Showing posts with label habits. Show all posts
Showing posts with label habits. Show all posts

Monday, August 8, 2016

Rewire




rewire the relationship
father and song
lucy
diamond
loud habit
habit
habit
flow and understanding
the deep secret of change
change itself
relationship to song
diamond
lucy
hit
bop
habit
habit
rewire the relationship
to father
to satan
to church
rewire the language
altered meanings of
god
church
mother
pretty
satan
change
change
energy resides
in the change

Thursday, January 24, 2013

Far Off Songs

I could hear them fighting in the other room.  Every few seconds Jonas’ high pitch scream would pierce through the music I was listening to, it would crawl under my skin and make me shiver. 
I could hear them fighting over the tablet playing cartoons. As I listened to the vocal coaching on my computer and tried to sing along and practice, their constant bickering moved through the glass door and found me and pushed me away from my concentration. 
I could imagine Noah trying pull the computer more towards him and Jonas pulling back, finally strong enough now to defend himself against his older brother.
It was the endless struggle for property that would stay with them until death.  Territory and desire and anger, they were fully present even at three years old. They were even more evident than in adults, due to the lack of social flitters and niceties and the many disguises the adult world has devised to cloak those inner urges.  When those little boys wanted the computer, the cookie, the train they took it. Available responses of the other was tears, or a scream or to hit back.
I could not hear any response from Noah, so I assumed he was the perpetrator.  I had stopped trying to intervene.  I had grown tired of trying to make them share, or warning them, threatening to take it away, now I had just grown silent. I had other things to do.  I sunk back into the music and left them alone, it would be survival of the strongest.
Occasionally I heard Jonas’ weapon of choice: that scream. The high pitched wail irked me from the inside, one of those sounds which physically chilled me and made me shake and try and shrug off the noise.  I closed the door to the living room.  They were going to do what they were going to do.  There could be no reasoning, they were too young, they were little machines. 
The boys used to sit with me as I did my vocal work. When Jonas had just learned to sit up by himself I would put him on a chair next to me and he would look at me with huge, smiling eyes and laugh at some of the sounds.  Noah would sometimes sing along and then we would dance.
Just a few years later and fully human, they were more interested in Dora and Umizumi and their computers and ignored me as much as I tried to look past their fighting. The babies had recognized the work, they could sit with me, patiently waiting sometimes as I went through the things I wanted to do; these little people did not.
They had fallen.  It was only a matter of time, all beings must descend, become human, become mere machines.
Maybe one day they would stop fighting and hear me singing from the other room. Maybe they would remember some of our early nights together when we sat in three chairs in the living room and they would come out to join me once again: singing, dancing, laughing.

Monday, July 16, 2012

Habits

I sat on the cold wooden seat of my high-backed stool, my back straining slightly to keep me sitting up after the many loads of bread I carried from the truck across the street to the table beneath the shade of a palm tree.  There were other vendors all around in the park, each hoping for sales and a few goodies to fill their belly at lunch.  On display were varieties of tofu, French savory pies, elegant chocolates filled with the best fruits and cremes. There were dozens of people walking by, some holding tighter to their purses than others. It was a park transformed into a marketplace with samples and delectables, all surrounded by the smell of fresh roasted coffee beans.
For a moment it all felt very cluttered to me- different fabrics, sounds, so much movement and thoughts- I took a long breath and focused my attention. And as that strong moment of attention filled me, I looked from person to person, giving each a few seconds of attention: the bleach-blond rockabilly laughing, the Afghan guy smiling as he took a five dollar bill, his associate smiling as well, bringing his hand to his chest while referring to himself in conversation. A potential customer looking at her cell phone, a small boy eating a pretzel. 
All sound seemed to cease.  I saw each gesture as a manifestation of a deep habit.  Every smile and laugh, every movement and step. It was all habitual and mechanical.   
Each one.
Every one.
And as I turned from one person to the other and saw each manifestation, I felt apart from them, blocked from them by a bit of gray air around me that separated us.
For a moment, I thought they could sense my difference. I didn’t feel the attention of one person, but I felt as if they knew I was different. 
Could they possibly know?  Detached perception turned slightly cold in me as I began to fear them slightly, as I worried they would perceive me as other, as strange. 

Thursday, April 26, 2012

The Battle For Words

The battle of language
For language
We are twisted
Searching
If only it could be one way, then we could rest
If only they could be one way, then I would understand.
The battle for language
It wraps me in its wheel, taking me, taking me
Not, I am not your lover
Raping me.
The wheel,
It does not ask if I can breathe
There is no consent
I am a body, plunging to earth, into the earth
The wheel
I see my eyes spinning, eyes spinning
Words
The battle for words, it comes through me and out.
If only there was one way to be, then I could know.
If only there was the word, the word, I search for the word.  What is this?
What are you?
Who are we together?
I fight for the answer
There Is no answer
The battle for the words,
Take me take me.  I am your slave.
Rape me with your contortions and I’ll search the world-grasping for the one thing- only one thing.
The battle for words, of words.
I struggle for the ways to be.  Definition, oh it would feel so fucking good.  If only I could define this, set it straight, keep it there for all eternity, there are plenty of me- those who would enjoy it.  oh predictability, you are my lover.

