Winds from Four Corners

I am very hard to see, as delicate as a dandelion puff. I struggle against the ferocious gusts that have been coming in increasing cycles. They started off gently, almost like a tickle against my skin, but now there is no denying their rampages. 

I can see yellow sloping hills in the distance, speckled with oaks that grow at an angle; a low river further north, its current barely visible in the distance. It is slate colored and seems locked in place, as though I am looking at a photograph. But that is all easy to dismiss.

I still linger in the walls and carpets, holding on to the orange mug in the cabinet, the books that line the shelves of my room. The twisted blankets of the bed hold my smell. I recognize it all. I know every dusty, neglected corner. The contents of every drawer, the waft lavender from the closet sachets.

I hold on to the house with open arms, large enough that I can fit it all within my grasp. Every paper and stray hair, I hold. I cling, cling as tightly as I can, against the current.
What is it that is on top of me? That light, that heat.  Those gusts which don’t seem to move a tree canopy in any direction, and yet they spiral around me, coming towards me from every angle.  
And then I feel it inside, rolling, tossing what I know, shattering those memories of silverware and linen drawers. The dreams that fill countless notebooks, it all spills outwards.

Bursts of hot energy light up in different directions.  “Don’t go there, don’t step outside the lines,” I think. I bury my face in the clothes of my top dresser drawer, smelling the sun. I look for the cat that once hid in the laundry room and can find not a piece of fluff. Colorful patterns emerge as I look up, letting myself cry. Beneath the layers that connect me to a certain gender, I feel a violent stab of spiraling currents.

I feel a dozen pairs of eyes, moving slowly up the street. They pass the house, in unison taking in the wooden tiles of the roof, the red geraniums beside the front door, the white curtains in the downstairs windows. They are here, taking me in.
Then I start to move. I can resist no longer.
I follow them for a while, then become entangled in the shifting winds. North, south, east west, they come at once, enclosing me in intangible threads, finding the hidden knot where my eyes meet.
Matter becomes a dancing cloud.

I press on the door. I can hear my own voice fading, descending. Everything pushed up from below.
The labyrinth emerges, whole, reflecting the cosmos.
And then I see it is not a reflection.
The door falls and I hear a familiar voice, not my own.
There is a change of self, a vortex, and the center of it all dissolves.

Stinging Bits Of Doubt

Work through the stinging bits of doubt.
They nip at the beautiful sphere we create, puncturing it slowly until it collapses under its own weight. I stare at it, deflated and crumbled as candlelight still flickers- the glow reminding me of what we could have made. I see my reflection on its distorted shiny surface. 
Work through the stinging bit of doubt.
They come up like weeds and sometimes I confuse them for tiny flowers and I let them open. Only when their faces shine up at me do I realize my mistake and see the death skulls laughing. But by that time I am far away and lost, floating on my wooden canoe. 
Out to sea I remember shore. Far away there is a house and a garden. Far away a sage bush goes to seed. Far away is a protector, but I can no longer see him beyond the horizon.
My habits have carried me out here and water spills in over the side. Salt oozes up my leg and I begin to crack. 
But there you are, holding the door open once again. The pathways are slightly more narrow now and the flowers have lost their scent, but here we are again in the dim afternoon light. The present is open and wide and we look into it with wide glittering eyes.
Once again we had stood on the edge, once again we clawed our way back from the crashing waves. Here we are again, a circuit of energy between us tasting of love.
Try to remember to breathe you caution. Next time breathe into the stinging bits of doubt, send some air into the caves. 

Black

We are dressed in black today, matching the night.  Black holding all our purpose.  Every color and shape, each breath taken and lost.  For all that were and all that could be. 
The clouds have parted, granting my midnight wish and I stare at a dozen silver moons, a collection of aged children of rock and light.
There are a trail of silver dollars illuminating the path from bed to window, from window to door.  Each step is first memorized and then taken with care. 
There were maps and drawings and we practiced one tiny moment among moments.  Bursting, we feed it and the circle grows, a wide band of black holding each moment. We take it in, drinking, lapping up the dribbles along the edges. 
It is all here, not one thing forgotten.  We cannot list them all and yet their names are etched into the wrinkles and lines, the scars over her breasts and the wisps of hair misplaced. 
The boat sails and I remember, a thing in motion is excited, confused and ready for toppling.  Bubbling up and spinning, the lights direct my attention, moving from human to bird to car to cat. 
You cannot stop me as the colors come and STOP! You don’t witness, you mustn’t. 
The tale must be fulfilled as written and the pages are there, may I direct your attention to the dried up hands telling our story.  Look into the black eyes beside the window, nothing has been forgotten.  Transience, mortality, they are for others outside this space. With the candles lighting our chamber, we sit as the circle.  Bodies are the wires for light, light is the shape of ecstatic motion. We are still, silent but for occasional gasps.

