Winds from Four Corners

I am very hard to see, as delicate as a dandelion puff. I struggle against the ferocious gusts that have been coming in increasing cycles. They started off gently, almost like a tickle against my skin, but now there is no denying their rampages. 

I can see yellow sloping hills in the distance, speckled with oaks that grow at an angle; a low river further north, its current barely visible in the distance. It is slate colored and seems locked in place, as though I am looking at a photograph. But that is all easy to dismiss.

I still linger in the walls and carpets, holding on to the orange mug in the cabinet, the books that line the shelves of my room. The twisted blankets of the bed hold my smell. I recognize it all. I know every dusty, neglected corner. The contents of every drawer, the waft lavender from the closet sachets.

I hold on to the house with open arms, large enough that I can fit it all within my grasp. Every paper and stray hair, I hold. I cling, cling as tightly as I can, against the current.
What is it that is on top of me? That light, that heat.  Those gusts which don’t seem to move a tree canopy in any direction, and yet they spiral around me, coming towards me from every angle.  
And then I feel it inside, rolling, tossing what I know, shattering those memories of silverware and linen drawers. The dreams that fill countless notebooks, it all spills outwards.

Bursts of hot energy light up in different directions.  “Don’t go there, don’t step outside the lines,” I think. I bury my face in the clothes of my top dresser drawer, smelling the sun. I look for the cat that once hid in the laundry room and can find not a piece of fluff. Colorful patterns emerge as I look up, letting myself cry. Beneath the layers that connect me to a certain gender, I feel a violent stab of spiraling currents.

I feel a dozen pairs of eyes, moving slowly up the street. They pass the house, in unison taking in the wooden tiles of the roof, the red geraniums beside the front door, the white curtains in the downstairs windows. They are here, taking me in.
Then I start to move. I can resist no longer.
I follow them for a while, then become entangled in the shifting winds. North, south, east west, they come at once, enclosing me in intangible threads, finding the hidden knot where my eyes meet.
Matter becomes a dancing cloud.

I press on the door. I can hear my own voice fading, descending. Everything pushed up from below.
The labyrinth emerges, whole, reflecting the cosmos.
And then I see it is not a reflection.
The door falls and I hear a familiar voice, not my own.
There is a change of self, a vortex, and the center of it all dissolves.

The Change

I sit here, my mind playing, bouncing between two sides of a colored spectrum.  The question lingers, reverberating through every memory as I sift through the contents of three known decades in seconds and wonder about other lifetimes on the fringes of easily lost dreams. 
Did I make the decision to take it in, or did it chose me? I, an open vessel, lights blinking, looking for port.  Did I decide to take it in one day while peeling apples at the kitchen counter, old tiles all stacked full of fruits and old melons rescued from the bin?  Was it a choice? 
The thoughts roll though me as I stare at the moon.  A cool summer breeze full of jasmine and tangible teenage memories of long midnight walks flows past me, igniting the soft skin on my arms. I stare at the moon, awash in its pale calming glow.  The lights around blink as distant worlds do. 
Do choices begin or are they like stones tumbling in the ocean current, bumping off one red-haired mermaid and another until you find yourself in an unfamiliar house in a foggy city, surrounded by people you’ve known for years but seem like newly-acquainted strangers. 
I squint my eyes and look for the trail.  Just how did I get here and what is this?  I think back- when did the choice come?  When the doors opened with a small ding?  When I went down, skirting the equator by just a few hundred miles?
I was looking for something then.  I searched for it in the eyes of every person I saw, looked for it in unfamiliar cities and in the arms of strangers. When did the doors open?  Each choice begets the next and they lap against each other, altering the north wind so that orange butterflies can dance in the hurricane winds of time eternal. 
I think back to the night so long ago.  A night beside a house on the edge of a hill.  On the cemented patio, beside the blue sparkling pool, we looked down at the smog-covered city streets below and sucked on small pieces of tasteless paper. 
Those people with whom I attempted to travel, I thought I would always know them, carry their names and numbers with me as the years changed my skin and hair.  But that, as all things do, changed.  That night we sat in plastic lawn chairs in the summer twilight, watching as city lights turned on and started blinking, talking to us through the altered gray air. 
The house, I would later come to understand, was inspired by the architecture of Frank Lloyd Wright, but at the time, I just observed the clean angles, the lack of tightness, the open, flowing use of space.  We sucked on little pieces of tasteless paper and as the sky turned darker and the lights started to blink, as other worlds do, the familiar faces and words lost the meaning I once understood as inherent and fixed.
I think back to a day so long ago sitting on the bright grassy lawn of my junior high school, El Roble. We picked small white clover flowers and turned them into garlands.  We sat like children, so utterly content to lay in the field.  The grass, so much more green.  The grass, so much more soft.  The sky, so much more blue.  There was nothing else to do, nowhere to be, no one else to find.  It was utterly perfect, the moment without rush and obligation.  That day, so long ago.
When did I decide to take it in?  Was it a decision or a series of accidents?  Me, or it moving through me?  Paper, door, blinking lights, other worlds.  The open door, blinking lights, eyes I can no longer remember and black shadows.   It can be different.  It takes one tiny piece of paper, a little sugar cube, and worlds dissolve in your cup of water.  Did I decide to change, or did the change find me after one tiny, tasteless piece of paper?

