The Golden Eye

The hilltops are high above me as I search for my brother with the golden eye. 
All the others have fallen, somewhere between the sea and the desert there are many corpses, brown hair with waves, blue eyed boys who stare up at the sun without blinking, a mother who has lost her young.
They are there, on the land, in the rivers, boys, brothers. And it is me who climbs these cliffs still searching for the one with the golden eye. 
Brother or god?  Man and lover, father of life and creation.
I scan the black ravines and wonder if he can see me here on this treetop, my strong thighs gripping the bark as I cling and scan and squint.  Birds come and perch on my thin white arms like branches, they sing in my ear little melodies of encouragement.
The black streaked ones sing a melancholic tune, and when they sing my body grows desperate. Perhaps he is gone forever, our father and lover, our king and creator, our leader with the golden eye. 
Does he run or is he lost?  Does he hide or does he wait to be found? 
I am unsure as I take each step, not quite able to read my heart in the clouds.  The leaves stir on the parched ground, all red and yellow and crackling beneath my soft footsteps. They are of no help.  I can't read them, their silent fortunes are obscure and lost to the wind. 
I keep walking, I have been here before, so many times on this search.
Brother, brother- I have written about you before.  Father lover, I have written of your name and this search.  My fallen kin among the seas and sands, I have written of you in countless pages. 
I walk clutching my breasts, yearning for comfort, for the mother that is lost in these trees and shadows. I add my tears to the ocean, lending them only briefly to the trickle of the river. 
Perhaps in the next world I will drink my own sadness in a goblet of glass. These steps seem like a very wide circle, so wide it becomes invisible. 
My brothers are gone and I continue on, still looking for the man with the golden eye.

My Life As A Leaf

I held onto that tree branch, suckling where my lips met the bark, clinging, holding.  Thousands more like me, clinging, waiting. 
Which will it be?  Pale blue light?  Soft yellow? 
The tunnels stand, eternally waiting.  A choice made minute after minute- for the beings die by the thousands.

I move through the tunnel- I have chosen. A rock, a white house, a dimension where the work has taken root- I cannot tell. 
I am folded into the darkness, one with the shadows that hide my lifetime.  It comes- it is there, eternally ready.

Fluttering.  There is a maelstrom of currents pushing me in all directions. 
I am not dying.  I am living. 
I breathe. But do I live? 
There must be more than breathing, simply existing.  Must be more- did I chose that place? 

The ground is near.  I see it coming.
The ground blares even from the tree branch- so far and just a blink away.
I move towards it slowly, I move towards it quickly. 
I shudder and I am there. 
I turn around and my edges are yellow and red and crinkled. 
It comes and there I am, touching the earth once again.  swoosh.  
I am in the void.  The clear light. 
Nothing. Nothing.  Everything.  Nothing.

And then there is consciousness once again. 
I look back at the fading clear light. 
I am falling.  Falling, falling. 
Soon I will have to choose once again.
I will be that leaf, clinging.
It’s coming.

Soon I will decide. 
The tunnel is there once again-
a million of them leading to rocks or thirst, yellow of white, clear or brilliant.
There will be breathing, perhaps life once again.

I am falling, falling. 
The clear light is ahead. 

Lineage of Desire

The family continues. Or it, as an organism, desires to continue. Despite murder, after betrayal and retribution, after an affair stained with indecent thoughts, the family continues. It is a lineage that travels though blood, mingling and marrying, sharing saliva and mucus, eventually forming other, smaller life forms, who in turn, reach out with tentacle-like arms to find those with a slight taste for blood and reflexes that can easily pull a trigger.
The family continues. It is the desire and impulse, not only of two-legged mammals that claim dominion over the earth, but in every creature that fucks and dies. To continue on, to multiply, to produce more. It is programmed so deep we don’t need brains, even single cells divide and divide and divide, creating more of themselves, not all too different from the warm blooded beings we call offspring. And though our babies cry and smile, it is nearly the same movement through generations, each new life engendered by the one preceding it.
In an old story told to me at a young, open age, it was Abraham who was asked by God to take the life of his son. It was a child hard to come by and with a quick slice of the knife the boy would die and the lineage might end, which would be the greatest of tragedies, but Abraham was willing to make the sacrifice.
My parents told me that story, and now they sit it their marble house, waiting as the clock ticks and no grandchildren are born, it is the greatest of tragedies. For when I die, they will die. The little branch will end, snubbed out, finally, after dozens of incarnations.
In my immediate family, the entire younger generation is female. There are six cousins, all female. Two of my cousins have children, all three of them are girls. Growing up, it was assumed I would have children. But as a minuscule deviate, I always imagined they would carry my last name. In my name I felt all the generations before mine and as a tribute, as a way to preserve them, I thought the most important thing to do was continue the family name, to insist that the next generation not assume the names of their fathers.
It seemed so important. I wanted the family to continue, not just in bodies, but in name. In name as a symbol.
It is different now. Entire species of animals go extinct under the hand of an indifferent man that uses the earth’s plants and soil for profit. Races of humans are taken out, babies are killed for preemptive retribution, one name seems to make little difference.
Is it the wish of every being to keep living? A life eternal, maybe not in their first body, but in the smaller bodies that come after them. Can my child take what I have not finished and redeem me? Can they carry on and change what I have failed? Is this the hope of any parent, that their failings will be altered, the dark memories of their lives changed for the better?
I sit on the edge of this bed and look at the white wall, there is no one who will redeem me, my failings will be my own. Each jealous outburst, each painting left undone, they will be mine. Those are the curses of the invisible generations and their echoes will reverberate through time, just as I carry the unfinished goals and dreams of the generations who never saw me, the ones that exist in faded photographs and memories that I can no longer retrieve.

