Christmas Transgression

For several years I walked past the little tabletop rosemary trees at Trader Joe's. I drove past the Christmas tree lots donned with white lights and rows of fragrant fir and each time I thought of getting a small tree for my room. 
For years, every December I would think of buying a living tree from some nursery, or just a tinny-tiny little one that could fit on my kitchen table.  I remembered the History Channel special that described the winter tree as a pagan ritual, but I also remembered my mother’s threat to me and my sister:
“I hope you know that when I die I’ll be looking down at you from heaven and if you ever have a Christmas tree, I’ll be very disappointed.” 
My sister was so small standing behind me. We seemed, the three of us, illuminated by a bright stage lamp used in theater productions.
And each time I thought of getting a tree, as I drove past the lots, I would caution myself. After all, did I really need to spend $20 on a tree?

Today I walked into the lot. Something had come over me, some type of determination that could not be swayed by price, or dire warnings, or the guilt of a thousand generations. 
The small lot was rich with the sweet-sour smell of northern fir.  Children ran between the rows of towering trees and young couples holding each other close for warmth stood by while their chosen tree was assembled with base and stand. 
Looking around I knew that these were common memories for them all- people who had picked and decorated their trees every year, memories that began before they could form words. For the children, they would perpetuate the tradition. One day these children would bring their own children to these lots, and they would watch as they ran and played and hid behind the cut, fragrant giants. 
I stood virgin to them all, wondering if they could perhaps sense my alien nature, my shinning brightness that had no precedent.

A big black man with an African accent stood beside me as I pointed to the two foot tree. 
“I’ll take that one.” 
The narrow trunk ended at a wooden “x” which was nailed into the bottom, allowing the tree to stand upright. 
“So I just put this whole thing in a bowl of water?’
He looked at me with a perplexed look.  “How are you going to do that?”
I imagined a very large bowl but was unable to bring it out into the open. 
“I don’t know,” I said smiling a little nervously, “I’ve never done this before.”
“You never had a Christmas tree before?”
“No,” I said smiling, shaking my head.
“I don believe it.  You need a bowl,” he said authoritatively.
He took the tree from my hands and used a hammer to knock off the wooden cross it stood on, then attached a plastic bowl and another wooden “x” below it held together by a single nail.

As I walked out of the lot holding the tree in front of me like a giant gift finally attained, a wide, somewhat guilty smile on my face, a feeling of happiness and a rush of energy overtook me.
I felt as if people could tell. Did they see the obvious clash of symbols with my Semitic nose?  I was not supposed to be holding one of these.  No matter how much Brandon Tulley tried to persuade our Hebrew school teacher twenty-five years ago, there was no such thing as a Hanukkah bush.  I could hear my mother’s warning through the day: "not even dead."

I spent the next few days decorating the tree with small shells and pearls and beads from my collection.  A ribbon of bright green sequins wrapped around its trunk.  This was the tree I was not born to have, yet it was here, atop my small fridge.

Before The Journey

There once was a magician who lived alone in a cave.  From time to time, other travelers and seekers would find the cave as it was next to a fresh water source and close to the dirt path that led all the way over mountains and forests and deserts to the land of spices and smoke.  Sometimes students came and brought him sacks of tea and paper and ink.  Sometimes the children of the nearest mountain village would leave sweets at the mouth of the cave and rice in burlap bundles.  Mostly, he was alone, left with the slow steady rhythm of his own breath and the restless occasional cracking of the rocks surrounding him, the sounds all houses make when they think they’re alone.
He had been there before his hair ever turned white, when his muscles had been firm, and though he had been there for decades, he was aware of how little time there really was, how birth seemed to have come just a few days before. Because of his acute awareness of time, he practiced his art with urgency and strict attention. He kept detailed notes about experiments, their results and the methods employed.  There were charts that outlined his emotions, his health, the weather and time of year.
In his dreams, he saw another world where there were tall buildings made of glass and steel.  He had dreamt of this place for many months. Upon waking, he felt the lingering desire to voyage deeper into the dream, to go so far in that there would be no memory of a cave.  The place in his dream was not better, it was only different, with smells and textures that did not exist where he sat.  He wanted to look into the eyes of the people and see what they had to share.
For months he tried various things.  He played in his dreams and covered himself in the smoke of local plants.  He chanted and organized and re-organized the order in which he set up the space around him and the methods in which he relaxed and let himself drift into dreams.  Sometimes, when the spell was working, it seemed like he could reach out and touch the glass of the tall buildings, but just as he stretched out his arm and moved his fingertips towards the glass, he would awake suddenly, aware that something had brought him back. He had not made full contact.
One night, he waited for the full moon to crest above him.  He could feel the light changing, growing stronger. Though he had no direct sight from the deep interior of the cave, the waters inside him vibrated in louder ripples as the moon rose over the mountain range. Sensations rippled over his skin, it felt lighter, smoother, stronger somehow. He waited, patiently breathing, allowing his body to move as slowly and calmly as the moon that gently rose. When the energy peaked, his body began to rock.  His eyes no longer perceived the clear lines of his world, they shifted like a color show and melted into each other.
He journeyed that night into the world of glass and steel, walking through streets that showed no signs of the earth, where the trees seemed planted as ornaments rather than mighty elements in the natural landscape. 
He wandered for hours, looking intently at the people that crossed his path.  They were women and men in bodies like his own, but their attention seemed taken, turned inward on earthly matters, squandered on abstractions and worries. He could sense their tension more acutely than ever, as though none could remember their true purpose. They walked past him like ghosts, never taking their eyes off the ground or off the objects in their palms. He noted their presence and posture.
He continued his walk, collecting his notes of the other world.  Soon he came upon a piece of paper that seemed misplaced on the sidewalk.  He stooped to pick it up and was startled to see his own writing on the paper.  He looked at it more and realized they were the instructions he had written to himself prior to the journey.  He looked at it with different eyes now.  Not the man that had thought of dreaming, the man that thought of going to other worlds, but this new man now, the man he was after touching glass and steel, the man that walked among ghosts.
He was struck by the second and third lines of his instructions.  Before every journey it was his habit to write out a list of directives, things we would need to remember while travelling, the incantations he would need in order to come back to the cave chamber.  He kept them in his right hand pocket always, a place he could easily remember to check when he felt the time was right. It was strange now to find it on the ground, easily lost or blown off by the wind. 
He looked at the writing, at his familiar script. But he felt a slight alarm as he noticed the extra embellishments on the curls of several script characters. It was a minor detail of handwriting, but he knew himself well enough to know what it meant. 
Over the years and countless hours of inner exploration, he had come to glimpse the many parts of himself, the light, the dark, the terrors another man would have hid away in fear.  The benevolent teacher and the raw animal.  There were a thousand faces in between the extremes of his machine and he had met with each one, he had come to know their habits and he knew the extra curls in his script indicated that several of his egos were active, manifesting themselves in his writing. 
Without realizing it at the time, back in the cave, he had begun his journey with them inside, active, unbeknownst to him, they had piggy-backed through his dreams, stepping with him through the door.  Had he known, had he paid enough attention, as he surely should have, he would have caught a glimpse of their presence.  It was a mistake, a dangerous one, bringing them along into this altered land, in this altered state, was a hazard. They could lead him to a very nasty place, a place dripping with identifications and worldly demons and monsters hard to defeat. 
He had not been careful enough. But he could begin again now. 
He stood on the sidewalk and placed himself in the center of a circle, imagining its firm golden walls.  He closed his eyes and began to breath rapidly, letting the palpitations in his stomach push those creatures to the surface of his flesh.  He felt them emerging and he saw their contorted faces in the awful visions before his eyes. Each breath pushed them further to the surface. 
He stood in place for many minutes, breathing rapidly with intense concentration, visualizing a clear, cleansed circle around him until finally he could feel that that his inner landscape had shifted.  He slowed his breathing and began to walk once again.  The sidewalk ahead was illuminated in the glare from a dozen mirrored buildings in the high sun. He walked through them, letting his intuition pull him forward.

