Trace The Lines

I try to trace the lines back

The night was dark

Purple

Without stars

Do you know what I mean?

My body was twisted

and formed of clay and pale powder.

Thrown into the air

and endless rolling hillsides.

I try to trace the lines back

Red and white lights

streaked below the bridge.

Veins that carry flesh, soul, meaning.

I peek out from a blanket of forgetfulness,

stretching from California to Arizona.

Catch the road, straight and black.

Look for a star.

I try to trace the lines back

Somebody was there

a mirror

just past the shabby brick building.

I dismissed the thought

Curious, slashing in the wind,

those elements tangled me in color,

leading me to desolate places

surrounded by water

and black carrion birds.

I try to trace the lines back

There was a fluttering hand

the ropes of my bondage cut into me

the sound of an animal.

I am carried home unto awakening

can see forever in every direction

I try to trace the lines back

I cannot remember

I cannot remember what I was

I cannot remember

Entrance of the Myth

A single cell took what was there, what was let in through the wet portal that led in and out of the world.  And we could not know which was which, what was where, who was what. The world, the very concept implied a particular destination and place we had formed with fixed lines and edges. And here the signifier broke down and assumed its nebulous shape.
The boundaries could be defined by skin, but that was much too simple, too primitive a barrier when we could so easily see the flowing channels of neon green and pink, and then deeper still to the level of molecules and atoms so we could know, for just a moment, so we could see, just for a moment, that the shape and skin and thing itself did not exist, that our perception of it, of phenomena itself, was an illusion to which we all passively subscribed.
As that single cell accepted what was taken, as the message was sent, the myth penetrated that great boundary separating blood from air. It spread quickly, though time no longer seemed to be passing. God was here now, flowing through and around us, sprinkling seeds. And we flowered. I journeyed down the tunnel, petals and petals unfolding before me so that I could reach out and see the lines in their electric state.
Spain and the hot plazas spewing yellow and gold lights, blood red roses and softness, black shiny hair and pale skin and polka dots. Shiny blue cars riding low to the ground, graffiti and rainbow colors on the forgotten cement walls of our urban systems. Dark forests and hairy creeping creatures, dancing, moving, fucking. Deep and dark, raw sex without restraint.
The myth was a secret where we teetered on the edge with neon shapes and candlelight, marking the boundaries where the gods came and entered.

Questions For A Sunday Afternoon

There is a simple choice
one of gray, with fingers of red and black.

There is a simple choice
which I ponder, which I let roll over my tongue like goo and
the delicate noise of percussive vocalization.

There is a simple choice,
but it is no choice
simply because I cannot understand the alternatives
not with the parts of me that wander out windows
and stare at the bright lights of coming trains.

What can a choice be
when I do not see it laid before me
on a platter of shiny silver edged in delicate floral patterns?

Here there are vultures.
Here there are laws where the civilized go to worship
where the chant echoes hollow on stone walls
where books are torn and stomped under an army of bare feet outlined in black ash.

Worship comes in all forms
All contortions.
I have thought it is for the faint of thought
for the weak of body
for the stubborn of mind.
I am no longer sure of it
as I sit on the edge of a plump bed,
words dripping off the edge of my tongue,
the sticky semen of civilization.

Thought is not without consequence.
This we have known for far too long.
There are places with cages,
rooms without windows and touch,
procedures with complicated names
that kill the part of flesh still seeking
the colored fractals of knowledge.

There are the rooms in which I have hidden.
Rivers crossed which cannot be undone.
I have made the choice,
There is only one.

Stars are out there
deep in the black of beyond,
I can feel them through the walls,
can sense their death long before I came to be here.
The moon pushes parts of me onward,
how can I say no?
Such a pretty light cannot be ignored,
not by one as romantic as I.
I will follow the waves,
waters need no words,
each crash is a sentence,
a communication beyond symbols and fixed meaning.
It is sometimes sex,
a thunderous pounding.
It is sometimes red
And soft like petals.
Sometimes roaring or delicate in its nuanced fragrance.
We can never tell,
and I do not try and understand.

Can it happen here?
In this place
under this lamp
in
this
book

In this collection of clutter and mass breathing?

For now, the questions await unanswered, wavering in the darkness like flags forgotten.
What can words communicate more than a slippery tongue?
I will take my chances on the pile of stones.

I have arrived at the place for mindless wandering,
I have come often.
Naked, alone, scared beyond comprehension.
I return.

There is but one simple choice,
though I laugh, sitting here on this plump end of a bed.
Laugh, knowing it is not without its temptations.

This is for all of the moons that have passed
in this country of falsities,
of missed turns and rounded corners
the devil hides among the faithful
the heathens rarely bury their young.

A World Within A World

Open and exposed
we watched the tide.
A trail of white lingered behind the breaking waves,
bread crumbs left behind for our thoughts.
I looked at her, wind blowing that long straight hair
like it was in a battle with the elements.
We were forest creatures,
standing beside this place of water.
Sounds we had still not become accustomed to,
scents never experienced.
If we remembered the trail of ants
over stumps left behind,
if we thought of mushrooms
and ferns and the rotting mulch of our
rain-drenched home-
no, I could not think of it. 
We would fall.
There are some things we cannot do, not now.
A dotted line entered my consciousness.
Two double-stranded helixes.
A diagram.
Pure form, all lines and angles, twisting,
Making bodies, shapes, information.
I looked again at her,
A world within a world.
A rose, within a rose.
We watched the tide, the fading white to blue,
Blue to white.
Long trails along the water like our thoughts lingering
on far away places.
She was an angel beside me, one angel
consisting only of truth, of beauty which opened wider
the more I looked. 
We were forest creatures
made on the kitchen sink.
Dirt, the remains of bitter greens
and a splash of water. 
It was simple once,
perhaps it still was, but my mind
was running with shadows,