Judgement

They stand with their arms open, their bodies springing from freshly unearthed graves. At their feet is the earth, once their womb, but something has changed. They are dirty with soot and trails of fallen dew. They stand, the small group of men and women; beside them, three young children. All are pale, as though their time in the ground had been long, so long without sun and air. Now they stand, open, their chests exposed to the sky, their arms open as much as their bodies will allow.

They welcome it. “Judge me,” they say with their hands.

“Judge me,” they call to the heavens, their heads bent back, letting the Real wash over them.

Rolling clouds bubble overhead. The grass beside the open graves quivers.

And what is Judgement? That look, a bit of opinion as I shower you with a stare.
What is Judgement? That bit of presumed knowledge of morality in the symbolic order?
To throw words upon your shrouded body, covering you with a set of expectations I have known almost since birth.

I look at them and see the world through the narrow lens I have chosen to understand it. I watch everything through this porthole. Afloat on a sea of dark mystery, I watch it, a tiny point without reference.

“Bad people are people who do bad things.” I look at that tiny pale body sitting in the car next to me. A little boy so convinced of himself. He is the eye of judgement, a tiny being, clueless, yet so sure of his place.

“Judge me,” the white bodies call.

The angel comes, bringing with it the Real. It is death. The void has no symbolic order, for it is nothing. It is without words, without definable shapes and morality. Step into it like a bath, for the real has come. Open you arms if you can, throw your head back and relish the ecstasy of a new set of eyes. They are doorways, not merely windows. Step up, step inside.

Though their eyes are closed, they see the angel and his red cross. North, south, east, west. The sound comes from the horn at his lips. And it is music, shape without context. Sound without attachment. It has all fallen like a cleansing rain and they welcome him, opening their bodies to a new type of noise.

How many do I judge? I see all of them through the lens of my language. I either assume an understanding, or cross their names from my book, calling them evil and rich. They find a home within the boxes of my aesthetic or I call them ugly and laugh at their pants. I laugh with them if we share the same language, or I squint my eyes and stare, waiting for the sentence to end.

Judgement comes with my language and I throw it out like dice on a filthy street.

Their bodies rise from the earth, covered in soil.
“Judge me,” they say.
No words are necessary. They bask in the void, holding themselves open for a new page to turn.

The Apple

I walk through the garden. Light steps. Walking gently on a narrow path of crushed rocks. Fine as gold dust. One clear objective shines like a blue jewel between my eyes, lightly beaming from my smooth pale forehead. To the left, my eyes wander. To the right I look, searching for that one piece of fruit. That one bright and shinning red apple, aglow and pregnant below the bright eyes of the sun. I hold it in my mind, a perfect image, a treasure waiting for my hands and kisses. Calling out for adoration. Red. Alive as all things are. Red like the rivers of blood moving through thin arms. Red like this throbbing pussy that awaits its sword.

I walk with one objective, one bit of reality taking over my mind. That round and sweet fruit. Red. Nothing stops me. Not a warm breeze smelling of jasmine, not a curious flower with twelve soft pink petals and a perfume that smells of the moon and death.

I walk with an ever-present determination, my eyes scanning the sandy ground constantly, looking past the ground up sparkles, searching for the color of deep life. Breathing. A mouth to be kissed. Each step is a new lifetime, another chance. A glance down another path that leads to the sea. Tendrils escape me. I let them go, flying like a curling explosion of laughter and song. They extend to the clouds, sweeping in armfuls of mist and the hopes of air.

I let them go, my eyes searching the dark secrets of trees. Their caves, their shadows. I look, hoping for contact, a gasp escaping its leaves. Will its gift be mine? Will I bite into pale flesh, dripping with desire and sugar, both of us, wanting to be planted. Consumed and turned into something beyond imagination. We will leap past the stagnant shapes of squares and circle, journeying to a place of layered dimension, places undescribed. We are the same. Red and round, ripe and waiting for knowing hands, rough and dirty, full of rain.