The Arms Of Sleep

It is what she longs for, that big white cat. She just wants to curl up, let the sunlight warm her up, and then drift. Let’s just drift. Forget it all.
I want to forget. Forget the project, the articles, the words to write, the things to create, the music to make, the work to do that seems to rip at every part of me, making me visualize ropes and running and knives and parking lots in far away places where the night is cool and calm and no one talks.
I want to do all that.
She wants to do all that too, that big lazy cat. So let's take the road of sleep, that big fat white bed with its comfy flatness and thick blanket arms. Let’s just go together because it would be so nice.
Only, they won’t let me. They know what will happen to the big fat cat. The masses await. Their perfectly creased uniforms, their lines, drills, repetitive movement and cat calls. The deadening regimen. They know just how to invade, one dream at a time.
One little nap and then all thoughts become one. Soon there will be no dreams, no drawings or songs. One thought, it is just a train away, as my mom would say.
I shower and pack and sit waiting in my silk jammies, just ready to go. I am tired and the night is dark and cold and there are too many collages to make, so many videos that await my hands and attention. The list is so long, stretching not just through and over this lifetime, but into the next and then the one after that.
On a cold night like this, it seems like too much. The bed looks good and the cat, that big cat is purring, waiting for me to join her.
The train is going, straight to dreamland as my mother would say. They are all calling my name, don’t I want to join them? Their hands urge me forward, the memory of the endless drift beneath a world of warm arms, soon I won’t have to think and struggle.
Just get into bed and let the engines start. Soon, we will be among the masses. The starch, the formation, the highly scripted existence laid out like a simple map. It is all there, just outside the window.
Bodies without life. Smiles without purpose. Breath without creation. It is all right outside.
My cat is there, waiting for me to slip into bed. Just for a moment, just one little nap.

What I Wonder

What would the choice be? If lights were coming down, blinking and spinning, twirling with red, blue and white like psychedelic lollipops from beyond the bluest parts of the sky. What would I do?
The grass is swaying in the wind, rustling from side to side in the abnormal breeze. Mailboxes are popping open, the fridge door opens and slams shut every second. Nothing is how I know it. The books fly from the shelves, every loose-leaf bit of paper is airborne. None of this makes sense. When the blender whips through the air of my kitchen and the night sky beyond the window is alive with colors I have yet to discover, what will I do?
Maybe I start to run with all the adrenaline my body can find. Do I step back from the porch into the safety of the doorway, moving slowly into the hallway while my hand latches the flimsy lock? Will I run to save my life, this life that I think of as so valuable and precious. Unique and unlike all other lives. Would you find me under the blankets, breathing as shallow as possible though my chest beats out like hands on a tin drum. What would I do if The Other came to me with flashing lights, red and blue lights and hard gusts of hot air?
I see myself running, jumping over chain link fences and scraping my knees as I fall clumsily to the ground. I can see a tiny scared body hiding in the dark of a closet, my eyes closed and mouth rattling off a small prayer. I feel fear running through me like monstrous rivers, seeping out of every finger and toe.
I see these visions and ask myself, what would I do?
Would I walk towards the ship, my fear held tightly, controlled by a will forged in years of practice.
I walk towards the ship to see what lies just beyond the top of the metal stairs. I walk, hearing an inner voice, ‘Look,’ it says, ‘see what will happen.’ Can I take that step? Will I die? Will I fly? Will I ever look back and see their faces, looking towards me with fear and curiosity.
Or maybe I will take a tiny first step and glance back, seeing all that I have left and sacrificed. Will they hate me? Will they ever know what has happened to me? They will know that I went with a smile, holding hands with the Other, happiness and wonderment radiating out of me like a brilliant sun.
Maybe like now, I will step forward cautiously, taking backward glances, stepping forward, little by little, until the door opens. I walk slowly towards the space lit from inside, but it could shut at any moment. Will I act quickly enough? Will I curse myself afterwards when it closes? Will I walk towards that light, those things that my mind can still not define?
It is the Other, and I reach to try and grasp it, though it slips through the language I have learned. Will I learn new sounds, a simple pentatonic language with clear signals? Without words, will I be able to push my essence through the sounds without concept till they find other ears.
I do not want to run with fear, but my feet seem to carry me away. They are brains with tennis shoes that move on impulse. They run towards small solid corners and little boxes. I see myself running, but I do not want to be that character. The human defending the human. The machine defending the machine. I do not want to play that type of role.
But I have not come far enough. Fear still shoots through me like comets, coming and staining my body before I even realize the atmosphere was breached. Unless I work, I will be the hysterical woman shouting for the world to return to normal. I want the dishes and the clean rugs. I want the plants in their proper pots and the fence in the yard. I am that woman, though I get glimpses of the other one. The woman in dreams that smiles and hops on the back of a bike. The woman that takes the hand of a stranger, calling him by name. I am that woman too, a little of each. A lot of machine, a little bit of amazement that lies hidden under the metal plates and gears.
I need to poke holes in the armor. I need that rustoleum and that pickax. I need to make it crumple. The amazing voyage is here, in my backyard and beaming into my room. It is already here and I need to step towards that brilliant, skin-burning light.
I will leave those kids and pets. I will sacrifice those familial ties and the life of shopping and the mall and beer drinking. It will fall like dead skin and I will walk up the metal platform, holding onto the hand of the Other, watching in amazement as the door shuts and we rise into the dark night. Moving forward and up, towards a new home in the stars.

You Are Dying

Do you know that you’re dying? Don’t stare at me with big wide eyes, You Are Dying.

Through the tunnel from the womb, into the cold air, breathing, gasping, a moment from death.
Our birth is an immediate tolling bell of what’s to come.
Our only disease is life itself.

We are dying.

Each breath,
another step
Each day,
a moment closer

There is no need for doctors or prognosis. Skip the tests, the transfusion, the trips to a place of many rooms and fluorescent lights. No man in a white coat can say it any different than I can… you are dying.

Let it sink it.
Let it go to the core.
And if your heart doesn’t start to beat just a little faster,
Then let the words go a bit deeper, for you still haven’t heard:
YOU ARE DYING

Look around, it’s time to pay attention.
There’s no time for anything else, no time for watching the spilled milk or crying for the crimes of the past. We’ve all been fucked, screwed and spit on. It’s part of the experience, like strobe lights at a rock show, it’s just part of the deal. As was once said by a great band, there’s no time for fussing and fighting my friend.

You’re dying, the light at the end of the tunnel is clear, the end is inevitable, you are standing on the tracks, you will be food for the birds.
And so now, take a breath. It is coming. YOU.

If only we could stop the little bits of swirling sand and dust clouding our vision. They are sentences from the past, nuggets of resentment hidden in clenched fists, your father’s wrinkled brow. They whirl so fast, blinding even focused eyes. Clouding the path, making enemies of friends, pointing towards the cliffs.

You are dying.

There’s no time for the complaining.
For the excuses, no time.
The habit of anger, resentment, comparison, there’s just no time. We all end up as dust.
Shall you spend your last few minutes squawking? Complaining about the tart strawberry, the irritating glare of the sun? The child laughing loudly?

There is just too much to do. So much to write, circles to build, songs to hear, careful steps to take. Don’t let it all evaporate below the sun, growing lighter and lighter by the minute, fading into nothingness.

It is all here, every laugh and cry, every person in your path, every sound floating in through your walls. It is all here for you to use, coming to you free and untainted. It is the raw matter for you to bend and shape, bursts of energy to wrangle and harness, converting into fuel and long sticks of light.

It is all here, take it before you’re gone. Before they mourn the bit of dust you were. Before your steps are silenced and forgotten. The path can use another set of hands. There are weeds and misplaced rocks, there are stories to write and gnomes to meet.

Did you know that you are dying?

YOU
YOU who read these words.
YOU ARE DYING.

Look around and breath it in. Then start to work.

The Smaller Cookies

I saw myself again in their little bodies. They were like mini gingerbread men, with thin little crumbling arms and a round head. They were made like me, all the same ingredients. A touch of earth, a bit of blood and water, a heaping of stardust. They spoke like me, did what I do. I watched them and found it disgusting.