Before The Journey

There once was a magician who lived alone in a cave.  From time to time, other travelers and seekers would find the cave as it was next to a fresh water source and close to the dirt path that led all the way over mountains and forests and deserts to the land of spices and smoke.  Sometimes students came and brought him sacks of tea and paper and ink.  Sometimes the children of the nearest mountain village would leave sweets at the mouth of the cave and rice in burlap bundles.  Mostly, he was alone, left with the slow steady rhythm of his own breath and the restless occasional cracking of the rocks surrounding him, the sounds all houses make when they think they’re alone.
He had been there before his hair ever turned white, when his muscles had been firm, and though he had been there for decades, he was aware of how little time there really was, how birth seemed to have come just a few days before. Because of his acute awareness of time, he practiced his art with urgency and strict attention. He kept detailed notes about experiments, their results and the methods employed.  There were charts that outlined his emotions, his health, the weather and time of year.
In his dreams, he saw another world where there were tall buildings made of glass and steel.  He had dreamt of this place for many months. Upon waking, he felt the lingering desire to voyage deeper into the dream, to go so far in that there would be no memory of a cave.  The place in his dream was not better, it was only different, with smells and textures that did not exist where he sat.  He wanted to look into the eyes of the people and see what they had to share.
For months he tried various things.  He played in his dreams and covered himself in the smoke of local plants.  He chanted and organized and re-organized the order in which he set up the space around him and the methods in which he relaxed and let himself drift into dreams.  Sometimes, when the spell was working, it seemed like he could reach out and touch the glass of the tall buildings, but just as he stretched out his arm and moved his fingertips towards the glass, he would awake suddenly, aware that something had brought him back. He had not made full contact.
One night, he waited for the full moon to crest above him.  He could feel the light changing, growing stronger. Though he had no direct sight from the deep interior of the cave, the waters inside him vibrated in louder ripples as the moon rose over the mountain range. Sensations rippled over his skin, it felt lighter, smoother, stronger somehow. He waited, patiently breathing, allowing his body to move as slowly and calmly as the moon that gently rose. When the energy peaked, his body began to rock.  His eyes no longer perceived the clear lines of his world, they shifted like a color show and melted into each other.
He journeyed that night into the world of glass and steel, walking through streets that showed no signs of the earth, where the trees seemed planted as ornaments rather than mighty elements in the natural landscape. 
He wandered for hours, looking intently at the people that crossed his path.  They were women and men in bodies like his own, but their attention seemed taken, turned inward on earthly matters, squandered on abstractions and worries. He could sense their tension more acutely than ever, as though none could remember their true purpose. They walked past him like ghosts, never taking their eyes off the ground or off the objects in their palms. He noted their presence and posture.
He continued his walk, collecting his notes of the other world.  Soon he came upon a piece of paper that seemed misplaced on the sidewalk.  He stooped to pick it up and was startled to see his own writing on the paper.  He looked at it more and realized they were the instructions he had written to himself prior to the journey.  He looked at it with different eyes now.  Not the man that had thought of dreaming, the man that thought of going to other worlds, but this new man now, the man he was after touching glass and steel, the man that walked among ghosts.
He was struck by the second and third lines of his instructions.  Before every journey it was his habit to write out a list of directives, things we would need to remember while travelling, the incantations he would need in order to come back to the cave chamber.  He kept them in his right hand pocket always, a place he could easily remember to check when he felt the time was right. It was strange now to find it on the ground, easily lost or blown off by the wind. 
He looked at the writing, at his familiar script. But he felt a slight alarm as he noticed the extra embellishments on the curls of several script characters. It was a minor detail of handwriting, but he knew himself well enough to know what it meant. 
Over the years and countless hours of inner exploration, he had come to glimpse the many parts of himself, the light, the dark, the terrors another man would have hid away in fear.  The benevolent teacher and the raw animal.  There were a thousand faces in between the extremes of his machine and he had met with each one, he had come to know their habits and he knew the extra curls in his script indicated that several of his egos were active, manifesting themselves in his writing. 
Without realizing it at the time, back in the cave, he had begun his journey with them inside, active, unbeknownst to him, they had piggy-backed through his dreams, stepping with him through the door.  Had he known, had he paid enough attention, as he surely should have, he would have caught a glimpse of their presence.  It was a mistake, a dangerous one, bringing them along into this altered land, in this altered state, was a hazard. They could lead him to a very nasty place, a place dripping with identifications and worldly demons and monsters hard to defeat. 
He had not been careful enough. But he could begin again now. 
He stood on the sidewalk and placed himself in the center of a circle, imagining its firm golden walls.  He closed his eyes and began to breath rapidly, letting the palpitations in his stomach push those creatures to the surface of his flesh.  He felt them emerging and he saw their contorted faces in the awful visions before his eyes. Each breath pushed them further to the surface. 
He stood in place for many minutes, breathing rapidly with intense concentration, visualizing a clear, cleansed circle around him until finally he could feel that that his inner landscape had shifted.  He slowed his breathing and began to walk once again.  The sidewalk ahead was illuminated in the glare from a dozen mirrored buildings in the high sun. He walked through them, letting his intuition pull him forward.

