any woman.

Wrapped in a head scarf, armed with a semi-automatic. I could have been hiding in caves, listening to the vanishing drone of a plane. I could have been a pious woman, mountains of cloth covering my breasts, staring into a bubbling pan of oil and chicken. I could have watched as verbal slurs vanished into the air, forever marking the children they touched.

I might have been anyone.

Driving a convertible down a street of palm trees and purses more expensive than houses. I could have been her- she who detonated explosives in a tent full of young pilgrims. She is in me, the girl with nothing left to loose. The self righteous woman. The zealot. The victim fearing her own family. The opportunist. The lover. The mother. The solider. The guerilla. The addict. The farmer. Them and a thousand others, they are all in me. It would have only taken the right man. It would have just taken a spark and a quick glance and a moment of elation. Not much. A hard cock, an orgasm. The rest of me would follow- blindly, lovingly, would follow to the farthest jungle to the tallest building and their leather swivel chairs.

She could have been me.

I might have been her.

It would have just taken a kiss, a passionate kiss that would have ignited every cell- every bit of longing- it would have just taken a firm cock and a tender stroke of my hip and I would have been gone. Following. Moving like an animal on a leash, learning from what I saw.

Just give me a kiss.

But I met him, and I saw a blue shape moving down a sunny street and I heard his call and I touched my window and looked back, staring backwards as the car moved on. I found him later on the beach, and later his lips, and soon his cock and then I felt his tongue and much later, cementing me to him, the orgasm. Days later I slept with him in a vacant house and soon I watched him ask strangers for change and we bought malt liquor and hid from the police.

It was me.

Then he asked and I gave. There was money. Tears. There was time. I inhaled his cigarettes. Another flash… tongue, an orgasm. I would stay for anything. Just another orgasm. Then I watched him cook his dope and one day I felt it going through me and then I watched as he crumbled. I held on, trying to preserve what I remembered, that one day I touched my window. The flash of blue and his shape, the certain-ness of my hand hitting glass. It was what he was, he was what I became. I could have been anyone, but I chose him. He chose me. I followed his tongue, his body. I followed him, but I could have become anyone.

I could have been any woman.

Looking Into The Nameless

2010-01-31T11:02:00.000-08:00

I knew then, through whispers and side-glances, as I know now, that I am different. That the compulsion to jump from fences stirred me even then, and I would run from the sofa, through a house full of cool tile, to the lush garden that awaited with green arms and promises I could never describe. And I would leap, throwing my body into trust I hadn’t the name for, into chambers I had yet to recognize. And I would land, spinning, on my head, smiling with the impact, alive with the hurt and dizzying reality of matter, and something else, something I have yet to place in a box and seal with a kiss.
I have used thousands of words, I have run around it in circles and created colorful stories that hint at its splendor, but I refuse to stare at it directly. I refuse to look it right in the eye and mark it forever with letters and obvious description. It is respect, colored by the sheer knowledge that I know nothing, that any word would fall a thousand miles short and cause bruising that could never heal. I have seen it spinning in blackness. I have poked the edges with a sharp stick and my prying mind and curious eyes that seek the details of all forms.
There is flesh, round and soft with pointed ends. There is darkness lit only by stars and the dreams of the dreaming. And I have walked through the tunnels of my mind and I have taken ships that led me to forgotten caves painted with orange and red.
I have looked, with my head bowed, and my body calm as a steady sea. I have looked. Into mirrors, into eyes that seem to look back with the same curious stare, my eyes, brown and almond shaped, alive with flecks of green I might soon forget.
It is all there, and as I know now, as I knew then, that this is different. Leaping from fences and rooftops, scouring the inner caves of ink and stinking rot, this is different. And I pull on thick boots and walk with my head bent, my arms open for others that might come running naked from the mouths of other caves.
And if they do, we will walk, through tunnels of brown and sooty black, and we will walk, through tunnels I have yet to touch and refuse to name.

We Are All Going To Die

2010-01-25T20:33:00.000-08:00

I looked at her from 20 feet away. She was crowned with a head of thick dreadlocks, held away from her face by a red ribbon. Most of the matted stalks were dark brown, as were her eyebrows, but the ones framing her olive-skinned face had streaks of platinum blond through them that ran through the locks like lightning bolts through a darkened sky. She looked thick and healthy, wearing baggy jeans and a jacket to protect her from rain that came in intervals.
Now the city park was filled with a bit of tentative sunshine, a few rays finding their way through a mass of fluffy gray clouds above. She smiled easily at the Afghan boy, his face still taught and smooth, just the hint of a beard growing on his chin. A table of packaged flat breads and jars of jalapeno spreads and humus separated them, though there was not much more, he held out his hand, offering a small sample and two rows of neat white teeth. She opened her hand, accepting his gifts.
I was twenty feet away, behind my own covered tables piled high with thick-crusted German bread and pastries. Whoever might have walked past by my booth in these moments was invisible, a ghost lacking any presence. My head was turned, slightly to the left, watching the pretty girl, smiling, wearing a thick red and white raincoat meant for mountain treks and camping. The young man in front of her, talking, both of them sharing easily for just one simple moment. It was soft, gentle, and I watched.
“She’s going to die one day.” The thought came from nowhere, it was simple and stark, so true as to be startling, yet I was not scared, I stood still, watching them both.
That pretty girl, in her later twenties, a head full of thick dreadlocks, a mind full of thoughts and a machine full of personality. I felt the hum of the market, crowded with white-tented booths and fresh oranges and vegetables. So many people, and all of us will die. The girl, the afghan guy….
And as much as they were alive in the moment, talking, breathing, she, tasting the flat bread, me, watching them, us, the entire market of vendors and customers and the people who drove by in their cars on the street just outside the park, we were all going to die one day. The thought hit me. Not just a thought, but a deep anchor that fell and hit the deepest part of me, a fact so true that I stood shocked, unable to turn away.

The Climb

2010-01-21T15:36:00.000-08:00

The question came in little gasps of breathy exertion:
“How…. much… longer…. is this….. going…. to take?”
He could barely get the words out, his body felt like lead, his breathing was so heavy, it muted the sound of his feet on the worn mountain path. Sweat covered his vaguely wrinkled forehead, the red shirt he wore had long since turned into a damp rag clinging to his shoulders. His heart pulsed, sending huge waves of blood through him, like dams about to burst. His heart was like a drum, pounding, pounding…
With each step, the muscles in his legs seemed just a moment away from ripping. It was pain, more pure than he ever remembered. He kept moving, as though tied to some sort of invisible rope that kept one foot following the other, endless, repetitive movement. He told himself that he couldn’t take it much longer, with each step he repeated the same thought within like a mantram. He imagined himself falling over, pushed too hard and for too long, soon the end would come.
There was a small laugh, it came a few feet ahead of him and traveled lightly on the wind till it found his ears.
“The path is the path. There is no end.”
Another light laugh followed, somehow finding its way to him over the sound of his heart and breathing and heavy footsteps.
His body reacted to the answer. He felt a sudden coldness, though he saw no wind moving the tree tops. Everything ended. There must be some mountain peak somewhere in the distance, there must be a point to the climb, something that they were trying to get to, something he was supposed to see.
Maybe a shrine? An old mountain hermit? A cave with paintings hidden within? Wasn’t there a point to this? There had to be an end, a place where he could rest his back against a tree and fill himself with slow deep breaths for hours and let his heart rest and his shirt dry.
“But I… can’t take…. much more of this,” his voice sounded desperate, “the… climb…. is almost… vertical… from as far…as I can tell… I’m… going to… fall… over… soon!”
Again the small laugh, almost like a bell, so light, filled with such melody. He didn’t feel offended when he heard it, it was not mocking or harsh, it felt like the sound of a child, innocent and open.
“Don’t worry, you’re fine. One step. Then another. Then you will need to take another. Feel the chain that binds us together and keep breathing. Keep moving.”
For a moment he felt nothing, no pain, no heavy breathing that burned his throat, just a calmness that seemed white and smelled of flowers.
“ahhhhh,” he moaned. A ripping pain in his legs consumed everything. He looked at the tall pine trees on either side of the path. He envied them. He wished he could stand still, adding his shape to their ranks. Just a moment of stillness, a moment to let a cool breeze wash over him and wipe away the rivers of sweat. He wanted to scream and turn around. He wanted to walk downhill, anywhere but up. Down to where he could find a car or a ride or a drink of water, perhaps a ham sandwich. He wanted to close his eyes and take a nap, to let his body rest and recover from this incredible strain. He wanted to do anything but this, but he felt the chain, he felt it wrapped around his heart, and he put one foot in front of the other, following the sound of bell-like laughter.
“Keep coming, the path continues this way.”