words,
with extra words
which seemed to spill over into the water
and run away from me. 
I could not even make a move
to chase after them,
I could not spook the angel.
I stood still
presenting myself with a bit of falsehood.
Direct correspondence could cause the
winds to change.
The gray pearl might dart, might
jump into the choppy waters
that seemed to so adequately mirror the
tumult inside.
We had wanted for nothing
there with the shade, with the dampness of
winters that never quite left.
Not now, there are some things I cannot say.
Not now.
The water speaks,
a rose opens.
The fractal widens,
showing itself finally to
my fractured mind.
The cracks widen,
it seeps in, finally finding the opening for which
it had long awaited.
My gates had been sealed,
tightened and bolted.
The sea air has done its work,
smelling as sweet
as all that has been forgotten.
Unhinged, I now grasp.
Another speaks
the words.
We forgot all the names.
In the garden
our jaws opened,
your own widening perception
blossomed.
Mine broke and crumbled.
Then we wanted.
Just briefly,
we wanted.
Speaking,
laughing
desire had been born.
Perhaps we would put it to rest.
The angel and I
the waters and the new passage available,
For a moment, a minute, a day?
We must jump,
Now.
The path is open,
oozing and bloody,
the seals and cement, the path
the darkness.
The secrets are open
available
and we must jump while we can.
The new world of waves
of seaweed and mermaids
in this new, unfamiliar world.
We finally jump away
from the trees and earth so familiar,
into the darkness.
A world within a world.

Drink Of Life

Drink of life- like my mother did once.
Not alone in the bedroom, she opened and took and the pungent seeds of time spilled into the darkness of space alight with imagination and moans and shrieks and luminous suns.
Let the blackness talk and whisper the secrets of life eternal, but do not mistake the body as its only source.  The sky is full and traveling is not done only in carbon and flesh.
Drink of life like my mother did once.
Then drink again.
Water like my father did once.
Again drink.
Like my father.
Forever is not the end.
End. 
There is only eternal
Return. Again.
Eternal return.
Again.
Eternal return.
Again.

An endless loop of purple and black, we sit in this circle and live out the revolution.
Time shifts as this carpet accepts our weight. As the walls hold us in and the black curtains postpone the sunlight from our eyes. 
We go back into the dream state and journey through darkness and quiet spaces while the walls melt like jelly. We walk through them, licking the paint until our tongues taste like ocean water. 
We circle back and flow in and out of the speckled windows, hearing the squeaks and moans of cars rounding the corner and delivery trucks halting by the door. The walls hold us in, ever intent on their quiet role, their shelter against the demanding brightness of day.  
Grinding and sliding through the maze of our consciousness- like a serpent, the circle comes back once again. It is my turn to speak. 
Cycle.
The ends are woven perfectly together and for once the ends of our fingertips flow out and back in like wisteria branches. Perfectly pungent and delicate- we glow imperceptibly in the darkness behind the curtains. Eventually the walls take in our vibration and the light between you and I starts to move like heat off a desert floor. Though my eyes are closed, I dance and dance, hoping over sand and the scent of old gun smoke and greased leather.
What is this space? I hear my mind ask. Never content to let the eyes talk for us, to let time shift and strain and begin to rewind and then leap forward in a spiraling dance around the circle of our words. And back again, receding into the darkness between the black curtains.
Endless circles as our fingers and toes merge back into roots and trees.

Eternal return.
Again.
Eternal return.
Again.

Stinging Bits Of Doubt

Work through the stinging bits of doubt.
They nip at the beautiful sphere we create, puncturing it slowly until it collapses under its own weight. I stare at it, deflated and crumbled as candlelight still flickers- the glow reminding me of what we could have made. I see my reflection on its distorted shiny surface. 
Work through the stinging bit of doubt.
They come up like weeds and sometimes I confuse them for tiny flowers and I let them open. Only when their faces shine up at me do I realize my mistake and see the death skulls laughing. But by that time I am far away and lost, floating on my wooden canoe. 
Out to sea I remember shore. Far away there is a house and a garden. Far away a sage bush goes to seed. Far away is a protector, but I can no longer see him beyond the horizon.
My habits have carried me out here and water spills in over the side. Salt oozes up my leg and I begin to crack. 
But there you are, holding the door open once again. The pathways are slightly more narrow now and the flowers have lost their scent, but here we are again in the dim afternoon light. The present is open and wide and we look into it with wide glittering eyes.
Once again we had stood on the edge, once again we clawed our way back from the crashing waves. Here we are again, a circuit of energy between us tasting of love.
Try to remember to breathe you caution. Next time breathe into the stinging bits of doubt, send some air into the caves. 