New Eyes

I looked through his eyes and the world took on another color. The trees were tinged with a bit more orange around their pointed tips, the sky seemed a tad more shiny, just a few degrees brighter than the way I remembered it being.
I had lived with a slightly dull sky, clouds that were white and trees that were green and yellow. Color was a thing which was learned, like religion and dining room etiquette. We had been a family of green and white and pale blue skies and now that my vision had shifted, it was not just the hues which had changed.
My breathing was somehow heavier, coming from deep in the pit of my stomach, deep in the bowels of this creature I had come to know as myself, but it was all different now. A heavier breath pushed my lungs out and up, my mouth had to open to compensate for the highway of air that sought to escape. Each inhalation came with a ringing tone, a sound only audible to me and the tiny birds in the trees just outside the window.
I had stepped into his skin, taking on a new set of habits, just as deeply imbedded in the fibers and filaments of his being as the ones I had somehow, wonderfully left behind. Baggage left in the train station, I no longer needed it. I was free of myself.
My morals, my interests, the groups of words and movements that could have been described with my character, all of them were scattered letters now without a source of light. Things which had been. Bright stars that had fallen, finding themselves now without pull.
Nothing I knew would work now.
But light seeks a source, and soon I flowed into him. I looked for a door, a small little door that I could jam open with my shoe while I sought to understand. His motivations and secret desires flowed, moving through me, up through the pit of my stomach into the wide open highway of my mouth that was his breathing. I was him. I was me, no longer able to distinguish the me that was with the me that is.
The outside world is no longer relevant. Convention, morality, right and wrong, they were for the rest of them, for the masses that submitted and followed without question, without a chance to ever fully become and blossom. They would stay like closed up rose buds on a thorny branch, waiting for a sun that was forever blocked by clouds.
Dreams were different. The nebulous figure of mother. Harsh, imposing icy looks that lasted for days. A kitchen filled with every needed implement of torture. Skies that could only bleed red.
I cried in the mornings. They were no longer his dreams, they were mine. The day was different now, the colors of the trees changed. The sky became purple, the birds no longer sang.