Take me, take me. There is no asking.  Born to struggle in this word game.
My eyes spin.
I see you in my eyes, you are me as she is me as we are all together.
Just as he said- they said - or me, we have no words for this and I am drawn into the pile of shit that would have us all be defined.  Oh, it would feel good on that corner of the white hospital shelf, but this is gritty and dark and the fight takes my heart- beating- it feels so good and hot tight in this hand.
This is the battle for words and we are drawn down in its tight embrace.  Give a kiss, won’t you love?
Give a kiss, for this is the battle.

Thursday, March 22, 2012

The Unreasonable



The heart moves like a winged bird- white fluff that dances on the water of the lake.  A smooth wind takes it, transforming it into the magic of light and moistened clouds ready to spurt their seed. 
There is a man in the clouds, tall and dark and outlined in the golden rays of the sun nearing dusk. A bright burst moves across the sky, fervent in its need to explode outward.
End and beginning are the same. It goes without thought, without any implied intent. It is movement without rationality. Words without meaning. 
Their beauty is easy to read, the light easy to spot and wish upon, but there is no reason. No man in the clouds that makes the stars twinkle. 
The sand is a bad place for a head- take it out and behold the blackness of space, the limitless that cannot be understood. 
It is not for you to comprehend, it may not be for you to know. 
Shopping carts and diapers, packed stadiums of hungry onlookers, waiting for a preacher to deliver the message of god.  We are a pack of wolves and the body wants the taste of flesh. 
Each prayer is an invitation to death, open the book and begin to sing. 
What is it that you desire? Maybe the clouds will give it to you, maybe the idol of stone will speak, maybe the invisible which cannot be proven by any measure will dance. 
Is the stain on the tortilla enough?  The bush that burns?  The fluttering heart that can only be described as a whisper? 
Sit in the temples, rise and fall at the command of the man dressed in white. Do it because you are told, do it for the children.  Do it because everyone else does. 
They will mark your house with stones, the windows will be broken, the lawn dug for your grave.  There is no choice here, not in this country of laws, not in these places of worship. 
Thought is for the heathens, questions are for the devil. 
There is only one path and it has already been decided- not by you, but the people before you.  The way is cleared, swept by slaves and those already condemned to death, they wait in cages until the flames rise with the call of the chosen. 
Your dress will be torn when we arrive, your lips will be chapped, you will be thirsty, prepare for the voyage and bring the book.

Wednesday, September 28, 2011

Instructions


When the springs were longer and the earth was not covered in salt as it is now, you once asked me how to construct a talisman. At the time I told you to gather yellow crystals along the ridge of our mountain and construct a bag of fabric and twigs. At the time, I thought you were not ready for more complicated instructions. It was not just the degree of difficulty you might have had in procuring the substances and objects, but I also thought you were not ready for the power of a more sophisticated talisman.
As I said, the springs have gotten shorter, and there are many we could count and remember in the years we have spent together, so as I survey the white streaks in your hair, as I watch what was once a more impatient, angry man and see the slow, deliberate person before me at the fire, as I observe in simple detail the careful watch of a man that has grown into what will be a fine king, I see that you are ready. 
It has taken years, harder work than I am sure you initially thought, but as I have tried to show you through example, change is possible. As I have told you many times, kings are not made by riches, but by metaphor, and you, now, have developed the awareness necessary to hold your many facets in equal balance, at least much of the time. No gold or jewels could make a finer king.
I see now that more detailed instructions will be useful to you, perhaps not now or in the upcoming cool weather, but perhaps soon. I will impart what I have. 
As I have said many times, both to you and to others, there is no truth, just versions of it.  Each one will look different depending on the man who perceives it, and although it may be redundant, I much emphasize, there are many ways to make a talisman.  This is simply my way and the way of my teacher before me, it is not the only truth.  You are free, after careful thought and consideration, to alter the instructions if need be.  This mountain will change and the instructions may need to change with them. 
As I am sure you have understood, though I will emphasize it again now, it is not only the materials which are important (for indeed they are), but it is the way they are gathered, the calmness in you body as you design and construct, the even flow of breath as you move over the mountain.  So if you must change something, do so always maintaining your awareness.
When I am gone, as one of these days my body will return to the soil and a new journey will begin, you may look though the leather journals of my office and find other instructions, not just for various talismans but other things you may find useful. I must once again state that the world of magick is vast and deep, so do not hold onto the instructions like the habits and identity you once carried like a torch before your heart. These are instructions, not rules.  Look at them creatively, like you are creating something from the other worlds and bringing it to life (and indeed you are.) Life takes many forms and at some points, you may find it necessary to alter.  Use your careful and creative judgement.