Dig In

Dig in with my feet. Dig in with those callused hands cracking and smelling of blood and iron.
Those hands of yours with the roses sprouting from below the white nails are leading to my bed where the sockets sizzle and burn, sometimes exploding like certain moments in a hot jungle with a stove nearby and a woman in a blue uniform caressing the colored light between us. Ouch, the fire of electricity snaps me up. Eyes, open. We know where we are.
Eyes open, we look out the window together and regard the little bird at the top of the tree. Ouch.  Another slap and yes, I am listening.  There is nothing that hurts more than a blind ear.  A deaf eye.  A mute look.
We stare out the window.  Stare.  Stare and state the purpose. Bird out on the tree, sitting on the tippy top, bending the last of that cypress flare.
What hurts more?  Out the window, looking in this bed and discovering the world beneath the covers.  Covers are for the modest and asses out- the narrow light coming through the window catches us, immodest and glaring white and covered with hair. 
The savages have come with urine scented hair and teeth, the shamans rarely stand on hilltops with white robes. No- the tribe has arrived, beautifully described with yellow teeth hanging from rope necklaces made of human hair- skulls used easily as drinking cups. All manner of earthly remains used for decorations and I was hoping to get one for the small altar.
Pain is my friend, without it I forget.  Without it I would forget myself in this warm house covered in sugar and red and white candies and the fluff of terrycloth and inertia. Pain is nothing my friend. Pain is everything.
I look into your eyes, share that spark once again.  The sockets will be jealous as will the memory of a story in my mind.
Can they see us now? Our colors pouring out the small shaft not always meant for light- grunting and brutal- the light hits us from behind, illuminating our forms on the white walls, casting a shadow that travels out and up- beating against the wall of the room, radiating out out out and up up up until we no longer recognize it, have forgotten what was done on the bed in the name of pain and practice and exchange. 
But the clouds are there and have been since we began, and they seize it all up and turn it into seed and send it back.

The World

The world is not infinite.  And that is what I have been saying, but you never listen.  
The clouds stomp their feet in prayer and I hold my hands up to them so I can taste those sweet drops of milk.  It was like the poem I once read, “her milk created the stars.” The drawing it once inspired.  A pink and white breast against a sky of black, a waterfall of white and a sprinkling of twinkling lights. Open up your arms so you may taste the sweet drops of life. 
The clouds are there, ready to give and yet we long for the sun, to feel the warmth and hide from the gray rain clouds.  We resort to what feels good rather than what is helpful, what will keep these plants alive, what will finally help me to push open the door.  We need the rain they shout!  Those little tender sprouts looking up, drying to ash under the blanket of blue. Heat drying the land, turning my skin into parchment. But it feels good doesn’t it?
I let that skin go as I crawl over the rocks, I turn red and then black, as devilish as they fear, as conniving as the books and old tales warned. I have a tail and it will sting.  It will cover you with bruises and I hope that we do meet, for I need exercise. I crawl, as evil as the men saw, turning from red and blue into clear water, covering the land that refuses to let me go. I will not die. 
The world is not infinite, and yet the numbers do not lie.  There are a billion micro spaces and I have known almost all. Each story is another chapter, each life another variation of the same old tale. The castles and the caves, the donkeys and their pet mice.
I have known almost all, and still, I am surprised by their little changes. The red flower instead of the blue.  The upturned smile instead of the light as I remember, catching her eyes in a moment of thought. Let the thoughts flow out, but stay here, not in the tiny worlds of the market and their petty transactions, let it stay here, on this world. 
The micro state of soothing electronic pulses playing a few feet from my head, where the fan whirls continuously, a drone among drones. The plush bed covered in Nordic flannel sheets of red and white, somehow making me feel warm by design, the veined fingers moving fast.
The world. Will I one day know its entirety? How many micro states are there?  How many people could be in this room right now with me? 
Johnny on the desk, Johnny rubbing my feet, Johnny slapping my precious cheek. The tear can fall by the window, on the sheet and quickly vanish, over my arm leaving a trail of salt.  I can see each one and am gladdened by their multitude. 
Too soon, this could end. But this will all be back.  It will come again slightly different than before.  More complex in shape. Unknowable.

*   *   *

It escapes from you.  Or you escape it.  For you hide your eyes and go under the covers like a young girl hiding from a dream. 
She saw those woods, the coming light of day her only reassurance. But soon it turned to night again and she was scared of the dark branches and the thick trunks and the man who walked up ahead telling stories that terrified her flesh and made her think of death and the iron smell of fear. 
Do you hide like that, from the dreams of this world; or does it escape you- running. Does it dance in the corners waiting for a moment of attention, one that almost never comes? How can little girls hopped up on sugar and chocolate cupcakes look into the corners of the room, where the sparking light takes on a multitude of colors, where chairs become vehicles of transportation, not just a resting point for a fat ass.  Who escapes whom?

*   *   *

It is a place that sinks into the ground by the weight, the world on our rounded shoulders. I try to wash it down the drain at night. 
I try and let those hands and the dollar bills and the forced laughter go washing down the sides of my wide hips and pass the obstacle of the clogged drain and down into the pipes, flowing to the ocean of salt and silt and all those other nasty things we have tried to bury and hide.
It goes to a land of layered memories and all we need to do is watch the tide come in and look out for its hands. It is never fully buried.

In the middle of the world lies the dusty valley of wheat, rags, boots, brown skin, red faces and dirty blue trucks. A little graffiti done in a rough style, like the young boys still did not know how to hold the canisters the right way, like they had yet to lose that feeling of fear that the cops would show up at any moment-  we all know the older boys would go down swinging, even longed for those red and blue lights to turn ‘round the corner, to catch them with blackened fingers and bandanas over their mouths. 
And though I imagine you, dust still finds its way into my mouth. The town is covered in it and I choke slightly as the scene passes. 
Everything is yellow and tan- a lone young woman sits on a fallen rock by the only mini-mart for hundreds of flat miles.  She’s wearing a long dress held up by worn spaghetti straps- her shoulders covered in freckles and dust. My tires kick up dingy clouds as I make a wide left turn and pull into the gas station- a bell rings and she turns her head towards me. 
Did I come for the rocks and sausage?  Does she wait for the one truck that will come and take her away?  Or is she a fixture in this town, like a lamppost or a flag sticking out of the eaves from an old house.  Eternity in a body by the side of the road.