I sense that the sun has shifted, that my brother calls my name from a far off field. I can see the white fluffy sheep beside him, herds of cotton and simple stares. The softness of those blades of green, the electric blue of the sky, burning above him like fire. But this shifting, I sense that the air has turned sour, that my brother calls me with a different voice, sounding more like drums than bells. I search the sky for clues, looking, pulling apart clouds with the precision of a hungry animal, pulling limb by limb, bit by bit and muscles tear and bones crumble beneath the force of my hands. I search, hearing my body move like the clocks I left in an old shop. Left and let the door shut quietly as I walked away into the bright daylight.
I hear it once more. This reality is nothing if not the senses, my beating heart, the thump of its call, the sound of its opening and closing valves. What am I if not a beat? A tone in the drummer’s wail…a sound in the dark countryside. What am I if not a blip on the manuscript sheet, just one tiny note, one life.

I am having the clouds for dinner, they melt on me, my tongue and lips turning them into bright colors and words of nourishment. I suck the marrow out from them, sucking like a dog that claims no owner. I am the master. I am the leash. My choking is the grasp of my own hand pulling me in a thousand directions. I am the fire and the pull of the leash, my own master, the dominator of all that is fur and flesh and love. Undying love whose call covers the hills like a thick blanket. Can you hear me brother? Do the sheep flick their ears with my bright call? My message of love which surpasses human ears. It is us, those of fur, those of the earth and dirt, those of the whispy clouds that move like brushstrokes. The night is clear and I am no god. I am the footprint, stamping the earth with my laugh, walking as though there will never be another. I am the trees, the fruit which I seek. The red that covers us in life and sparkle… there is no other. No ground. Perhaps no brother. No fruit. These are my fears. And am I right? I look into the garden and see nothingness. Where is the sheep? The eye that stares without feeling. The eternal colors of green and white, covering me, denying me pleasure, denying me pain. Where is the needle, the cock that sends its message in rhythm… am neither here nor there, a thousand years have passed and I claim no knowledge. Another turn of the path and I wander past the same footsteps, yearning for my brother and his soft sheep, the call that has turned from bells to questions.

They have all shifted with the search. The dogs have turned to mice. The cats above claim the sun as god. Clear minded once, now I dream about other things.
The play has ended and a pile of red roses are at my feet. I search the dark crows, seeing only halos of lights and a roaring of hands. Who are all these people who stare? Light covers them in a fine sheen, but they are only shapes, circles and lines and rivers of blood. There must be blood, an army of robots could not shine like them. But I wonder.

A single clap rattles my spine and I see the apple. That skin for which I have searched. I have walked on soft grains of sand and compact earth. I have walked for so long, finding only more light. Finding clouds that have turned to night and brothers that have faded into memory. I have left all that have walked before me, left them to die in their tatters and murmurs. I took their thoughts, turning them into me, moving them through every part I move. Throbbing, I feel them all. Each dagger of pain, the thrill of ecstasy.

The endless road moves forever forward, I feel the grains of earth below each toe, calling me by every name. And I know theirs. I know each one. This path is mostly the same, though slightly different. But mostly the same. One different shrub, a flower out of place from the last time I licked its pink. It is endless, beyond words, though I continue to try. I grasp at the edges, looking for more. Finding books and poetry and readings by men in white beards. I stroke each tiny strand, loving the feel on my fingers.

Beyond the rim of my eyes I find the desert left for dead. Without rain, without one orgasm to wake it from sleep. This is the reality of dreams and nightmares. The path from which I have stepped forth, naked, covered in tattoos and a few wrinkles and spots of blood that decorate me like a birthday cake. I am clear, a walking mirage, still searching for the fruit of life. The thing that will spring forth like a pool, the burst of life that will live inside me like an eternal fetus, forever sucking and feeding, forever giving of its dreams. It will not be born, not into the air, not to the trees and the men who would create a god. It will be here, a change without eyes, without language. I will know it, it will be my nature.

You Are Dying

Do you know that you’re dying? Don’t stare at me with big wide eyes, You Are Dying.

Through the tunnel from the womb, into the cold air, breathing, gasping, a moment from death.
Our birth is an immediate tolling bell of what’s to come.
Our only disease is life itself.

We are dying.

Each breath,
another step
Each day,
a moment closer

There is no need for doctors or prognosis. Skip the tests, the transfusion, the trips to a place of many rooms and fluorescent lights. No man in a white coat can say it any different than I can… you are dying.

Let it sink it.
Let it go to the core.
And if your heart doesn’t start to beat just a little faster,
Then let the words go a bit deeper, for you still haven’t heard:
YOU ARE DYING

Look around, it’s time to pay attention.
There’s no time for anything else, no time for watching the spilled milk or crying for the crimes of the past. We’ve all been fucked, screwed and spit on. It’s part of the experience, like strobe lights at a rock show, it’s just part of the deal. As was once said by a great band, there’s no time for fussing and fighting my friend.