“How can you little cookies act like this!”

I wanted to reason with them.

“Don’t you get it? We’re doing this for you…we want you to be happy, to feel safe in a world that tumbles forward. Get out of your own little body and contribute!”

Less than a second would pass and their eyes would glaze over. I watched them, like dolls without will and power, happy to sit in a room of crumpled tissues and bits of torn paper. I was disgusted. The carpet had blue stains, the walls were pockmarked and had the sticky remnants of tape and dirty fingers. I wanted to reason with them:

“Don’t you get it? This place is nice and clean, so different from what you have known. It’s time to take care of these gifts. It’s time to cherish what you have, to keep it clean, to appreciate what is here.”

But my words drifted away, falling on ears that could not hear, on little cookies that just could not move in another way. They stared off, then fought over a piece of string. I watched, shaking my head. They could not follow the most simple tasks, it was like telling a dog to write a letter. It was like watching a beautiful jewel disappear down a toilet. I saw the cookie cutter. They were just smaller versions of the same dough.

I work on different tasks now, but I keep forgetting what I have. I complain. I cannot see the gifts and I cover our space with invisible black paint. Every few days I spit on the altar.

Though I have breasts and a few more memories, I am that small cookie, fighting over a bead and a piece of string. I cannot be reasoned with, for awakening is beyond reason. I watch them, a body removed, eyes that fully comprehend their silliness, their selfish motivations. It is all beyond reason.

They have no discipline, no ability to maintain their attention, no way to change their habits. They lose themselves in balloons and old tissue boxes. I watch little copies of myself. Just as selfish and blind. Just as completely unaware of the moment, of everything that is being offered and given.

I cannot maintain myself long enough to see the gift, to take it and care for it, without complaint and argument. If only I could reason through it. If only I could tell myself to sweep away the petty things, to move forward with enthusiasm and trust and an inward gaze. If only I could remember. If I could just look around and Do. I want to grow up, focus, and use my attention to move with the spirit of a girl. Like a pixie, finally aware of her power, shaking off the dust of sleep.

Facing The Beast

How can I write about something if I myself cannot even do it? If I let my red dragon tail twist and bend, knocking over buildings and my prized statues and half built friendships? How can I even begin to instruct? To write?
I hold it in my mind for less than a second. Its concept a small flickering flame in the tidal wave of oily black liquid and molten rage. I know what to do, I have heard about it so many times, I have practiced it in the quiet of my bedroom for months every morning, but when I see the tip of reality, when I encounter the real-life moment begin to blow and the filaments inside that hold me up begin to burn, then I run.
Running takes many forms. There are the tears, the ones that lately have become giant orbs of rage seeking to destroy myself and others. The visions of metal flying, sirens wailing, crushed bones and rivers of blood.
There is the hiding. The rage that wafts like air through wall and carpet, the absence of words the only mark of strangeness. The seed of resentment I hold on to for days, years.
Holding and holding, stroking, watering, kissing. I keep it mine, reminding myself of it when all is well, and then I remember, and then I’m mad once again. Cold with fear and rage. Closed as a cement box.
I see it all. It is not right. I am under no delusion of pureness, authority. I see the error in my words, in my steps, in my gestures that signify more than my tongue could ever spit, but they keep coming, for this beast is wild. It lacks a master. I am the beast.
So how can I write about it? What can I say if I watch the city burn, the statues crumbles, the houses cave? I watch, hating the terror, but doing nothing to stop the flames.
I feel three threads, tugging. Around one nipple is the Voyeur, watching it all melt. Around the other is the Mender, seeing it as pettiness, knowing it should end.
But around my heart is the braided rope, holding on to the pain. It holds its indignant head high, feeling righteous, waving its colored flag.
I feel them all, yet I sit paralyzed; not acting, not changing, letting the center rope pull me to the grave.

Training The Dragon

Did you know there was a dragon inside? I can see him through your eyes, while the green folds of your eyes flex and point, watching me with blunted teeth and heat so intense it has turned to ice.
Did you know there was a dragon? Angry in its cage? Angry in the skin that looks so different from green scales and long gray claws, different than the life it knew as a flying beast. But the rage is there, bottled into an even smaller vessel, so thin and long and hairless. So smooth.
Did you know it was there? Breathing your air like a parasite? Eating your food, transforming your thoughts into fire and coal.
I have looked, and in certain lights, certain mirrors, I see the dragon. Steam streams from my flared nose, its Semitic length perfect for this orange and blue life. I move slightly, just a little turn, and see the green in these otherwise brown eyes. Flecks of fire and rage. But only in certain lights, certain mirrors. I forget about the dragon, the beast that moves with every shake of my arm, every click of my tongue. It fills me from the inside, keeping my breasts pert, my stomach round.
Did you know it was there? Have you seen me in the gray light of dawn? Through tempered blinds? Through the lens my eyes hide?

It is there, waiting, breathing, spitting fire.

Did you know?

Did you know?

Each beast carries a rider, though I’m not sure who moves who. My arm is not my own. And when it roars, when the cage opens, the iron doors releasing the full fury of a pent-up beast, my toes move without direction. My tongue carries me to the worlds I hoped to never see again. I watch from above, riding the back of this black dragon, watching the dark city burn. Sporadic fires and fleeing screams. Horror, laughter, redemption. Are they my thoughts? Are they his? Who rides who?

Can I tame this beast? Train this dragon?

In the right light, in front of the right mirror, I see the dragon’s eyes. I feel the flames of heat moving in my chest, the moment before the explosion. And I remember. My training, my practice, my sword.

One deep breath….Veeeehhhhhhhhh

I hold my breath….Kaahhhhhhhhhhh

I release the breath….Daaayyyyy

I repeat.

Every sound in the room is ignored. I cannot hear who’s talking, what’s playing. There are no thoughts, not if I’m doing it right. Not if I have the sword in my hand and the beast on its belly.

One deep breath….Veeeehhhhhhhhh

I hold my breath….Kaahhhhhhhhhhh

I release the breath….Daaayyyyy

I repeat.

It is strong. It is old. It is me…entwined within the fabric of my eyes and ears and lifetimes of habit. We are coiled like snakes, lovers without boundaries and eyes.

In the right light, in front of the right mirror, I see the dragon’s eyes. I feel the flames of heat moving in my chest, the moment before the explosion.

One deep breath….Veeeehhhhhhhhh

I hold my breath….Kaahhhhhhhhhhh

I release the breath….Daaayyyyy

I repeat.
And as I repeat, I train the dragon.
My dragon.
Me.

The Attempt

The school is closed on this early Sunday morning. The imposing shapes of the administration buildings stand silent in the background, and just a vague sense of silenced authority finds its way to the parking lot. On this weekend, as with all weekends, there are no cars in the lot, and the recently paved black asphalt is the perfect floor for an education without curriculum and standardization. This is the self-created flat-land of trial and error. The place where there is only will and peer pressure and broken bones and the decision to try it again.

Two dozen teenagers are gathered on the periphery of the asphalt, close to the sidewalk that wraps around it like a thick barrier. They stand there, patient and attentive, but with their hands on their own skateboards, ready in an instant to step into the sacred space.

In the center of the lot are metal rails and obstacles meant to be jumped onto or over, or coasted against. They have brought them here, carried in backpacks and bicycles, easily assembled and built for the moment. These are self-imposed obstacles, and they’re here to be used. To hit, to land, to wail against.

In the center is a young man. His slim-fitting black pants do nothing to prevent him from attempting another trick. He has tried it over and over, weekend after weekend. Sometimes he gets it. Sometimes he pushes himself with his right leg and rolls over the asphalt gaining speed until he is just a few feet from the metal bar. Then he puts a little more weight on the back tail of the board and uses his right foot to push the wooden board up just a little higher. Sometimes he gets it. Sometimes he makes it to the rail and then falls off. Sometimes he makes it to the rail and grinds the bottom of his board against it till it ends. Sometimes he even lands on the ground with both feet on the board. Sometimes he falls off halfway through. After all the attempts, he has still not got it quite right, not enough to be consistent. So he tries it again.