Abraxas

The way out lies beyond the shell. It is hard and white and so solid it seems like I might stay here forever. So I think this might be my beginning and my death. The way out lays beyond this space, this tunnel of softness covered in thick syrup of ever-giving life. The way out is beyond this wall, an obstacle that I have been dreading, a feat requiring all my will. To live, it must break. To live, I must move through the wall. The egg is the world, the spinning earth on which all other eggs sit. They all wait, behind thin shells that keep like concrete. Waiting behind thin flesh filled with warmth and thick pieces of flesh that house our dreams.
I wait to be born. I await my death. The world awaits, holds still, takes a small breath. The hand is coming. The mouth with its beak and sharp teeth. My eyes that come with lasers and my fist for smashing. The world is out there. The shell sits, waiting for a crack. It sees the splinters, the house in ruins with forgotten windows and missing people and all the sadness of a world of missing dreams. They have all flown.
The world sits, waiting. God is in here. God is out there, waiting. We wait while it all spins. We wait while the rain spills over a thousand shells and full bellies. Our fists bang on the walls, our mouths suck on the food that spills into us without thought.
I see Abraxas in my dreams. God of 365 heavens, creator of my demons and my fists, creator of my beak and my shell.
There is a bird that flies overhead, it is a raven ringing a bell. It signals the birth of a fist, the first hammer that opened onto a desolate world. A world of lush vegetation stripped of its sheen and poetry. A world of sad promises left undone.
There is a bird out there, a cracked shell and tiny splinters. There is a fist. There is a world out there, a shell, an egg, an unborn hand ready to strike.
I must move through this wall. I must crack this shell, for the sky awaits another kiss. There is a bird out there, it is a raven, a bell rings in the distance, another death on a mountainside. Another fist is now born.
It is god’s world, the world of Abraxas and his spawn. His angels and demons, his lineage corrupted and his jewels that sparkle. All are in the sky and sprout little arms in my mind. All surround the egg, my world, both cursing and laughing. Watching for both life and the crumbles to come.
What comes must fight. What must be born will struggle, I will push against the hard forward wind. What comes must clench and grit and hit.
It is the egg. The spawn of the perverted seed. The angel with black wings calls from above, ringing a bell. I hear it through the wall of my shell, so curved and smooth. So absolutely thick it is the mountainside of my womb.
Who is it that calls from the mountaintop? Who knows of my arrival?
I come to destroy that which has made me. I will turn towards the east and then rise into the night, this fist that will move through the first wall and then find another thousand waiting behind what is left.
Brick and flesh.
It will be me, my birth, my flight into the night.
It is his name, his name that I seek.

What I Wonder

What would the choice be? If lights were coming down, blinking and spinning, twirling with red, blue and white like psychedelic lollipops from beyond the bluest parts of the sky. What would I do?
The grass is swaying in the wind, rustling from side to side in the abnormal breeze. Mailboxes are popping open, the fridge door opens and slams shut every second. Nothing is how I know it. The books fly from the shelves, every loose-leaf bit of paper is airborne. None of this makes sense. When the blender whips through the air of my kitchen and the night sky beyond the window is alive with colors I have yet to discover, what will I do?
Maybe I start to run with all the adrenaline my body can find. Do I step back from the porch into the safety of the doorway, moving slowly into the hallway while my hand latches the flimsy lock? Will I run to save my life, this life that I think of as so valuable and precious. Unique and unlike all other lives. Would you find me under the blankets, breathing as shallow as possible though my chest beats out like hands on a tin drum. What would I do if The Other came to me with flashing lights, red and blue lights and hard gusts of hot air?
I see myself running, jumping over chain link fences and scraping my knees as I fall clumsily to the ground. I can see a tiny scared body hiding in the dark of a closet, my eyes closed and mouth rattling off a small prayer. I feel fear running through me like monstrous rivers, seeping out of every finger and toe.
I see these visions and ask myself, what would I do?
Would I walk towards the ship, my fear held tightly, controlled by a will forged in years of practice.
I walk towards the ship to see what lies just beyond the top of the metal stairs. I walk, hearing an inner voice, ‘Look,’ it says, ‘see what will happen.’ Can I take that step? Will I die? Will I fly? Will I ever look back and see their faces, looking towards me with fear and curiosity.
Or maybe I will take a tiny first step and glance back, seeing all that I have left and sacrificed. Will they hate me? Will they ever know what has happened to me? They will know that I went with a smile, holding hands with the Other, happiness and wonderment radiating out of me like a brilliant sun.
Maybe like now, I will step forward cautiously, taking backward glances, stepping forward, little by little, until the door opens. I walk slowly towards the space lit from inside, but it could shut at any moment. Will I act quickly enough? Will I curse myself afterwards when it closes? Will I walk towards that light, those things that my mind can still not define?
It is the Other, and I reach to try and grasp it, though it slips through the language I have learned. Will I learn new sounds, a simple pentatonic language with clear signals? Without words, will I be able to push my essence through the sounds without concept till they find other ears.
I do not want to run with fear, but my feet seem to carry me away. They are brains with tennis shoes that move on impulse. They run towards small solid corners and little boxes. I see myself running, but I do not want to be that character. The human defending the human. The machine defending the machine. I do not want to play that type of role.
But I have not come far enough. Fear still shoots through me like comets, coming and staining my body before I even realize the atmosphere was breached. Unless I work, I will be the hysterical woman shouting for the world to return to normal. I want the dishes and the clean rugs. I want the plants in their proper pots and the fence in the yard. I am that woman, though I get glimpses of the other one. The woman in dreams that smiles and hops on the back of a bike. The woman that takes the hand of a stranger, calling him by name. I am that woman too, a little of each. A lot of machine, a little bit of amazement that lies hidden under the metal plates and gears.
I need to poke holes in the armor. I need that rustoleum and that pickax. I need to make it crumple. The amazing voyage is here, in my backyard and beaming into my room. It is already here and I need to step towards that brilliant, skin-burning light.
I will leave those kids and pets. I will sacrifice those familial ties and the life of shopping and the mall and beer drinking. It will fall like dead skin and I will walk up the metal platform, holding onto the hand of the Other, watching in amazement as the door shuts and we rise into the dark night. Moving forward and up, towards a new home in the stars.