You’re dying, the light at the end of the tunnel is clear, the end is inevitable, you are standing on the tracks, you will be food for the birds.
And so now, take a breath. It is coming. YOU.

If only we could stop the little bits of swirling sand and dust clouding our vision. They are sentences from the past, nuggets of resentment hidden in clenched fists, your father’s wrinkled brow. They whirl so fast, blinding even focused eyes. Clouding the path, making enemies of friends, pointing towards the cliffs.

You are dying.

There’s no time for the complaining.
For the excuses, no time.
The habit of anger, resentment, comparison, there’s just no time. We all end up as dust.
Shall you spend your last few minutes squawking? Complaining about the tart strawberry, the irritating glare of the sun? The child laughing loudly?

There is just too much to do. So much to write, circles to build, songs to hear, careful steps to take. Don’t let it all evaporate below the sun, growing lighter and lighter by the minute, fading into nothingness.

It is all here, every laugh and cry, every person in your path, every sound floating in through your walls. It is all here for you to use, coming to you free and untainted. It is the raw matter for you to bend and shape, bursts of energy to wrangle and harness, converting into fuel and long sticks of light.

It is all here, take it before you’re gone. Before they mourn the bit of dust you were. Before your steps are silenced and forgotten. The path can use another set of hands. There are weeds and misplaced rocks, there are stories to write and gnomes to meet.

Did you know that you are dying?

YOU
YOU who read these words.
YOU ARE DYING.

Look around and breath it in. Then start to work.

We Are All Going To Die

I looked at her from 20 feet away. She was crowned with a head of thick dreadlocks, held away from her face by a red ribbon. Most of the matted stalks were dark brown, as were her eyebrows, but the ones framing her olive-skinned face had streaks of platinum blond through them that ran through the locks like lightning bolts through a darkened sky. She looked thick and healthy, wearing baggy jeans and a jacket to protect her from rain that came in intervals.
Now the city park was filled with a bit of tentative sunshine, a few rays finding their way through a mass of fluffy gray clouds above. She smiled easily at the Afghan boy, his face still taught and smooth, just the hint of a beard growing on his chin. A table of packaged flat breads and jars of jalapeno spreads and humus separated them, though there was not much more, he held out his hand, offering a small sample and two rows of neat white teeth. She opened her hand, accepting his gifts.
I was twenty feet away, behind my own covered tables piled high with thick-crusted German bread and pastries. Whoever might have walked past by my booth in these moments was invisible, a ghost lacking any presence. My head was turned, slightly to the left, watching the pretty girl, smiling, wearing a thick red and white raincoat meant for mountain treks and camping. The young man in front of her, talking, both of them sharing easily for just one simple moment. It was soft, gentle, and I watched.
“She’s going to die one day.” The thought came from nowhere, it was simple and stark, so true as to be startling, yet I was not scared, I stood still, watching them both.
That pretty girl, in her later twenties, a head full of thick dreadlocks, a mind full of thoughts and a machine full of personality. I felt the hum of the market, crowded with white-tented booths and fresh oranges and vegetables. So many people, and all of us will die. The girl, the afghan guy….
And as much as they were alive in the moment, talking, breathing, she, tasting the flat bread, me, watching them, us, the entire market of vendors and customers and the people who drove by in their cars on the street just outside the park, we were all going to die one day. The thought hit me. Not just a thought, but a deep anchor that fell and hit the deepest part of me, a fact so true that I stood shocked, unable to turn away.

Electrified

It was a bright sunny day. The sun, a million miles away waved hello, letting each one of them, each one who turned their face up to the cloudless sky, know that another day had come. The reds were redder, the sunlight was stronger, the green of the treetops shone as though she had never seen them. Each of the cars that passed her on the road shone with the gleaming brilliance of light hitting smooth metal.
She drove with her window down and her left arm casually resting on the driver’s side door, feeling the soft breeze of the afternoon glide across her skin like water over marble. The city beyond the car’s surface was bustling. Tall cement buildings lined the streets, and they too gleamed in the sunshine, as though in this one day they finally were the sum total of their architect’s dream, and all the hopes of each person that entered their revolving doors and every person that walked the halls had finally come alive. And the buildings heaved with the breath of life, and the windows moaned, letting their long-held sounds out into the air, where they were met with the gentle groan of the wind.
Her foot pressed lightly on the gas and as the car eased forward, she felt faint stinging in her toes. She wiggled her fingers, feeling pins and needles there too. When she had left her house that morning, the doorknob gave her the first electrical shock. Then each step to the car was one tiny jolt after the other. The earth was energized and she wondered what lighting bolts had shed their power the night before.
The car’s handle was another little shock, and as she reached for it she saw a jagged blue-white current race from her middle finger to the handle. As she pulled into downtown, she saw that the cars were plentiful, each on their way somewhere different, but the traffic moved at a steady pace and the breeze kept on coming, not wanting to miss a thing. And she drove on, but she saw it all moving, almost dancing under her gaze. The tall street lamps wavered and the telephone lines bounced up and down, greeting her with their own language. She turned to her friend in the passenger seat, his face greeting her own with curiosity and a soft smile.
“Everything’s alive today. The cars, the buildings, the street lamps. Everything’s alive and shocking me with its power. My hands are still stinging from the metal knobs.”
He laughed. A gentle deep rumble that came from the kernel of true understanding he carried in the center of his chest.
“It’s you. It’s all coming to you, like a massive network of electrical currents that are all seeking you out. Those electrons feel you, they feel your charge and they’re jumping, like literally jumping towards you in great rivers of energy. It’s not everything else, not the street lamps or trees, it’s you that is electrified.”
She took a deep breath in, inhaling every drop of oxygen her lungs could hold. Drawing in the great rivers that flowed to her like water down a mountain.