Now for the instructions:

Take a piece of virgin parchment, made from the skin of a stillborn lamb.
It will probably be cold to the touch, warm it beside a low fire of hot coals.
Use your finger to draw blood, either yours or that of your female companion.
She will give to you, as she always does. 
Take what you need, she is willing. 
After the skin of the animal is cured and soft, (this I know you are capable of doing as I have seen you do it many times) take the parchment and lay it flat against a wooden surface.  Let the moonlight cleanse it of human touch, of animal remains, of anything that ever was before. 
Now it is something new. 
Draw a star in the center.
At the center of the star, trace the image of the sun in red ink and paint its center in gold.
Let the parchment rest in the moonlight for several hours.
Roll the parchment into a scroll, as tight as you can make it. Fold it in half.
Set it into a jar of water and let it sit until completely tender and pliable.
Form it into an oval and cover with the red sand at the mountain’s base.
Dry it in the sun. 
The entire process may take half a moon cycle. 

Monday, September 5, 2011

The Dead Weight Of The Past


What is it that he said so many years ago? Those words that went into her, dug into the muscles of her being like they were made for her cavernous places. Fitted just right, sculpted to stay there for decades, to resist change in all its forms and call to her like a siren’s deadly song. When the moon was ripe and the waters within her rattled with the call of wolves, the little steel sinkers would brush up against a few spiral shells and other lines and hooks left by other people, and though they swayed slightly in the current, they remained firmly planted.
“You’re dead weight,” he said, putting her down.
Exasperated, he continued, “there’s no way I can carry you.”
She looked to the ground, saddened by how her piggy-back ride had turned sour; all the joy she had initially felt gutted by one knife-shaped sentence.
“You don’t know how to use your body,” he said, “you just hang there like dead weight.”
She kept her eyes low, ashamed, but not sure what she had done wrong or how she could change. No matter what he said, he somehow, within the unspoken space between his words and the way his tone hinted at a past she was still unclear of, he always seemed to make a comparison between her and the other girls he had been with, girls who had not been dead weight. Others he had been able to carry and hold against a wall and fuck, but not her. His words, like a stone wrapped in white cloth, sunk to the bottom and settled in. He would send others soon.

Later, when his tattooed arms were gone and the smell of his cigarettes had been washed from her hair, she knew someone, just for one night, that did hold her against the wall of the white tiled shower with his grip. But the stone was still there.
Those things that he said so many years ago. Did he throw those words to hurt her, for pleasure, to get the many things he desired? His gallons of milk required with every meal. Orange soda, the only other liquid he would drink. The unfiltered cigarettes, the potatoes and pork chops and marijuana so he could pretend to desire her. All the things he wanted, that he said he needed, they all required a sacrifice and with each demand, she left a part of herself in the supermarket aisle, left it there to be swept up by the nighttime staff. When they went back home, all she wanted was an orgasm, but he blamed her for his inability to stay hard. She was too wet. Too wide. Too desperate, too loud. He told her each reason, sending more stones to the bottom.

In all the years they were together, she never saw him completely naked. He walked out of rooms backwards, unwilling to let her see every part of him. Did he believe himself to be dead weight? Not his body or his size or the way he held his body, but the pain with which he came. The heroin he took, the cigarettes he smoked, the marijuana he inhaled, were they the worldly manifestations of the hooks that had been thrown into him so long ago?

The other night, laying in a warm lap with the black curtains drawn and candles flickering across the white, naked wall, in a room that he had not known and would never know, she said, “make sure to tell me if I’m like dead weight.” It took her many days to remember were the words had come from, for they did not originate in her. They came up, out of her mouth, unearthed in the calm, clear waters of that long night. Those words, left by someone else, now they were her own fears, her own worry, her own weighted anchors.

Tuesday, May 31, 2011

The King


What is the king like?

The chorus rumbled, loosening the answer from their stomachs, letting the deep sounds and grumbles manifest into words they knew the crowd would recognize. Things formed. Small things turned into larger shapes that had tails and wagons and little bits of paper that drifted after their tails like sparklers on a warm summer’s night. The room cleared of other thoughts, waiting expectantly, patiently. Silence rumbled from the stone floors and the mosaic tiles along the walls, waiting. And as they waited the things edged forward, the sounds moved into formation, and then the tongues sprang to life, knowing where to go, how to move.

What is the king like?

The answer came.
He’s arrogant and proud and likes the best things of everything. Deep red wines looking like fresh blood swirling in a crystal goblet. Satin sheets for him and his room of full-hipped lovers in little more than colorful scarves. He takes milk baths and freshly made goat cheese served on bejeweled platters. His world is that of comfort and opulence, pride that manifests only from his material power and earthly wealth.

The king? He cannot see that death comes to all, then beneath all spun, golden robes, beneath all skin are bones and flesh that eventually, sooner or later, turn to dust. Blinded by his gilded palace and bountiful gardens, his earthly finery and servants responding to his every desire, he has forgotten that death comes for all things.
One day he will take his last breath. He is not prepared. The core-shattering moment will come, it will come like a new dream and he will look out over the abyss and see that his life was full of things and pleasure and matter, but it was devoid of help.
Help would not come from slaves and servants and the maids of his palace. Help would be uncomfortable, it would pull at the self he had created, it would twist him in all directions, leaving him panting, looking for the window. But he has no help and he takes his luxury for immunity, but death does come.

He cannot see the moment, but the banished witch in her hut watches the events in the smoke of her fire. She can see his gasping last breath, the moment of transition when he truly realizes the time he has wasted, that he has done nothing that will take him towards the clear light of awakening. She watches the curling twists of smoke, knowing she cannot help him, for one must seek help.

