The Seed

The rain clouds had parted and the small patch of earth was damp, emitting a scent that only some knew how to enjoy. Those close to the soil, with orange leaves in their ruffled hair and thoughts of worms and horned beasts. It was a smell they both relished, unlike anything they could find in clear glass bottles. It was not the smell of elegant women, nothing like men in dark suits and slick hair. Nothing like glass buildings or sterilized hospitals. It was a forgotten odor, like the medicinal pollens and balms that had been burned and stuffed into floorboards that swelled with age. It was earth, birth, death. It was change, decay and rebirth. They knew the smell, they sucked it into themselves. It was time.

The two young sisters slept with their windows open. Sleeping with the moon, awaking with the sun’s first kisses. Winter or summer, they dreamt with the elements, living with the constant changes.

After months of wetness, the clouds had parted, like they always eventually did.

It was time. A new season had come, taking its first look at the new world. It was ripe.

The girls gathered the few tools they needed: a shovel, the small yellow watering can, and a basket full of seeds. They entered the narrow yard overgrown with weeds, their eyes shaded by the thin brim of their pink and yellow floral bonnets. The sun warmed their pink cheeks and lips, urging them forward, giving them a bit of encouragement with its heat. They inhaled deeply, at the same time, each one listening closely to the sound of the breath beside her.

Without words, they moved together. Clearing weeds into a tall pile, turning earth with the wide shovel mouth, carving out shallow trenches. When the trenches were prepared, they each took a handful of seeds, scattering the seeds every few inches and then covering them with dark soil.

They worked for hours, planting chamomile and foxgloves, lettuce and sage. The girls looked into the sky and began gathering their tools, they could smell rain.

Big, giant drops of water came, fertilizing the soil and each newly planted seed. It was the Father, the tidal force of dominant energy coming to give the little bits of information what they needed. The girls watched from their tiny second-story window, watching as the skies opened and water poured. It was essential, it was right, it was the way.

When the last bit of moisture disappeared into the soil, they ventured back into the garden, checking every day for the first sprouts. Wide eyes marveled at the birth process. The seed was information, the soil was the womb, the rain the sperm, the sun the food. Each one worked together, seamlessly, a merging of forces that would give birth to something new. A new life. A new plant. A little bit of information, a seed. It needed all the right tools, all the elements.

All the little seeds that had stayed dormant for so long, just waiting. Maybe the moment would never have come. Would they have known, could they just have sat for years on the wooden shelf, never moving, always in the same form, the same little bit of information contained in a thin shell, unused, unchanging. Did it know? Did it want to grow? Was there consciousness in that little seed, or something that could only become consciousness given the right conditions.

That was what they both had been. A little bit of DNA, a little bit of information. Each one of them had needed the right conditions. The right elements had combined, creating two little girls. Each thing that grew and died, that took a breath and pulsed, it had all begun from a tiny seed of information. Something that could be, manifested potential without a present or a past, eternal design waiting for time to come and press it into service.

Everything Is Nature

The room is lit with a bright artificial white glow. The space is wide and long and the powerful light bulbs hide high overhead, their distance is like the sun, far away but felt by everything beneath it. A long stretch of black and white ads run across the back wall of the bowling alley. The smooth wooden floors of the lanes gleam with thick varnish and a weekly dousing of wax. Echoing through the space is the low rumble of heavy bowling balls. They hit the wood of the lanes. They hit the white pins waiting at the end. The temperature is a perfect 69 degrees. Everything about the room is artificial. Without a word, it manifests its aim, the geometric perfection of clean lines. There is no wave, no tilt, just constant even shape. There is nothing natural about it. Not the wood floors, long cut from the old growth forest. Not the paper used to create the ad campaign along the back wall. The bowling balls and white pins are smooth and nearly perfect. Nothing about this chamber is found in nature. There are no rocks so round, no trees so straight. It is a created room, a created game. But this is nature. It is here, on earth. On a flattened piece of land, in a city shrouded in mist and lit by a distant sun, it is “natural,” mutated and rearranged, but “natural.” The sun, a million times removed, is still present here. The nearly flawless shapes and lines, they exist because of the gleaming orb a million miles away. The wood of the floors grew with heat. The metal foundations were forged with tools from the earth and fire. The artificial composition of the pins and bowling balls are a conglomeration of substances transformed through human hands and ideas. And the humans playing the game, walking in mismatched shoes, smiling after rolling a gutter ball. They exist only because of the sun. Light brings them food, it nourishes plants and animals. Light gives them the ability to build and create artificial worlds with bright lights and wide lanes. The room does not smell of dirt and pine. It houses all the strange creations of the world, but the elements of the earth are still present. The life blood, the moving red vein, is here as well. The flowing red vein moves through the people, moving and walking and rolling. It moves through the filament of the lights overhead. What was once a living, breathing tree is the ground at their feet. What were once buried elements in the soil are now bowling balls. Everything has been transformed, but it has come from the one source. The source of it all. The sun. And while they play indoors, while they try over and over to hit straight rows of white pins, the sun shines outside. Far away, perhaps covered by clouds, but it shines. There is nothing unnatural, not in the cleanest white room, not in the grocery store or chemist’s laboratory. This is nature. Every thought, gust of wind, packaged food, water bottle. Each object is affixed with a million invisible tendrils, tied one to the other, eventually finding its way back, winding and curving through machine and heat, finding its way to the brightest star.