His loose black T-shirt billows with the force of the wind. This is the moment. The gathered on-lookers watch him, and though he has made it to the rail, nearly to the end, he looses his balance. His arms are still out to the sides for balance, his right foot tilts awkwardly on the board, just about to fall off the platform completely. His right foot is bent and raised slightly towards his chest. He knows what’s coming, and he smiles.

The trick has failed. There will be a fall, he will have to roll as he always does and duck his head, and just as he feels his entire body shifting with gravity, he smiles. Another attempt that has failed. But after the fall, he will try again. There will be a line of guys, they’ll attempt the same trick. And he’ll be standing there, watching them, as they watch him now. As he waits for another turn, he’ll watch their footing, the speed with which they approach the rail, the timing and pressure on the nose of the board. He’ll watch it all, looking for another subtle movement to use and push him along. It’s balance, timing. Above all, it is will. There is so much to remember and execute, he has to do it within seconds. If they are watching him from the sidelines, they’re learning from his mistake, just as he learns from them. He smiles. It was a good attempt, another jump into the unknown, taking all the knowledge he could remember and use. And though he jumped, though he ground the wheels for a few feet, it just wasn’t right. When he falls, the sun will still be shining. The clouds will still be scattered. He will be one jump wiser. If he can just remember it all, he can try it again.

For the brief moment, he is suspended, not quite the victor, not quite the fallen. He knows his mistake. He smiles and waits for the crash.

Octave

She was in the 400 quad, a cluster of classrooms in the shape of a square donut, each room’s door facing the cement courtyard outside that was marked with small patches of green grass in the process of turning yellow. It was the quad for math and chemistry, the quad where she had mostly learned to tune out and endure with open eyes but shuttered attention. Inside Mr. Payne’s classroom were six rows of steel legged chairs topped with a single piece of plastic that acted as both backrest and seat bottom. Six rows began five feet away from the blackboard and six chairs behind it stretched towards the back wall. Whether chosen or assigned, the chairs in the back tended to be filled with the failing and apathetic. Whether by design or happenstance, the tendency seemed to move through those back chairs like an angel feeding on determination and understanding. It was in one of these seats where she sat, just two chairs away from the back wall. It was true, she did not want to be there. She did not want to be in this small classroom, not in this sprawling school, not chained as she felt she was. She wanted to run through open fields and chat with runaways on the streets of Venice and splash in the ocean that beat against quiet rocks only an hour away. But she was complicit in her own constriction, driving everyday to this place, walking her body to each required class, coming back after lunch, the same routine each day until she couldn’t stand it and she would purposely drive past Indian Hill Blvd and keep on going till she hit the 10 freeway, then she let intuition guide her along cemented veins and to the strange encounters and mysteries that were waiting in the distance.
But most days, she found herself in Mr. Payne’s classroom. She occupied her time in many ways, but always aware of the slow moving second hand on the wall. As always, the man wore black running pants to school and paired it with a white T-shirt and unzipped running jacket. The material of his pants made a swishing sound as he walked and the elastic waistband accentuated his bubble butt. On top of the pants, around his waist, he accessorized with an overstuffed black leather fanny pack that bulged in the center and drooped down at a point, looking like a extra large penis. She saw him pull something out of it only once, she watched him curiously as he dug in deep for a calculator. It was his teaching style to turn his back to the class and work out math problems on the blackboard, mostly talking to himself in a slightly louder voice that if she paid attention, she could understand. But she didn’t care enough about it to weed through the gauze.

She had come back a few months ago from six weeks in Italy and she had been electrified ever since. Although she sat like a self-imposed prisoner, she let her mind drift and her hand draw. She brought her sketchpads to class, Mr. Payne’s and others, no teacher ever asked her to stop. She did what she called, “stream of consciousness” drawings. She was in the habit of using either blue or black ink pens and she would start by putting her pen to the paper. She would allow her hand to move, making a mark. She would just watch her hand, like watching a foreign object with a mind of its own. The pen would touch the white and it would all begin. She let her hand expand on the ink marking. Her mind would quiet and she would watch it all, her hand moving with quick intelligence. Lines turned into bulbous shapes and then those bulbous shapes expanded into other worlds. For many months she had let her hand move and work, turning mistakes into shapes and two dimensional movement.
She had done it enough times that she realized a particular process would always occur. She would begin the drawing, then at a particular point within the life of the piece she would come to the “uncomfortable stage,” the place where the drawing was only a rough outline of what was to come. There were forms, but none were finished. Sometimes she would step out of herself and look objectively at the paper. Seeing it this way, she would see scribbles and lines and messy ink markings. But this was also the stage of profound trust. The stage that always came but which also ended. She would dive back into the piece then, watching her hand, letting her body carry on, moving as it wanted, marking as it liked. She knew, very, very deeply, that the uncomfortable place was part of the process, a place to travel through that would end in delight and something she could never have planned.
Time and again, she would reach the uncomfortable stage and she would keep drawing, turning the page to the left or to the right, sometimes turning it upside-down until she saw a form or shape she recognized and then her hand would start expanding on the vision; and when there was nothing recognizable, she was content to create shapes that danced and twirled in on themselves. The uncomfortable stage was never the end, it was just the small hurdle, the gap that required patience to swim though, and for many years she trusted that knowledge.

But like a stone battered by a single drop, she eventually forgot the process, forgot the necessity of the uncomfortable stage, the same one that would occur over and over with each piece. Sometimes she would still draw, but she would hit the uncomfortable stage and get stuck. She would look at the piece of paper with critical intentions, through the eyes of another and she would see something ugly and unclean and unfinished. At this stage she would stop, thinking once again that she had failed. And she hit the wall over and over, always thinking that she had forgotten something. That she had forgotten how to draw or had lost inspiration…but she had forgotten the process. She stopped picking up pens and looking for paper and letting her hand take the reins, she thought that drawing was something that had come and gone, just like the force Bob Dylan had talked about in an interview she read a long time ago. It was something that had come in, from another place, from a place without words. It went through her, and now, she could not get back there.

And after many years of wandering a desert made of angst and tears and open questioning, she learned again about the uncomfortable stage, she learned another way to understand the gaps within the process. She looked at the intervals within the octave, the places to easily fall and be derailed, and she remembered that she had once recognized this interval when she had no name for it, and she had intuitively known that it was something that needed to be crossed with passion and zeal. And now, with a new language, she could begin again. It would all start with a new DO.

Consequences

It was late at night and it was very dark. The clouds were hidden behind a thick layer of fog and the world moved around her in only three colors: black, gray and white. The roads were nearly deserted, just a bus with its hazard lights on blinked quietly as she passed. And she drove on, driving up the twisted road that skirted like an asphalt snake along the edge of San Bruno mountain, her car’s headlights outlining the bulbous forms of gray clouds that enveloped her like a hungry ghost made of mist and sheets of moisture. There was a musical piece on the radio, an electronic composition without words that seemed so tender, coming right from the unknown heart of its creator and entering hers with an unrelenting curiosity to see what lay open in the late hour. Small tears pricked her eyes as she reached the crest of the hill. The music was too beautiful, how could something like this arrive to fit the moment so well? This was music for the tender dark hours, when night and day blend into one. When the sleeping and the awakened dance between clouds of fog and pull dreams from the void. The music held her, as though the notes themselves were made to caress her curvaceous tears, as though the notes knew why she would cry and they pulled the tears out with a little more force, taking her with them on their voyage through time. As the road flattened out, she suddenly realized she might never know the composer, another song would come on and the beauty of what she had just heard would remain forever in her memory, encapsulating the moment like a dream. Someone, somewhere had made this music, and that person would never know that now, there was a girl driving in a small black truck in the middle of the night, going home. She could never tell them that the notes cast themselves around her like a magic circle, holding her as no other piece of music could. It was made for this. It was this. She was that, and it was her. It took her hand and led her down a psychedelic road where owls feed and coyotes sometimes wander. It held her in its palm, a loving teacher that pulled on her metal gates just a little more. “Open up,” it said. And whoever made this piece…they would never know. What were they doing right now? Sleeping? Eating? Working? Making love? The infinite consequences of their creation were unknowable. Once born, the creation had its own life, moving through time, radio, stereos, ears…moving into and out of perception…being heard by some, being shut off by others. Were there others crying? Others dancing? A thousand ways this piece could go…its creator would never know.
The consequences of what we create are unknowable. We create for the sake of creating, we do for the sake of doing, and then, it is sent, it goes out into the world, drifting like a carefully constructed leaf in the wind. Will someone catch it? Will it go straight to the sea, straight to the blue waves that will swallow up the orange and yellow and green? Or maybe it will drift to land with the high tide, and perhaps a little girl will pluck it from the ocean foam. And maybe it will end up in her collage of thoughts and dreams and her memory of changing seasons. There is just no way to tell what will happen, so we just let them go. Just as we were once let go, like tears already dispersing into the fog before the song that provoked them has come to an end, like ribbons of stardust dancing in the bottomless void of the infinite night.