What is the king like?
The chorus takes a breath of air, preparing for the next stanza. Again, inside, their answers release themselves from the inner walls of their bodies. They merge deep inside, then find their way out into the air in recognizable form.

Miles away from the thick woods and icy river and old witch, far down the path that turns to gold by the wrought iron gate of the castle, lives a king who is blind to the clear light. In the middle of spring, two days before the new moon, two lankly and well dressed men arrive at the palace gates. Seeking an audience with the king, they claim to be tailors of the highest order. Their credits include royalty throughout the old world as well as the new. Across the deep oceans of the globe, the most important men wear clothes made by their hands. Their secret is the magical cloth, they tell him. Cloth that can only be seen by the most deserving, royal, important men, all others are blind to its magic and colorful wonders. The king, knowing himself to be a man of the highest order, has the tailors make him a new set of clothes for the upcoming spring parade.

What is the king like?
He is dying, not from disease or old age, but atrophy. He breathes, but he dies. He lives, but he does not work, there is no world for him beyond matter. The skeleton behind his meaty cheeks has turned into vague promises he does not intend to keep, promises of the real, promises of a day that will be beyond his control. He cannot imagine such a time. His coffin is empty, for he does not believe in death for the glorious.

After many weeks of working in the stone room on the bottom floor of the castle, the tailors finish the king’s new clothes. In a room full of mirrors, they help him step into his beautiful new pants, his fabulous new shirt and electric robe. The tailors smile and nod, congratulating themselves on a job well done. But as the king looks into the mirror, he sees only thick bare flesh.
“Now you are dressed as all important men should be! And remember, only the truly deserving will be able to see your clothes, this magical cloth reveal true virtue.”
As he looks at himself, naked and covered in patches of thick hair, he nods, remembering his position, his stature, his glory. He begins to nod. “Yes! What fine work you have done! Amazing! Truly a work of art.”

What is the king like?
He is covered in the veil of his habits. A thin, silky veil that blocks out light. It covers him in worn patterns, making his sticky flesh turn to stone with each repeated thought and gesture.

With his new clothes he walks proudly into the square just beyond the iron gates to the castle. Nearly all loyal subjects of the kingdom are gathered on each side of the golden road that leads eventually to the river. Man, woman and child crowd to take a look at the king.
They all hide their surprise as they see him stride confidently down the road without any clothes. By the tallest black walnut tree one small child, no more than five years old, cannot hide his surprise as his parents do:
“The king is naked!”
The witch can see the child is not dead. The child is not stuck in patterns made of stone.

Sunday, February 20, 2011

The Order Of The Factors


I woke up this morning with a sense that it was too early to be up. It was a work day, but it wasn't time to work yet. I still had a couple of hours. I didn't want the night to end.
I had woken up at the wrong time but I was fully awake, all drowsiness had left me like water falling from a bucket, leaving it empty and ready for something new to come to fill it.
I looked at the clock and saw that it was an hour and half earlier than the time I usually woke up. A pain on the side of my hip had been bothering me for several weeks. It wouldn’t let me sleep for long no matter how hard I tried. I tossed and turned during the night, repeatedly pulled out of restless dreams by the recurring shocks of deep pain coursing through my body like tiny messengers wrapped in red flame.
I was wide awake but I didn't get up from the bed. Instead I lay there, vainly trying to understand what had just happened. My eyes were open but I just stared at the gray ceiling in a kind of dazed stupor. The questions that invaded my mind didn't have enough of a clear shape to require answers. Instead they just floated through my consciousness, mute witnesses to aftershocks of searing pain.
Without saying it to myself, I was making a last ditch effort to sleep some more, to find some remaining crumbs of restful peace before the day actually started. Maybe if I stared long enough, sleep would overtake me and I would recede into dreams for just a little longer, enough to let me flee the looming and unavoidable reality.
But my efforts were in vain. I was wrestled out of any remaining sleepiness by my insistent thoughts, by my shapeless questions, by my undefined images.
I looked out the window and saw that the sky was still dark, a dark blue fading into a lighter grayish color, a heavy night that was slowly but stubbornly changing into another ephemeral day. A touch of red was timidly showing up in the distance, over the roofs of the Victorian houses, all the way to where the very top of the Golden Gate Bridge could be glimpsed surrounded by white shining fog. A clear promise that the sun would be coming soon. Unusual for a city as foggy as this one.
I decided to get up and do something I hadn’t done in a very long time: I would watch the sun come out, I would watch it unfold its warm morning light over the city, a spectacle I once enjoyed in my youth but which had been nearly forgotten with the passing of time.
I stood up, went to the closet and picked some sweaters and shoes in case it was very cold. It's usually cold in this city where I live, very different from where I grew up. I'm still not quite used to it. Something inside of me still wishes it was different. As if the weather would follow my wishes, as if my wishes had a grain of objective truth hidden within their multiple subjective folds.
As I went through the choices in my closet, my memory went back to a particular day in the past. I couldn't remember the details of the day. I couldn't say what had happened or what I had been doing. I could only remember that I had been looking for something. It had been a day when, no matter how much effort I put into my search, I couldn’t bring myself to find that thing which I was looking for. I remembered that I eventually found a solution. The way I finally did find what I had been looking for was by sitting and contemplating the world around me for a long period of time. Quietly. Softly. Subtly. Without rush.
To contemplate in length seemed so easy, so simple. And yet I had not done anything like it in such a long time. Like waking up early, like looking at the rising sun. Things I had forgotten.
When I first moved into this apartment, I made sure I went out to the balcony early to sit and contemplate. I would do this for at least thirty minutes every day before engaging in my daily routine.