Abraxas

The way out lies beyond the shell. It is hard and white and so solid it seems like I might stay here forever. So I think this might be my beginning and my death. The way out lays beyond this space, this tunnel of softness covered in thick syrup of ever-giving life. The way out is beyond this wall, an obstacle that I have been dreading, a feat requiring all my will. To live, it must break. To live, I must move through the wall. The egg is the world, the spinning earth on which all other eggs sit. They all wait, behind thin shells that keep like concrete. Waiting behind thin flesh filled with warmth and thick pieces of flesh that house our dreams.
I wait to be born. I await my death. The world awaits, holds still, takes a small breath. The hand is coming. The mouth with its beak and sharp teeth. My eyes that come with lasers and my fist for smashing. The world is out there. The shell sits, waiting for a crack. It sees the splinters, the house in ruins with forgotten windows and missing people and all the sadness of a world of missing dreams. They have all flown.
The world sits, waiting. God is in here. God is out there, waiting. We wait while it all spins. We wait while the rain spills over a thousand shells and full bellies. Our fists bang on the walls, our mouths suck on the food that spills into us without thought.
I see Abraxas in my dreams. God of 365 heavens, creator of my demons and my fists, creator of my beak and my shell.
There is a bird that flies overhead, it is a raven ringing a bell. It signals the birth of a fist, the first hammer that opened onto a desolate world. A world of lush vegetation stripped of its sheen and poetry. A world of sad promises left undone.
There is a bird out there, a cracked shell and tiny splinters. There is a fist. There is a world out there, a shell, an egg, an unborn hand ready to strike.
I must move through this wall. I must crack this shell, for the sky awaits another kiss. There is a bird out there, it is a raven, a bell rings in the distance, another death on a mountainside. Another fist is now born.
It is god’s world, the world of Abraxas and his spawn. His angels and demons, his lineage corrupted and his jewels that sparkle. All are in the sky and sprout little arms in my mind. All surround the egg, my world, both cursing and laughing. Watching for both life and the crumbles to come.
What comes must fight. What must be born will struggle, I will push against the hard forward wind. What comes must clench and grit and hit.
It is the egg. The spawn of the perverted seed. The angel with black wings calls from above, ringing a bell. I hear it through the wall of my shell, so curved and smooth. So absolutely thick it is the mountainside of my womb.
Who is it that calls from the mountaintop? Who knows of my arrival?
I come to destroy that which has made me. I will turn towards the east and then rise into the night, this fist that will move through the first wall and then find another thousand waiting behind what is left.
Brick and flesh.
It will be me, my birth, my flight into the night.
It is his name, his name that I seek.

Looking Into The Nameless

I knew then, through whispers and side-glances, as I know now, that I am different. That the compulsion to jump from fences stirred me even then, and I would run from the sofa, through a house full of cool tile, to the lush garden that awaited with green arms and promises I could never describe. And I would leap, throwing my body into trust I hadn’t the name for, into chambers I had yet to recognize. And I would land, spinning, on my head, smiling with the impact, alive with the hurt and dizzying reality of matter, and something else, something I have yet to place in a box and seal with a kiss.
I have used thousands of words, I have run around it in circles and created colorful stories that hint at its splendor, but I refuse to stare at it directly. I refuse to look it right in the eye and mark it forever with letters and obvious description. It is respect, colored by the sheer knowledge that I know nothing, that any word would fall a thousand miles short and cause bruising that could never heal. I have seen it spinning in blackness. I have poked the edges with a sharp stick and my prying mind and curious eyes that seek the details of all forms.
There is flesh, round and soft with pointed ends. There is darkness lit only by stars and the dreams of the dreaming. And I have walked through the tunnels of my mind and I have taken ships that led me to forgotten caves painted with orange and red.
I have looked, with my head bowed, and my body calm as a steady sea. I have looked. Into mirrors, into eyes that seem to look back with the same curious stare, my eyes, brown and almond shaped, alive with flecks of green I might soon forget.
It is all there, and as I know now, as I knew then, that this is different. Leaping from fences and rooftops, scouring the inner caves of ink and stinking rot, this is different. And I pull on thick boots and walk with my head bent, my arms open for others that might come running naked from the mouths of other caves.
And if they do, we will walk, through tunnels of brown and sooty black, and we will walk, through tunnels I have yet to touch and refuse to name.