*   *   *

Forests, rivers, tears and glimpses of laughter, overheard from a distance.   This is what I see in her eyes.  They are blue, I can tell from here.  Shaded by the light green awning at the gas station- the girl continues to look at me and I at her.
Soon I will go on and she will stay, warmed and browned by the sun. We will trade places for a moment and I will sit on that rock, letting the world pass by on the two-lane highway not five steps from where I sit.
The days pass slow, the afternoon marked by birds overhead, the cars that I count, the colors that add a moment of excitement to the yellow and tan landscape.  The hills behind me whisper to the sun, they match, the colors blending and punctuated only by the sky.
She goes on, taking my car, using the wheels, moving on. The world is shaped like a tilted rectangle if you watch it from above where there is safety.  Here there is none. 
A part of me longs for what I left, she flies like a bird in a windstorm. There is no end.

Open Up

Open up and smell the rain. It is coming. 
Soon the clouds will topple over with accumulated sweet tears and I will be there to drink it in. I will have my pearl goblet embellished in skulls and teeth and the sweetness of sky will move through me, turning me from flesh to air. 
Open up and smell the coming rain. Open up and let the walls of your chest creak, they will make a joyful noise and sing with mine as we stumble into awakening.
Like rusty doors in long forgotten castles, the sound is wild and out of place. Now is the moment to take the scuffed up brass skeleton key from the old woolen pocket. It is time to twist, yes, with a shaky hand, and let the gates crack. 
Open up and smell the rain.  It comes as a gift without words and explanation. The scent of night moves towards us in lustful abandon, coming with its sweet tears. Clouds full of wetness sweep in covering us in newness.
Now take this knife, make perfect slits along the length of our single piece of okra. The glue on our fingers will bind us to the walls and from time to time we can hang from the ceiling and look at the world like geckos.
Or you can take the form of a purple goddess and travel among the trees like the wind. There are no obstructions as purple scented air. You move wildly through thickets of oak leaves, sending a torrent of them to the ground.  You bash against the boughs, bouncing and twisting over shapes and continue forward.  Perhaps these things will eventually slow you down, all these rocks and faces of matter, but for now you roll over them as purple scented air. 
Or you can dance ecstatically without form, picking up pollen and dispersing it over fields and houses.  Twisting, twisting, you bend the clouds into mermaids and smiling paintbrushes, an entire canvas of sky all orange and red and glowing. 
Or you can lie down and become gold grass.  Feel the skinny white roots slowly digging into the soil, pushing so softly past the tiny bugs dwelling in the folds of pungent earth.  Feel the sun turning to food on your delicate upturned blades.  Can you feel the green of your flesh? 
Open up and smell the rain.  The clouds are colliding and soon we will be droplets once again.   Gold is the sky as we take the form of clouds, there are no obstructions as we take new shape.

The Birth of Myth

We all laughed yesterday as the barriers that divided us started to crumble just slightly under the weight of smiles and eye contact.  Icy waters began to subside just slightly, and I felt the twinge of family, the strangeness of three people sitting at a round table in the middle of a night filled with fog and gusts of stinging moisture. 
The world seemed to open up and I had a bird’s eye view of three people below the roof of a house, a blue and green sphere in the midst of blackness, amidst a collection of sparkling lights. 
How strange to be sitting here, talking of myths and words, mostly listening, because I don’t know of these things.
I will forget that we live in the midst of myths, like lights being born of gas and dust, we live in the midst of words and associations and archetypes that rise from our consciousness and reveal themselves like a blossoming flower. Their shapes of darkness and pungent earth, their swirling white spheres of grand-moving strangeness. 
Some will paint them as evil, some will call them angels and avengers.  And still others will see them just as tales, like the ones that came before but painted in different colors.
The names change from story to book to legend to movie to speech to show to story. 
We live in the place of the spawning of myth. The same shapes, the same players, the same figures, the same arcs. Dirt creates them, from the soil they arise, and we are the fertile earth that gives them nourishment and the plowed mind and the twisting energy that creates them over and over, reproducing the same villains and heroes, the same turns and twists, remixing them endlessly, giving new outbursts of detail to the receptive arms of eternal skeletons. 
Great journey-makers that come from a land far away on the vast wooden ship Tharnackla. Those anti-heroes have taken a humble nation and turned it into a corrupting evil and death realm where the inhabitants are afraid to love and kiss each other. 
But once we cried together, in the arms of each other, just as the myth was born, as the people rejoiced and fell to the ground in awe. The myth was being born, and it was painful and joyous at once.
Tears ran down your face as we felt the sprouting green root take hold, as we felt the archetype of the redeemer claim victory in one shining night under the moon. 
You got on top of me and we celebrated with love and skin and soft grunts of pleasure. This was the birth of something, the celebration of a golden legend come home, the beginning of a battle to reclaim the land from sea to mountain and back again.
We sat at a table and the story spiraled between us like falling stars.
And yesterday we laughed. And we lived the myth of us as I saw it from high above.
No such thing as old. No such thing as new.