I kept this up for a while, until one day I suddenly dropped it. I couldn't really say why. I can't even say for sure that I noticed when it happened. Suddenly it was gone. Like so many things, it just fell out of rhythm, out of step. Maybe I didn’t get that much sleep the night anymore, so it was harder to get up early. Maybe I was just too lazy one day and I preferred the warmth of the bed sheets. For whatever reason, one day I didn't do it. And then one day turned into two, and two into three, and soon my thirty minutes of contemplation were gone and forgotten. Like old shoes or lost memories.
Today I once again remembered. Why did I remember today? I was struggling with pain all night, pain that wouldn't let me sleep. I couldn’t go back to sleep even when I tried with every trick I was aware of, every trick I had been taught.
It then occurred to me that it would a good idea to do that thing I used to do. The pain didn't allow me the easiest route so I had to pick the next option in its place, a route not so easy but full of its own rewards. As simple as that. So unpredictable. So completely beyond my conscious control.
I geared up and went to the balcony like I used to do.
Now the sky had more pinks and oranges than earlier, the darkness had disappeared rather quickly and had left behind a glowing whitish blue that suffused everything with its freshness and light. I heard a bird singing in the distance, I heard the honking of a bus coming from a few blocks away, I heard the tinkling of a little boy's laughter, I heard the murmur of a large sprawling city that was slowly waking up, maybe lost in its own city thoughts, maybe struggling with its own kind of urban pain that forced it to awaken from its concrete slumber even if it would have rather stayed asleep a bit longer, even if it wasn't quite finished with its strange city dreams.
I stood there looking and listening. I noticed my mind getting distracted, a stream of thoughts trying to explain what was happening, what I was trying to do, why I was doing it, how it would happen.
"Focus your mind on what you are seeing, don't worry about your tasks for the day, don't worry about what happened yesterday, don't worry about what will happen tomorrow, just place your mind on this that is in front of you, I just have to remember that one project that is due, I have to remember, I can't allow myself to forget. I just don't have to remember right now, right now I just need to look, look at all of it, but I should make a note, a mental note, but I have to set aside the mental note in order to look, look openly, look without thinking, just remember to get the laundry later, remember later but forget it right now..."
I slowly slid into disappointment. I was disappointed with myself, very disappointed, disappointed because I still remembered, I could still remember what it had been like once. I remembered that I didn’t use to do this before, I remembered that my mind had once been quiet, I remembered that I didn't have this long train of thoughts invading my sacred moments of open perception.
This didn't happen before. I used to contemplate and feel…feel and absorb all the beauty I could take into me, without getting distracted by explanations, without being pulled by responsibilities, without being shaken by running thoughts about obligations and random tasks. I could just sit and look and absorb. I got very disappointed and the dark disappointment just added to my struggles, a speeding downward spiral, a sliding avalanche of negative emotion I couldn't stop or set aside.
I opened my mouth to take a long, deep breath. I went back to a particular memory from my childhood, something I always wished for, something that always made me long to go back, even if it was only to live that one little moment, a tiny scene from a not so pleasant past.
I was probably 10 or 11. My father had promised to take us to the beach the next day, but only if we finished our homework in time. I loved the beach, I was really excited to go, but I had a lot of homework to do and I wasn't sure that I could finish it in time.
I made sure that I got up very early to do my homework before the trip. I jumped out of bed as soon as my eyes opened and I picked up my school notes, ready to start working. The homework was to fill a sheet of paper with the following phrase:
‘The order of the factors doesn’t alter the result’
The teacher wanted us to memorize this by writing it many times on a piece of paper. This was the way we were taught back where I came from. Repetition and repetition and more repetition. Rhythmic cycles of linguistic instruction, calculated to drill thoughts into a young mind overpowered by constant change.
I was getting ready to sit at my desk to do the homework, when I noticed that outside the window there were some extremely beautiful colors, shifting and shining and sliding and twisting just outside the glass.
I got on top of the desk so I could look at them. I stood up on the desk right in front of the window, my eyes wide open, my mind wide open, my attention wide open.
I saw the sky turning from deep black to shining orange and then to bright blue and white… I saw flocks of birds flying by, I heard the noise of some of the people in my house waking up, my father walking to the bathroom and yawning, my mother turning on the stove while whispering to herself. I heard a car passing by with the radio on, I heard distant footsteps coming from a block away, the sound of high heels tapping on cement.
All of it fit in perfectly. Like an enormous jigsaw puzzle made of sound and light, a puzzle I had never before been able to decipher. Everything fit with everything else. Nothing was out of place. Nothing was to be discarded, nothing was to be occluded, nothing was to be set aside.
I saw some black birds flying in perfect formation over the roof of the house across the street, I heard roosters announcing the coming of the brand new day, a new day which I was a part of, a day which I was meant to live.
I was taken away by all this perfectly coordinated beauty for what seemed like forever. I must have stood there on the desk, looking out the window, for at least a couple of hours. And yet it felt like nothing. No struggle, no effort, no pain, no purpose. I had completely lost track of time while I looked out the window, time had ceased to run in the way that I was used to. I forgot where I was or why I was there. I forgot everything except for the beauty that was all around me, the extreme and perfect beauty that surrounded me from all directions, the vibrant breathing beauty that called to me, that made me feel welcome, that made me feel alive.
I found myself standing on the balcony now, trying to do the same thing I had once done so easily, that thing I had done which I never meant to do, that thing which just happened on a morning so long ago.
But I was running into serious difficulty now, I was stumbling and crashing into intangible obstacles. I was having problems with this thing which once had been so simple, problems with something that had once seemed to flow unimpeded, soft and smooth and natural. It was not so easy anymore, not as easy as it once was, not easy at all.
Maybe I thought about it a bit too much, maybe the thoughts of loss were like dark clouds that prevented me from seeing openly. Maybe I had lost the gift of simple observation somewhere along the way and now I couldn't say where or how it had happened.
‘I used to have the experience and not the explanation. Now that I have the explanation I am looking for the experience. I can only find it if I get rid of the explanation that I once worked so hard to find. The experience, the direct experience, just like a child, just like the child I once was…just like the day I was working on my homework and the morning went away in a maze of colors and sound and light… the order of the factors does not alter the results… the order of the factors does not alter the results… it doesn’t matter what comes first, the experience, the explanation…the order of the factors doesn’t alter the results…'
And the morning opened up before me, slowly but surely, while I quietly did my homework, the homework I was finally understanding for the first time, the homework that spoke in a rhythm of simplicity and recurring sonic beats, the homework I still had time to finish.