Cloven Foot

She looked at the painting for the first time. It rose from the wall, levitating in its massive form and monumental message, leaving its gold frame far behind on the white background. Small and open-mouthed next to its size, she gazed up at the man that was not a man, at the animal that was not quite an animal. The beast that was not on all fours, but wearing a tailored jacket and a small hat that had holes for his horns. His face was red and long and hairy beside the ears. He stood in the middle of two iron gates, held slightly ajar with the weight of his body. Behind him a city burned red and hot. His lips betrayed a small, sly smile. Half a dozen women with large round bellies were in various states of falling, some lay lifeless on the cobblestone streets. Babies lay in piles by closed wooden doors. Just behind the gate was a copulating couple on fire, streams of smoke rose from their flesh into the dark night. He stood at the gates of this mayhem. His kingdom or his punishment? His legs were long and hairy, with thin ankles and the strong thick thighs of a horse. His penis was long and engorged, sticking up like the black spikes of the metal gates. He leaned on one of the open gates, leaning just slightly on his right elbow in a gesture of satisfaction and contentment. A creature completely comfortable in the chaotic setting of smoke and dim, reddish lights and the smoking couple and fallen babies and women who would never be mothers. His left foot reached out to her, a cloven foot of gray with streaks of black. His other foot hung back in the shadows, five toes of a pale, reddish hue. The ground below him was a mixture of dirt and black ash, beyond was a barren landscape of dead trees and smoking bushes.
“This is us,” she thought. “Our lineage vilified and made shadowy and dark and full of horror. This is the full blooded fear of man. The fear of birth and death. The fear of sex and pussy and earth and the mushrooms which spawn beneath the visible surface. We have watched through centuries, as large skirts have given way to slips and then jeans. Watched as the fires burned flesh and the screams curled with the smoke. We have watched it all. The vilification. The quest turned to the dirty kiss. We watch still, knowing, just as the smile implies, that what we do will always remain in the realm of the mushroom and the roots. The fires will come and play with the land and play with our flesh and we will be of the darkened shadows and the red clouds. We are of one, of the other, of earth and air, stardust and bright light.”

Moon Water Heart

I was born of water. In its wet cave I sparkled to life. Within its slippery grasp I grew and formed a beating heart. On the full moon, I felt the pull and began to swim, towards land, towards a realm which distinguishes between day and night. The people of air greeted me with a slap and a gulp full of moist oxygen and I opened myself to their ways.
And here, on earth, the moon calls to me twice a month, calling me with relentless screams when the tides are at their peak. The arms of the cypresses point me to the waves, to the power that keeps coming and coming, stopping at nothing to reach shore. I stand ankle deep in the biting water, it tries to find its way in, searching for an orifice that will bring it to the center of my watery heart. “Try if you must, but know that we are the same, you needn’t yearn so much! I am here, brother, I am standing within you. Feel my beat, my lunar pull!”
The skies open and shower me with the semen of a bearded god. The sea rises in its nightly lust and coats me in its desire. The center of my chest pushes out, moving through every thin vein, reaching fingertips and tiny toes, trying just a little harder to extend beyond the barrier of flesh.
“We are here,” the tide murmurs, “you needn’t cry so hard! You stand amongst the waters of the womb, you rise tall above the hot liquid of earth and below the sweet tears of the sun. You are one among us!”
The night is without a moon and I run in circles around the boulder in the sand. I run til the water in my heart begins to boil and I run until my knees begin to drip. I run on all fours, chasing mountains of white foam and sheets of mist that tousle my unkempt mane. I orbit the rock like a satellite, speeding like a dying star, howling like a rabid dog.
I collapse in the arms of peaking waves. They hold me while the black sky kisses my eyelids and while the absent moon sends down crows with secret signals and while little bubbles tickle the sides of my cheek. The waters rise higher still, entering my mouth in salty rivers that carry news from the deep. Hold me my love, my brother, let me live just a little longer.