Thoughts In The Labyrinth

They sit in a circle in a dimly lit room.  Candles flicker on the fireplace mantle and cast shadows from the wiry kiwi branches onto the ceiling.  The black curtains are drawn and they are all alone- three bodies who try for a moment to leave the labyrinth and cortex behind, to emerge new from the trappings of intelligence and talk without walls. 
She looks at the man in front of her.  In most societies he would be considered an adult, a man with graying hair, more than forty years of age.  He sits in front of her illuminated in the golden light, imitating her sounds and creating syllables without meaning.

“dooooahhh” she says.
“dooahhhhhhhhh” he repeats one octave below.
“ti ti ta ma to sooooo.”
“ta toooo ta ma to sooooo.”

They all smile.  Someone shifts slightly on the futon.  A part of her ego breaks off and wanders down the labyrinth alone.
She wonders just where she is and who she’s with.  Who is the man in front of her?  The man making sounds? 
The strangeness of the moment hits her, rustles up against old thought patterns and rubs at convention.  Do adults do this?  Do they sit in a circle, letting the stars and night turn to day? Do they make sounds and sing together, pushing their bodies beyond normal comfort to remain seated in a circle?  Do they breathe loudly, moving their hands wildly as though there were music, though none is playing?

“MUUahhhhh, sahhhh, tiiiii.”
“MUUahhhhh, sahhhh, tiiiiiaaaaaa.”

Her ego searches through the known, all those layers sitting, accumulating since birth, waiting for a moment in the light.  “Known” meaning words, thoughts, convention. 
She looks again at the man, long wisps of white hair shine in the candlelight. 
This is not what adults do, though they could all be considered adults with driver’s licenses, bills, kids, cars, jobs- and yet they are not.

In another space she watches two young boys, both just a few feet off the ground.  She is supposed to be the adult there.  She feeds them noodles and bananas and makes sure they are warm and dry.  She comforts them after a fall and tucks them into bed with a lullaby.
And yet, she does not only do what the other adults do. Before bed she sits them next to her by the computer, she practices her singing while they watch and sometimes follow along, clapping as they sing along.  She imitates them in the hallway with her body, stomping her foot when they do, she jumps when they do, yells into the air when they do- they notice what she does and laugh- delighting in the exchange.
But that is not what adults do.  Not the adults they know.  She is their Other. She is like the graying man, a living signifier for another path. 

Black

We are dressed in black today, matching the night.  Black holding all our purpose.  Every color and shape, each breath taken and lost.  For all that were and all that could be. 
The clouds have parted, granting my midnight wish and I stare at a dozen silver moons, a collection of aged children of rock and light.
There are a trail of silver dollars illuminating the path from bed to window, from window to door.  Each step is first memorized and then taken with care. 
There were maps and drawings and we practiced one tiny moment among moments.  Bursting, we feed it and the circle grows, a wide band of black holding each moment. We take it in, drinking, lapping up the dribbles along the edges. 
It is all here, not one thing forgotten.  We cannot list them all and yet their names are etched into the wrinkles and lines, the scars over her breasts and the wisps of hair misplaced. 
The boat sails and I remember, a thing in motion is excited, confused and ready for toppling.  Bubbling up and spinning, the lights direct my attention, moving from human to bird to car to cat. 
You cannot stop me as the colors come and STOP! You don’t witness, you mustn’t. 
The tale must be fulfilled as written and the pages are there, may I direct your attention to the dried up hands telling our story.  Look into the black eyes beside the window, nothing has been forgotten.  Transience, mortality, they are for others outside this space. With the candles lighting our chamber, we sit as the circle.  Bodies are the wires for light, light is the shape of ecstatic motion. We are still, silent but for occasional gasps.