The Staircase

2010-01-17T18:02:00.000-08:00

The row of marble stairs rose before him, a stairway that went up and up, then disappeared in the puffs of gleaming white clouds. He stood where the stairs seemed to begin, on a carpet of soft brown soil that housed a few vibrant spouts of green grass. Those tender blades had found the sunlight, and he smiled for them, for their unyielding push towards the sun.
The stairs seemed to begin where he stood, but as he imagined his place on the green and blue sphere, he wondered if perhaps the stairs began much further away. He closed his eyes and imagined buried steps of marble, submerged in the earth, worms using the flat surface for a bed. Or perhaps the stairs continued even further, emerging on the other side of the earth, where men in purple robes stared at the same staircase, wondering if they too, could find its end.
But the words confused him. Where was the “end” and what could be the “beginning?” It was just as likely that the staircase began in the clouds…the words merely indicated the direction of the voyage, not the truth. What would be the beginning for him could be the middle for another, and the end for another man. Or maybe there was no end…it could just be a long staircase that spiraled through the earth in both directions, moving into the black space beyond the atmosphere where both ends linked.
He opened his eyes and looked. The stairs were so smooth, and not just plain white as he had originally saw them. Each step was a subtle swirl of color. Tiny lines of yellow and tan and cream and white, they all moved and tumbled on the flat surface, a painting of color. And he wanted to begin, he wanted to know how far it went and how far he could go. But the question remained, how would he begin?
Of course it seemed easy, one step at a time, a simple movement of the muscles in his legs, one after the other, up and up. But he could see it went on for miles, miles and miles, and then disappeared in the thick cover of gray and blue clouds that had formed. The clouds looked heavy and thick and held the promise of heavy rain. Maybe now was not the best time to set out climbing a slick staircase.
And there was the other matter of food. He would have to carry his provisions with him, maybe water too. How much could he possibly carry on his back? How far could he go before he lay exhausted and thirsty on the marble steps, dying from his own curiosity?
He sat there, at the foot of the steps, on the soil that felt forgiving beneath the weight of his body. He sat with his legs folded beneath him and thought of all the things he would need, of all the problems that he could envision, and he sat and thought and kept looking up to the staircase, the huge marble steps that went on as far as he could see, up and up, a beautiful spire that twisted with strength and the promise of something, something he could not hold between his tongue.
But the same thought kept emerging…where did it go? Was there an end? Or would he find a beginning? Or would he climb for years before emerging stained with soil in the same spot he now sat?
He wanted to start running up the slippery steps, but part of him held back. There was planning that needed to be mapped out, provisions and equipment to buy. But he sat and stared while his mind jumped from thought to thought. His body wanted nothing more than to move. But then he thought about his muscles, was he really prepared for such a feat? Would it be better to work out for a couple of months, to build up the strength in his body for such a climb?
He felt his body pulling, “come,” it seemed to say, “come, and let the mind follow if it wants.” But he continued to sit there, while the light of afternoon began to fade into darkness. And he closed his eyes, imagining himself on the staircase, pursuing the one thing that seemed important, and perhaps it was, and perhaps it wasn’t, but it did seem that way.
He felt a sudden chill and opened his eyes, and the staircase was gone.

Electrified

2010-01-13T16:56:00.000-08:00

It was a bright sunny day. The sun, a million miles away waved hello, letting each one of them, each one who turned their face up to the cloudless sky, know that another day had come. The reds were redder, the sunlight was stronger, the green of the treetops shone as though she had never seen them. Each of the cars that passed her on the road shone with the gleaming brilliance of light hitting smooth metal.
She drove with her window down and her left arm casually resting on the driver’s side door, feeling the soft breeze of the afternoon glide across her skin like water over marble. The city beyond the car’s surface was bustling. Tall cement buildings lined the streets, and they too gleamed in the sunshine, as though in this one day they finally were the sum total of their architect’s dream, and all the hopes of each person that entered their revolving doors and every person that walked the halls had finally come alive. And the buildings heaved with the breath of life, and the windows moaned, letting their long-held sounds out into the air, where they were met with the gentle groan of the wind.
Her foot pressed lightly on the gas and as the car eased forward, she felt faint stinging in her toes. She wiggled her fingers, feeling pins and needles there too. When she had left her house that morning, the doorknob gave her the first electrical shock. Then each step to the car was one tiny jolt after the other. The earth was energized and she wondered what lighting bolts had shed their power the night before.
The car’s handle was another little shock, and as she reached for it she saw a jagged blue-white current race from her middle finger to the handle. As she pulled into downtown, she saw that the cars were plentiful, each on their way somewhere different, but the traffic moved at a steady pace and the breeze kept on coming, not wanting to miss a thing. And she drove on, but she saw it all moving, almost dancing under her gaze. The tall street lamps wavered and the telephone lines bounced up and down, greeting her with their own language. She turned to her friend in the passenger seat, his face greeting her own with curiosity and a soft smile.
“Everything’s alive today. The cars, the buildings, the street lamps. Everything’s alive and shocking me with its power. My hands are still stinging from the metal knobs.”
He laughed. A gentle deep rumble that came from the kernel of true understanding he carried in the center of his chest.
“It’s you. It’s all coming to you, like a massive network of electrical currents that are all seeking you out. Those electrons feel you, they feel your charge and they’re jumping, like literally jumping towards you in great rivers of energy. It’s not everything else, not the street lamps or trees, it’s you that is electrified.”
She took a deep breath in, inhaling every drop of oxygen her lungs could hold. Drawing in the great rivers that flowed to her like water down a mountain.

Seeing

2010-01-10T13:28:00.000-08:00

The waves crashed on the shore in quick succession and she sat within the divots of the sand, on the thousands of warm crushed rocks that were soft and harsh at the same time. She took to picking up little pinches of grains and rolling them between her thumb and index finger. These little things, these
almost-round things were what they called sand, what she called “sand.” What everyone understood as sand. These tiny pebbles that were once big rocks, now collectively known as sand.
She had been to more gentle beaches before, where the waves came in leisurely, as though they were in no hurry to find the shore and then melt into the larger form of water that had birthed their shape. But this was not a lazy sea. The waves came and came and came, causing a roar that was so loud it ended up fading into the background, a deep rumble that never settled down. It almost had a mechanical feel, like an industry that never shut off the lights and slowed the gears. It was constant. Churning. Relentless. It was slightly unsettling, but then like all things, its strangeness faded as she grew used to its ways.
The only thing she missed was the birds. The roar of the water drowned out their calls, if there were any flying in the sky above. But she would never know.
She could feel the sunlight, it warmed the exposed skin of her legs and arms and it warmed the grains of sand that her fingers rolled, but she could not see the light. The world was dark, or so others would say. The world was the only way she had ever known it and something can only be called “dark” if there is a comparison to “light.”
She did not know what light was, she had never seen colors or the shape of the waves. Everything for her was a collision of sound and texture and smell. She knew her way around the city because of the particular smells that lingered near certain intersections, by the constants that did not change, year after year. To get to the ocean from her house, she needed to make a left by the smell of the bakery and then another left were it always smelled like old meat. When she reached the bricks of the building on the corner, she knew she just needed to cross the street and soon she would hear the crashing waves.
“Jen!” her sister came running up, she could feel the coldness of the ocean radiating off her skin.
“Jen, you should really go out there and feel the water, it’s so refreshing. The waves are just so beautiful.”
“I will in a little bit, now I’m just feeling it all.”
“It’s just so pretty here.” She could feel her sister smiling and could hear the lightness in her voice.
It was something her sister said often. Places were “pretty and beautiful” and the description stopped there. After many years, Jen did not offer her thoughts, she knew it was part of the sight culture, things “were” something. Places and people were simple words: pretty, mean, ugly, vivid, beautiful. They were supposed to convey meaning but always lacked detail, and so they failed.
Her sister would look at the waves and declare them as “pretty.” But it meant nothing, not to the seeing or to the blind. It was a word that lacked emotion or description, for what was pretty? It was a judgement, an objective judgement that could not really be disputed or quantified, for it lacked anything real.
Jen had never seen a wave, but she felt it. It was not beautiful. For her, waves were the sound of a force she could not describe. They came over and over, relentless in their crawl towards land.
This place was more than a word, much more than a simple, flat word. It was her experience. It was the sun that felt warm on her skin. It was her longer breaths and the children shrieking in the distance. Places and people were never beautiful or ugly, they were described with a thousand words and scents and emotions, they were truly things that could not be seen.