Piece Of Paper

She looked out the window and saw a small scrap of paper blowing in the wind. It was a small yellow post-it note and the wind pushed it to the fence where it stayed tangled in the bunches of wild mustard plants and yellowed bits of grass that clung to the edges of the yard. A white moth-like butterfly flew over the wooden fence and disappeared into the eucalyptus grove that covered the hillside below. She stared at it, at the little trail of darting white that had faded into green and silver. Her house was warm, and because of the heat inside, she indulged in wearing only purple panties, that had lace along the edges, and a striped purple T-shirt. Her legs were bare except for the pink slippers keeping the bottom of her feet warm. She wanted to go outside and get the little bit of paper. She wondered what it said, where it had come from, who had dropped it. Would she find her own writing on the yellow paper? She wanted to go outside, but, although the sun was out, she could see by the rustling eucalyptus that it was windy, and wind, at least here at this elevation and so close to the sea, meant chill. She was not anxious to let the wind brush past her and strip from her the warmth she had accumulated over a night of sleeping under thick blankets and warmed by space heaters in every room. But what was on that paper? How come she didn’t just look right past it the moment she saw it? How come it didn’t just fade into the other images that she took in and let wash over her without a second thought? Was there something different about this piece of paper or was she just getting fixated on something, finding meaning or hidden purpose when there was nothing there. Maybe there would be nothing on it. But why couldn’t she just stop and go back to her computer and start writing? What kept her standing here at the window, so close to the cold wind that managed to find its way in despite the glass barrier? She thought about all the things she had lost over the years. The small chunk of Tibetan turquoise stolen from her bathroom. Her stacks of vinyl records. Her purple and white batik shirt that just went missing one day, the blue v-neck T-shirt that Suki had given to her before her parents sent her to a rehab facility in the mountains. Could this piece of paper be one of those things, a precious bit of her or someone else, something that was about to drift off into the bushes any moment, only it had stopped here for a brief second, waiting by the fence and held close by the mustard stalks.
Act now! This is the chance. Move and grab the curiosity in front of you. Act now, or it will disappear forever and you will always wonder, you will always stand by the window and wonder about that thing which called to you and you did not respond.

The Boy Who Couldn't Read

He came though the door angry. Right away she could see the annoyance, not hidden at all behind his brown eyes. He didn’t make eye contact with her and he sat down with 18 years worth of sleep in his bones. While she had waited for him in the small, windowless room, she looked at the inspirational quotes and life suggestions taped to the wall. Probably hung there by another person who was a shadow of their own truth, a shadow of what they had allowed to die decades before. The quotes were truths and good advice, like “never give up,” but they had the mark of store-bought supplies, simple institutional decoration that came without the faintest hint at how to achieve such a noble goal.
The room in which they now sat was just slightly bigger than a closet, able to accommodate a small rectangular table and three plastic chairs, the hard chairs found in institutions. Each day she sat in there, the room always seemed too small and dirty, always smelling like old banana peels and wrappers stained with ketchup and a place whose standards were close to the floor. This was an institution, a school hidden in the far corner of an industrial park, where teenagers came, after failing out of every other public school. Its rooms were filled with people one fight away from juvenile hall. They were kids who screamed “Fuck you, man!” down the hall as they walked to the bathroom, kids who acted like they were being wronged by every teacher and administrator there. They came with attitudes and chips that had knocked over their shoulders and the assumption that they already knew everything, that this was just a place that they had to endure. The spark of curiosity had vanished, long ago, it had laid down and submitted to more simple plans. The guys wore large white shirts and baggy pants with the price tags still hanging from the seams, the girls sat on benches next to the basketball net and watched the boys play. They could hardly walk in their high heels and tight pants and looked like they were just waiting to be fucked, as though their only benefit to humanity was the hole between their legs which was waiting to be filled.
The small room had a student-painted mural of the golden gate bridge on one wall. It had smears of dirt and speckles of an undistinguishable substance covering its lower half. High above, close to the ceiling, were pictures of the cursive alphabet and more inspirational advice. She wondered if anyone ever looked up and read them. Did they resonate with anyone for a moment before being quickly forgotten?
The boy next to her certainly did not resonate with the message. He was just over eighteen and still struggling to read words like “was” and “should” and “through.” He had a medical condition which caused both his eyes to twitch, they moved like little ping pong balls stuck in his head, and because of this, he had a hard time reading. And even though he couldn’t read and even though he needed all the help he could get with his vision, he refused to bring his glasses. Each day he would arrive at his tutoring session and say he forgot them, just as he forgot his entire backpack and little notebook. He held the books an inch from his face and he would still mix up letters. She wondered what motivated him to come at all. Why did he get on the train and ride for twenty minutes each early morning?
He struggled with almost every word of the first sentence of the short story. Four words into the first paragraph, he had already uttered “I don’t know” and thrown up his hands in an expression of annoyance more than a handful of times. The words he couldn’t read were ones they had begun practicing months ago when she got him a small notebook of flashcards so he could study the sight words at home. Since the day she brought it, he never remembered to bring it again.
After trying unsuccessfully to sound out the fourth word, he excused himself without looking at her. He left for a couple minutes and she drew a small curving doodle with her pencil as she waited, it looked like the inner frond of a fern. When he came back, he brought a small Styrofoam cup of water with him and placed it on the table. He started reading the first sentence again, already forgetting the first couple of words he had sounded out. He made another gesture with his hand, as if to say, “I don’t know and I don’t care.” She leaned back in her hard plastic seat and looked at him, he stared at the page.
“Do you want to learn to read?” Her voice contained tinges of skepticism.
He looked up. “Well yeah, I do.”
“But I can tell you’re not practicing at all, you still aren’t remembering words we went over months ago, the ones we put in the notebook.”
When she had first given him the notebook, he had been very appreciative, he had carefully written down words in his neatest handwriting, he acted like it was precious and thanked her again and again. But it was obvious he hadn’t looked at it since, maybe it was lost with his glasses and backpack and anything else that could actually help him.
“Because, you know, I can come here every week and we can read for an hour and a half, but it’s not enough, you’re really not going to learn unless you practice and memorize the words on your own, it’s really up to you. Right now you’re acting like you don’t even want to be here. I’ve only been coming because you said you wanted to learn to read.”
“Yeah, I do, but it’s hard, I read sometimes with my social worker, but we do different things all the time. And hey, I thought you were supposed to come on Monday!”
“Well, I couldn’t make it Monday, but that’s why I’m here now…and what do you mean, like sometimes you practice reading and sometimes math with your social worker?”
“Yeah, lots of different things, mostly math.”
She didn’t understand what he was saying exactly.
“Well, all I’m saying is that it has to come from you, if you don’t want to learn, it’s not going to happen, no amount of help or tutoring will help unless you practice, it has to come from you. You need to want to learn and make the effort.”
He looked at her. “You know, you’re right. You’re absolutely right. I’m sorry, I don’t want to waste your time.”
He looked at the short story with a small burst of renewed interest. It took them an hour and a half to read two paragraphs. He had had bouts of enthusiasm before, she was not confident any pep talk was going to make a difference. She would know next week if he had problems sounding out the word “found.” His effort, or lack thereof, would be obvious then.
She knew that there was a part of him that really wanted to learn to read. Maybe it was the part of him that made the effort to get up with the sound of the alarm and put on some clean clothes and get to the train station. But the rest of him, the other 99 percent, got to school and sat down and was angry at the teachers, rude to the other students and made a day of possible learning into a failed effort. He let his days slip by and, when it was time for a tutoring session, he came up with reasons to be angry and annoyed and resistant to practice. No matter how much she wanted him to read, the true desire and effort would have to come from him. It was his journey.
A guide can do nothing without a sincere and constant effort from the voyager. Without such an effort, all help is precious seed poured into a gaping hole in the ground. Nothing will ever grow. Nothing will ever flourish.

