Saturday, November 15, 2008

A Model Of Talent

She looked directly into the camera, with a smirk on her face and the faintest hint of a singularly raised eyebrow, and she said "I’m the strongest model here, it’s Add Imagemy face on the wall this week. I had the best picture last week and right now, I know I’m the best, so yeah, I think it’ll go great at the photo shoot tomorrow."
She had done well last week. In a photo shoot which involved disguising every part of the body but the eyes, her eyes and expression came though with the utmost clarity and force. Out of all the other models in the competition, it was she who went into the camera lens, bringing herself into the small tube, communicating to the photographer and future observer with all her fierceness and beauty. She projected herself out like a laser and brought herself to into the material world of magazine ads and lipstick commercials. And at elimination, the judges praised her work and photo and told her she had a real talent…a natural talent. Those comments solidified her own ideas and hopes, that she was indeed already a great model. And all the other girls who had been in the same photo shoot looked at her with wonder and wanted to know how she had done it. They wanted to do it too.
When the next photo shoot was scheduled, she walked into the well lit studio with her head up high and a confident swagger in her hips. She knew she was the best, as had been proven last week, and this week, she was sure she would deliver as well, she had talent after all. Looking into the future, she knew she would win the entire competition and would soon begin modeling all over the world. She was the next star. When her turn came for the photo shoot, she did her thing. She looked into the camera and tilted her head and projected strength. She switched positions and used her legs and arms and played with some angles. But the model coach on set was not giving her any position feedback. After the first couple of frames, he said she didn’t look intense or strong and with these first biting comments, she began to sink. With each new pose, instead of hearing "beautiful…these look great," she heard silence and felt the exasperation coming from the coach and the photographer. Each click of the camera deflated her more until she couldn’t wait until it was all over. They tried to give her a couple of tips. "Turn the left arm more, lift your chin…" but nothing seemed to bring the magic. What was she missing? She had no idea. She was doing the same thing she did last week. Why wasn’t it having the same effect? "last frame!" called the coach, practically rolling his eyes as he said it. She knew he was mad. She hadn’t delivered and hadn’t impressed and she didn’t know why.
She wass young and had only really modeled in the mirror of her room when she found herself alone. But she came to the competition with the hopes of doing more than that. She wanted catwalks and Gucci and to work with the best photographers. She wanted gorgeous pictures and a new career. But she was young and inexperienced. She had never really practiced her moves and her "walk." Modeling was all new. They told her last week she had talent. Shouldn’t talent always be there? she wondered. If I had it last week, where had it gone this week? In effect, she had stumbled into one amazing photo. She had no idea what she had done right. How exactly had she held her head? What had she been thinking about when the camera clicked?
She could not retrace her steps, and thus, what they called talent was merely a chance encounter with the perfect light, expression, and timing.
Time and practice lead to true knowledge. Knowledge does not need the label of talent. It is beyond talent. Knowledge is knowing how to hold your head for the camera at just the right angle. Knowledge is knowing the shapes your body can contort into and still appear beautiful and interesting. This is not talent, it is not inherent. It is practiced and perfected. Day after day, it is examining what works and improving what doesn’t until you don’t need a mirror or another set of eyes or a coach. It is feeling it from within, knowing its every shape and subtlety. With deep knowledge, you can perform despite the weather or illness or stress. You know it. It is not a mysterious god given talent. It is direct and practical experience, crafted and made flawless over years of solid work.
If you show your work and someone says you have no talent, set the statement aside, shift your attention back to creation and keep on working. If you show your work and someone says you have talent, do exactly the same.