Land Of Compost

About a week ago I went for a walk with an old friend and her boyfriend. They held hands as we walked along dirt paths that crisscrossed with cement sidewalks and litter-strewn black asphalt. I was just a few inches away, feeling the heat between their two palms, tasting the salty sweat of their mingling. We walked through El Salvador, the country of my birth, the land they still drink day after day and where I merely sip from the puddles every couple of years. We moved silently under thick leafed trees and through waves of humid wind. We walked in the shadow of our volcano creator and through plumes of black exhaust that whiled like svelte dancers with even thinner wings. Their words came, encapsulated in despair and a gray horizon. There were no jobs, the bellies of the countryside were still hungry. There were too many people for the small country and more were being born every day. The politicians still took their envelopes of cash and the people, the country of laborers and dreamers, extinguished their lights of hope with each sun that set.
And we walked, and they touched and I felt their words and their heat. Something had happened, they said. Something is happening. This little country of Central America, many times smaller than California, lost in the middle of a geological umbilical cord, this little country had become the most violent place on Earth. New-formed gangs dealt in drugs and crime. There was still the aftertaste of civil war, the death squads had been given new names but still moved through the open veins of city streets and political circles. There were murders every day, and not even the children held on to the dreams of pupusas and candy. El Salvador, they said, lacked purpose. On the glass coffee table of the earth, El Salvador was an odd shaped piece that didn’t fit the nearly-completed puzzle. There was no product they could deliver, nothing that they could contribute to a world of computers and trained technicians.

As they spoke of metal and machines and humans in cloaks and a world of parts, I started to smell the decaying forest floor. I saw mushrooms, I could almost taste the blackened rot of soggy leaves. I looked to my friend of flesh, her hips that gently moved as she walked, I looked to the right, past the street of busy cars and to the seven year old boy pushing a wooden cart of horchata. And then I couldn’t see, I didn’t see it with my eyes, but I felt as though the soil itself began to move through me, the energy of the land entered through the soles of my shoes and moved up my ankles and up through my legs and into my stomach, up and up…and they could not see it and I could not see it, but maybe this is what we had, perhaps this is what we were. We were the other, the subtle creation invisible to the modern eye, different than metal and shiny bits and cities of industry. What we had came from the ground, from the back alleys, from the black soil and the fields of bones. What we had was pumped out of the bloody streets of El Salvador and went up, vaporizing into a finer mist.

We, we machines of flesh. We, we readers and eaters and fuckers. We are a biomass. We are an endlessly repeating blob of flesh that feeds energy and information into a greater accumulator. We are, as Gurdjieff said a long time ago, "food for the moon.” We give to the nearly invisible. We give without knowing. We die, kill, are born, play…we do it without knowing that we ourselves are food. Our lives are the heat of the compost pile, a heap of orange rinds and tea bags and worms that make this smelly mess their home. As long as we walk with eyes closed, as long as we walk without a purpose, as long as we fuck to die we can be nothing but a massive compost pile, a burning pile that moves slowly in the great voidness of space.

The hot bloody biomass that is El Salvador serves as a place where dead life forms get broken down and, consequently, this space becomes a fertile breeding ground for new viruses, new language forms that slowly crawl up to the cold northern lands in a subtle invasion of broken English and ancient invocational rhythms. Maybe the planet has a need for a closed, warm environment, where the ancient and new codes can meet and explode into a thousand new mutations, splashing like burning rain over the borders of the industrialized nations. Such a place is bound to be violent, dangerous and unpredictable, especially when the sun shines with unrelenting force and the mutations multiply in multi-colored threads through the wide open sky. Maybe these things are as they should be, and it is only because we are deep in their entrails, in the very thrust of their movement, maybe because we are the movement itself, we slide into thinking that they shouldn’t be as they are. But regardless of what I want or don’t want, El Salvador continues, creation itself continues in its unrelenting and inherently beautiful grind, its multidimensional dance of life and death that will allow for no compromise.