Day And Night

She watched his smile fade, the corners of his mouth dropped slightly and the song he had just sung faded into a melodic memory. His face softened and she watched the wind blow away the last remains of his overt delight. She watched the rainbow of his mouth turn from a Technicolor pageant of beet red and hazard-cone orange into a muted palette mixed with white acrylic. She watched the fading glory, the spiral of rainbow dye that moved into oblivion with each second that passed. How long had she watched his lips? The endless transforming of emotion that played with the muscles of his face.
She sat on the bed, an orbit of delight herself, beaming in white and blue as she sat before him. She was smooth and nearly naked in her white and pink lace panties. She sat crossed legged, slightly embarrassed by her lack of graceful ballerina posture, yet unable to will her muscles and bones into spinal alignment. She watched him and the vain angel on her side tugged at her thoughts, “Sit straight! You look horrible!” And although the same thought entered over and over, it blew through her mind like a fluffy cloud. When his smile at last faded like a fiery sun, she brought her eyes to his, feeling the endless river of power that seeped from him. She sucked him out, pulling him inside by concentrating on the back splash of energy. The soft bed accepted her weight and she fell deeper into it. She sat there.
How long had she been there, watching his smile fade into a soft mouth that bore no particular expression, but was rather a statement in contentment? She had nowhere else to go, rather, she had no where else she wanted to go and this bed, this small room stuffed with books and made smaller and warmer by a heater that whirred throughout the night and continued with the day was the whole of the universe. His eyes and mouth, they were every star, every undiscovered sun.
Outside, she felt that it was light. She felt the bright whiteness of a cloud covered sky infiltrate the room with its sense of urgency. Light being the indicator of action, the time to drive and work and run errands. But she sat and held his stare and practiced moving against the rules of nature. Light was to see his smile. Light was to see the contour of his flesh expand from thigh to chest. Light was needed for holding his gaze.
When the dark would come, perhaps then she would rise and take the memories of his smile with her. She would dress, covering her white panties and sculpting her breasts into more recognizable shapes. She would find her shoes and pull up her mismatched socks and head out into the night. She would drive, up the hills that overlooked a sleeping city and insistent street lamps buzzing for the attention of moths. She would drive in silence, holding the scent of him on her mouth until she found the small house
tucked into the curve of the street. She would wait in her car, listening for the sounds of other approaching cars and then, after determining she was all alone under a cloud-covered black night, she would exit and walk across the street, entering her small room. She was then ready for a new round of work to begin.

New Life Forms

It was an idea found within the pages of a small paperback, sitting among hundreds on a dusty shelf, out of sight in a dark garage that smelled of mildew and curiosity. Buried in the pages, well after the colorful cover of four purple tentacles probing a busty young woman, the slimy arms spreading a look of shock across her face from the inside; after a thousand words that built momentum and teased at the sexual longing of orifice-less creatures, the doctor took his singular syringe and gingerly poked the bacterial cell, inserting a synthetic chromosome into its DNA, a synthetic chromosome based on the naturally occurring bacterium Mycoplasma genitalium.
By his calculations, the synthetic chromosome would live off the host for a while, feed off of it, incubate, grow, and then, in the final stage of the process, the synthetic chromosome would be powerful enough to take control of the host cell. The result of this takeover…an artificial life form.
I read the passage and felt a quiet grayness begin to tug at the corners of my vision. Could this be real? I looked down at my naked body, white and soft on the plush blanket below. My toes wiggled hello. My fleshy vehicle of movement, like the small metal box that takes me quickly from point A to point B, this curved tube of veins and blood that moves because of a fleshy pump, this is the vehicle that takes me from bed to desk, from sleep to dancing invocation. The “I” that writes these words is part of the machine, the thoughts, the fingers, the mouth that pouts from a night of crying…I am the host to another, the organic bacteria that hosts the silent watcher trapped within a forgetful creature of anger and rage and sexual fever. The machine eats its dinner, the machine dresses in pretty skirts and stays warm in the winter. The machine enjoys its bite of chocolate and does what it needs to do to stay breathing. In nearly every moment, only one force moves this small vehicle, it is the desire of self preservation, the “I,” the ego.
And then, in moments in the dark, when the lights of the road take on a quiet pattern and everyone in their metal boxes feels like kin, then the presence of another emerges and in those moments, no worry seems important, every fear seems like a waste of time and time itself seems truly short and precious. And then the organic bacteria takes over once again.
And I look down at my typing fingers, long and skinny and crowned with stars. Through a strange turn of events, I find my machine working…writing, creating, doing what is asked of it, despite the habits. Despite yelling at slow drivers, crying a couple times a week, looking for sweets in its fridge.
The machine, the limbed body with fingernails, the body that seeks comfort and death, this machine sustains me, it is what I need to work on earth, it is a host, a host for the Being. Perhaps one day, a new life form will emerge, strong and willful and in service to the Absolute. For now, I work with what I have.

