Open Up

Open up and smell the rain. It is coming. 
Soon the clouds will topple over with accumulated sweet tears and I will be there to drink it in. I will have my pearl goblet embellished in skulls and teeth and the sweetness of sky will move through me, turning me from flesh to air. 
Open up and smell the coming rain. Open up and let the walls of your chest creak, they will make a joyful noise and sing with mine as we stumble into awakening.
Like rusty doors in long forgotten castles, the sound is wild and out of place. Now is the moment to take the scuffed up brass skeleton key from the old woolen pocket. It is time to twist, yes, with a shaky hand, and let the gates crack. 
Open up and smell the rain.  It comes as a gift without words and explanation. The scent of night moves towards us in lustful abandon, coming with its sweet tears. Clouds full of wetness sweep in covering us in newness.
Now take this knife, make perfect slits along the length of our single piece of okra. The glue on our fingers will bind us to the walls and from time to time we can hang from the ceiling and look at the world like geckos.
Or you can take the form of a purple goddess and travel among the trees like the wind. There are no obstructions as purple scented air. You move wildly through thickets of oak leaves, sending a torrent of them to the ground.  You bash against the boughs, bouncing and twisting over shapes and continue forward.  Perhaps these things will eventually slow you down, all these rocks and faces of matter, but for now you roll over them as purple scented air. 
Or you can dance ecstatically without form, picking up pollen and dispersing it over fields and houses.  Twisting, twisting, you bend the clouds into mermaids and smiling paintbrushes, an entire canvas of sky all orange and red and glowing. 
Or you can lie down and become gold grass.  Feel the skinny white roots slowly digging into the soil, pushing so softly past the tiny bugs dwelling in the folds of pungent earth.  Feel the sun turning to food on your delicate upturned blades.  Can you feel the green of your flesh? 
Open up and smell the rain.  The clouds are colliding and soon we will be droplets once again.   Gold is the sky as we take the form of clouds, there are no obstructions as we take new shape.

Imprisonment

Watch as the bricks are stacked, as the barbed wire is laid, as the electricity runs through the fence. Watch as the glass is cleaned with toxic blue, just enough to see the sunlight gleaming, but never cracked to hear the birds. But there are no birds here, nothing but the sound of gears in an invisible wheel. This is the new industry. The forced masses in the cotton fields are gone, but they fields have been replaced by buildings. Glass. Steel. Bricks. Thousands of buildings dot rural towns and poor desert communities. Thick, fortified, covered in silver fencing and the even thicker layer of punishment. Scum. Inhuman. Trash. This is the domination of one class over another. One man, a white man holds the keys. Thick. Desperate. Men in suits play with many lives. They are numbers, they are cash, they are profit. Men in suits stoke the fear of a supple public. Other. Dangerous. Hardened. Playing with their subconscious fears. Black. Brown. Gang. Fear of the other is evident in the polling booth. Crime. Cops. Enforcement. Law after law has come, with it, a new slave class. It is the new cotton field, only contained. Steel. Bars. Gun. Don’t worry, they won’t get out. Like the bad dream, just go back to bed. Forget. Cleanse. Look away. Hundreds of thousands of them are in there. They are fuel for the stocks of New York, energy for the machines of Wall Street. Profit. Privatization. Profit. They are the pawns, the simple lives that have been unwillingly sacrificed so that a ruling class may prosper. In cages, in farms, in factories churning out lacy garments. This is imprisonment in America. Brown and black men. Poor men. Dominated. They are the new American slave. Outfitted in orange and pink. They are the factory workers, the only manufacturing left. Cheap labor. Better than Mexico or the Philippines. There is no sympathy. Imprisonment is not only punishment, it is the desire to dominate. One man over another. It is not quite killing. Not the momentary rush of taking life. This is the application of torture. Year after year, the slow grinding, the slow decay. But the men are compost. Soil. They churn the hidden industry. They are the river. They are the stocks. They are the profit, they are the capital of other men in suits. Raw material. This is the new imprisonment in America. Watch.

Out There

"Welcome home"
"It’s good to be back..."
The shuttle has entered the atmosphere, cutting through a thick layer of gray clouds… they are home…on earth. Welcome back… to everything you understand as "human," as "home." Our cities of concrete and steel and glass, our domesticated dogs and our oxygen and our shopping malls and warm beds that have awaited you. Here is gravity, here are fish and continuous waves and continents full of talking people that can’t understand each other and green trees that exchange our waste for invisible gold. Out there, in the vast blackness of a space that has no sentimentality, among rocks that spin just like ours, amid air devoid of oxygen, our planet is one of many. Our sun is one of millions.
Floating in the darkness, looking back at what you know as home, does anything seem relevant?
A lone astronaut fixing the side of a satellite, a glimpse of earth, of swirling green and blue and white… "we are so small," she thinks to herself. On that globe, there are battles for water, a baby cries for its mother, a handful of people die in a car bombing in Iraq. Does any of it matter?
Our sun continues to burn, sending fiery explosions our way, our moon orbits faithfully, waxing and waning month after month...how long has it cast its silver light? A man dies in the street, hungry and crippled. A young child walks to school with her friends on a sunny day.
The astronaut sees the swirling white, she sees the orb. She cannot see the woman being raped in the Congo, she is not watching the flood waters rise on TV… floating, breathing through a tube, she sees the whole, the one sphere where we know people breath and fuck. Where people die with a gasp and are born with a push.
Does any of it matter at such a distance? At that distance, is any death a tragedy? Or is every single action a hiccup absorbed into the greater blend of green and blue? Looking out…past home, into the true vastness of a space that moves past the threshold of logic and comprehension, does our home, does this one planet even matter at all?
Somewhere on an oxygen filled planet, a young woman sits in a small apartment on the crust of a complex system, she types diligently on a device invented just a little while ago, a blink on the watch of time. None of them know her, the astronauts, the sun, the comets that streak across what she knows as the sky, does her life matter amid the chaos of floating rocks? Do her tears matter to the moon? She feels the tie that connects one thought to the other, the thread that connects one small life to the system that spins around it; she is the spinning, she is the wonder, the lifetime of rocks, the wars that continue without end. Century after century, there is another conflict and stars flicker out and new ones are born and some planets merely turn half a degree and the century passes like a blink, a mere flutter.
From out there, does any of this even exist at all?