Wednesday, February 9, 2011

The Arms Of Sleep


It is what she longs for, that big white cat. She just wants to curl up, let the sunlight warm her up, and then drift. Let’s just drift. Forget it all.
I want to forget. Forget the project, the articles, the words to write, the things to create, the music to make, the work to do that seems to rip at every part of me, making me visualize ropes and running and knives and parking lots in far away places where the night is cool and calm and no one talks.
I want to do all that.
She wants to do all that too, that big lazy cat. So let's take the road of sleep, that big fat white bed with its comfy flatness and thick blanket arms. Let’s just go together because it would be so nice.
Only, they won’t let me. They know what will happen to the big fat cat. The masses await. Their perfectly creased uniforms, their lines, drills, repetitive movement and cat calls. The deadening regimen. They know just how to invade, one dream at a time.
One little nap and then all thoughts become one. Soon there will be no dreams, no drawings or songs. One thought, it is just a train away, as my mom would say.
I shower and pack and sit waiting in my silk jammies, just ready to go. I am tired and the night is dark and cold and there are too many collages to make, so many videos that await my hands and attention. The list is so long, stretching not just through and over this lifetime, but into the next and then the one after that.
On a cold night like this, it seems like too much. The bed looks good and the cat, that big cat is purring, waiting for me to join her.
The train is going, straight to dreamland as my mother would say. They are all calling my name, don’t I want to join them? Their hands urge me forward, the memory of the endless drift beneath a world of warm arms, soon I won’t have to think and struggle.
Just get into bed and let the engines start. Soon, we will be among the masses. The starch, the formation, the highly scripted existence laid out like a simple map. It is all there, just outside the window.
Bodies without life. Smiles without purpose. Breath without creation. It is all right outside.
My cat is there, waiting for me to slip into bed. Just for a moment, just one little nap.

Sunday, December 26, 2010

Certainty


The house was shining with the bright light of a brand new day. The cream colored curtains floated like sails beneath the golden light of the incoming sun and yet the room was ringing with crisp cold air. The thick Persian rugs did little to deflect the chill of polished wooden floors and pale-green walls. A TV was on. A young girl sat on an overstuffed couch, absorbing the sounds of barnyard cartoon characters while she slowly ate her breakfast of fried rice and a single peeled banana.

“What!!??”

I looked at the girl on the couch. I saw her little white hands with palms facing upwards, the same way my grandmother held her hands when she just couldn’t believe what she was hearing. Her young body was already formed and aged, all in secret. It had acquired the same basic shape it would have years from now, when this would all be a memory to be replicated and reorganized.
The world of her parents, the clear delineation between right and wrong, black and white, it all lived in her young face. She already thought she knew it all. The world had already been clearly defined and she already knew her place within it.

“How can they say that??!!”
She suddenly looked at me with a smile of disbelief on her face, with a shade of mockery. She shouldn't have looked at me. She wasn't supposed to. I was the one doing the looking.

I used to know it all. I used to know it all before I lost my certainty.

I want to use the word hollow.