Piece Of Paper

She looked out the window and saw a small scrap of paper blowing in the wind. It was a small yellow post-it note and the wind pushed it to the fence where it stayed tangled in the bunches of wild mustard plants and yellowed bits of grass that clung to the edges of the yard. A white moth-like butterfly flew over the wooden fence and disappeared into the eucalyptus grove that covered the hillside below. She stared at it, at the little trail of darting white that had faded into green and silver. Her house was warm, and because of the heat inside, she indulged in wearing only purple panties, that had lace along the edges, and a striped purple T-shirt. Her legs were bare except for the pink slippers keeping the bottom of her feet warm. She wanted to go outside and get the little bit of paper. She wondered what it said, where it had come from, who had dropped it. Would she find her own writing on the yellow paper? She wanted to go outside, but, although the sun was out, she could see by the rustling eucalyptus that it was windy, and wind, at least here at this elevation and so close to the sea, meant chill. She was not anxious to let the wind brush past her and strip from her the warmth she had accumulated over a night of sleeping under thick blankets and warmed by space heaters in every room. But what was on that paper? How come she didn’t just look right past it the moment she saw it? How come it didn’t just fade into the other images that she took in and let wash over her without a second thought? Was there something different about this piece of paper or was she just getting fixated on something, finding meaning or hidden purpose when there was nothing there. Maybe there would be nothing on it. But why couldn’t she just stop and go back to her computer and start writing? What kept her standing here at the window, so close to the cold wind that managed to find its way in despite the glass barrier? She thought about all the things she had lost over the years. The small chunk of Tibetan turquoise stolen from her bathroom. Her stacks of vinyl records. Her purple and white batik shirt that just went missing one day, the blue v-neck T-shirt that Suki had given to her before her parents sent her to a rehab facility in the mountains. Could this piece of paper be one of those things, a precious bit of her or someone else, something that was about to drift off into the bushes any moment, only it had stopped here for a brief second, waiting by the fence and held close by the mustard stalks.
Act now! This is the chance. Move and grab the curiosity in front of you. Act now, or it will disappear forever and you will always wonder, you will always stand by the window and wonder about that thing which called to you and you did not respond.

What Do You Do?

The question is…what do you do? I thought about it all night, long after the movie credits played and the characters faded from the set. I watched their forms fade as blackness overtook their shapes. They had picked a path, one of the four dirt paths available on the wide plane of Mississippi; long, wide spaces of opportunity whose future remained unknowable in the distance. The road ended at the horizon and promised nothing...just darkness and haze. Just pick one and start walking. Four choices, four paths, four ways.
So what do you do?
What shall run through me?
There are roads that lead to life, paths to a simpler type of death, paths to sleep.
Where do you want to go?
Can you find the will to keep walking, to keep lifting up one foot after the other when the rain starts pouring and each sound of roaring thunder warns you of the choice?
Through hunger, through self doubt.
Choose a path and walk.
Walk it well.
There are pawn shops along the route and crusty hotels and sweet women who’ll grab your wallet and smile as they hide it in their shirts. If you want to learn, start walking. Choose a path and walk. The lineages come down like raindrops. They are as close as dandelions, and you could grab them, if only you weren’t so blind that you can’t even see the grass.
Four paths.
Four choices.
Can I walk until the locusts come to blind me and the devil comes with shiny white teeth and a smile that doesn’t hide the sweetness of my captured soul?
Can I walk into the storm?
Muddy toes, cold skin, squinting against the wind. It’s me that brings the devil, me that paints the sky with rain, me that tightens the noose.
What can I do to open the door, unbolt the lock and turn on the lamp?
Can I allow it all to run through me?
Moving through each little open pore, each tendril of matter and stone, like electrons run through the filament and light my little room.
Can I just breathe and continue to walk and let it move me, coloring me in its travels?
Can I make enough space, open this little cold heart and sacrifice it all to let it move?
This is a vessel, a fleshy, bloody capsule that needs to be emptied just a little to let some fresh water in. Like tubes of paint waiting for a hand, like windmills waiting for a strong gust.
Let this body be the brush, the hand, the willing embodiment of Real movement.

