Singing The War

As the music played, soft and sustaining, as the saxophone came in and out like lapping waves against the shore, as it mingled with the heart-grabbing bass and sustained rhythm which moved her to the wordless core, she closed her eyes. 
Inside where there was at first darkness, the shape of a jigsaw puzzle formed.  Hundreds of scattered pieces floated in space, some of them glinted with flecks of yellow and earth and trees blowing in the wind.  She heard a voice.
“Sing the war,” it urged. “Let it come out in sound.”
Her mouth opened and she found the root and from there she bounced up slowly gathering colors. There were large bonfires with orange flames forming great cones of sweeping embers, they scattered up into the twilight.  Looking down over the hillsides she could see half a dozen fires. 
The peasants were running. Barefoot and dressed in white, the soles of their feet almost as white as their dingy rags. They ran as a great horde down the hillside and out of view, children and thick women with bouncing breasts, young women holding their newborns in their arms. They ran leaving all they had in their piece-meal houses of wood and refuse, just a few old men thinking to grab machetes. 
She jumped up with her voice, going higher. She saw the great metal monsters of the American and Salvadoran army, huge helicopters painted a pale olive green. Men jumped from the open side of the metal birds with their guns in front of them like precious babies. Jaws locked and faces hard, they hit the ground running. They jumped onto the overgrown hillside, the whirlwind of the helicopter blades moving everything in a rush. They ran towards the jungle looking for targets. 
The sounds of her voice got louder, stronger, coming from a place of complete commitment, the story told in tone and quarter notes while the saxophone kept along, leaping like a faithful dog by her side.
And then the face of a pretty young woman, mocha skin and dark eyes and smiling for the camera.  The same girl, standing in a jungle clearing, sunlight illuminating her from behind, baggy pants and long sleeved shirt rolled up to her elbows.  She stood looking into the distance lost in thought.  The same girl, hands tied behind her back moments before the end. 
And then the singing stopped as a wave of emotion rushed forward like a giant sweeping in, coating not just her eyes, but her legs and arms and chest and back in chills and tears. She opened her eyes and looked around, seeing the same familiar collection of people and things, tables and chairs and an assortment of collected instruments on the shelves. 
No one was there to meet her eyes, no one had seen the fires or metal birds, no one had seen the girl but her.

Instructions

When the springs were longer and the earth was not covered in salt as it is now, you once asked me how to construct a talisman. At the time I told you to gather yellow crystals along the ridge of our mountain and construct a bag of fabric and twigs. At the time, I thought you were not ready for more complicated instructions. It was not just the degree of difficulty you might have had in procuring the substances and objects, but I also thought you were not ready for the power of a more sophisticated talisman.
As I said, the springs have gotten shorter, and there are many we could count and remember in the years we have spent together, so as I survey the white streaks in your hair, as I watch what was once a more impatient, angry man and see the slow, deliberate person before me at the fire, as I observe in simple detail the careful watch of a man that has grown into what will be a fine king, I see that you are ready. 
It has taken years, harder work than I am sure you initially thought, but as I have tried to show you through example, change is possible. As I have told you many times, kings are not made by riches, but by metaphor, and you, now, have developed the awareness necessary to hold your many facets in equal balance, at least much of the time. No gold or jewels could make a finer king.
I see now that more detailed instructions will be useful to you, perhaps not now or in the upcoming cool weather, but perhaps soon. I will impart what I have. 
As I have said many times, both to you and to others, there is no truth, just versions of it.  Each one will look different depending on the man who perceives it, and although it may be redundant, I much emphasize, there are many ways to make a talisman.  This is simply my way and the way of my teacher before me, it is not the only truth.  You are free, after careful thought and consideration, to alter the instructions if need be.  This mountain will change and the instructions may need to change with them. 
As I am sure you have understood, though I will emphasize it again now, it is not only the materials which are important (for indeed they are), but it is the way they are gathered, the calmness in you body as you design and construct, the even flow of breath as you move over the mountain.  So if you must change something, do so always maintaining your awareness.
When I am gone, as one of these days my body will return to the soil and a new journey will begin, you may look though the leather journals of my office and find other instructions, not just for various talismans but other things you may find useful. I must once again state that the world of magick is vast and deep, so do not hold onto the instructions like the habits and identity you once carried like a torch before your heart. These are instructions, not rules.  Look at them creatively, like you are creating something from the other worlds and bringing it to life (and indeed you are.) Life takes many forms and at some points, you may find it necessary to alter.  Use your careful and creative judgement.