Tortilla Chips, Beans And Desire

2010-01-02T10:35:00.000-08:00

I need to eat. This we both agree on. I listen as he explains the difference between need and desire. The very early morning light finds his face through the blinds. I rarely see him like this and I watch with a smile, letting the morning unfold for me with a golden promise. My stomach aches just slightly and I sip my tea and milk as I latch onto an idea that has nothing to do with need. I do need to eat. My body needs nutrients. These soft muscles long to take the iron and deconstruct the protein and metabolize the sugar. This is a necessity, to keep working in this shape, in this small 5’3 body, I need to keep eating. I finish my teas and drive home, a particular thing on my mind.

But what I desire is specific. I don’t just want “food.” Once I start imagining particular shapes and tastes and textures, it goes from the need aspect of a body requiring fuel…to desire. And this is fixation of the mind, not even something I have created, something the world has created for me, something I latch onto and hold upon a shiny golden pedestal, the thing that will make me happy, the taste to complete the morning.

I desire a particular breakfast. I look out the open blinds of my large window and look at the long eucalyptus leaves swaying. I remember it from last week. A warm side of refried pinto beans, next to it, a modest scoop of plain scrambled eggs, they were just a shade darker than the white paper plate. Forming the perfect triangle was another side, a pile of tortilla chips covered in a spicy red sauce. It was on the verge of being too spicy, but it was just barely bearable and though my tongue stung, I went back for more.
I sat on a narrow cement bench beside the ledge of the pier. The sun warmed me and I could think of nothing better. I turned to the people sitting next to me, a couple that were as unfamiliar as everyone else in the crowded outdoor market. They shared the same dish off an identical paper plate. I watched the man push a red tortilla chip into his mouth. I stared in awe. “It’s worth every penny!” I blurted with a smile. They looked up, taking only a second to realize I was feasting on the same meal. They nodded warmly, equally as amazed with the dish. It was a perfect blend of spice. The hot tortillas chips were balanced out with the mild eggs and creamy beans. That was last Saturday. And this morning, this Saturday morning, I am hungry. I do need to eat. I have food in the fridge. Some eggs, a bag of fake meat in the freezer, a few small pieces of zucchini, I could make myself some breakfast, save ten dollars, not give into the urge I know is only desire. I am hungry. I need to eat. I desire that specific taste. I don’t need it. I just want it.

But I cannot will myself to make some food. I look at my only three pots, and they are dirty. In the sink are my only two plates and a pile of dirty forks. I am repulsed by my own filth. “If I go downtown, I’ll have time to take some photos,” I reason with myself. Bargaining with the devil. It is a lie, a perfect excuse. I need food. I desire the refried beans. I want the spicy chips. I want the same blend of perfect, on-the-edge spice.

And so I leave in a rush of excitement. Somewhat believing my own excuse, but knowing all too well what I really want.

I get on the subway. Three stops after my own, a young man gets in and sits across from me. He sniffs over and over. I think about changing my seat, but I never do. On 24th St., an old, wide Latin man enters. He stands by the front double doors for a few minutes, looking perfectly normal until he starts yelling. At first we react with wide, startled eyes and nervous smiles, but soon, no one pays any attention to him, even his cries for attention go unanswered.

When I arrive at the farmer’s market, I stand in line for the food. There are at least twelve people in front of me and I use the time to take photos, like I promised I would. When the paper plate of food arrives it looks just as it did the week before. I walk to a small cement planter box and sit on the edge. There are people all around me. Most are in groups, sharing plates of food and talking softly. In front of me is the Bay. Two small boys chase the pigeons that lurk for our crumbs. I take a bite. The chips are a bit cold. There isn’t a kick. My face melts. It isn’t the same. I keep eating, but I laugh mildly.
I had desired it so much. He warned me. He had explained it to me just an hour before. I didn’t need this particular plate of food. This is desire laughing in my face. It is not as good as I remembered. Something has changed.

No river is ever the same. No taste will ever be the same as the first time, no experience can ever be replicated, no matter how many times I desire the same meal.

The Mountaintop

2009-12-27T11:44:00.000-08:00

She had been on the mountaintop since the early afternoon the previous day. She had watched the birds and the lone hawk that swept over her in circles again and again, as though he had something specific to communicate. She searched his feathers and form for a message, letting the tenuous sparks of insight fall to her like snowflakes.
The afternoon had stretched long and wide, opening its tunnel of curiosities as the sun arched across the sky. She walked the path of the day without fear of a setting sun, and soon, as she knew would happen, the light turned golden and then slowly drifted below the long mountain range in the distance. Her vision blurred and she opened her arms wide and lay back on the firm soil of the earth, letting blue twilight spill over her like the sweet arms of death.
Blue turned to crisp black and without light, her body quickly grew cold. She kept her eyes wide, letting the blackness and flickering stars roll and tumble over her with possibilities, letting it drag her mind into depths that daylight preferred to avoid.
There were demons and they laughed and giggled. There were animals with horns and a lilting flute somewhere in the distance.
The wind moved over her and a nearby howl danced with her fears. Dark time lasted for an eternity, just the slowly arching crescent moon marked the movement of the earth and her body’s place upon it.
Her body held onto the deep worry that came from childhood and her parents and the movies she had seen. Her mind clung to visions of chains and bumpy demons and the sounds of crying. She knew she held on to the light, thinking that it alone would ease her deepest fears.
Just as she clung to the daylight, she held on to the world, to the flowers and plants and dreams that she could see. As she looked, she saw the nightmares of her youth and the cold waiting chains of years within a sphere of words she had never asked for.
The long night opened its tunnel and she walked in, letting herself be filled with its chill and rich sounds of pain and mystery. And then there was a chamber without words. Here, she was truly scared. Here, she had no body, no role, no purpose. Here, she was nothing.
Then the nothing found its way back, it found the body, the fears, the worry. It found all that it ever was. But it brought back the memory of the chamber. Her eyes were wide once again, and she knew that to live in the light, she would have to learn to voyage in the dark.
She lay on the mountaintop as morning light spilled into the world of a newborn day, and she drank in the pale pink light, letting it come into her like the semen of the sun. She opened her arms wide, letting the day bathe her in its clarity.

A Place in The Symbolic Order

2009-12-24T18:44:00.000-08:00

She read the email on her small laptop with a slight sense of curiosity. It was a small update from her mom.
“Erin’s doing fine, she lives in Massachusetts, Tess lives in Germany with her boyfriend and she teaches English, Shelly lives in London.”
She nodded to herself. They were all short one-liners about friends she had lost contact with years before, but she felt satisfied and reasonably caught up. Then her brain did a little twist and she smiled when she realized she didn’t know anything. She had no idea what Tess saw every morning on her way to work or what her boyfriend looked like or how she felt close to midnight when she looked out a window. She knew nothing about her old friends, just a few simple words. Germany, boyfriend, teaching. Three simple words that helped her place Tess within the world. She had never even been to Germany, but she imagined Tess walking on a cobblestone street eating a sausage. It was her own imagination that made her feel like she knew how Tess was doing. Those three words gave her images, they gave her pictures and implications that had nothing to do with the Real, or with what was really true, but the three simple words satisfied her curiosity for a moment. Now she knew.