Binary Tree

The last dash of the “t” is in place, the words are checked for spelling, the sentences for grammar…I wrap it all up with a colorful graphic that exemplifies the text and send it off, through the system of tubes and invisible helping hands that deliver it to curious brown eyes that read it with interest in a dark, warm room. And I take a breath, a plane roars across the sky like a metal dragon and then…silence…the void…there is nothing here. All is blackness and I stand naked and alone, wondering what will come next. A flicker zig zags across my mind sending sparks to retrieve my attention, oh yes, I remember, there is another text to write. There is never an end. There a dozens of notebooks, each full of ideas and within the scope of this lifetime, there could not be enough time to finish them all, and even if I did, there would be more. Each fork in the path, each level of completion leads to another task waiting to be done…a new piece of writing, a new dance. There is never an end, just the cycling of energy from one form to another. The last breath will be the beginning of another branch. A thousand lifetimes will pass and each will lead to the same set of steps, the same writing, the same brown eyes that hold the world in their soft gaze.
The infinite tree, with its infinite forking branches, spiraling off into the colorless sky of a million suns. It is never the end, unless I stop looking, unless I close my eyes and cover my head in a blanket and fall asleep within the deep knot of its trunk. The branches may exist, the endless work may exist, the infinite lifetimes may exist, but what can I do when my eyes are closed? They may spiral around me like sequined circus clowns and spring fairies, but how shall I fly without wings? I may be walking the small, slick branch right now, walking along its curving path into the orange sunset, and yes, I think I am, I feel the fading rays against my skin, but still, my eyes are closed and you promised that we would walk through the doorway together, is it still true? Each branch leads to another segment, another fork in which to choose a path, will it be the left or right? And when I come to the end of this small wooden segment? What then? Left or right? And on other trees, there are three choices, should I take the center path? Should I take the path of crying, the path of fear, or the path of containment? Intellectualizing is simple, the choice is objective and thus, clear. But sitting there, heart pounding, fear licking at the heels, demons whispering in each ear, dragons tugging at the nipples, the steps are difficult to gauge, the distance of their points cloaked in a haze. Visions of a lion strike my face, oh, a wet tongue has found me. The cry of an eagle warns of other, even more difficult choices to come. There will be no end. On my back is a tattooed map, it traces the covered veins below. Go! Go! Go! There is not much time. There is no end, it stretches on and on, two choices at each fork on the road.
Will it be life or sleep?
Work or death?
The path must be walked, decisions must be made, words must be written, melodies must be sung.
There is an infinite amount of choices behind us.
There is an infinite amount of choices ahead.
But the choice is always the same.

Stranger

The wood of my hand moves like a twig in the breeze, a whirlwind of currents brings fragments of lost conversations, escaped words from the backseat of a car, ideas glimpsed on the face of a passing stranger in an old red truck. His eyes say everything, only I imagine more than his lips would ever say, not just because he doesn’t know my name, but because even if we were intimate, even if he licked me in the most sacred places, even if I knew the taste of him on my lips and we shared a crop full of screaming, beautiful children and even if he was at my bedside while the skin dripped off me like the story of a life spiraling down the drain, even then he would not tell me the meaning of his dreams, the story behind the red dragons that always eat their tails, the fortunes left hanging in the morning air while a set of brown eyes shake into wakefulness.
The smell of coffee moves his tired muscles, like a dog performing tricks for a small cookie at the end of a practiced routine. I watch him get up, naked and soft, he walks to the coffee pot with the madness of a man half asleep and a quarter conscious. Standing at the counter, he looks to the distance, out the window, down the hill, past the small box houses of red and blue and orange, past the rolling hills that have lost their trees, out to the great sea barren, rolling endlessly, only he can’t see the rolling, he can’t hear the crashing waves break on land, he just imagines it all, his memory filling in all the details. I imagine his imagining. I devise the plots of his secrets, his unspoken desire that remains buried in the folds of his flaccid cock. His thoughts remain a mystery that wrap me in their tingling arms, forever cradling me in story lines and sadistic scenes.
The stories stay with me, year after year, beyond the day that I lay dripping a lifetime of accumulated skin and memories, spiraling down the void, the black drain that awaits me, patiently, always there, and never fully understood by the part of me that lies on the thin mattress, smelling the ammonia, hearing the iv drip, feeling bodily pain. Never grasped by the part of me that holds on to the idea of “me.” White walls close in, clouding my vision beyond the cataracts that have grown like ivy. I see it, no, not my eyes, I feel it, the pulsing center that balances on the pin of knowledge.
But the cord unravels with the sound of a small boy slurping soup, he fills the house with his inattentive sounds, reading, watching TV, slurping his wontons, sucking in his noodles like a dog with his nose to the plate. The sound of him disgusts me, his careless inhalation of liquid, his half attention for the words he reads, his inability to stop and truly pay attention to one task at a time, it all disgusts me, and I see a careless little child who does not desire to change what he cannot see. The world is his, his understanding complete, his role fixed, and I am disgusted with his arrogance, with his blindness.
And in seeing his blindness and in my disgust for his habits, I too prove to be a creature, a machine of little sympathy for the small machines that slurp from their ceramic bowls. My mirror, as ugly as I could have ever chosen, as blind as I have always been. These are the secrets that I hide in the crevasses of my white breasts, the truths that my mind cannot bare to perceive, the words I will never utter to the man who watches me from a street corner as I pass in my red truck. The strings on my arms take me to the left, up the street, towards the microwave, they make my face snag at the sound of loudly chewed food. I see the mirror, the silver thread that will never know it’s a dream, the small figure in a play with a million mute actors and a thousand glimmering suns.