Piano Practice

She drove to his house as she did every Thursday and Friday afternoon. He lived on a peaceful tree lined street where none of the inhabitants knew of hunger or felt the fear of F16’s flying overhead. The children grew up playing soccer and learning instruments. He got out of school at three o’clock, and she always tried to arrive a couple minutes before him. She was pulling into the driveway and she saw him standing by the neighbors trash cans with his friend Jack from across the street. She waved to him and he raised his arm, moving it, yet it could not be described as a wave, there was no greeting or friendliness within the movement, it was more something his body did to shrug off the forwarded hello. He walked towards the front door where she was just turning the copper key into the top lock. Entering the house, he threw off his backpack and slid off his shoes and walked away, leaving them in front of the door.
"I have a lot of piano work to do, but I’m hungry too."
"Your hungry? you want some curry?"
"yes, please."
She took off her shoes by the front door and went to the kitchen in her wool socks to the sounds of an unlearned wedding march. She wondered why his teacher had selected that particular piece for him to learn. She grabbed a white ceramic bowl from the cupboard and scooped some rice from the cooker into it and got out the container of curry his grandmother had made the previous day. The bowl spun in the microwave and she munched on cold purple grapes while she waited for the seconds to pass. Dooot! Dooot! Doooot! The food was hot and she put the steaming bowl on the marble countertop, it smelled so good. She went down the hall and towards the sound of the crashing keys and inglorious notes. The boy was crouching on the piano bench, his toes the only part of his body making contact with the shiny black bench. He looked up as she approached and stopped playing. "Is that the way you’re supposed to sit?"
"Okay…" he said with a groan and then sat half on the bench and half on his heels.
"No, sit the way your teacher would want you to."
And he slouched more, but sat on his butt.
"the food’s ready."
"Ahhhhh!!! I’m never going to have this perfect by Monday!"
"why does it need to be perfect by Monday?….oh, that’s when your class is?"
"Yeah"
"But you don’t have a performance or anything?"
"No, but this needs to be really good because I never have it good when I go there and I have martial arts class later and then I have to do homework and we’re leaving to go skiing on Friday and we’ll be gone all weekend!" He looked like he was going to cry, his head was dropped low to his chin. "I need to practice this for hours!"
"You’ll have time to practice and do martial arts and your homework if you don’t watch any TV."
"That’s not true" his voice turned authoritative, like a child king. "Homework takes me a couple hours, dinner takes an hour, I won’t get home from martial arts ‘til 6 and I also have to go buy some books."
"Okay, look…look at me…look at me" she touched his shoulder. "You won’t be able to do any of those things if you freak out. You don’t need to cry. Are you hungry?"
"Yes"
"Okay, why don’t you go eat, the curry’s hot. Then, do your homework before martial arts, you’ll go to marts, and you’ll be home by six. I really don’t think it takes you an hour to eat dinner, but even so, you’ll have time afterwards to practice and all your homework will be taken care of."
"Yeah, but I go to bed at 8:30 and I start getting ready for bed at 8:15."
"Well, if you just want to make up excuses…."
"Yeah, but…"
"Look," she touched his hair compassionately, "the worse thing is to start crying and getting yourself all worked up. You’re freaking out instead of doing the small things you need to do. If you want to be able to do it all, then you should start by eating and then doing your homework."
"Okay," he walked defeated into the kitchen, his footsteps pounding on the hardwood floor. He started gobbling his food and glancing every couple of seconds to the clock on the wall.
"Hey, I don’t want you to choke. You can do everything and do it well and not sloppy. Chew your food, okay? It’s not going to be good if you do everything fast and sloppy. Do you want something to drink?"
"Yes, please"
She poured him some grape juice and went to sit at her computer in the other room. Ten minutes passed…she was typing an email…
"You forgot I have to get books!" he called from the other room.
"what?"
"you forgot I have to go get books later tonight, so I’ll have even less time to practice."
"if you want to keep making excuses up, then I’m not sure what to say. Are you doing your homework?"
"yeah"
"well, keep working on it and stop getting ahead of yourself."
An hour and a half passed, he had finished his homework and had changed into his martial arts uniform. He was sitting on the couch fifteen minutes before they had to leave.
"What happened to practicing?"
"I just want to relax for a couple minutes."
"oh."
She took him to martial arts and then back home. His mother’s car was in the driveway. She opened the front door and he charged through.
"MOM!! We need to go buy books!"
"Oh," she turned to him a little surprised, "You want to go before dinner?"
"yeah"
"okay." She got her keys and they said goodbye. She left as well, saying she would see them tomorrow.
Friday arrived and both of his parents were home preparing for their ski trip. She made the boy a sandwich and then he sat in front of the TV. He stayed there for hours, watching the military channel and simultaneously reading a book. Then, he went downstairs and closed the computer room door. His mother called to him from the hall without opening the door.
"Dad and I are going to your brother’s soccer game, you should practice piano."
"Okay," he said. But he did not remerge from the room ‘til almost 5:45 and there was a tentative plan to leave for the mountains at 6pm. He came out from the computer room to use the bathroom.
She looked up from her computer when she saw him in the hall, "what happened to playing the piano? You were practically crying about it yesterday?"
"Oh yeah," he said. He shrugged his shoulders and went downstairs again without an explanation or second thought.
On Thursday, he had felt an urgency, a need to act. Perhaps it was just brought about by the responsibility he had to his teacher, the same way he was compelled to do his homework, not brought about by an internal desire, but familial pressure. But he had felt the urgency, the knowledge there was barely enough time to do it all. Friday, he had forgotten all about it, he had fallen asleep to any pressure or need and allowed himself to drift through hours without a second thought to his goal. When the urgency is clear, it is the time to act. The window of opportunity passes all too quickly.

Rising Demons

The demons are playing in the pools again, the abandoned waters where many children have drowned. They are long neglected waters, growing algae and fungus, a heavenly breeding ground for tadpoles and mosquitoes that feast on dead skin and coagulated blood. And, unlike swimming pools that have boundaries defined by concrete and steps and diving boards, these waters are uncontained. They are endless, stretching north and south, starting at my feet and plunging beyond my imagination. Beyond the voyages of Jacques Cousteau, higher than the furthest solar system. They are depths beyond measurement. They are heights beyond calculation. The pools are all I see, and even more clear than the black waters are the open mouths that just barely peak over the water line. The waters they lurk in are as thick as molasses, made even thicker by the ink of my fear. Purple flowers dot the murk, their presence in the blackness is a lifeline between despair and the memories of work, a glimmer of the beauty that can emerge from death. But most of the time, I cannot see the blooms, they are hidden by other life forms that are not so forgiving. They are the demons who feed on my sweat. Their long, nimble tongues miss my clit and instead, gather the salty drops of my fear. Their feeding does not release me from the trembling or worry, they allow me to reel, allow me to cry; they play with my pain like maniacal children in a park of carcasses and chewed bones. They like the taste of my tears, like cheap wine mixed paranoia and salted with tears. These are winos of the highest order. Boozers and drunks. Pure addicts. They cannot live without my doubts. Without my anxiety, they shrivel like vampires in the sun, only unlike the undead, their death is not eternal. Their ashes may drift in the wind, sometimes for days, other times for a few fleeting seconds, but no matter where the current has taken them, they can smell me in the air. In Paris, blowing across the steps of the Louvre or perhaps in the middle of the sea, cavorting with whales and mermaids; no matter how far away, they are triggered by my stumble. They smell my salt and the sudden rush of darkness that wrestles anything else to the ground. My altered mind, my anxious heart…they come running. Within the time it takes to blink, their forms coalesce once again. Quick and hard, their dark mouths take shape. Like a flash of brilliant lighting, something moves within them, giving life to their ghastly forms. They wait silently at my heels for a time, within the first moments of my fall, they wait patiently like a puppy learning to beg, waiting for the scraps of its master. But then, as the seconds pass and I begin to fall further into the pit, they start to nibble at my heels. They lick my toes in small circular patterns. Sometimes there are just a few, other times, dozens, each vying for a feast of my despair. And as the first tear falls, they are climbing up my calves like skilled mountaineers, scratching the smooth skin of my toes with sharpened nails and small metal tools. There is plenty for all. Each angry beat of my heart moves into an open mouth, each salty drop slides across their tongues like delicious nectar from a flowing well. They are ravenous, but always patient. My blood is never enough, but when the waters within are still, they don’t cry out. They wait, silently, always alert, always ready to come to my heels, to come to my cries, and delight in the earthly splendor of my recurrent pain.

The Ship and its Maintenance

The ship is afloat upon a buoyant ocean. In a thousand points around it, the sea rises into small sharp peaks with white foamed caps and then falls back suddenly into the dark blue mass that extends endlessly in all directions. The ship is large and elegant, shaped in a style from the eighteen hundreds, with a wooden hull and white sails which are presently full and heaving with the soft wind. In the air is the sound of muted thumping which comes from the subtle beating of the wind on the thick woven canvas. Taught ropes come from every direction, attaching the mizzen to the main mast to the foremast.
There are a few people aboard, a captain and his crew. In the captain’s quarters, there are piles of maps and charts for the stars. He knows his way well and when he talks, one eye is always on the horizon. This ship is afloat, upon the conglomerated mass of fish below the surface, above the worlds of kelp and deep sea canyons and mountains. But the vessel is not resigned to move only upon water, it has the capacity (when the moment is ripe) to sprout tiny wings from the main mast. Then it can venture into the vast atmosphere above, unconstrained by the laws of gravity. The wings have shown themselves only occasionally, seldom enough that some of the travelers often forget their ability to fly. They wait invisibly for the precise conditions to arrive, when every passenger is ready to be transported to another place above the clouds.
For the ship to stay afloat upon the choppy sea and voyage to the intended direction, all parts of it must be in working order. The sails must be patched and free of holes, the hull and the floorboards must be sealed and polished. Before they can fly, they must do the bare minimum and stay afloat and, sometimes, even this is hard for the small crew. This ship requires continuous attention and more so, continuous ambiguity. It sails among pirates and sharks, it moves past hostile lands fearful of foreign voyagers and upon an ocean ready to swallow the vulnerable without a drop of regret.
The crew have figured out a small weapon, a way to remain invisible even though they travel through the day and the night. A simple secret passed down through many generations, they have learned to keep silent. They keep their intentions quiet, they keep their ability to fly hidden, they keep their desired location a secret. Their course and wings depend on their accumulated energy, and as long as they keep their energy aboard the ship, the ship stays afloat. By revealing too much, the ship begins to leak. And with the leak, the ship sinks, ready to be received by an unforgiving sea.
The journey to wakefulness is a seldom navigated path, only the voyager whose skin can grow used to the salty spray and whose heart can learn to flower among the desert of ocean and open sky…only such a person will learn to avoid lustful mermaids with spiraled hair and hungry sharks eager to taste warm flesh. Our partners in this voyage live aboard an invisible ship, a small space between ourselves and no one else, which voyages into realms unknowable by most humans . This constant quest requires the containment of our energy. To preserve our energy, to contain it and mount it, is essential in order to build ourselves so strong that our wings can sprout and move higher than normal bodies usually venture. The easiest, the fastest way to lose energy, is to speak about our work with anyone other than our direct partners. The mermaids will ask and the night sky filled with stars will seem innocuous, but all of these will leak our energy into the normal human world and they will only serve to bring the precious ship down. Through an open leaking hole, dirty ravenous fish may enter, chewing upon the soft interior and bringing the safe dry space further into the dark waters.
We strive for lightness, we work for levity and accumulated energy. Keep silent. Keep your appearance and speech as utterly normal and vague as possible. It will only be the naïvely intuitive that will softly ask permission to enter. By speaking with anyone else, you dilute the power of the shared group, you leak out into a world of hostility and sarcasm and human misunderstanding. Preserve the strength of your will, of your attention, of your group. Keep silent.