I see a female standing at the edge of cliff while fluttering bats shake the night through her hair. I feel the coldness of the house, the artificial sounds of the TV…something is strange.
It is my perception. It is me standing at the side of the slate rock cliff. It is me looking down at the collection of me that is the bottom.
I am the little girl. I am the woman at the edge of the cliff.
The thing that I fear, the thing that keeps me staring in wide-mouthed awe is the subconscious motivations I have just glimpsed. It is that, pulling back the blankets, opening the eyelids and discovering a naked creature that moves without thought, that moves as though pulled by levers and strings.

This moment of discovery is truly shocking, like a zap to the core that laughs in my face as I discover the true intentions behind my own behavior. The behavior I have spent a lifetime justifying, spinning webs and circles around it with my mouth.

It’s not that I lied. A lie requires some sort of consciousness. This is beyond a lie. These are the lies that I believe as truth. The things I call ideas, philosophies, thoughts, life choices. These are the things I call “me.” And I both want to laugh and cry as I look into the abyss of my machine and glimpse the habit behind the impulse.

A girl so young and already she knows everything. She lies that she knows. I know now that she lies.

We all sat in an artificially warmed room. From the shifting light of a glowing electronic box, we watched others like us self-destruct. Through this new form of entertainment, through the captured pain of another girl who walked and talked like Jennifer Lopez in a movie wrought with conflicting personalities and alcohol… through this, I saw myself.

“I started cutting myself when I was thirteen,” the girl admitted to the video camera. “That’s why I like tattoos, it’s a way of doing it without anyone knowing.”

A couple seconds of silence. The sort of time that stops and quiets down even a large TV and two speakers. There was something, something moving, shifting on the currents of artificial warm air, moving through the layers of my body and the soft fabric of the chamber. I felt my body, laying curled up between two pillows. I felt myself still, hardly breathing. A couple minutes before, I had just admitted that I had thought about cutting myself.

I remembered laying in bed, in a heap of hysteria. I had imagined myself walking to the bathroom. Parallel to that vision, I had the thought that perhaps cutting myself would feel good.
That night I didn’t get up, I didn’t walk into the bathroom, I drifted to sleep under a cloud of sadness and awoke nine hours later with anxiety ridden dreams grasping at my heels.

As we watched this girl on TV, I remembered that I had thought about it too. I had never done it, but I had thought about it. Now, as she admitted that her tattoos were part of the same habit, another manifestation of the same impulse, I realized that I too had a body covered in blue and green ink.
The show was paused.

“Did she just say something about you?” I heard my friend ask.

Another second held still in the well of time.
I could think of at least three tattoos that were spawned from a feeling of anxiety that rattled inside me like a soot covered wind I could not shake.
The time my old boyfriend was in jail and I was lonely and scared and felt like the entire world was just too strong and corrupt. That brought the lute-playing mermaid tattooed to my belly.
There was the unfinished doodle on my inner left ankle. It was me, that night alone in my apartment, while my boyfriend went out to score some heroin, me that had picked up the tattoo gun on the coffee table and plunged the needle into my own white flesh. I picked it up out of terror, terror he would not come back, terror that he would. That dark night, I was overwhelmed with his burden and disease, his recurrent need for money that weighed on my young shoulders.
The word “warrior” on my left thigh, the permanent black letters that appeared only a few hours after discovering that another girl was visiting my boyfriend in jail, another layer of his lies revealed. I drove straight to a tattoo shop singing and crying.
The tattoo artist looked up from his hunched position over my leg and asked me “what’s up with this word?” The explanation was crooked and an attempt at ego preservation, a self conscious attempt to hide my own addictive fixation on one diseased person. The man nodded while looking straight through my eyes, sensing the pain that my facial lines and puffy eyes had already outed. Maybe he was already used to this, maybe he had seen it a thousand times, maybe he could have told me so much, maybe I could have heard him. But he didn't say anything. Instead, he nodded and kept working.
That night, as I walked through Bookshop Santa Cruz with a bandaged leg that stung with every step, I held my head higher and noticed that people seemed to be looking at me differently, as though they could see that the orgasmic pain had lifted a dark cloud.

I had painted large artistic circles around the reasons for a body covered in mermaids and foliage, explanations to justify the act, lies to hide the utter lack of certainty.

Now I had glimpsed the energetic contortion, the habit and reaction I could no longer hide. And now here it was, explained in raw simplicity by a brown-skinned girl that still had a mark on her arm and streaks of tears across her cheeks.

The house seemed strange around me, but it was me, not the dwelling that reeked of strangeness. This raw truth, this evidence had opened before me like a gutted pig. How strange to be fooled by myself. How strange to talk and ruminate and make complicated explanations for a behavior that went deeper than skin, deeper than bone, deeper than the existence of this machine.

I am ruled by these habits, these things that I cannot even see. The nature of lies goes so deep that I can't touch it, I can't wrap my fingers around its shape. The nature of self delusion goes even deeper. We have pulled a small layer back and looked inside, a small bit of the subconscious is revealed, naked in the light of day. It is shocking to get a glimpse. So shocking to realize the extent of circular lies and grand explanations.

I see a girl dancing. There are two walls made of bricks. They are miles apart, but they are so tall that their sheer height makes them always known. The pretty girl is in the field, among the gently sloping grass of yellow and green. Her skirt of layered gray chiffon moves like clouds tethered to her waist. She moves around trees and skips over sleeping foxes. She can't know anything. There is nothing to be known.