Before The Journey

There once was a magician who lived alone in a cave.  From time to time, other travelers and seekers would find the cave as it was next to a fresh water source and close to the dirt path that led all the way over mountains and forests and deserts to the land of spices and smoke.  Sometimes students came and brought him sacks of tea and paper and ink.  Sometimes the children of the nearest mountain village would leave sweets at the mouth of the cave and rice in burlap bundles.  Mostly, he was alone, left with the slow steady rhythm of his own breath and the restless occasional cracking of the rocks surrounding him, the sounds all houses make when they think they’re alone.
He had been there before his hair ever turned white, when his muscles had been firm, and though he had been there for decades, he was aware of how little time there really was, how birth seemed to have come just a few days before. Because of his acute awareness of time, he practiced his art with urgency and strict attention. He kept detailed notes about experiments, their results and the methods employed.  There were charts that outlined his emotions, his health, the weather and time of year.
In his dreams, he saw another world where there were tall buildings made of glass and steel.  He had dreamt of this place for many months. Upon waking, he felt the lingering desire to voyage deeper into the dream, to go so far in that there would be no memory of a cave.  The place in his dream was not better, it was only different, with smells and textures that did not exist where he sat.  He wanted to look into the eyes of the people and see what they had to share.
For months he tried various things.  He played in his dreams and covered himself in the smoke of local plants.  He chanted and organized and re-organized the order in which he set up the space around him and the methods in which he relaxed and let himself drift into dreams.  Sometimes, when the spell was working, it seemed like he could reach out and touch the glass of the tall buildings, but just as he stretched out his arm and moved his fingertips towards the glass, he would awake suddenly, aware that something had brought him back. He had not made full contact.
One night, he waited for the full moon to crest above him.  He could feel the light changing, growing stronger. Though he had no direct sight from the deep interior of the cave, the waters inside him vibrated in louder ripples as the moon rose over the mountain range. Sensations rippled over his skin, it felt lighter, smoother, stronger somehow. He waited, patiently breathing, allowing his body to move as slowly and calmly as the moon that gently rose. When the energy peaked, his body began to rock.  His eyes no longer perceived the clear lines of his world, they shifted like a color show and melted into each other.
He journeyed that night into the world of glass and steel, walking through streets that showed no signs of the earth, where the trees seemed planted as ornaments rather than mighty elements in the natural landscape. 
He wandered for hours, looking intently at the people that crossed his path.  They were women and men in bodies like his own, but their attention seemed taken, turned inward on earthly matters, squandered on abstractions and worries. He could sense their tension more acutely than ever, as though none could remember their true purpose. They walked past him like ghosts, never taking their eyes off the ground or off the objects in their palms. He noted their presence and posture.
He continued his walk, collecting his notes of the other world.  Soon he came upon a piece of paper that seemed misplaced on the sidewalk.  He stooped to pick it up and was startled to see his own writing on the paper.  He looked at it more and realized they were the instructions he had written to himself prior to the journey.  He looked at it with different eyes now.  Not the man that had thought of dreaming, the man that thought of going to other worlds, but this new man now, the man he was after touching glass and steel, the man that walked among ghosts.
He was struck by the second and third lines of his instructions.  Before every journey it was his habit to write out a list of directives, things we would need to remember while travelling, the incantations he would need in order to come back to the cave chamber.  He kept them in his right hand pocket always, a place he could easily remember to check when he felt the time was right. It was strange now to find it on the ground, easily lost or blown off by the wind. 
He looked at the writing, at his familiar script. But he felt a slight alarm as he noticed the extra embellishments on the curls of several script characters. It was a minor detail of handwriting, but he knew himself well enough to know what it meant. 
Over the years and countless hours of inner exploration, he had come to glimpse the many parts of himself, the light, the dark, the terrors another man would have hid away in fear.  The benevolent teacher and the raw animal.  There were a thousand faces in between the extremes of his machine and he had met with each one, he had come to know their habits and he knew the extra curls in his script indicated that several of his egos were active, manifesting themselves in his writing. 
Without realizing it at the time, back in the cave, he had begun his journey with them inside, active, unbeknownst to him, they had piggy-backed through his dreams, stepping with him through the door.  Had he known, had he paid enough attention, as he surely should have, he would have caught a glimpse of their presence.  It was a mistake, a dangerous one, bringing them along into this altered land, in this altered state, was a hazard. They could lead him to a very nasty place, a place dripping with identifications and worldly demons and monsters hard to defeat. 
He had not been careful enough. But he could begin again now. 
He stood on the sidewalk and placed himself in the center of a circle, imagining its firm golden walls.  He closed his eyes and began to breath rapidly, letting the palpitations in his stomach push those creatures to the surface of his flesh.  He felt them emerging and he saw their contorted faces in the awful visions before his eyes. Each breath pushed them further to the surface. 
He stood in place for many minutes, breathing rapidly with intense concentration, visualizing a clear, cleansed circle around him until finally he could feel that that his inner landscape had shifted.  He slowed his breathing and began to walk once again.  The sidewalk ahead was illuminated in the glare from a dozen mirrored buildings in the high sun. He walked through them, letting his intuition pull him forward.

Solar Energy

I was on the 38, the orange bus that always takes me to the same place. Every morning, five days a week. My regular job. The one I do because I have to. The one I should be proud of but I'm not.
I like to take some time before I spend those eight hours sitting inside a box. I like to take my time before I get there to take a little flight into unexplored territory, to make a switch in dimensions... you know what I mean?
It's something similar to those digital abstract graphics. You know the ones I mean. You see these digital colorful patterns repeating over and over across a sheet of paper. There is nothing defined in them, no clear distinct shape you can recognize. However, if you stare long enough, if you concentrate on readjusting your eyes, all of a sudden, your eyes discover something three dimensional floating inside the picture, something that wasn't there before. Something that was there but you couldn't see it. Not before you readjusted, your eyes, your basic way of looking. A landscape or an object or a group of bodies, all floating in space. Invisible one moment, visible the next.
I play a similar game when I am sitting every morning in the back of the 38 Geary bus. The one that always takes me to the same place. At least it seems to be the same.

This morning I had the intention of playing, just as I usually would. I love playing. I always have. I love to sit and watch, looking out at the world through a transparent bubble of open presence, carefully readjusting the basic elements of my attention. I keep on doing that until I make the switch, until the switch happens. That's what I call it. The switch.

This particular morning, even though the intention was there, I felt as if my body was lacking the necessary energy to accomplish it. My mind was too busy, my attention jumped from one place to the other. This concern here, this memory there, an old conversation, a coming confrontation. I couldn’t pin it down, my mind that is. Flying around like that, I couldn't use it to make the switch. I couldn't be still and quiet long enough.
'There must be something I can do’ I thought. ‘All I need is energy, but how can I generate energy now? Where can I find it? How can I make new energy flow through me? What can I do sitting here in the back of this bus?'
I looked around, trying to see if there was something inside the bus I could use for my own purposes. I noticed how almost everyone inside the bus had their eyes fixed on their cell phones or their books. Hardly anyone was observing what was happening around them.
I then noticed the light dancing inside the bus as it rushed down the street. The light entered through the subtly curving windows, it reflected off the smooth surfaces, creating elusive shining shapes and shadows. It created quite a spectacle. A spectacle without an audience, other than myself. All of it was coming from the very bright sun outside.
'That’s it,' I thought. 'I could use the solar energy. This energy is available at all times. It has always been available. I just have to use it...I have to figure out a way to use it!'
This realization made me remember something I had seen in the news. A powerful political movement that wants to use solar energy as a way of generating electricity. I thought that maybe that there was some kind of relationship between my current thoughts and the things I had just read. A source of energy so evident and so all encompassing that we would tend to forget that it's there, always there.
I looked down at my own body, seated as I was next to the window of the moving bus. My body is a machine like any other. Made of different materials obviously. But still a machine.
I began to concentrate on extracting this energy. I pictured it flowing up my spine, spreading through my muscles, my nervous system. I felt it surging into my heart. I could feel it inside of me. Even if it was my imagination to begin with, the results of my concentration were not imaginary at all.
The machine was moving now. I could feel the motor running inside of me, roaring like a small counterpart to the big motor of the bus on which I was riding. That big orange metal machine came to a stop. It was time for me to get off.