Now for the instructions:

Take a piece of virgin parchment, made from the skin of a stillborn lamb.
It will probably be cold to the touch, warm it beside a low fire of hot coals.
Use your finger to draw blood, either yours or that of your female companion.
She will give to you, as she always does. 
Take what you need, she is willing. 
After the skin of the animal is cured and soft, (this I know you are capable of doing as I have seen you do it many times) take the parchment and lay it flat against a wooden surface.  Let the moonlight cleanse it of human touch, of animal remains, of anything that ever was before. 
Now it is something new. 
Draw a star in the center.
At the center of the star, trace the image of the sun in red ink and paint its center in gold.
Let the parchment rest in the moonlight for several hours.
Roll the parchment into a scroll, as tight as you can make it. Fold it in half.
Set it into a jar of water and let it sit until completely tender and pliable.
Form it into an oval and cover with the red sand at the mountain’s base.
Dry it in the sun. 
The entire process may take half a moon cycle. 

Reminder

The TV was on and its volume was turned very low. I watched the bright Technicolor images move across the screen though eyes that were almost ready to shut. Letting my body melt into the plush suede cushions, I held the remote in one limp hand, ready for another attack of toothpaste and car insurance ads.
In front of me, people in bikinis and board shorts were furiously diving through a pool of mud, frantically rooting through the mess for little bags of sand in an attempt to reach the blue finish line ahead of the pack. As the screams of the contestants came through the living room speakers, I heard a faint sound from the other room, something foreign to the sound of cheering and sloshing that came to me through electric magic and science, or science that was so amazing, it was magic. Aiming the remote at the cable box, I turned the volume even lower and strained my ears for the sound, had I heard something?
Waiting…fixing my eyes on the hardwood floor…waiting…there it was, a little cry.
I left my embedded place on the couch and opened the door to the babies' room, where two dark wooden cribs sat against opposing walls, perhaps clearly defining the roles they would one day assume when they were grown men and left their wooden cribs and baby blankets.
Jonas, the six month old and the younger of the two, was crying. As I looked into the crib, I saw him on his back, his little legs wriggling in his sleeping bag-like-jumpsuit that covered both his legs. His tiny hands were balled up in fists.
Reaching into the crib and pulling his little body towards mine, his cries came up to envelop me. He was unable to clearly say what bothered him, but something was not quite right. Was it the lack of light? Was he lonely in his crib surrounded by only darkness and tall bars? I brought him to my chest, covering his body with my arms, stroking his head of thin silk hair, bringing him as close to my heart as I could.
I remembered the song practiced years ago while standing in a circle of three in a dimly lit room, it was the melody I strained to reach when it leapt up the scale. I sang it here now, in this dark room. I sang it for Jonas, ‘nothing ever has happened, nothing ever will happen…”
Over and over, the two line song came out, reaching up and then descending only to start over once again. He stopped crying quickly and I held him in front of me, propping his jumpsuit covered legs on my stomach. Jonas looked at me with alert wide eyes, eyes that were quickly turning from baby blue to a metallic brown. He wiggled slightly, his body bobbing and moving with currents of electricity and unanswered curiosity.
I stopped singing and looked into him, seeing nothing that can be explained, defined, or understood.
“You know,” I said clearly, “nothing has ever happened, nothing ever will happen.”
His eyes widened. We went into each other then, me looking into him looking into me. I understood it. Him looking into me looking into him, understanding.
There was no woman, no baby, no crib or parents at a party. There was no game show on a television in the other room and no sore muscles from a day standing in the sun.
Here the words made sense, in a chamber of feelings without words. In this place, we were the same thing, two parts of the same fabric, not separated by bodies and memories or contorted into a canvas of unequal shapes and designs where egos dance.
I had spoken and we both had heard. His sudden jolting was mine as well. Oh yes, nothing has ever happened. Nothing ever will happen. Nothing ever has. Nothing ever will.