Tuesday, November 11, 2008

An Image with No Fault

The small round table was set with a red table cloth and mismatched pink and tan place mats. There were two white plates of food upon them, cooling hotdogs oozing with mustard and crumpled napkins on the side. Sitting across from each other and bathed in the stinging white light of afternoon, they began their meal in an intimate silence. As he took a sip of his chocolate drink, he asked her,
"Did you bring the lesson notes for today?"
"Ah, no," she replied, looking out the window and vaguely noticing the cars passing by on the wide street outside.
"Why not?" he asked in confused surprise, his usually smooth face wrinkling.
Avoiding his eyes, she said, "ah, I only had a couple minutes to get dressed, and I wasn’t even sure if I would need them…and I didn’t want to carry them around with me all day and…I don’t even know which lessons you’re talking about…"
Stopping her words with a raised hand and a sharper tone, he said, "yes, you do…and you knew we would need them today."
"no, I don’t know which lessons you really mean and some of them are in the computer and I have that with me but I have only been practicing the other lessons for a little while and I wasn’t sure if we would need them because you didn’t tell me to practice them until a couple weeks ago and…."
Tears began streaming down her pale white cheeks. She looked out the window, afraid to speak, afraid to look at him and make the moment worse with her confused and defensive words. Maybe they wouldn’t even have a lesson now, she worried.
"Why didn’t you bring them?" he asked again, in a tone slightly louder than normal but that was still calm. A hint of a smile teased at the corners of his lips and a glimmer of mischievous glitter played in his eyes.
There were tears reddening her eyes and she had a crumpled wet tissue buried in her hand, she said, "I forgot them." Loudly, clearly and looking right at him.
"okay… why didn’t you just say that?" He looked relieved.
Stumped, she said quietly, "I thought I did."
"No," he said laughing, "you said everything but that."
And she saw that she had. She had walked out the door of her small studio in the early afternoon slightly angry and impatient, wondering how she could possibly complete her task within an hour. She had not thought ahead and remembered she needed her lesson notes for later in the evening. She had forgot them. It was simple and true. She had been occupied on half a dozen competing thoughts and shallow emotions and had forgotten the notes.
But admitting this, admitting clearly that it was she who had messed up, she who had forgotten, was admitting that she had been wrong. And to acknowledge this, this simple fact, was to go against a strong current that ran the length of her. To her machine, she is a flawless self, a golden ego which is free from fault and guilt.
When something goes wrong, it happens because of an external situation; it had nothing to do with her carelessness or inattention or unexposed anger. No, it comes from beyond her flesh. It comes towards her, from people, circumstance, words, society…it all comes towards her and it is them that cause her struggle. Problems come from the outside to her, not the other way around. In her carefully crafted image, her forgotten lessons notes arose from hastily given instructions and limited time and unclear plans and difficult requests. Her bouts of depression and anger arise because of unfair circumstances and harsh tones and the harsh ways of the world. Her life would be smooth and lovely, if it were not for those others who work against her and hate her and keep her sad. This idea of a flawless vessel keeps her protected. It is insulation against the strong currents beyond her control, it is the barrier between the reality of her actions and the truth of their consequences.
The faults of others are so easy to see. Watching any reality TV show, the habits of each character are easily identifiable: the man who always wants to win strength challenges and brags with aggressive confidence to the camera, yet each week, time and again, he is the first to lose momentum and give up. And as easy as it is to see the flaws of those around us, from the person across the dinner table and the grocery clerk who never says hello, it is just as hard to see the weaknesses and flaws hiding within oneself. The images are thin as glass, lacking any substance or true emotion, but it is strong as any metal and more than that, it is even harder to shatter because we protect ourselves from its destruction. To destroy it, to expose it as a flawed image is destroy ourselves, what we fervently believe to be ourselves. Our ego, our sense of self, our identity, our IMAGE is really all we know, and we cling to it, like a drowning man to a floating piece of wood, we cling to it because it is all we know. Without it, without our mask, without our image, without our face, what are we?