The Work Relationship

The human experience is filled with varying qualities and degrees of relationships. There is the earliest contact between mother and child, between siblings and with pets, between friends, between lovers. All of these relationships make a dent in the pliable mold of skin and organs- although it is not the only thing that changes us, they certainly represent a large influence over our life. And once we are walking and talking and know how to bathe and feed ourselves, if we are so lucky, we will discover another kind of relationship. It is a working relationship. It begins with two people who consciously decide to go on a journey together. Since we begin blind and naïve to our habits and sleeping state, the relationship begins in a state of intuitive trust. A baby clings to its mother’s breast without asking for references, it just latches on, trusting it will be guided and cared for. A work relationship between adults begins in this way as well, with trust and an intuitive sense that this is the mysterious path to tread.
This is a delicate state, akin to the small sparks of twigs and crumpled newspapers which begin a great breathing fire. Each step along the path is taken slowly, with tenderness and strength. Piling too much thick pine wood on a slowly lighting fire could smoother the flames, too much lighter fluid could cause an explosion, while waiting too long to add the larger logs could also extinguish the mounting flames. It is a delicate balance, a fine razor’s edge.
A working relationship is maintained by constant devotion. Devotion to the constant work, devotion to the master who guides with all their ability, devotion to the objective of a waking state, devotion to honesty and keeping an open heart, devotion to transforming our negative habits into things of beauty that have the power to affect more than we normally understand.
It requires renewed trust when the moment feels bleak and the machine spins in turmoil. It requires renewed attention and focus each moment of the day when our thoughts drift into identified and distracted states. It requires self sacrifice: sacrifice of ego and image, sacrifice of personal glory and lifelong habits. These are not things we do once and then forget about it, like conquerors on deserted shores. These lessons and struggles continue throughout our lives, and each day we must sacrifice, sometimes more than once a day, for as long as breathe enters and retreats from our body.
A work relationship is the bond of people with a common objective. To reach the waking state is a test of endurance and practice and growing will. The people we work with are our partners in this practice. Together, as our energy mounts, we move higher in the labyrinth, holding hands and pushing higher still, we climb not knowing what comes. But we can only rise if the relationship works. If all partners are open, without barriers and machine masks. These artificial walls obstruct the flow of energy and love. They keep the relationship at its most base and human level, and at this level, we are asleep.
While some human relationships can continue to exist with lack of attention- like estranged parents and adult children- the working relationship cannot continue to function with neglect and unspoken aggression and distance. Negative emotions and manifestations, which are completely common and accepted in the world, like sarcasm and eye rolling, rudeness and harsh tones, all of these, while practically the norm at a typical family thanksgiving dinner, can destroy the working relationship. Machines will react to each other. Barriers will grow tough and impenetrable. A distracted moment, a careless sentence, a shrug of the shoulders; as small as they might seem, they can break a strong contact. It can shatter an elevated space. By constantly acting out our negative emotions, we can quickly forget what we are working towards and simply dwell in the sleeping state. The working relationship will always require more than what we are used to giving, it seems un-normal, and it is. It is absolutely special and tender, hold it with all the love you possess.

A Model Of Talent

She looked directly into the camera, with a smirk on her face and the faintest hint of a singularly raised eyebrow, and she said "I’m the strongest model here, it’s my face on the wall this week. I had the best picture last week and right now, I know I’m the best, so yeah, I think it’ll go great at the photo shoot tomorrow."
She had done well last week. In a photo shoot which involved disguising every part of the body but the eyes, her eyes and expression came though with the utmost clarity and force. Out of all the other models in the competition, it was she who went into the camera lens, bringing herself into the small tube, communicating to the photographer and future observer with all her fierceness and beauty. She projected herself out like a laser and brought herself to into the material world of magazine ads and lipstick commercials. And at elimination, the judges praised her work and photo and told her she had a real talent…a natural talent. Those comments solidified her own ideas and hopes, that she was indeed already a great model. And all the other girls who had been in the same photo shoot looked at her with wonder and wanted to know how she had done it. They wanted to do it too.
When the next photo shoot was scheduled, she walked into the well lit studio with her head up high and a confident swagger in her hips. She knew she was the best, as had been proven last week, and this week, she was sure she would deliver as well, she had talent after all. Looking into the future, she knew she would win the entire competition and would soon begin modeling all over the world. She was the next star. When her turn came for the photo shoot, she did her thing. She looked into the camera and tilted her head and projected strength. She switched positions and used her legs and arms and played with some angles. But the model coach on set was not giving her any position feedback. After the first couple of frames, he said she didn’t look intense or strong and with these first biting comments, she began to sink. With each new pose, instead of hearing "beautiful…these look great," she heard silence and felt the exasperation coming from the coach and the photographer. Each click of the camera deflated her more until she couldn’t wait until it was all over. They tried to give her a couple of tips. "Turn the left arm more, lift your chin…" but nothing seemed to bring the magic. What was she missing? She had no idea. She was doing the same thing she did last week. Why wasn’t it having the same effect? "last frame!" called the coach, practically rolling his eyes as he said it. She knew he was mad. She hadn’t delivered and hadn’t impressed and she didn’t know why.
She wass young and had only really modeled in the mirror of her room when she found herself alone. But she came to the competition with the hopes of doing more than that. She wanted catwalks and Gucci and to work with the best photographers. She wanted gorgeous pictures and a new career. But she was young and inexperienced. She had never really practiced her moves and her "walk." Modeling was all new. They told her last week she had talent. Shouldn’t talent always be there? she wondered. If I had it last week, where had it gone this week? In effect, she had stumbled into one amazing photo. She had no idea what she had done right. How exactly had she held her head? What had she been thinking about when the camera clicked?
She could not retrace her steps, and thus, what they called talent was merely a chance encounter with the perfect light, expression, and timing.
Time and practice lead to true knowledge. Knowledge does not need the label of talent. It is beyond talent. Knowledge is knowing how to hold your head for the camera at just the right angle. Knowledge is knowing the shapes your body can contort into and still appear beautiful and interesting. This is not talent, it is not inherent. It is practiced and perfected. Day after day, it is examining what works and improving what doesn’t until you don’t need a mirror or another set of eyes or a coach. It is feeling it from within, knowing its every shape and subtlety. With deep knowledge, you can perform despite the weather or illness or stress. You know it. It is not a mysterious god given talent. It is direct and practical experience, crafted and made flawless over years of solid work.
If you show your work and someone says you have no talent, set the statement aside, shift your attention back to creation and keep on working. If you show your work and someone says you have talent, do exactly the same.