Deer Hunter

Everything was known. The limits of the rural town punctuated in the center with smoke stacks, the babushka that walked slowly to church every afternoon, even in the snow. The tiny grocery store that was stocked and always full of etched recognizable faces. Everything was known. There wasn’t a stone he hadn’t seen, not a person he couldn’t call by name. Those friends he had known since infancy, boys he had grown up with until they were full chested men ready to serve god and their country.

He could walk the streets of the town blindfolded. He could walk from his house, down the narrow treeless drive and go down the hill, knowing exactly as he was passing the Mason’s house, walking steadily as the street sloped until the shops of downtown appeared, he could smell them, could imagine their worn shutters and screen doors. Following the street, he could walk towards the edge of town delineated by the raised train tracks that created a tiny tunnel for the semi trucks that hurtled through town towards the plant.

Every breath he took came from that air, every sip of water fell towards his sink from the mountain chain in the distance. Everything was known. His friends with their worn out jokes, the clear beer glasses and the familiar bar. The seasons shifted, colors changed from orange to white to green to yellow and then back once more. Trucks came and went, paychecks were delivered and cashed. It was a familiar rhythm of gentle movement, but everything seemed to stay the same, it was all known.

But sometimes they escaped. Filling the car with the bodies he had grown up with, bringing along their guns and cans of food, they would drive recklessly to the purple mountains, going up and up the curving slopes until the air was thinner and colder, until thousands of trees did not appear to be the same and instead looked different and new. He would walk with the only man he trusted, climbing boulders in clear silence while they tracked the signs of antlers and nibbled leaves. He saw her walking through the trees, evading him, almost. He went towards it, taking her down with one shot, because even the other bleeds.

He drove back recklessly to the known, down the dark slope towards the familiar lights of the bar. There was blinking neon sign with its comforting welcome, the pool table, the waiting frosting mugs, that smell which was so familiar he could no longer distinguish it from his own.

And then he was taken away. A big jet engine and a uniform and god and country gave him the ride. He went to where the syllables all sounded different, where bodies lay for the flies and even babies were red targets. There the familiar memories crumbled and the smell on him changed. He couldn’t walk blindfolded here, there was jungle and bombs and soaring bullets. He managed to keep his breath and mind and was eventually flown back to the known.

But when he saw the smoke stacks and roads and faces it was not the same. They were the same, but he was different. A part of the other remained in him, hollowing out the familiar and turning it into images that rubbed at his heart, touching it all the wrong way.

He drove towards the mountains again, doing what he knew, what he had always done. He brought his gun and his cans and walked slowly and quietly, just as he had always done, following the nibbled leaves and the traces of antlers.

When he saw her, a wide body and dark eyes staring back at him, he did what he always did, raising his gun. One shot, that was what he always wanted. But the other stared back at him, and this time, he saw. He had been changed and this time, there was no need to shoot.

Fading Light

I lay on my bed as the last of the sunlight fades, giving us, this small little planet, its final heroic effort of the day. In a dim room, bright orange light streams in through the window, hitting just three different spots on the walls. I lay on the bed, just minutes out of the shower, my hair now wet and cold. My pale legs are covered in oversized black sweats with jaggedly cut ends and a man’s thin striped pajama top.