Saturday, November 8, 2008

Fueling The Habits

Sitting at her desk, she practiced her writing exercises as she did every morning. Long before the sun ever poked above house covered hills, she arranged long descriptive sentences into tight paragraphs, molded flowery stanzas and simple quotes into colorful stories. As the darkness began to give way to a brilliant, full blue, she paused to think of the next line. She looked out her window into the brightening backyard. The large space was nearly bare except for a lone wooden chair and a gray shed in the corner of the rectangular yard. There were overgrown shrubs that creeped in from the neighbor’s yard, but in her own, there was nothing but hard, smooth concrete land. At the point furthest from her window was a red hued wood fence, behind which was a tall wall of eucalyptus trees that blocked the view of the twinkling city lights below. She looked out, and as her mind freed itself from the thoughts of her writing, new thoughts began to crowd in. They were familiar thoughts, more aptly described as recurring worries that she rehashed day after day, year after year. Their forms did not change, their content, nor their frequency. Hour after hour, she wondered and worried about the same things. She felt the same jealous thoughts. She felt the same anger, the same desire for revenge, the same need to cry.
She sat at her desk, looking out the window, and now, tears were reddening her eyes. A salty droplet left a wet streak across her cheek. Alone in her room, she was filled with anger and sadness. Her body was hot and sweaty and a headache lingered at the horizon of her consciousness. Nothing had really happened to her within the last couple of minutes, nothing external. She did not get a phone call with bad news. Her neighbor had not hit her car. Her landlord had not evicted her. She had not had a fight with a friend. To any outside observer, nothing had happened. There was no external event that warranted the desperate need to cry and her elevated pulse. She had not really even moved, and yet, her energy had completely changed.
In a brief instant, she had paused and drifted into an unstructured realm of floating thoughts that quickly turned into other ideas and then, just as swiftly, morphed into recurring uncontrolled thoughts. They moved in and out of her mind like wisps of passing clouds. Their entry had been in the moments of her inattention. While her mind was off her work, it began to fill with less intentional thoughts. Gone were her poetic lines and colorful descriptions. Her attention had drifted from her creative task and, as it did so, she had begun to devote more and more of her attention to her endless series of worries. The more she thought about them, the stronger the thoughts were and thus, the bodily sensations grew stronger within her. She was overcome with sadness. And with each tear that escaped her eyes, with each suffering thought, her negative emotions grew stronger.
Like a blazing fire that begins with a small handful of thin twigs, each small worry fed the cauldron of negative emotions. Each small jealous thought added a little more strength and fury and soon, she was overcome with sadness and grief and bitter hatred. She fed it to herself, small bit by small bit, letting it grow in strength until it was impossible let it go. If she had noticed the first distracted negative thought, she could have redirected her attention to her work. Caught quickly and early it would have been easier for her to regain her focus, but a raging fire takes tons of water and ample time to extinguish. She had fed her negative emotions with her thoughts, bathed them in her attention and allowed then to consume her from within. Although she sat in the same place, with the same trees and light and view, she now had a large dark hole to climb out of.

Sunday, October 12, 2008

Spiritual Warfare

It is called warfare. And in this battle, there are only two sides. Simple categories delineated by minds that refuse to go beyond the shallow pools of right and wrong… they choose to ignore the multicolored rainbow that colors our landscape and instead, focus on black and white. The complex world in which we live is broken down to its most base, and in this realm of right and wrong and good and evil, without room for the complex variance that speckles the human existence, they dwell and feast and grow angry. I can see the thick invisible circle they have drawn around themselves. Their confidence vibrates with tiny red beads and their temples pulse with fear and blood. With their tinted eyes and the solid rock in their chest they call "truth," they wish for but a simple moment. Just a couple of minutes to reveal our errors and their Truth.
But no one can really KNOW. Truth is subjective, the very nature of it is porous. As slick as water through fingers, it slips and morphs within time. I once asked my mother about god. When I was a little girl, I asked how children decide their religions. It was a one line answer and she looked at their daughter, who barely reached her hip and said children usually become the same religion as their parents. And so it is assumed, what my mother believes, I will believe. Whatever faith my parents have clung to, I will cling to. I am from the chosen people. We value education, we were slaves in Egypt, we did not kill Jesus. We marry people like us, we raise out children to go to temple and eat challah bread and go to college and marry other jews. We did not kill jesus, even though they will throw stones at us and say we did.
Perhaps this passes as truth for some, but among the billions of people who also cling to their beliefs, who hold on just as strong to their Truth, no one can really be certain. They can kill people or convert them, they can subject a population to religious laws, but only a blind faith in their rightness is certain
I can surround myself with others who share my views, people who think like me and believe in god the same way, we can compound our ideas and inflate our egos. We can sing songs together and talk of the coming Armageddon, but objectively, we are a group of humans that have chosen to believe in the same set of assumptions and interpretations from a very old book. For thousands of years, there have been other groups of people that have done the same thing, most have felt they had truth on their side. People believed in the formation of the earth from the mouth of a slithering Anaconda. There are people who believe in a blue-skinned god with many arms. The minds of humans are warped and beautiful, and there is no shortage of religious variance. So how can one person claim the Truth? Out of all the myths and stories that dot our history, how can one group claim dominance? Most people claim the truth and all of them are wrong. It is an egotistical assumption. It is faith. While the outlets of this human trait are very obvious when talking of religion, we all have this tendency. I lived with a man who thought he had formulated the best way to wash dishes. In his opinion, it was the fastest, most efficient way which produced the cleanest results. Any attempt to change the washing technique by other housemates was met with a brutal argument. He believed his method was right, therefore, everyone else was stupid and wrong. Why didn’t we just do what he said? But there are many ways to reach clean dishes, if that is the ultimate goal. What bothered him was that people would choose a different way, despite the knowledge of his perfected technique. Religious fundamentalists cling to the unchangeable idea that they have found the perfected truth…theirs is the only way to understand god and the universe. In their teachings, it is their way, or the one road down to hell, where a cruel demon waits to deliver their deserved punishment.
This is what I must understand. I do not know what is real. I do not know truth. There are many ways towards an open eye.