Lineage of Desire

The family continues. Or it, as an organism, desires to continue. Despite murder, after betrayal and retribution, after an affair stained with indecent thoughts, the family continues. It is a lineage that travels though blood, mingling and marrying, sharing saliva and mucus, eventually forming other, smaller life forms, who in turn, reach out with tentacle-like arms to find those with a slight taste for blood and reflexes that can easily pull a trigger.
The family continues. It is the desire and impulse, not only of two-legged mammals that claim dominion over the earth, but in every creature that fucks and dies. To continue on, to multiply, to produce more. It is programmed so deep we don’t need brains, even single cells divide and divide and divide, creating more of themselves, not all too different from the warm blooded beings we call offspring. And though our babies cry and smile, it is nearly the same movement through generations, each new life engendered by the one preceding it.
In an old story told to me at a young, open age, it was Abraham who was asked by God to take the life of his son. It was a child hard to come by and with a quick slice of the knife the boy would die and the lineage might end, which would be the greatest of tragedies, but Abraham was willing to make the sacrifice.
My parents told me that story, and now they sit it their marble house, waiting as the clock ticks and no grandchildren are born, it is the greatest of tragedies. For when I die, they will die. The little branch will end, snubbed out, finally, after dozens of incarnations.
In my immediate family, the entire younger generation is female. There are six cousins, all female. Two of my cousins have children, all three of them are girls. Growing up, it was assumed I would have children. But as a minuscule deviate, I always imagined they would carry my last name. In my name I felt all the generations before mine and as a tribute, as a way to preserve them, I thought the most important thing to do was continue the family name, to insist that the next generation not assume the names of their fathers.
It seemed so important. I wanted the family to continue, not just in bodies, but in name. In name as a symbol.
It is different now. Entire species of animals go extinct under the hand of an indifferent man that uses the earth’s plants and soil for profit. Races of humans are taken out, babies are killed for preemptive retribution, one name seems to make little difference.
Is it the wish of every being to keep living? A life eternal, maybe not in their first body, but in the smaller bodies that come after them. Can my child take what I have not finished and redeem me? Can they carry on and change what I have failed? Is this the hope of any parent, that their failings will be altered, the dark memories of their lives changed for the better?
I sit on the edge of this bed and look at the white wall, there is no one who will redeem me, my failings will be my own. Each jealous outburst, each painting left undone, they will be mine. Those are the curses of the invisible generations and their echoes will reverberate through time, just as I carry the unfinished goals and dreams of the generations who never saw me, the ones that exist in faded photographs and memories that I can no longer retrieve.

The Jump

A man showed up at my door. He was tall and a stranger. The kitchen light was bright, the day outside even more blue and full than I expected when looking out my wide bedroom windows. He stood leaning against the door frame, bringing whispers of deep color. There was silence as our eyes traveled together. silence as he stood before me, still and calm. The seconds became twisting curls of life until he spoke. “Do you want to go for a ride with me?”

I looked into his eyes, “YES.”

A man showed up at my door. He sat on my faded blue carpet with those long legs crossed. The walls were a carnie’s cage of baby blue. The air held the wafting scent of sweet bread and a winter’s approach. “Do you want to go on a journey with me?” he said with a smile while a slight chuckle dusted his lips. I held my answer. I walked through the night, passing Christmas lights and moving through gusts of cool wind. I walked with a twin, passed muted Victorian architecture and slumping telephone poles. It would be the last time I would see her shadow.

The night faded and then the sun was up once again. I held a small telephone to my ear, feeling the hardness of its plastic, feeling the machinery of its shape. “Did you think about my question?” he asked.

“YES”

There was silence. I looked into the world of the blue carpet. Long beams of sunlight moved through the tall plate glass windows and caught my arm with a small kiss. “Would you like to know my answer?”

“I already do. I heard it in your voice, the way you said ‘yes.’”

And then the waters opened.
The dark night opened its cloaked arms.
The gusts of wind were no longer tinged with bloody fear.
The lights held more than their fair share of meaning.

A man walked into a crowded train car just as the sun was setting.
And he could have found another seat.
He could have remained silent, upholding the unspoken rule.
But the lens opened. The voice cracked into rainbowed pieces.
The door remained cracked, just enough for a narrow-waisted girl to squeeze through.

And she could not dive. She could barely swim. But she did jump. There was no grace.

She went face first.

Over the cliff.

Head first into what was waiting.

Anxious Clash With The Other

I feel the pain. I feel it often. So often now that I don’t run, yet I do not smile. I hear her laughing and I cannot stop my heart from beating a little louder. Thump, THUMP. It hurts. I hear her walking down the wooden stairs and my chest begins to pound, each footfall is another kick in the gut. She is coming with a story. She is coming to suck a little more attention in her direction. And as I feel a vortex of energy coming, I feel a little vacuum grow. I feel the pull of a star-less space. There is a tug on my toes. My attention is going elsewhere, like waves on a shore that only recede, its going to a place where little spindles fly in circles and dive into my joints. They join together, tight as a brick in my jaw and I cannot talk. I cannot laugh or smile. I am stuck. It’s hard to move, it’s even hard to breath. And it would seem like it’s coming because she has walked in. She has come down the stairs, she has started to spin the tale of her day. That’s what I tell myself. It is because of her. Her voice, her laugh, her story, her sucking in all the energy of the space, pulling me out and robbing me of my smiles and my air. Anxiety swirls around me like a conscious whirlwind, moving to the right, to the left, wherever I step like a fast-footed athlete. She is the reason, the source, the pain. That’s what I tell myself.
And that could be the story forever. The little explanation that lasts until the carousel breaks in a puff of smoke and all the plastic animals tumble out. It is so easy to blame. Just so easy. Wrongness comes from the outside, from people who do not have it right. From people who just haven’t learned or understood or developed the right brain cells. The Other. But it is that which is the source of the problem. The belief in right or wrong. There are only habits. The habit of politics and speech and body movement. The habits of the machine, transmitted and programmed since birth by parents and school and friends and church and society. The learned habits of an entire culture run amok through this body. The habits of a western man, the habits of an Indian woman. They are different. But neither is right, neither wrong. Two sets of habits. Each person has some. Each is convinced of their rightness.
And as I hear her coming with the force of a train, my habits begin to creak. The pain begins. She brings her habits, she exhibits them. Her hands move wildly. Her voice rattles the walls. But it is the clash of habits which hurts, not her. It is the reaction of one machine to another. The Other has a different set of habits. There is no fault. There is only learned mechanicality. The differences are what cause the pain. The clash between what I want and what they are. The clash between how I want things to be and what Is at the moment. It is the clash that causes the pain. Not the Other. The Other is just me in a different form.