I look at the last bits of light, feeling suddenly aware of the calm chamber.

My hands rest on my stomach, my feet are extended, supported by a jumble of three blankets that cradle them. Tiny gurgles call to my fingers below my pillowy stomach skin.

“Just be here,” I think to myself.

My chest fills with air, then deflates slowly.

I look to the wall on my left, the wall my bed presses against. There is a rectangular orange-gold piece of light, like a bright framed piece of sunlight on the wall. Cutting through the center of the light is the dark shadow of a cross. I stare.

“So pretty, I should get my camera…” But I don’t move. My hands stay on my stomach, my legs remain in the folds of soft blankets.

The cross, such an intense symbol; a torso and head, two arms extended, two feet pressed together as one. I see Jesus on a hill, I see myself in the morning, just after 7. How long did it take for people to realize the shape could be used for killing? For the structure of torture?

Perpendicular to the wall is the French glass door that leads to my kitchen. The top half of the door is bathed in soft yellow light, though the top-center of the door is glowing orange in the sun’s last rays. I realize the light is coming through my small window (parallel to the wall with the cross), hitting the doorway, then the glass is reflecting the image on the wall.

I look back and forth between the wall and the door, not needing to turn my head.

To the right of the door, directly in front of my body, on another small section of wall, are a few fragmented pieces of light, long jagged rectangles and bent circles and little speckles.

I think about the photographer I used to work for, Emily Payne. “It’s called the sweet light.” I can hear her say it, holding her big black camera in her hands. I imagine photographers around the world waiting for this time of day, waiting till they have the ‘right light.’ Do they stay indoors like inverted vampires, waiting only for a special hour? How many moments do they let pass? Is everything overlooked until the sweet light emerges?

I look up to the cross and the door. Has the light changed? It must have, the sun is fading by the minute. I search the color of the door. It’s just a bit paler. Still bright, but lacking intensity. It’s fading in front of my eyes and I can’t even watch it, I can’t see its fading unless I look away and then look back.

I turn to the wall. The cross has lost an arm. It looks like a T on its side. I should have gotten my camera. I could have written something about this and I would have had the perfect pictures to go along with it. I stay in bed. It’s too late now. “Just watch it, it’s fading away.”

How often had I missed this light? Maybe it would be the same tomorrow. Or nearly the same. The earth would not tilt too much in one day. What if I had not laid down? Would I have just sat at the desk, doing something, oblivious to the light around me? How many times have I done that?

I look up again, the light is dull.

“Just be still and watch…” I keep wandering away, I can’t even watch the light change for a few minutes without drifting.

The cross has become a single vertical line. The French door creaks open, pulled by the crack of the open window 15 feet away. As the door comes forward, the cross shifts, creating one solid black line, then another slightly lighter shadow line behind it.

Then the door creaks closed, and a single line emerges on the cross once again. The door’s bright orange light has faded almost entirely. I know that soon it will be completely gone, maybe then I’ll wonder what happened, how it left so fast.

I look over at the speckles of light on the wall perpendicular to the cross. The light there has faded too. Watch it. “Don’t take your eyes off it, watch what’s left.” I hold my eyes. Its fading…but a part of me cannot believe it. I realize I can barely watch it straight on. It’s almost painful. Why can I only see something changing if I look away?

The door is now dark. The cross is gone, and just a few sprinkles of light remain on the wall next to the door. I watch them, intent, finally holding my attention fixed as they fade. Dark, darker, then they are gone.

The phone rings.

The Smaller Cookies

I saw myself again in their little bodies. They were like mini gingerbread men, with thin little crumbling arms and a round head. They were made like me, all the same ingredients. A touch of earth, a bit of blood and water, a heaping of stardust. They spoke like me, did what I do. I watched them and found it disgusting.

“How can you little cookies act like this!”

I wanted to reason with them.

“Don’t you get it? We’re doing this for you…we want you to be happy, to feel safe in a world that tumbles forward. Get out of your own little body and contribute!”

Less than a second would pass and their eyes would glaze over. I watched them, like dolls without will and power, happy to sit in a room of crumpled tissues and bits of torn paper. I was disgusted. The carpet had blue stains, the walls were pockmarked and had the sticky remnants of tape and dirty fingers. I wanted to reason with them:

“Don’t you get it? This place is nice and clean, so different from what you have known. It’s time to take care of these gifts. It’s time to cherish what you have, to keep it clean, to appreciate what is here.”