Wednesday, October 8, 2008

Struggle in a Hole

I write with a vague sense of dread. I listen for a ringing bell, but there is a silence thicker than sludge which coats my ears. The telephone is silent, I wait for a presence on the other end. A familiar voice that often calls me back to the land of softness and kisses. But with each second that passes, I slip a little father into the deep hole. I recognize this dark pit like the smell of tortured death and sticky blood; my chamber of cobwebs and singular hatred, it’s windowless and cold. It is a space of hollowed dank earth and composting life, but I cherish this hole, despite the offending smell of urine and rot, I find my way back here in seconds, even when I’m miles away. After hours of soft lovemaking, despite drops of crystal bliss, one word can light the way to this hole. The fall is fast and the landing is even harder. From the bottom I look up, barely aware of life outside. Haven’t I always been here? Feasting on fat worms and drinking the piss of ghostly demons. As I wait for the phone, each typed word is an attempt to crawl out. When my fingers pause, I slip…so I try to move fast. Can I transform this lurid form? or will it take me over, transforming the pretty girl on top into the monster that hides in her caves. With a word she is blackened with pain. One misinterpreted silence sends her down, her home awaits. Puddles of mud are her mirrors, and she chokes on the mangled images. There is no room for love here, just a tender bed of pain, made of nails and her own lost flesh. In this place she makes yellowed curtains from joy, and cakes out of hope.
But I cannot make the phone ring, the man does not answer, he does not call. I worry about the labored breathing I heard twelve hours ago. The small black phone jiggles and lights up, but perhaps his eyes are closed, lost in the soft blue shades of his dreams. Answer my call. I put myself in your vision, a small girl holding a little yellow flower. I see you reach out with a long, slender, white arm; pushing the stem into your beard, you smile and say thank you. The flower moves in the wind like a pinwheel, harnessing the strength of the wind, you grow taller. Like a windmill stuck into a leafy black brush. Oh my love! Can you hear me calling? I try to grab the sides, try to grasp tiny bits of life on the edge of my favorite black hole. The landscape is vast and flat, an arid land of long-yellowed grasses and a red-black sky. Like the colors in a negative, nothing looks real. Matter is white, while the air becomes more heavy cloaked in colored blood. Moment by moment I drift. I am looking down into the deep hole. Now, I lay on my back, amazed how far I have fallen. Now, I am climbing out. I am falling in, I am climbing out. I am far away, I am moments from slipping once again. There is no constant, just the ongoing battle, the struggle to stay out and the desire to fall in. I hear the inner record that makes me lose my balance, I see the ground begin to sway… I take the deep breaths that help me stay above ground. The negative mantra plays, the careful steps dig me out. On and on, the tug of war continues.