Far Away

I heard his voice, the deep, deep laughter that made me think of density, of hard, rich wood and the palpable thick air of a forest floor covered in a shaded canopy. I wanted to describe the sound with my hands, I formed a ball shape with my skinny fingers, holding onto the air as though it contained a thick brilliant rock, something I almost couldn’t get my hands around. He laughed again, shaking the earth with his bodily rumble. The content of the conversation was almost irrelevant. Through layers of fatigue and inattention, I barley heard his concern, some young Tibetans were turning to violence to make their struggle heard. Would they become like the Palestinians, hungry and tired and frustrated? Tired of occupation, tired of the old ways that produced no fruit.
But I barely heard that. I was tired from a long day of selling soap at an outdoors farmer’s market and when the music stations became fuzzy going through the metal doorway of the Bay Bridge, I tuned the radio to Heart and Soul, a BBC Christian-slanted show on religion. On the air was the voice of the Dalai Lama. He talked about his possible successor, he wasn’t sure that there was even a need for one. He addressed the speculation of a female taking his place as a political and spiritual leader. He said “why not a woman?” and laughed with every muscle he had.
I pictured the male and female monks on a bed, laying close to each other and not touching, not talking, just moving and sharing in each other’s energy. I saw the cold stone room, they lay on the bed in their robes; from his depths into her, from her void into his, from his presence into her absence, from her love to his attention, …Is it easy for them up there in the cloistered halls of a monastery? Away from soap and markets and ordinary people walking around with strollers and wedding rings and cell phones? Away from this black truck, these tires which take me over a bridge. Away from the skyscrapers which roll out like empty promises on my right.
I forgot so much today. I walked around quickly, looking to the vendors on each side of me while my body continued forward without an instant of attention. I was not a well-honed beam, but rather a spattering light in need of repair. I talked without need to the vendor on my right, I ate ice cream without attention, I looked at my hair in the reflection of my car to check its state.
It’s so easy to forget it all. It’s so easy to think of myself as a girl who drives every Saturday to the market and sells soap. It’s just so easy to forget it all…to look at the couple holding hands and reach out to them with my machine-desire of sticky happiness. If I lived there, out in the mountains and surrounded by a sea of maroon robes who had accepted their lives as something “other”, as different from the world of TVs and magazines and the semi-annual sale at Victoria’s Secret, a sea of maroon robes who had sacrificed the body’s desires for another way, would it then be easier for me? Is it easier for them? How can I learn if I can’t even remember? How many days can I spend on the tight rope? Not quite them, not quite other.
He laughed again. I pictured his round, tan face. A picture of deep lines and clear glow. The picture from the bumper sticker, “Get Stoked!” it said, right next to that beaming face. That face on the bumper of a new station wagon that was always parked on Hwy 9, just a few hundred feet from my house in the Santa Cruz mountains. That car parked a couple feet from the entrance of a little wooden shack, another picture of the Dalai Lama facing the street through a glass window. I drove by a million times, always turning my head to watch the withered prayer flags blowing in the wind, wondering each time what lay inside and then quickly forgetting as my car continued on.
How many things have I let it slip from my mind? I would drive pass the beaming face, wishing I could be stoked, but I had school and bills and a boyfriend on drugs who needed money, lots of money to help his pain. Could I ever be stoked? So I drove on by, letting the whispers of prayers fade from my skin.
He laughed again. Such a deep sound full of curiosity and delight. A sound that has given up on the reason to laugh and just fell through the air like a rock with wings. Did he need a reason to rumble the rocks of the earth, to rattle the fragile speakers of this car? It was as though he was saying, “let me get inside you, take a vibration of me with you.” Maybe then I would finally be stoked. Or maybe I would quickly forget.