Precious Moment

The day sparkles with freshness, made new by gusts of forceful wind that rustles silvery leaves without rest. The light is high overhead, the brightness of a wish just past. My heart has been aching since the morning, noticed in a moment of stillness when all I could feel was the pounding in my toes and the ache of my wrists and the extra pressure in the center of my chest. It stays in me, a continuing presence as long as I can maintain this quiet in my mind. The sacrifices are made, held tightly inside, and I look for my ring of keys.
The day is bright, the sun is high overhead, winking its rays through the glass of the car, through the tinted lens above my eyes, through the delicate membranes that are my windows to the world. The light is clear, I feel myself in the car, aware of each turn of the wheel, aware of the narrow road down the hill with five sharp turns. I move out beyond the dotted yellow line, there are no cars coming and I’m safe, but I feel the strength of the car, I feel the weight moving at thirty miles an hour, fast enough to smash the delicate connections between fiber and blood.
There are three stop signs before I get to Mission St and as I brake at each one, the sensation of fragility compounds. Maybe it’s the man wheeling around his trashcans to the curb, maybe the woman walking across the street talking into her cell phone, or the man sitting in his car at the red light beside me.
Something comes thorough me, coming in, moving out, twirling inside. I do not name the cause, I wouldn’t reveal the source, I can only recognize the moment.
Without the radio on, without yammering or melodies…the day seems brighter, harsh in its generous opening. It’s not the strength of a fight or the pounding of a bat, it’s more like the opening of a sun that has remained shrouded in petals, the glow is harsh, the reality is painful. My chest thumps with more pain than I usually a notice, a nice, dull, achy pain that sits well, a feeling I have begun to consider a long lost friend that I welcome with a smile.
“Oh, you’re back! It’s great to have you home!”
The skin surrounding me seems so temporary… I feel the forceful weight of the car, I feel the fragility of the moment like an egg shell rolling down the street. The mortality of the breath, the temporal nature of me.
The other day, she loudly laughed and then she said, “You don’t know when you’re going to die!”
“Oh yeah,” I thought… “I can’t count on eighty more years.”
One wrong move, now, and everything could be altered. I imagine myself in the hospital on a ventilator.
I hear his voice, “We might be able to be together after this, depending on how much progress we’ve made during this cycle.”
I scan the crosswalk carefully for walkers. I check the rear view mirror. Time is precious, the body is precious. The moment is precious and delicate and I feel it as though for the first time, in the brightness of a sun high overhead, in the freshness brought about by the wind and an aching heart.

The Egos that Flee from a Sinking Ship

Crrrrssakkkk….the sudden breaking of glass as a dark shape lands on the windshield of a tiny blue car. As the fleshy body hits the solid mass of glass, she thinks to herself, "I think I’m getting hit by a car now." Her back lands on the windshield. Her eyes are open and she notices the blue sky above. How long does she stare at the sky?
It is such a pretty morning, it’s a sunny California spring day. She sees the sky, as though she’s never quite noticed it before. It’s blue. It’s open and wide. "I think I’m getting hit by a car now." Her brain gives her some sensible information. It’s objective, without worry or fear, just information. She is being hit by a car. It’s something that she has heard of, something she’s seen on TV, and it’s happening to her.
She looks at the never ending ceiling of earth. slightly hazy, but still clearly blue in the early morning. Where is time? Her brain is unguarded, left alone in this moment. The many "I"’s (the multiple egos that usually pull her in all directions) have fled, and her brain is slow to comprehend what is happening.
With the sudden impact upon her body, all sense of time is assaulted, revealed for its true transitory nature. At this moment, time reveals itself for its falseness.
Time…the great perception. Without an "I" to perceive it, any "I", it moves like clear molasses through a vacuum of images. Mistakes happening within fractions of measured time, yet being felt as though through the eyes of many years.
The many I’s have scrambled like a group of confused chickens…have they been hit? Has one of them been hit? The windshield of the dirty car has broken into a thousand tiny fragments, revealing the blue hue of an objectively clear pane. The driver, a small brown woman, has her mouth open, herself not quite understanding the nature of the shape blocking her view. And the shape, the body of a tall woman, designed by nature to work fields and bear children, is observing the blueness of the sky. With the impact, the driver hits the brakes, the girl flies forward, landing on the pavement. Her head makes contact with the ground. "On no, am I dead?"
She wonders. She lays still with her thoughts. She cannot answer her question. There is no "I" to respond. Who is asking the question? The brain? The personality that wishes to keep breathing? Time has abandoned her. No, it is the many I’s that have left, and in their absence, she does not feel time. She lays on the hard earth, paved long ago with black tar. She asks herself: "Am I dead?". In the silent absence of time and under the endless blue sky, there is no answer available.