She wondered what her own mother had said about her. Did she make up a few lies or did she simply give them her location on the planet and another word about her job. They probably nodded and were satisfied, just as uncurious about the details as she had been. They would be able to imagine her somewhere within San Francisco and that would be enough. Everyone would nod while taking another bite of dinner, imagining her somewhere next to a red Golden Gate...yes, that was San Francisco She was placed, comfortable within the symbolic order. They would have no idea that she lived in a large studio with a backyard full of trees and flowering shrubs. They would not know that she woke up every Sunday morning and sold bread at the farmer’s market and felt tired afterwards and then would go home and start working and soon someone with a friendly voice would call her and she would smile and feel her chest lift and lift and a smile within her would burst and appear on her lips. They would know none of that, just as she knew nothing about them. She lived in San Francisco. Erin lived in Massachusetts. That was enough to know.

Because a simple word will easily place us within the symbolic order, what we do can easily be explained with a sentence.
“I’m a saleswoman…”
“I’m a musician…”
“I’m writing a story….”
“I live in London…”
You will see a head nod, the chin rising up and down slowly, yes… it is understood. They can picture someone behind a counter and a cash register. They can picture someone with a guitar and hear some music in their head, they can picture a book and a pen…it is all easily understood, you are now known. There will be no further questions, you have been placed within the symbolic order.

Because it can all be so easily explained, we can hide what we do. Never mind that the dark mystery envelops you in a crystal sheath and takes you beyond the realm of words, somewhere that cannot be explained. It is not for the world to know.
People are satisfied with a one-liner. Your emotions, the way the light fades slowly out the bedroom window and makes you feel like the twilight holds every secret in the world, it cannot be explained with a word and it can never be known. They think they know you with a word, let them. The things which cannot be explained with words will always remain invisible. If it cannot be explained, it will not be seen.
We can hide what we need from the world even when we live among the crowds in the city. We can even show ourselves to them, we can show our books and art, and as long as there is a word to describe it (colors on a piece of paper is called “art”) then they will feel like they understand. If what is true is spoken, then it will be changed. It cannot be otherwise.

A woman is working undercover for the CIA. She pretends to be the girlfriend of a gangster and follows him around the world, reporting his whereabouts whenever she can to the authorities. In her role as the gangster’s girlfriend, she pretends to be sexually interested in another man in order to lure him into her bedroom to gain his trust. It will be his trust in her which makes him go to a secluded field and wait for a man which will never show up, which is what the gangsters want. But after sleeping with him, she develops true feelings for him. What she had once pretended, what had once been a cloud of dust and lies has become real.

A young boy wants to be a doctor. He sees his father dressed in a white lab coat, grabbing a thermos cup of coffee before heading out the front door to perform a few surgeries, and that is what he envisions for himself. He wants to be in that lab coat, kissing his wife goodbye before he goes off to save a couple of lives. The boy spends his evenings studying a mountain of books and because of his intense effort, he gets into college and then becomes an intern in a hospital a few miles from a choppy ocean. After a few years of intense memorization and fourteen hour days and many tests, his internship is complete and he is now a doctor. He now wears a spotless lab coat and walks on the shiny linoleum floors with shined shoes. Patients call him “doctor” and he interacts with them using a tone of authority. As a sign if status, he buys an expensive watch, which is what every doctor on his ward wears.
The only thing Real is the watch. It can be seen and felt. The symbolic order creates the “doctor.” There are extensive ideas of what doctors should do and wear. How they should act, what they should drive. None of these are inherently real. These things do not make a doctor, they do not determine if someone has the know how to set bones or perform surgery. A lab coat does not make a doctor, but within the symbolic order, it does. The role of doctor is adopted and acted out.

In the symbolic order, little girls are given dolls and tea sets and pink clothes. The babies do not come out of the womb asking for these particular things, but they are given them by adults because within the symbolic order, that is what girls play with, that is what they like. Little boys like sports because they are told they do. They prefer blue because they are given clothes in that particular color. Eventually, after enough time, little boys do actually like basketball and little girls really do like to play with their dolls. What was not real to begin with has become real. The girl is placed in the symbolic order as a girl, she acts like a girl and is given “girl” things and then, she becomes a girl. Pink clothes are not an inherent part of having a vagina, but within the symbolic order, at least in the United States, it is.

If a little boy is only given pink clothes and tea sets and baby dolls, he will probably grow up liking them and playing with them. It will be all he has ever known. But when he steps into the broader symbolic order, where most boys play with trucks and wear blue, there will be a serious clash. To the boys in his school, he will be seen as “other.” They will not understand why he is not like them, and they will search for a way to explain it and place him within their symbolic order.
Placing someone or something within the symbolic order is a quest for Order. To make sense of chaos. The boy who likes pink because he was given pink (just like the other boys like blue because they were given blue) will be called gay or sissy or whatever word can be used to place him in the symbolic order. It will be the word used to understand him. One word will be enough to provide the explanation.

Our purpose is to be awake within the symbolic order. It existed long before us, it will continue after the last breath of our body. Our purpose is to be free to fit in or not. Our purpose is to be awake enough to have a choice. The left hand path is the path of breaking the rules of the symbolic order.
The symbolic order has been given to us, it has been placed on us since birth. It was imposed upon us by parents and teachers, just as it was imposed upon them as infants. No one chose it, we stepped into the role that was placed before us and pretended to “be” until we “became.” The left hand path breaks the rules of the symbolic order. That is one of the choice at our disposal. We can also choose to fit into the symbolic order without becoming identified with it.

A little boy is dressed in a fancy suit every Sunday and brought to a small church with a white steeple. He copies what his parents do. He kneels and clasps his hands in front of his heart, he bends his head forward slightly and closes his eyes. He asks for things he wants while his eyes are closed and he imagines something, somewhere, fulfilling his wishes. Soon, after enough imitation, the boy comes to church thinking that he has made the decision, he has chosen this path for himself. He is now a full grown believer. He is too identified to see that the people around him on the wooden pews have all been taught this just like he was. They simply imitated the others around them, just like monkeys learn to ride bicycles and wash their socks or bang shellfish until the shell cracks.
We do as we were shown and religion is no exception. Our choice can be to come into the small church, to feel the pressure of the floor as we kneel, to drink in the scent of the candles, to close our eyes and act out the part without becoming identified, without being absorbed into the act, without letting the imposed symbolic determine the real.

On The Edge

2009-12-23T20:14:00.000-08:00

“I want to fall asleep, but I just cannot let myself dream.”
He said it softly and so close to the glass pane that his breath momentarily fogged a small circle on the window. And just like the dreams he would not allow, the little galaxy vanished before he saw its nebulous shape.
Five inches above, his eyes looked out the window. Below him was New York City and a skyline of gray and glass and snow covered branches and impatient taxi horns. There were a few speckles of green that dotted the sidewalks and in the very far distance against the white horizon, the promise of Central Park. The open. The wild within the tamed.
He looked out, his eyes burning with the cold that found its way through the glass, wishing he could just blink and find himself in a grove of tall trees, perhaps watching a chipmunk gather some nuts amid buried oak leaves and empty potato chip bags.
If only he could travel so easily. If only he could let himself wander from the room, beyond the walls and carpet and structured glass. The world out there was spiraling through the dream, and he wanted to be part of it, only he didn’t know how.
He looked out the window. He wished for something he could not name. He tried to claw at the feeling, he tried to turn it around and examine just what he wanted or how he could find it, but the shape was a gray cloud that morphed every time he tried to focus on it. There was nothing to hold onto, no word or action he could use to explain his irritation, his frustration with himself and his constant need for control.
“And why can’t you let yourself dream?” the thin voice of a woman finally responded.
He rolled his eyes towards the city, hating her voice and the question. Hating the legs that sat crossed and covered in sheer black pantyhose. The leather chair held her. It touched her legs and the back of her torso which was covered in a white collared shirt and a blazer above that.
It was a question he tried to avoid nearly every time it was brought up. He just didn’t have an answer, not an answer he wanted to reveal. What if he jumped into the cloudy stew of colors and shapes? What if he jumped and could never find his way out again?
He would be stuck in the world of twisting reason that leaps from moment to moment without sense and logic. He would be trapped within his own mind, unable to drag himself back from the deep waters of unconscious darkness. He had the vague memories of nightmares that squeezed the breath from him. Thick armed and tentacled men who tried to drag him to their chambers while he gasped tugging at their claws.
He couldn’t risk it, he might not be strong enough this time. He cleared his throat, preparing the simple answer she could understand.
‘It’s all chaotic and nothing makes sense. I just wish it could tell me something directly. Something I could use right away. What do I do with a flying mattress or an octopus that keeps trying to eat my hand?”
There was a heavy silence between them, as if the woman on the firm leather chair could not think of a good argument to counter. He looked to the horizon, finding the greenery of Central Park with his seeking eyes.
If only he could leave his small apartment or the doctor’s office two floors down. If only he could find his way to the lobby and out the front revolving door and onto the sidewalk. It was through the doors that the world awaited. The park was beyond the walls of his building, beyond the cage of his skin.
In the distance there was a bit of the wild within the tamed. That small part of him wanted to run towards the trees, to dive into the dark lake that waited impatiently for curious hands.
A small howl emerged from deep within him, but he stifled it with a little false cough.