Forgotten Circus

The notebook stretches its imposed lines across my field of my vision. The blue lines of formality, rigidity…they are the lines of frigid women in black dresses that reach up to their necks, the impotent men that squirm at the thought of my oozing love, enough love to cover the world if given enough time and enough fingers. But my cupboards are not filled with plain white paper, the lines of chastity are useful, despite their sexless impulse… I use them for their discipline, for their linear spankings. Order from chaos, I cast out the net into the cosmos and pull back orange starfish and leopards. Instead of hoops, I jump through a singular diamond eye and find a magician waiting for me in a metal cage. I take his top hat and shrink it, placing it on my head with a firm nod to the fashion critics who sit in the bleachers, they applaud in short bursts of excited fury, looking to each other with disbelief in one eye and tears in the other. Their moving hands hide the daggers well, their polite smiles mask the ventriloquist who has already spoken to Vogue. I cannot tell if they have drunk from the same glass as the women of the lines. “Lick it up!” I shout, “there’s more in the back!” The crowd stands to applaud. The bleachers are full and there’s a performance for the new king. The trapeze is set and taught, the elephants are glittering in their jeweled crowns and painted saddles, their riders are bejeweled in head-dresses and their faces are masked in lace and their small chests are bound in tight black bodices that describe their curves as only a true poet could. They balance on tiptoes above the great gray beasts, like fairies that ride the magic waves of night. The king is ready and seated, the jesters have finished with their truths and the jury waits to judge. The magician is full of old secrets and as the people turn towards us, we escape together through the diamond eye of the leopard, back to a room with carpets and strange light bulbs with no strings and a dry heat that smells of vitamins and soft black hair and warm welcoming arms. He holds my hand as we step through prismatic light seeped in yellow and gold, the color of tigers and opened treasure chests. He takes my hand and we step through, my blindfold forgotten on the sandy floor of the cage. My eyes remember this magic chamber of music. We have left a king waiting upon his throne, we have left sad clowns who look in desperation to their barking dogs and critics who look to their companions for ideas. We mean them no harm, but the curtain called and the lens of the crystal ball gathers us like prophecy. We are together and we disrobe, revealing our true forms, the shapeless crystals that shine more brightly than the night.

Out There

"Welcome home"
"It’s good to be back..."
The shuttle has entered the atmosphere, cutting through a thick layer of gray clouds… they are home…on earth. Welcome back… to everything you understand as "human," as "home." Our cities of concrete and steel and glass, our domesticated dogs and our oxygen and our shopping malls and warm beds that have awaited you. Here is gravity, here are fish and continuous waves and continents full of talking people that can’t understand each other and green trees that exchange our waste for invisible gold. Out there, in the vast blackness of a space that has no sentimentality, among rocks that spin just like ours, amid air devoid of oxygen, our planet is one of many. Our sun is one of millions.
Floating in the darkness, looking back at what you know as home, does anything seem relevant?
A lone astronaut fixing the side of a satellite, a glimpse of earth, of swirling green and blue and white… "we are so small," she thinks to herself. On that globe, there are battles for water, a baby cries for its mother, a handful of people die in a car bombing in Iraq. Does any of it matter?
Our sun continues to burn, sending fiery explosions our way, our moon orbits faithfully, waxing and waning month after month...how long has it cast its silver light? A man dies in the street, hungry and crippled. A young child walks to school with her friends on a sunny day.
The astronaut sees the swirling white, she sees the orb. She cannot see the woman being raped in the Congo, she is not watching the flood waters rise on TV… floating, breathing through a tube, she sees the whole, the one sphere where we know people breath and fuck. Where people die with a gasp and are born with a push.
Does any of it matter at such a distance? At that distance, is any death a tragedy? Or is every single action a hiccup absorbed into the greater blend of green and blue? Looking out…past home, into the true vastness of a space that moves past the threshold of logic and comprehension, does our home, does this one planet even matter at all?
Somewhere on an oxygen filled planet, a young woman sits in a small apartment on the crust of a complex system, she types diligently on a device invented just a little while ago, a blink on the watch of time. None of them know her, the astronauts, the sun, the comets that streak across what she knows as the sky, does her life matter amid the chaos of floating rocks? Do her tears matter to the moon? She feels the tie that connects one thought to the other, the thread that connects one small life to the system that spins around it; she is the spinning, she is the wonder, the lifetime of rocks, the wars that continue without end. Century after century, there is another conflict and stars flicker out and new ones are born and some planets merely turn half a degree and the century passes like a blink, a mere flutter.
From out there, does any of this even exist at all?