'But now that I have my motor on, why not take a quick dimensional flight as I walk from here to the office?' I thought.
Using the same energy I had newly acquired, I propelled into a new adventure. I allowed myself to fly among the thick coats and hands grasping plastic cups of Starbucks coffee. Following the movement with my eyes, I let myself be blown away by the spectacle. So available and yet so easy to miss.
I remained conscious of the place where I ultimately needed to land….'right there on Montgomery street, that’s my destination.'
I flew freely and gracefully, from Bush to Sutter, from Sutter to Post. I started to slow down as I approached my goal until I finally made a full landing in front of the building that I knew so well.
Just as I landed, I noticed something at the on top of the gateway that beckoned me: a sign, a big star with the words "solar energy" written underneath.
'Ah!' I thought, 'In case I forget here is another way to remember!'

I made a full landing and made my way towards the elevator. I was a little disappointed that I had so much fuel, but couldn’t really take any real journeys inside this building. It's not too safe to take flight inside buildings such as this one. Too many eyes, too many ears, too many rules, too little sky. So I forced my self to land, to put down those invisible arms which were my landing gear and allow me to come back into the world of simple phrases spoken in a reasonable voice.
I did keep my motor running, just in case. It's so difficult for it to turn on and so easy for it to fall away and be forgotten.

I stepped out of the elevator and slowly walked trough the hall that leads to the entrance to the office, my office in a manner of speaking (although I certainly don't own it, it is more precise to say that it owns me.) As I approached the predictable day, with the predictable grounded people who had apparently forgotten all about flight, my body felt heavier and heavier. With each step the weight grew on the sides of my head, the place where sometimes wings could sprout. The motor started to fade, the energy I had just recently managed to accumulate was already going away.
'How do I keep it going?' I asked myself. …'It's as if the gum I had been chewing started to loose its flavor. Why keep chewing it if there isn’t any flavor left?'
But maybe there was some flavor left, maybe I could still find it. Maybe the sun hadn’t stop providing that dazzling juice which I had called energy, maybe it was still coming down all around me, an orgy of generosity so overwhelming that it could only be ignored.
'Maybe if I try once again?'

I entered the office and was greeted unintentionally by a bunch of tightly knit eyes and serious faces. The entire office had gathered in the reception area. There was a large meeting going on. One of those monthly meetings where they discussed revenue, premiums and profit and other stuff I still didn’t understand or care about. I couldn't bring myself to understand or care about these things, even if I was supposed to care, even if was supposed to understand. I couldn't find the handle that would make these things appetizing.
The others gave me a quick glance, then quickly returned their eyes and attention to the standing man who was talking. He was giving them, (or us I should say, as much as it is difficult for me to conceive of myself as part of this particular structure) the news of how much money we were generating by our dally confinement to a desk chair.
'Well, it's all the same, it's all about energy. How much we make, how much we use, how much we generate and get in return.'
Since I didn’t care much about the results or performance of this particular machinery (even if I probably should have, even if I was supposed to), I returned my attention to my own energy. My own machine.
It was quite difficult to do this. The larger machine that engulfed me kept insisting on using my will as its fuel. It was a role I couldn't fully accept and yet I couldn't reject it either under threat of starvation and other unwholesome consequences.