The Game

2009-12-11T18:03:00.000-08:00

They played the game as honorably as they could, as honorably as they could being men. Being men began with long organs that dangled between their legs that caused them to belch with ferocity and cry in the middle of the night while swimming in a small pool of white liquid. They played as they knew how. As men. They were beings that charged forward into the fog, with pistols at their sides and laughter from behind and ferocity that burned deep. They played as they were taught. As little boys they were divided into teams and shown how to tackle and dodge and score. They did as they knew, as they were instructed, as they were shown. They followed the long trail. The pants. The mustaches. The beards. The guns. The ferocity. The analytic. The cold. Other men had come before, and the road was well marked. It was colored in blue and black and brown. Colored with little helmets and little plastic bats and science kits. These were the things of boys. The clear indicators. They went well beyond the name and hair style. It was the rearing. The leaning through imitation. They were boys because they were raised as such. Before the plastic pistols was the suppression of tears. Sensuality hid in the closet, constantly tormented by the ape in the room. Father was watching. There was no room for softness. The moon hid because there was only room for strategy. The rules were written on the blackboard. The locker room smelled of damp clothes and fear and sweat. It was each man for himself. Attack or die. In the whirlwind of manhood, she was lost. Hidden behind the glare of the sun, she sat back watching silently, absolutely hidden. The trees held just the faintest whisper of her presence. The cloudy sky was as soft as her bosom, gentle and pillowy and smelling of wildflowers. But they were blind. All those boys were so utterly blind in their hard helmets and shoulder pads and uniforms, so blind in their hard muscular bodies and sense of importance. She was their ruler, the silent empress present in the air that they sucked, present in the woods surrounding their field, on the grass below their spiked shoes. They were the players in her kingdom, only the blind could never tell which way was up or down. Her markings covered their bodies with moles and hair and sinewy muscles. They were birthed from the folds in her great round body, suckled on her milk. But they might never remember. Theirs was the game for the moment. They were in the game of men. They played their parts to perfection, each move and line delivered flawlessly. Like blind actors on a stage, they were the men. The athletes, the boys successfully reared into manhood, so deeply enmeshed within the game that they could not see the empress on the dew, or the tip of the blackbird’s beak. They could only see the importance of their game, the game of skill and force and ferocity. She held back, silent, cloaking everything with her breath. She was just an inch away, but lost forever in the shadow of their game.

Crumbled Bodies

2009-12-08T17:55:00.000-08:00

There is an orange skyline hugging the awkward angles of fallen structures; the foreseen time that the insane have warned of is here. The towers of glass and steel have taken new shape. Piles of rubble and trash rise up like little mountains. Gray mounds of crumbled concrete and steaming piles of burning wood have reconfigured the city streets. Like scavengers in a sunken ship, we pick through the debris, looking for gold and pictures in frames, anything we can use and shape anew. The dust of the orchestrated implosion is strong, and in the setting sun, everything is cloaked in a thick golden haze. Through the murky light, I look for you, for your blackened contour in the earthly clouds. Your curving shape is close, walking on the loosened train tracks, picking up bolts and small pieces of iron. The heavy metal screws designed to last centuries have been defeated. Strait lines and symmetrical patterns have deviated from the original plan and now, in defiance of blueprints and architects, they skew to the right. Loose wooden beams poke from the earth in every direction, looking more like the decaying posts of a pier battered in the salty elements than the dry as bone metal tracks. The boxcars and trains have long since disappeared from the rails. The masses have taken them as housing; stopped in their tracks, the dwellers live side by side on the thin rails and cluttered railroad yards. The solid colors that once passed mile after mile of corn fields; the dingy red, blue, yellow and green remind the little girls of the rainbows they have only heard about. The clouds have disappeared from the sky, and with them, the rain. We live in landscape of heat and dust, altered only by the fast moving gusts of wind that momentarily delight us. The lighted prisms that bent over us have no home here, they are shapes of myth and memory in the few that have stable minds. Some of them journey on, following the rambling train tracks, using them like a well lit path that turns in unlikely directions. The earth, what is left of the green and blue planet has jumbled the metal course. A better path? More natural? There is debate amongst the walkers, but still they follow the rusted metal pieces, for no better reason than to discover where they lead. In the remains of the cities, where the high rises lay in smoking piles and the street lights have all gone out, people still scream in the streets. There is no fear in their voices, but they scream to their god. Are they heard? We leave them to shout their profanities, we walk by them with sympathy, soon, perhaps, we may be like them. When our stomachs rumble and begin to cave, when our bodies have taken hold of the small kernels that remain, perhaps we will stand atop piles of rubble, naked below the waist and foaming at the mouth. Or maybe I will end up like the wandering girl, still wide eyed and smiling, the dirt on her face outlining her tender eyes like well applied makeup. She left her kinsfolk in the hills and came to us alone. But I found her in the green land, not far from where I stand, three bullets in her head, disguising what was once her mouth. I found her at daybreak as I scavenged for pine cones to warm our cement cave. She was like me once, open and oblivious to the terrors, never knowing the surety of death… that it happens, in one shape or another, that it comes. The crusted brown shapes around her face and body once flowed a bright red, hot and clear and humid. When I saw her, she was long gone and what remained was already ice cold, taken out by a passing group of dark-skinned boys. I see them in my mind, shouting from a car as she rode on with an increasing sense of dread. Just hecklers, right? Death cannot come. Now? Why would it come now? And then the sound. A shot. At her? Really? It happened fast…it happened so slow. The way death moves and time escapes perception. She lay on the earth as they came closer. She thought of her mother, high in the hills. Did she beg? Did she cry? Did her coming fate slow her mind, did every instance of her fleeting life pass through her like a pretty kaleidoscope? Did she smile, remembering the sweetness that surrounded her in a younger age? Death, approaching her from all angles, a couple of boys that forgot her face as they walked away with her bag. They destroyed her body, ripping apart her flesh like children with tools of men. I saw her cold body and covered her in dry leaves and a yellow flower plucked from a cluster of weeds. Just like the crumbled edifices that litter the small city, she lays still for the birds to pick through. A changing form, from flesh to dust, she moves as I will soon. Like her, I will someday surrender to the fate of circles that never come to a final rest.