Wednesday, October 1, 2008

Kitchen Nightmares

They send him pleading letters. Within, the words are desperate and begging for help. Begging for guidance. The problems are mostly cloudy, rolling ambiguous shapes that never seem to point to a definite solution. They are not sure exactly what is wrong, but their restaurants remain empty, and each day, new worry lines etch their marks within the soft folds of weary flesh. Their hearts are burdened with thoughts of bankruptcy, home repossession, guilt and pain. Their worries are marked by heart attacks and restless nights. In this state, the restaurant is a temple of gloom, and those that work and eat there are poisoned by its desperation and deepening failure. After fitful nights, the owners wake up, seized with the burden of another day. More of the same. And so, in a last measure of self preservation, in an attempt to resurrect themselves from the pit that they have learned to call home, they write to him.
Like a gleaming messiah, he shines and comes to them with sincere wishes for success. It’s his love of food that makes him move. His supreme respect for taste and pleasure. He comes to help, he comes to ignite passion and integrity. He comes, demanding personal responsibility and a desire to change. His authority is based on a lifetime of accumulated knowledge and on his undeniable success. Restaurants, TV shows, adoring food critics; he has succeeded in this business. He has knowledge.
And they write him for help, and if they are lucky, he comes. He comes with an open heart. He comes to see, to identify the problems and the very bad habits of these establishments. As he observes, he notices the flaws, the rotting food in the fridge, the lazy wait staff, the nervous manager, the cluttered atmosphere, the over complicated menu, the owner who invests all his money in white china. As the teacher begins to identify the problems, the owners, the cooks, the staff- they begin to resist. Many of them fight back. They argue…they become identified.
It is mostly the owners that resist. Even though they begged for his help, now he is here, criticizing their home, their dreams, their work, their identity. And as their sense of self is called into question, as they reel from the criticism which they take as a personal insult, they fight against him. They walk off the job, they yell and cry. They hate the man that has come to help them. The man who has nothing other than their future success on his mind. Yes, he hopes for a good show, for good ratings, lucrative advertising, good pay, but first, he comes to save a failing dream. An idea that had been put into action without a plan. It is his hope for them that keeps him there. During the name calling, during the childlike tantrums of adults, he stands, grounded in his mission.
The owners knew there was a problem, it was why they wrote for help. Their mounting debt and empty restaurants were the symptoms, but when the root of these problems are discovered and brought up to the sunlight, it is these same problems that they resist changing. The owner who clings to his plates, the owner who cannot stop trying to do everything. The owner that clings to the outdated decor. If they can see past their egos for a moment, if they can take his advice, if they use his advice, they usually see results. They see increased sales, compliments on the food and a returning sense of humor.
The teacher has walked this path before, many times, and he stands firm, rooted and waiting for a moment of insight to rupture the ego; within this space changes can be introduced. And sometimes, when the results become as obvious as day and night, there is a moment of true realization, and a new way of being emerges.

Thursday, September 25, 2008

The Egos that Flee from a Sinking Ship

Crrrrssakkkk….the sudden breaking of glass as a dark shape lands on the windshield of a tiny blue car. As the fleshy body hits the solid mass of glass, she thinks to herself, "I think I’m getting hit by a car now." Her back lands on the windshield. Her eyes are open and she notices the blue sky above. How long does she stare at the sky?
It is such a pretty morning, it’s a sunny California spring day. She sees the sky, as though she’s never quite noticed it before. It’s blue. It’s open and wide. "I think I’m getting hit by a car now." Her brain gives her some sensible information. It’s objective, without worry or fear, just information. She is being hit by a car. It’s something that she has heard of, something she’s seen on TV, and it’s happening to her.
She looks at the never ending ceiling of earth. slightly hazy, but still clearly blue in the early morning. Where is time? Her brain is unguarded, left alone in this moment. The many "I"’s (the multiple egos that usually pull her in all directions) have fled, and her brain is slow to comprehend what is happening.
With the sudden impact upon her body, all sense of time is assaulted, revealed for its true transitory nature. At this moment, time reveals itself for its falseness.
Time…the great perception. Without an "I" to perceive it, any "I", it moves like clear molasses through a vacuum of images. Mistakes happening within fractions of measured time, yet being felt as though through the eyes of many years.
The many I’s have scrambled like a group of confused chickens…have they been hit? Has one of them been hit? The windshield of the dirty car has broken into a thousand tiny fragments, revealing the blue hue of an objectively clear pane. The driver, a small brown woman, has her mouth open, herself not quite understanding the nature of the shape blocking her view. And the shape, the body of a tall woman, designed by nature to work fields and bear children, is observing the blueness of the sky. With the impact, the driver hits the brakes, the girl flies forward, landing on the pavement. Her head makes contact with the ground. "On no, am I dead?"
She wonders. She lays still with her thoughts. She cannot answer her question. There is no "I" to respond. Who is asking the question? The brain? The personality that wishes to keep breathing? Time has abandoned her. No, it is the many I’s that have left, and in their absence, she does not feel time. She lays on the hard earth, paved long ago with black tar. She asks herself: "Am I dead?". In the silent absence of time and under the endless blue sky, there is no answer available.