The meeting finally ended (as all things end eventually, even if it doesn't seem like it at the time.) I walked towards my cubicle, and grabbed my coffee mug, as I usually do. I didn’t know if I needed coffee. (If I doubted it, I probably didn't.) But I did know that I had the habit of getting coffee every morning to start the day.
Before I sat for 8 hours straight in that chair, I liked to take a quick detour to the downstairs cafeteria. I would meet the Mexican ladies that worked there, serving drinks and food to the many creatures like me who were serving an indefinite sentence in this luxurious prison. I liked to chat with them every day. I liked to be reminded of my origins, the rhythms of my early thoughts, the melodies of my most basic language.
I liked to speak freely in Spanish with them. There was something so comfortable, so honest, so naked, and so delicious about it.
Inside the office I felt as if my origin had to remain hidden. I had to wear a particular uniform (the uniform of executives and executive assistants, which only pretended to be free but had very distinct rules in its practical application.) I had to speak a foreign language and I had to speak it in a particular way, modulating my voice to be comfortable but not too casual, firm but not too harsh. I was always adjusting my appearance to maintain a particular illusion for the sake of the others. (I didn't have a name for this illusion, but I had learned to recognize it, I had learned to create it. I could taste it, I could sense it all around me like a palpitating mouth made of metal and electricity.)
All this work on maintaining appearances could get very tiresome. Downstairs with the Mexican girls that inhabited the cafeteria I could briefly drop the disguise and breathe calmly, even if it was only for a few minutes.
There was also another distinct flavor to our conversations, something that set them aside from all other conversations I could have within this building. Sometimes we remembered our childhood, our lives back in the lands of brown dust and bananas.
We all came from underdeveloped countries, places where people are very poor, not too well educated, where people struggled to survive from day to day. These were places where life was quite difficult, where life is still very difficult to this day, much more difficult than anything experienced by the executives that surrounded us.
We shared these memories with each other. While talking to them, I would remember that I was in the distant United States, the pearl of the North which beckoned to all of us from the distance like an emerald city in the horizon. I would remember "Estados Unidos" with all the implications those words carried, the good and the bad, the seductive and the fearsome.
I would remember that I now lived surrounded by gringos, gringos obsessed with “making money,” gringos obsessed with "looking good," gringos obsessed with "getting ahead of the pack," with "being on top." They all had it so easy! They grew up without any real obstacles, certainly not the kind of daily obstacles we knew! They had time to get a regular education, they had the luxury of being picky with their food, they could indulge their days in cuddling their overdeveloped self esteem.
We, the Latins, we came from poor backgrounds where people struggled to survive. By remembering how different our lives had been, we remembered how strange this place was. By invoking our Latin sisterhood, we also invoked the foreign, we made it come out into high relief. The foreign was all around us, the foreigner with a different language, the foreigner with a different understanding of life, the foreigner with different ways of seeing.
I was now part of that foreign world. I worked among them. In many ways I was one of them. But down here in the cafeteria I could see them once again as the Mexican girls saw them, as I once saw them before I got too close.
As I mentioned already, I liked to switch dimensions. Talking to the Mexican girls allowed me to do so. Ultimately, by talking in our own language, we invoked the sun of our tropical countries. The damp heat of a day outside in the open air, surrounded by palm trees and mangles and wild vegetation growing freely around us. Our feet remembered a ground of raw dirt, instead of ceramic tiles, where we used to wear sandals every day instead of high heel shoes.

I left the girls and the cafeteria. I could only have a brief moment there and the moment had passed. I walked back to the elevator, coffee in hand. As I was approaching it, I noticed a girl I knew. She was a Salvadorean like me, another Salvadorean who worked undercover in these regions of quiet greed and silky hardships.
I had learned from the Mexican girls that she was from El Salvador. I had talked to her before, thinking we would connect at some level. At the very least, we would be able to relate to each other based on our common nationality, our related memories. On top of that, given that we worked in this same building our jobs were probably very similar. We had come here from almost the same place, to do almost the same thing.
It was as if she was a mirror of me, a reflection that had sprung from me a long time ago and I was now finally coming to find her (or was I the reflection and she was the original? was she the one finding me?)
Based on all these various similarities, I figured our contact would come smoothly and easily. But, in practice, it was not so easy. In fact, it was awkward and easily broken. There was no clear reason for the difficulty that I could see.
The few times I talked to her, I found that she was making a strong effort to avoid talking in Spanish, an effort to maintain her ‘office-English speaking-persona'. She would hardly ever speak Spanish, or say much about herself to me. Maybe because those few times I saw her we had been surrounded by other people in the elevator, maybe the presence of those alien eyes forced her to hide her true face.
But this time, we were all alone in the elevator. It was only me and her. I felt very free to invoke my Salvadorian nature to her. I was already vibrant with its tropical syncopated rhythms after talking to the Mexican girls in the cafeteria.
I asked her how she was doing, how was her baby, how was everything. I asked it all in a very Salvadorian way, emphasizing certain syllables, dropping certain vocals, shifting certain consonants. I wanted her to come out and speak to me in Spanish, in our language, the language that drags memories back out of that place where we have left them, our home, the turbulent chaos where we grew up, where we played, where we cried and suffered, where we had our first living taste of reality.
She answered all my questions in Spanish. We exchanged questions back and forth for a few moments. I could feel she was getting comfortable talking to me and that made me happy. In the middle of the conversation I realized that I had never asked her specifically what she did, what kind of job she performed within the building.
The elevator kept going higher and higher, my stop was coming soon. So I rushed and blurted out the question that had taken up space in my forebrain:
“Y en que es que trabajas?” (What do you do for work? )
She replied almost immediately.
“Yo trabajo en…” ( I work in…) “….en, …en” (in...in...)
I realized she was making an effort to say it in Spanish. I had forced her to switch to this dimension with me and now she was having a hard time remembering how to describe what she did in the language of this other dimension. It was as if I was forcing her to change her currency from dollars to colones and she was having some difficulty doing the calculations.
“Trabajo en….” ( I work on…)
She made another effort, but the word didn’t convert easily enough. She still had to work on it a bit more. Her face showed the amount of effort she was going through.
Suddenly, the elevator stopped. The doors opened. I said to her:
“Me lo podes decir otro dia.” ( You can tell me another day).
But just as I stepped outside, she yelled at me in a voice full of sincere triumph:
"ENERGIA SOLAR!!" ( SOLAR ENERGY).
She said it just in time, right before the doors of the elevator closed, sending us both back to the foreign dimension that was our daily residence.
My mirror reflection had just confirmed my thoughts of the morning, in a manner too oblique to explain, too complex to repeat. I had inadvertently switched dimensions once again. You know what I mean?
As I walked to my cubicle, I looked at the thick windows, at the bright sunlight that managed to make its way through them, at the living energy that was so easy to miss unless you shifted your way of seeing, so invisible unless you flipped the switch.