Using Time

2009-12-05T15:18:00.000-08:00

I smiled as we approached the corner. Ahead of us in the dark night was the circular shaped building I had always wanted to enter. I had seen it years ago, I had watched couples walking towards its wide open doors, I had seen the warm yellow light of the interior cast into the street, the people inside, just beyond the thin window panes. Now I would be that vision for another curious girl, in another car, as she passed down Van Ness on her way towards nowhere. The imposing size of the symphony hall took up a good chunk of the city corner with its massive cement walls and long, rectangular glass windows which offered a fractional slice of its inner vibrancy to the world as a silent gift.
Once inside, we walked up three levels of carpeted stout steps to the outer narrow lobby that wound along the outside of the auditorium. Between the outer lobby and the inner chamber was another narrow curved hallway. Every hundred feet along the interior wall was a door that led to the deep auditorium. On the outer wall were doors that led to the exterior lobby and to the long flight of stairs that would take us to the street. The inner hallway was lit along the outer wall by circular shaped lights that seemed like crystal covered portholes that fragmented the daylight into a kaleidoscope of shapes.
We followed the usher down a row of deep narrow stairs to our seats and I experienced the slightest bit of vertigo as a looked at all the tiered seats below us. The auditorium was arranged like posh rice paddy fields that descended into the wide-open space surrounding a smooth wooden stage with built-in tiers for an absent symphony.
A few rows away I watched two girls approaching and recognized myself…but wasn’t I here? In this chair? “Those girls have my same hair,” I said smiling. “I have no interest in talking about your hair, just be here with me.” I fought back the tears that sprang up, the machine feeling slightly reprimanded. My stomach felt a little queasy. I took a deep breath in, beginning in the stomach and then filling the space of the chest…VAHHHHHHH, my mind said in movement with the breath. KAHHHHHHHHHHH, there was no movement, just the holding of air. When I could not maintain the pressure any longer, I released…DEEEHHHHHHHH. Without anything left, I held and maintained silence within. The murmur of the room was loud. There were words coming from the people behind us, they were loud, their words came in and out without understanding, I recognized the sounds, the words, but I didn’t latch on, they went through me like clouds. VAHHHHHHH, my mind said in movement with the breath. KAHHHHHHHHHHH, there was no movement, just the holding of air. When I could not maintain the pressure any longer, I released…DEEEHHHHHHHH. Without anything left, I held and maintained silence within. The woman in front of me was reading a newspaper, there were photos of a beach. On the tier below us and towards the center of the room, was a man standing by the entrance to the balcony seats. He was wearing a black tuxedo and a bow tie, his hands were clasped in front of him, as though waiting for a command. VAHHHHHHH, my mind said in movement with the breath. KAHHHHHHHHHHH, there was no movement, just the holding of the air. When I could not maintain the pressure any longer, I released…DEEEHHHHHHHH. Without anything left, I held and maintained silence within. Across the space of the great wide auditorium, there was another man, dressed in a similar tuxedo, he stood silhouetted against the illuminated rectangle behind him, the open door. VAHHHHHHH, my mind said in movement with the breath. KAHHHHHHHHHHH, there was no movement, just the holding of the air. When I could not maintain the pressure any longer, I released…DEEEHHHHHHHH. Without anything left, I held and maintained silence within.
There was a pretty girl with long hair several rows down, a man with a pony tail just a few seats from me on the left…he reminded me of someone, but his beard was much too trim to be an exact match. The voices behind us peaked into a raucous chorus of laughter. Then the lights dimmed and the room was full of applause as a man in a suit introduced the three band members of the quartet. As the applause peaked with enthusiasm at what was coming, a man stepped onto the wooden stage. He was thin, slightly frail, in a suit that, from our distance, looked maroon. The musicians gathered in their appointed positions. The young drummer went to a slightly raised platform and sat on his stool, gathering the two wooden sticks in his hand. The guitarist nestled his instrument on his lap and beneath his arm and found a comfortable place on a tall stool. He reclined against it, not exactly sitting. One of his feet remained on the stage, the other balanced on the rung of the metal stool. The bassist stood behind his instrument, he put his arms around it, about to dance, about to show her a good time. He was ready, in his black pants and collared black shirt with the top two buttons undone. And then the man in front, the man described to me as a living legend, a demigod among the mortals. He stood closer to us than the rest, just a few feet in front of the bassist and guitarist who stood across from each other, the drummer was a few steps back but centered. The four of them made the shape of a square cross.
The man in front picked up his saxophone, beside him was a trumpet and violin. This was Ornette Coleman. There was silence as the applause died. The men on the stage held the silence with us as well, then burst into a frantic bout of noise. I was immediately lost. The sounds seemed to slap me in the face, moving fast, repeatedly, hitting me again on the other side before I had time to completely fall over. It felt like a storm. A big messy storm. I heard my brain say that I couldn’t hear them. I wondered if it was the room, but wasn’t it designed with acoustics in mind? Was it me? The CD I heard earlier in the day sounded clearer…I thought of my mother saying there were better Italian restaurants in LA after she returned from Italy. The piece abruptly ended and I clapped along with everyone else. The second piece began more slowly, a little more moody and seductive. I focused on the drummer, then closed my eyes to try and hear him moving with the other three.
I opened my eyes, I looked slightly to the right and saw him holding her hand. Immediately my body tensed. He was not touching me. I let the breath come into me slowly. NO, No. Do not fuck this up. Breathe. Pay attention to the music. The sound of the saxophone was high, seeming to screech. I closed my eyes. I listened. Yes. The bass. I like the bass. I tuned in. Song after song passed. Then I noticed that his hand was on her knee. His other hand rested on his left knee. I brought my knees closer, I tried to position myself close to him, so that his hand would come casually to mine, but it did not. When the song ended, he leaned over with a smile and gave me a kiss. I smiled, wondering if my eyes revealed my thoughts.
I watched the drummer, whose shirt was showing signs of dampness. He was a monster, tapping, moving, striking, there was so much variance, then I listened to the bass, I tried to hear it, I closed my eyes and tried to find it through the melody and the violin and the drums. But then I looked over at her knee, and I saw his hand there. “I just cannot do this. He really does love her more. He really does. I never spend the night, and he loves her more. It is always like this. Always. Oh my god. Ok.” I let out a sigh. A tear began to form on my right eye. I took a long deep breath, I felt my chest. “May the result of this small sacrifice be for the benefit of all beings everywhere.”
BAIIIoooooo….Ornette called me back with his saxophone. Come back, listen to me. I closed my eyes, I listened. It got deeper. I felt sleep tugging at me and I fell deeper into the sounds. It seemed to get louder. Was it me? The song ended and he leaned in again and gave me a kiss. His smile was bright, he was having a good time. But why wouldn’t he touch my leg? “He really loves her more. It is just so simple.” A long deep sigh. The drums…the bass…his hand on her knee. I looked at the filled seats around me, the bodies, the shape of the theater. I felt myself in the auditorium. I felt myself as a body. “Do you always want to be like this? Do you want to remain trapped in this body, in this realm? In this fucked up mantram that cannot let you pay attention to the music?” I didn’t. I knew that. Each one of these thoughts was the jealous machine that just couldn’t believe it was loved despite its foibles. I closed my eyes again. My head was moving. I realized I was bobbing to the beat of the bass… was that right? I wondered if I did this often, I wondered if the drummer had his own rhythm, if there were multiple beats to bob to. My head moved and I heard the screech of the violin enter. I tried to listen to the melody of the guitar, but it seemed the most buried. Then there was a fast little melody of the saxophone, then the response of the guitar, only slightly higher, then the response again of the saxophone, now higher than the guitar, it went higher and higher three times. I smiled, hearing it, happy that I had. “His hand, her knee.”
And then the three musicians quieted slightly while the guitar rose. I heard him clearly. Then the guitar faded while the bass became the center of attention. “Oh no. It’s over. It’s ending. I spent so much time begin jealous, I didn’t spend enough time listening. This little life is over. I wasted so much of it. I am here in this auditorium, I am here, in this body, I couldn’t focus on what was here, I spent so much time focusing on what was not happening. What I wanted, what was being fulfilled, what wasn’t. I wasted the life. If I don’t stop the habit, I will really be looking back, if I am lucky, sixty years from today, thinking the same thing.”
And then it was over. The lights came on and we walked out into the cold air of the night, staring from the balcony to the lighted citadel on top of the capitol building.