Out There

"Welcome home"
"It’s good to be back..."
The shuttle has entered the atmosphere, cutting through a thick layer of gray clouds… they are home…on earth. Welcome back… to everything you understand as "human," as "home." Our cities of concrete and steel and glass, our domesticated dogs and our oxygen and our shopping malls and warm beds that have awaited you. Here is gravity, here are fish and continuous waves and continents full of talking people that can’t understand each other and green trees that exchange our waste for invisible gold. Out there, in the vast blackness of a space that has no sentimentality, among rocks that spin just like ours, amid air devoid of oxygen, our planet is one of many. Our sun is one of millions.
Floating in the darkness, looking back at what you know as home, does anything seem relevant?
A lone astronaut fixing the side of a satellite, a glimpse of earth, of swirling green and blue and white… "we are so small," she thinks to herself. On that globe, there are battles for water, a baby cries for its mother, a handful of people die in a car bombing in Iraq. Does any of it matter?
Our sun continues to burn, sending fiery explosions our way, our moon orbits faithfully, waxing and waning month after month...how long has it cast its silver light? A man dies in the street, hungry and crippled. A young child walks to school with her friends on a sunny day.
The astronaut sees the swirling white, she sees the orb. She cannot see the woman being raped in the Congo, she is not watching the flood waters rise on TV… floating, breathing through a tube, she sees the whole, the one sphere where we know people breath and fuck. Where people die with a gasp and are born with a push.
Does any of it matter at such a distance? At that distance, is any death a tragedy? Or is every single action a hiccup absorbed into the greater blend of green and blue? Looking out…past home, into the true vastness of a space that moves past the threshold of logic and comprehension, does our home, does this one planet even matter at all?
Somewhere on an oxygen filled planet, a young woman sits in a small apartment on the crust of a complex system, she types diligently on a device invented just a little while ago, a blink on the watch of time. None of them know her, the astronauts, the sun, the comets that streak across what she knows as the sky, does her life matter amid the chaos of floating rocks? Do her tears matter to the moon? She feels the tie that connects one thought to the other, the thread that connects one small life to the system that spins around it; she is the spinning, she is the wonder, the lifetime of rocks, the wars that continue without end. Century after century, there is another conflict and stars flicker out and new ones are born and some planets merely turn half a degree and the century passes like a blink, a mere flutter.
From out there, does any of this even exist at all?

From The Grave

The long wooden coffin sat six feet in the ground, regulation depth. It was made of a pretty light wood, not at all glossy, with deeper colored wood grain running from top to bottom. On either end of the coffin was a triangle, a kind of light embellishment. The base of the triangle was parallel to the end of the coffin’s edge and the pointed crown faced into the center of the long box. Within the two triangles, separated by five feet of smooth blond wood, the wooden grains ran perpendicular and created a beautiful juxtaposition of shapes. On top of the coffin, in the space where the heart center might be if the body’s head was closer to the blacktop drive and the gathered mourners in black, was a wooden star of David, which was about the size of a man’s outstretched hand. The coffin was simple and humble and made of matter easily absorbed into the earth. The female rabbi stood beside the rectangular hole, facing the small group that had their backs towards the empty cemetery drive, empty except for the limo parked five feet away and the four other midsize cars that stood parked and silent. The rabbi wore an outdated dress from the early 90s, made of mostly purple fabric that had abundant square swatches different colors and multiple pockets. She led the people in prayer. Twenty voices lifted into the air, a low mumbling of vowels and consonants…
Yit'gadal v'yit'kadash sh'mei raba….
Their eyes were fixed on the small piece of cardstock that the cemetery officiate had handed them.
They said it in unison. The left side of the card was in Hebrew, the other was the phonetical translation of the prayer into English letters.
I did not say the prayer, the words had no more meaning than if I had been watching a Korean soap opera. I did not fall back into the pleasant embrace of a half hearted ritual that I had memorized twenty years ago. I heard the prayer buzzing in the background and I heard the sobbing of the widow on my right. Someone handed me a box of tissues and I wiped some fallen tears from her eyes. I held the box of Kleenex with both hands and stared at the coffin. I let my gaze soften and focused on the feeling of pain and energy that radiated and pulsed in my chest. I looked at the box in the ground, containing a man, a Being in transit. I saw a box just a little below the surface of the earth. "The EARTH!" I thought to myself. And the feeling of amazement and wonder coursed through me. This is the earth. It seems like such a simple statement, such an ordinary fact, but the realization that we are indeed upon a sustainable mound of soil and magma and liquid fire that continually transforms itself felt infinitely more real as I looked at the box which contained my grandfather. I felt the ground under my thin shoes a bit more distinctly. The smallness of our state hit me like a loving hand and my mind quieted.
The cut ground was a rectangular hole surrounded by a bright lawn of green grass dotted by simple whitish-gray headstones. At the far end of the open grave was a pile of soil, the mound of rich earth just waiting to be returned to its rightful place. To make room for the coffin, the soil had been cut in an inverted triangular shape, so that the perimeter closest to the surface was larger than the smaller space which held the body. Long sticks of thin metal rebar held the neatly severed earth from tumbling. In moments when the mourners paused and the rabbi took a few breaths, I heard small chunks of earth break from the holds of the rebar. Small bits of soil fell and broke across the wooden coffin, making pretty, delicate thumping sounds as the pieces scattered across the smooth wood. The little clusters spoke to me, singing soft lullabies of the living soil that awaited. The earth was barely patient enough to wait for the mourners to finish their chants and return to their waiting cars, it yearned to fill in the gaping hole. To move to the lowest point, the point of least resistance, the point of stability, is the Law of Falling, and the soil would not follow the wishes of the humans that had gathered to cry.
The earth, though patient at times, calmly breathing even after cement has flooded its surface, is ultimately without mercy. Its compassion is objective. There is no sentimentality sprouting from its folds. We come forth though its devices and nutrients, we come from its stone and water and air, and to it, we return, like lost little children finally coming home to sleep.