But my words drifted away, falling on ears that could not hear, on little cookies that just could not move in another way. They stared off, then fought over a piece of string. I watched, shaking my head. They could not follow the most simple tasks, it was like telling a dog to write a letter. It was like watching a beautiful jewel disappear down a toilet. I saw the cookie cutter. They were just smaller versions of the same dough.

I work on different tasks now, but I keep forgetting what I have. I complain. I cannot see the gifts and I cover our space with invisible black paint. Every few days I spit on the altar.

Though I have breasts and a few more memories, I am that small cookie, fighting over a bead and a piece of string. I cannot be reasoned with, for awakening is beyond reason. I watch them, a body removed, eyes that fully comprehend their silliness, their selfish motivations. It is all beyond reason.

They have no discipline, no ability to maintain their attention, no way to change their habits. They lose themselves in balloons and old tissue boxes. I watch little copies of myself. Just as selfish and blind. Just as completely unaware of the moment, of everything that is being offered and given.

I cannot maintain myself long enough to see the gift, to take it and care for it, without complaint and argument. If only I could reason through it. If only I could tell myself to sweep away the petty things, to move forward with enthusiasm and trust and an inward gaze. If only I could remember. If I could just look around and Do. I want to grow up, focus, and use my attention to move with the spirit of a girl. Like a pixie, finally aware of her power, shaking off the dust of sleep.

Everything Is Nature

The room is lit with a bright artificial white glow. The space is wide and long and the powerful light bulbs hide high overhead, their distance is like the sun, far away but felt by everything beneath it. A long stretch of black and white ads run across the back wall of the bowling alley. The smooth wooden floors of the lanes gleam with thick varnish and a weekly dousing of wax. Echoing through the space is the low rumble of heavy bowling balls. They hit the wood of the lanes. They hit the white pins waiting at the end. The temperature is a perfect 69 degrees. Everything about the room is artificial. Without a word, it manifests its aim, the geometric perfection of clean lines. There is no wave, no tilt, just constant even shape. There is nothing natural about it. Not the wood floors, long cut from the old growth forest. Not the paper used to create the ad campaign along the back wall. The bowling balls and white pins are smooth and nearly perfect. Nothing about this chamber is found in nature. There are no rocks so round, no trees so straight. It is a created room, a created game. But this is nature. It is here, on earth. On a flattened piece of land, in a city shrouded in mist and lit by a distant sun, it is “natural,” mutated and rearranged, but “natural.” The sun, a million times removed, is still present here. The nearly flawless shapes and lines, they exist because of the gleaming orb a million miles away. The wood of the floors grew with heat. The metal foundations were forged with tools from the earth and fire. The artificial composition of the pins and bowling balls are a conglomeration of substances transformed through human hands and ideas. And the humans playing the game, walking in mismatched shoes, smiling after rolling a gutter ball. They exist only because of the sun. Light brings them food, it nourishes plants and animals. Light gives them the ability to build and create artificial worlds with bright lights and wide lanes. The room does not smell of dirt and pine. It houses all the strange creations of the world, but the elements of the earth are still present. The life blood, the moving red vein, is here as well. The flowing red vein moves through the people, moving and walking and rolling. It moves through the filament of the lights overhead. What was once a living, breathing tree is the ground at their feet. What were once buried elements in the soil are now bowling balls. Everything has been transformed, but it has come from the one source. The source of it all. The sun. And while they play indoors, while they try over and over to hit straight rows of white pins, the sun shines outside. Far away, perhaps covered by clouds, but it shines. There is nothing unnatural, not in the cleanest white room, not in the grocery store or chemist’s laboratory. This is nature. Every thought, gust of wind, packaged food, water bottle. Each object is affixed with a million invisible tendrils, tied one to the other, eventually finding its way back, winding and curving through machine and heat, finding its way to the brightest star.