Everything Is Nature

2009-12-04T12:24:00.000-08:00

The room is lit with a bright artificial white glow. The space is wide and long and the powerful light bulbs hide high overhead, their distance is like the sun, far away but felt by everything beneath it. A long stretch of black and white ads run across the back wall of the bowling alley. The smooth wooden floors of the lanes gleam with thick varnish and a weekly dousing of wax. Echoing through the space is the low rumble of heavy bowling balls. They hit the wood of the lanes. They hit the white pins waiting at the end. The temperature is a perfect 69 degrees. Everything about the room is artificial. Without a word, it manifests its aim, the geometric perfection of clean lines. There is no wave, no tilt, just constant even shape. There is nothing natural about it. Not the wood floors, long cut from the old growth forest. Not the paper used to create the ad campaign along the back wall. The bowling balls and white pins are smooth and nearly perfect. Nothing about this chamber is found in nature. There are no rocks so round, no trees so straight. It is a created room, a created game. But this is nature. It is here, on earth. On a flattened piece of land, in a city shrouded in mist and lit by a distant sun, it is “natural,” mutated and rearranged, but “natural.” The sun, a million times removed, is still present here. The nearly flawless shapes and lines, they exist because of the gleaming orb a million miles away. The wood of the floors grew with heat. The metal foundations were forged with tools from the earth and fire. The artificial composition of the pins and bowling balls are a conglomeration of substances transformed through human hands and ideas. And the humans playing the game, walking in mismatched shoes, smiling after rolling a gutter ball. They exist only because of the sun. Light brings them food, it nourishes plants and animals. Light gives them the ability to build and create artificial worlds with bright lights and wide lanes. The room does not smell of dirt and pine. It houses all the strange creations of the world, but the elements of the earth are still present. The life blood, the moving red vein, is here as well. The flowing red vein moves through the people, moving and walking and rolling. It moves through the filament of the lights overhead. What was once a living, breathing tree is the ground at their feet. What were once buried elements in the soil are now bowling balls. Everything has been transformed, but it has come from the one source. The source of it all. The sun. And while they play indoors, while they try over and over to hit straight rows of white pins, the sun shines outside. Far away, perhaps covered by clouds, but it shines. There is nothing unnatural, not in the cleanest white room, not in the grocery store or chemist’s laboratory. This is nature. Every thought, gust of wind, packaged food, water bottle. Each object is affixed with a million invisible tendrils, tied one to the other, eventually finding its way back, winding and curving through machine and heat, finding its way to the brightest star.

Art And Perception

2009-11-30T19:32:00.000-08:00

It is opening night in the SomArts gallery and the covered walls are still fresh with the first round of energy and enthusiastic eyes that fill the large room. In one particular corner, at the far end of the gallery, are two small pictures covered in glass and surrounded by a thin wooden frame. The drawings speak for themselves, yet they do not have a mouth or tongue or voice. But they do speak clearly to those that see. To those that look with a second’s glance. They speak clearly to those that take in their shape and color and let the lines filter in through the layers of experience and mind and consciousness. They go in, turning and twisting, becoming new things in the subconscious of the viewer. They flow like smooth driftwood in the river of the mind, hitting stones and spinning wildly through tiny rapids. Art speaks through the interaction. Each new interpretation is a communication. It happens with each single person looking at it. Each person, who brings their own world understanding and luggage of signifiers and interprets the drawing in their own way. They don’t even have to think about it, the shapes move in like a quick fire, transmuting before the eye can blink. Just a single glance is needed, the mind does the rest, moving the shapes like a multidimensional Rubik’s Cube and spitting out dreams. And just like a river, the painting is never the same. On first glance, it looks like the same stagnant piece. The men look at the same two drawing as the other couple before them. The image hasn’t moved. There are still two penises, one shaped into a high heel shoe, the other creating the barrel of a gun. Moments later, when the two men leave, the drawings will stay in their corner of the gallery….only…something new will jump when a new set of eyes come to rest on them. It is the nature of art, alive in the perception of it. Born anew each moment through attention. The drawings on the wall switch from moment to moment, from person to person, from eye to mind. Art carries itself, rising up from a piece of paper like a flag blowing in the wind. It is the painting, the image and lines and color that talks without sounds and without a body. It speaks independently of the artist. The long forgotten hand and brush mean little any more. That hand was merely the vehicle for creation, the body for birth. Once finished, framed, hung…it changes. It moves. It talks. It gives over and over. A new meaning, a new word. From body to body, it changes.

The Jump

2009-11-28T15:51:00.000-08:00

A man showed up at my door. He was tall and a stranger. The kitchen light was bright, the day outside even more blue and full than I expected when looking out my wide bedroom windows. He stood leaning against the door frame, bringing whispers of deep color. There was silence as our eyes traveled together. silence as he stood before me, still and calm. The seconds became twisting curls of life until he spoke. “Do you want to go for a ride with me?”

I looked into his eyes, “YES.”

A man showed up at my door. He sat on my faded blue carpet with those long legs crossed. The walls were a carnie’s cage of baby blue. The air held the wafting scent of sweet bread and a winter’s approach. “Do you want to go on a journey with me?” he said with a smile while a slight chuckle dusted his lips. I held my answer. I walked through the night, passing Christmas lights and moving through gusts of cool wind. I walked with a twin, passed muted Victorian architecture and slumping telephone poles. It would be the last time I would see her shadow.

The night faded and then the sun was up once again. I held a small telephone to my ear, feeling the hardness of its plastic, feeling the machinery of its shape. “Did you think about my question?” he asked.

“YES”

There was silence. I looked into the world of the blue carpet. Long beams of sunlight moved through the tall plate glass windows and caught my arm with a small kiss. “Would you like to know my answer?”

“I already do. I heard it in your voice, the way you said ‘yes.’”

And then the waters opened.
The dark night opened its cloaked arms.
The gusts of wind were no longer tinged with bloody fear.
The lights held more than their fair share of meaning.

A man walked into a crowded train car just as the sun was setting.
And he could have found another seat.
He could have remained silent, upholding the unspoken rule.
But the lens opened. The voice cracked into rainbowed pieces.
The door remained cracked, just enough for a narrow-waisted girl to squeeze through.

And she could not dive. She could barely swim. But she did jump. There was no grace.

She went face first.

Over the cliff.

Head first into what was waiting.

Death

2009-11-25T12:15:00.000-08:00

A college-aged boy in a white T-shirt and jeans stands in front of a crowded room. His round Asian face looks towards the white pull-down screen in the center of the classroom wall. An unused microphone rests in his left hand. The room is dim, the only light source comes from the projection itself, which is a picture of the same boy, in another place, a different time. The boy in the photo is in a light filled greenhouse. His hard city mask has fallen and he beams into the camera, holding a red ripe tomato in each hand. In the dark room, down a windowless hall in the basement of the science building, the boy looks at another self. He cannot recognize himself. He brought the slides, he practiced the presentation, but the face that appears to be his own is a stranger.
Who is that? he wonders. He is without the requisite white bandana and required mask. The boy in the room has been overtaken by death. He stares with eyes blinking. He looks, searching, searching for the self he now knows. Searching for…something. The projected photograph is a sudden flash…something used to be different. For a moment, maybe as quick as the snap of the shutter, he was different. He smiled because of tomatoes. His fingers were dirty and his car was useless and all his friends and family were miles away. He was no one to the soil, no one to the trees. But he coaxed life from a seed. And life was given. Birth happened, and the tomatoes were proof.
The photo which he stares at now with strange curiosity, is a reminder of another life, one that faded the moment he left the greenhouse. A tarot card drifts to the floor. The boy doesn’t see it, he doesn’t feel its subtle wind. It lays facing up, a skeleton in armor tramples all with his horse. The flag of death waves in the red sky. A fallen king lies next to his forgotten gold crown, two children weep at the feet of the white stallion. Are they in the path? Is the horse’s shoe a moment from their heads?
The boy with the microphone does not see the fluttering death flag beside his own head. The stench of his physical death will take years, but this is just as foreign. It’s like looking at his own corpse, except…it is not. His corpse looks at the being left behind. The being forgotten, flowering just for a moment. Open and light-filled and caught forever. Caught for a moment that will always exist, even if it has moved beyond the recognizable.
Death came uninvited. Death came when the boy began to think, when he began to be “himself.” When he returned to life as though nothing had happened. When he got into his car, put on his bandana, and tried to explain his experience. But death happened. A moment of sudden life had exploded out of the rotting experience of a machine, and that moment lives on in the photo. It lives in the dim room, lives in the moment. It is the reminder that flowers can bloom in the mud, that a burst of lighting can cause a fire. But the boy standing with the microphone is a reminder that death is never far away. It is ready, with horse and flag and armor, ready to snatch it all.
The class waits expectantly for the explanation of the photo, the description of his experience and the things he learned. But there are no words for the captured moment. No words that can describe the bliss of creativity and birth. Nothing to explain the smile and the love of two tomatoes and the energy of a being spilling forth. The class is silent, waiting for the unexplainable to be explained.