“How can they say that??!!”

I just shrugged my shoulders and she looked away. She knew too much for me to say anything. She knew too much to wonder who I was or why I was there.

Saturday, November 27, 2010

Walking Backwards


She was sitting in her room. The overhead light was off and just a tall floor lamp provided a slight glow to the quiet chamber. Soft light illuminated her white naked legs, her black and green tattoos that coiled around her thigh and calve. Her thin fingers held the pages of a red-covered book open, its pages a pale yellow, its words in deep black.

“I will stop making efforts to remain asleep.”

The words went through her like waves of truth. They wrapped themselves around her, plunging deep into areas she left dry and untouched.

She sat still on the soft bed, letting the sentence roll through her, letting it resonate wherever there was space. She held on, letting the next sentence wait.

She actually made efforts to remain sleep. She took steps in the opposite direction. She turned her back on the path every day, walking backwards, throwing stones, doing all she could to remain asleep, to remain where she was.

Every argument.

Every eye roll.

Every long tangent of jealousy that held her down like a drowning girl in a shallow pool.

Every reaction of jolting anger.

She sat with the book open, her hands still, her eyes soft and unfocused while the words traveled deep, coiling around the sinews of habits and pride.

“I will stop making efforts to remain asleep.”

This is what she did, everyday, perhaps every hour, as rage poured through her heart, dropping her far from the mountain she was climbing. She remembered sitting on the same bed earlier in the morning, staring up into the aluminum covered piping that ran through a part of her room. She sat there for nearly five minutes, staring into the foil, finding shapes and faces and reliving the comment she heard the day before. The four words that pierced her, the four words that she holds onto for hours, holding on o them, letting them form more bubbles of anger and reaction.

It was what she did, she found ways to remain asleep. It didn’t just come naturally. She made an effort. She actively put her attention on things she could not control. She didn’t focus on herself, which would have been the one place it would have made a difference and instead focused on every misstep of those around her.

“I will stop making efforts to remain asleep.”

Could she actively relax and let go of those efforts? Could the anger just fall away like old skin? She imagined herself on the same bed, still and calm, a slight smile on her face while rage just dripped off, falling to the earth and turning into green sprouts and vapor.

Her machine was trying, actually making an effort to remain in the dirt, to keep as far away from the mountaintop as it could. It tried everyday, reminding her of pain, of pride, of the way it all should be, but was not.

As she held the book open, her eyes softened and she took a deep breath, allowing the exhalation to cleanse her. Moving her eyes slowly onto the next sentence.

Friday, September 3, 2010

Lineage of Desire

The family continues. Or it, as an organism, desires to continue. Despite murder, after betrayal and retribution, after an affair stained with indecent thoughts, the family continues. It is a lineage that travels though blood, mingling and marrying, sharing saliva and mucus, eventually forming other, smaller life forms, who in turn, reach out with tentacle-like arms to find those with a slight taste for blood and reflexes that can easily pull a trigger.
The family continues. It is the desire and impulse, not only of two-legged mammals that claim dominion over the earth, but in every creature that fucks and dies. To continue on, to multiply, to produce more. It is programmed so deep we don’t need brains, even single cells divide and divide and divide, creating more of themselves, not all too different from the warm blooded beings we call offspring. And though our babies cry and smile, it is nearly the same movement through generations, each new life engendered by the one preceding it.
In an old story told to me at a young, open age, it was Abraham who was asked by God to take the life of his son. It was a child hard to come by and with a quick slice of the knife the boy would die and the lineage might end, which would be the greatest of tragedies, but Abraham was willing to make the sacrifice.
My parents told me that story, and now they sit it their marble house, waiting as the clock ticks and no grandchildren are born, it is the greatest of tragedies. For when I die, they will die. The little branch will end, snubbed out, finally, after dozens of incarnations.
In my immediate family, the entire younger generation is female. There are six cousins, all female. Two of my cousins have children, all three of them are girls. Growing up, it was assumed I would have children. But as a minuscule deviate, I always imagined they would carry my last name. In my name I felt all the generations before mine and as a tribute, as a way to preserve them, I thought the most important thing to do was continue the family name, to insist that the next generation not assume the names of their fathers.
It seemed so important. I wanted the family to continue, not just in bodies, but in name. In name as a symbol.
It is different now. Entire species of animals go extinct under the hand of an indifferent man that uses the earth’s plants and soil for profit. Races of humans are taken out, babies are killed for preemptive retribution, one name seems to make little difference.
Is it the wish of every being to keep living? A life eternal, maybe not in their first body, but in the smaller bodies that come after them. Can my child take what I have not finished and redeem me? Can they carry on and change what I have failed? Is this the hope of any parent, that their failings will be altered, the dark memories of their lives changed for the better?
I sit on the edge of this bed and look at the white wall, there is no one who will redeem me, my failings will be my own. Each jealous outburst, each painting left undone, they will be mine. Those are the curses of the invisible generations and their echoes will reverberate through time, just as I carry the unfinished goals and dreams of the generations who never saw me, the ones that exist in faded photographs and memories that I can no longer retrieve.