The Drop

The long silver bomb fell through the clouds and the women dropped to the ground. It wasn’t that they consciously thought of ducking, but their bodies melted and substance that had once been known as skin and bones and hair fell to the rumbling earth like heavy dust. When the waves of hot vibrations passed, the women looked through the remains of their buildings. They pulled out pieces of things they had once called children. Under heavy pieces of crumbled walls they discovered the loose remains of fingers and little toes. Tin cups that were once held by small hands during breakfast lay beneath a broken wooden table. When they found someone breathing, they called the remaining un-bandaged men and with sheets and what was left of their strength, they carried them to a makeshift infirmary in the place once known as the park. Only there were no trees left, just little sticks that had managed to stand up to the waves. They would have to find a new name for this barren land, it was no longer a park, it was nothing they recognized.
And their city, there would have to be new words to describe this collection of rubble that they once called Nagasaki. It was no longer a city, no longer a collection a tall cement buildings and crowded urban center. This place was a land of broken pieces. They combed through the piles of glass and wood looking for people once known as friends. They salvaged items their memories categorized as useful. The fire wind had come just a few hours before. The end of the world moved through them like a white cloud. It ripped through them, surely they had found hell, this was the landscape they had been warned of. It came from the sky, but they would have to search for understanding later. Now, they looked for their memories.
An old woman looked up to the clouds, to the blue dome she once believed contained her god. Was it the destruction of nature or man? What had crumpled everything she knew? Who had the power to flatten her home? Who had the power to take her children, to turn them to dust? She turned back to the land of cement. Back to the landscape of twigs and wrinkled flesh. Maybe they would understand later. Now, she looked for the things she recognized, before the hot wind had come. Before her home and children had turned to dust. Before there were crumpled men that needed water and bandages. Before the world was flattened. She picked up a pitcher of water and walked towards the wounded.

Lucifer

As humans existing in a world beyond our immediate control, we have developed habits that attempt to provide a sense of stability. One manifestation of this can be seen in the way we cling to our ideas, morals, images, thoughts and feelings as "fixed." Thinking, believing perhaps, that they are and have always been true and will always be correct.

Lucifer, among modern Christians, is associated with Satan and the Devil- they are one and the same. Like all our common perceptions- about the world, our environment, ourselves- an idea changes and evolves…it is not fixed and has never been stagnant.
Always, where there have been people, myths, stories, and words have been morphing, in a state of evolution.
What many Christians consider common knowledge: the story of Lucifer as the fallen dark angel; has been added to, developed, changed, embellished, and re-written.
"The scholars authorized by ... King James I to translate the Bible into current English did not use the original Hebrew texts, but used versions translated ... largely by St. Jerome in the fourth century. Jerome had mistranslated the Hebraic metaphor, "Day star, son of the Dawn," as "Lucifer," and over the centuries a metamorphosis took place.
Lucifer the morning star became a disobedient angel, cast out of heaven to rule eternally in hell. Theologians, writers, and poets interwove the myth with the doctrine of the Fall, and in Christian tradition Lucifer is now the same as Satan, the Devil, and --- ironically --- the "Prince of Darkness."
Christians believe that Lucifer, the being, has existed since, or near, the beginning. But the concept of Lucifer as Satan did not appear until the Bible had gone through many translations of the old testament (from Hebrew, to Greek, to Latin).
A Latin word, Lucifer means bringer, or bearer, of light (lucem ferre), known in Roman astronomy as Venus (the morning star).
"In the original Hebrew text, the fourteenth chapter of Isaiah (which is the only place Lucifer is mentioned) is not about a fallen angel, but about a fallen Babylonian king, who during his lifetime had persecuted the children of Israel. It contains no mention of Satan, either by name or reference."
This story and now common belief for millions has not always been a truth, it has changed. With every translation with every new interpretation, new layers and meanings are added.

It is important to notice how easily we settle into a "fixed" idea, perception, or interpretation . Religion, sense of self, morals…a multitude of image-like perceptions.
And precisely because we change, because our stories change, it is important to notice. We should open our eyes,expand out heart and senses and notice just how much is in flux, sometimes it takes centuries, sometimes only a couple of years, but the change happens. Allowing the process, noticing it, seeing how all is ever changing…this will open up space for our fixed images to break.
Perhaps the lines will become a little more blurry between us and them. The words we associate with our own identity may shift or lose their importance and maybe our mask will begin to melt.

http://www.lds-mormon.com/lucifer.shtml