Black Friday

2009-11-21T13:37:00.000-08:00

“Jingle bell, jingle bell, jingle bell rock, jingle da ta da taaaaaa….”

Overnight the mall has turned into a simulated winter wonderland. The shop windows are built upon beds of soft fake snow, mannequins in sweaters and mittens pretend to play in an eternal moment of cheer. There are pine trees everywhere, green garlands and candy canes and colored lights. It happened overnight. Just the other day was fall. The predominant colors were brown and yellow and gold…and now, just a day later, there is white and green and red. Just yesterday I was eating turkey and cranberries and stuffing, yesterday was another holiday entirely, but now, we are all in a downward slope towards Christmas. There’s the jiggling man and snow and trees and wrapped boxes with bows, all the signifiers of the holiday.
And this is it. The official first day of the season. “Official” according to retail analysts and department stores and consumer groups and the stock market. It is Black Friday. The “official” first day of the Christmas shopping season. And overnight, it has become just that. The food of Thanksgiving is not yet digested, and yet, the Christmas buzz has begun. The ringing of registers, the unmistakable sound of a credit card transaction spitting out a receipt, the bell of Goodwill employees with their red buckets, the Christmas carols in every store with a sound system.
The mall is an oversized ant farm. Families, couples, teenage girls…everyone is here. For the sales, for the shopping list, for the spirit, to ease the boredom of a day off work, out of habit, out of a clever advertising campaign. The mall, spacious as it is with tiled floors and wide aisles is just not meant for so many people, each laden with bags and staring into colorful window displays that depict what we should all strive for: endless styled merriment.
They do it en masse. Millions, all waking up on the same particular Friday morning. All with the same idea, the same plan, the same future just minutes away. The town may change, the particular name of the mall, the dent on the credit card, but it is the same flow, the momentum that propels them out the door, into a car, and into a packed shopping center.
The biggest cloud that coats the brain is the illusion of individuality. They may be singular bodies, breathing and moving independent of each other, but there is no individual thought or plan. Millions of people cannot suddenly wake up the same morning and each have their “unique” idea of how to spend the day. Anything that moves that many bodies to one particular place is carefully constructed. We’ll never see them, those slick men and women with a firm grip on human desires and insecurities. They can move a million people like soft clay bent between fingers. Scared, sad, bored, deeply fearful about the meaning of existence, desperately clinging to any theory that explains life in an easy-to-follow formula. The stores are ready for the masses, those people ignorant of their own fears. The stores are open by 6 am and there is a line around the block. Large women in oversized jackets run to the shelves like they are stocked with the last remains of bottled water and provisions. But there is no war, there is no scarcity. This is the desperation of the satiated, or seemingly so. Another Black Friday begins and end with the illusion of free choice.

“Jingle bell, jingle bell, jingle bell rock, jingle da ta da taaaaaa….”

The Attempt

2009-11-17T10:59:00.000-08:00

The school is closed on this early Sunday morning. The imposing shapes of the administration buildings stand silent in the background, and just a vague sense of silenced authority finds its way to the parking lot. On this weekend, as with all weekends, there are no cars in the lot, and the recently paved black asphalt is the perfect floor for an education without curriculum and standardization. This is the self-created flat-land of trial and error. The place where there is only will and peer pressure and broken bones and the decision to try it again.

Two dozen teenagers are gathered on the periphery of the asphalt, close to the sidewalk that wraps around it like a thick barrier. They stand there, patient and attentive, but with their hands on their own skateboards, ready in an instant to step into the sacred space.

In the center of the lot are metal rails and obstacles meant to be jumped onto or over, or coasted against. They have brought them here, carried in backpacks and bicycles, easily assembled and built for the moment. These are self-imposed obstacles, and they’re here to be used. To hit, to land, to wail against.

In the center is a young man. His slim-fitting black pants do nothing to prevent him from attempting another trick. He has tried it over and over, weekend after weekend. Sometimes he gets it. Sometimes he pushes himself with his right leg and rolls over the asphalt gaining speed until he is just a few feet from the metal bar. Then he puts a little more weight on the back tail of the board and uses his right foot to push the wooden board up just a little higher. Sometimes he gets it. Sometimes he makes it to the rail and then falls off. Sometimes he makes it to the rail and grinds the bottom of his board against it till it ends. Sometimes he even lands on the ground with both feet on the board. Sometimes he falls off halfway through. After all the attempts, he has still not got it quite right, not enough to be consistent. So he tries it again.

His loose black T-shirt billows with the force of the wind. This is the moment. The gathered on-lookers watch him, and though he has made it to the rail, nearly to the end, he looses his balance. His arms are still out to the sides for balance, his right foot tilts awkwardly on the board, just about to fall off the platform completely. His right foot is bent and raised slightly towards his chest. He knows what’s coming, and he smiles.

The trick has failed. There will be a fall, he will have to roll as he always does and duck his head, and just as he feels his entire body shifting with gravity, he smiles. Another attempt that has failed. But after the fall, he will try again. There will be a line of guys, they’ll attempt the same trick. And he’ll be standing there, watching them, as they watch him now. As he waits for another turn, he’ll watch their footing, the speed with which they approach the rail, the timing and pressure on the nose of the board. He’ll watch it all, looking for another subtle movement to use and push him along. It’s balance, timing. Above all, it is will. There is so much to remember and execute, he has to do it within seconds. If they are watching him from the sidelines, they’re learning from his mistake, just as he learns from them. He smiles. It was a good attempt, another jump into the unknown, taking all the knowledge he could remember and use. And though he jumped, though he ground the wheels for a few feet, it just wasn’t right. When he falls, the sun will still be shining. The clouds will still be scattered. He will be one jump wiser. If he can just remember it all, he can try it again.

For the brief moment, he is suspended, not quite the victor, not quite the fallen. He knows his mistake. He smiles and waits for the crash.

Without A Body

2009-11-13T12:52:00.000-08:00

Those little fingers move, picking up a pen. Nubby pink toes grasp the air as they move her forward, keeping balance on the large globe beneath her feet. She turns her head to the right, her eyes searching for the bright flash of red that just blinked out of existence. She is a body. A moving, flesh covered body. She walks, breathes, talks, I see her jumping on a bright green hillside, her arms swinging wildly as the soft whiteness of her moves through space. And I see her as real. She sees herself as real. For what can be more real than a body? It is the eyes she sees through, the vessel that takes her from supermarket to concert to warm bed. Is it the body that defines life? I breathe, therefore, I am. I take four steps, therefore I am. I sing a little tune, therefore I am. If she stays still. If for some reason, her body no longer responds to the command of her mind and she sits in a padded chair, unable to dance, jump or walk, is she still “here?” Her body exists, we can see it. I watch it remain motionless as four small black wheels guide her through wide city streets, but what does she feel? Is she trapped? Made powerless and motionless by the body. She can see, perhaps she can talk, but what is still inside? What is it that looks out through those eyes, what is it that still questions? Maybe the being. Maybe the still sleeping machine without mobility. I remember having a sickened feeling as I watched a man in a high-tech contraption. His head was held upright by metal poles, a tube and ventilator helped him breathe. I though to myself, “I could never live like that. Wouldn’t it just be better to die?” Motionless, still except for, perhaps, an active mind. What are we without a body? Maybe this motionless woman paints the picture of what we will all soon be without a breathing, carbon-based body. Trapped? At the mercy of something else? Is this woman with shriveled legs and skinny arms more prepared for the black spaces of the Bardo? Will she more easily recognize the falseness of the body? The illusion of the self? Or will she travel the chambers, looking for something to enter, looking for someplace that she can be “herself” again? How do we determine existence? How do we extract it from the void?