I saw myself again in their little bodies. They were like mini gingerbread men, with thin little crumbling arms and a round head. They were made like me, all the same ingredients. A touch of earth, a bit of blood and water, a heaping of stardust. They spoke like me, did what I do. I watched them and found it disgusting.
“How can you little cookies act like this!”
I wanted to reason with them.
“Don’t you get it? We’re doing this for you…we want you to be happy, to feel safe in a world that tumbles forward. Get out of your own little body and contribute!”
Less than a second would pass and their eyes would glaze over. I watched them, like dolls without will and power, happy to sit in a room of crumpled tissues and bits of torn paper. I was disgusted. The carpet had blue stains, the walls were pockmarked and had the sticky remnants of tape and dirty fingers. I wanted to reason with them:
“Don’t you get it? This place is nice and clean, so different from what you have known. It’s time to take care of these gifts. It’s time to cherish what you have, to keep it clean, to appreciate what is here.”
But my words drifted away, falling on ears that could not hear, on little cookies that just could not move in another way. They stared off, then fought over a piece of string. I watched, shaking my head. They could not follow the most simple tasks, it was like telling a dog to write a letter. It was like watching a beautiful jewel disappear down a toilet. I saw the cookie cutter. They were just smaller versions of the same dough.
I work on different tasks now, but I keep forgetting what I have. I complain. I cannot see the gifts and I cover our space with invisible black paint. Every few days I spit on the altar.
Though I have breasts and a few more memories, I am that small cookie, fighting over a bead and a piece of string. I cannot be reasoned with, for awakening is beyond reason. I watch them, a body removed, eyes that fully comprehend their silliness, their selfish motivations. It is all beyond reason.
They have no discipline, no ability to maintain their attention, no way to change their habits. They lose themselves in balloons and old tissue boxes. I watch little copies of myself. Just as selfish and blind. Just as completely unaware of the moment, of everything that is being offered and given.
I cannot maintain myself long enough to see the gift, to take it and care for it, without complaint and argument. If only I could reason through it. If only I could tell myself to sweep away the petty things, to move forward with enthusiasm and trust and an inward gaze. If only I could remember. If I could just look around and Do. I want to grow up, focus, and use my attention to move with the spirit of a girl. Like a pixie, finally aware of her power, shaking off the dust of sleep.
Friday, April 30, 2010
Thursday, April 15, 2010
Facing The Beast
How can I write about something if I myself cannot even do it? If I let my red dragon tail twist and bend, knocking over buildings and my prized statues and half built friendships? How can I even begin to instruct? To write?
I hold it in my mind for less than a second. Its concept a small flickering flame in the tidal wave of oily black liquid and molten rage. I know what to do, I have heard about it so many times, I have practiced it in the quiet of my bedroom for months every morning, but when I see the tip of reality, when I encounter the real-life moment begin to blow and the filaments inside that hold me up begin to burn, then I run.
Running takes many forms. There are the tears, the ones that lately have become giant orbs of rage seeking to destroy myself and others. The visions of metal flying, sirens wailing, crushed bones and rivers of blood.
There is the hiding. The rage that wafts like air through wall and carpet, the absence of words the only mark of strangeness. The seed of resentment I hold on to for days, years.
Holding and holding, stroking, watering, kissing. I keep it mine, reminding myself of it when all is well, and then I remember, and then I’m mad once again. Cold with fear and rage. Closed as a cement box.
I see it all. It is not right. I am under no delusion of pureness, authority. I see the error in my words, in my steps, in my gestures that signify more than my tongue could ever spit, but they keep coming, for this beast is wild. It lacks a master. I am the beast.
So how can I write about it? What can I say if I watch the city burn, the statues crumbles, the houses cave? I watch, hating the terror, but doing nothing to stop the flames.
I feel three threads, tugging. Around one nipple is the Voyeur, watching it all melt. Around the other is the Mender, seeing it as pettiness, knowing it should end.
But around my heart is the braided rope, holding on to the pain. It holds its indignant head high, feeling righteous, waving its colored flag.
I feel them all, yet I sit paralyzed; not acting, not changing, letting the center rope pull me to the grave.
I hold it in my mind for less than a second. Its concept a small flickering flame in the tidal wave of oily black liquid and molten rage. I know what to do, I have heard about it so many times, I have practiced it in the quiet of my bedroom for months every morning, but when I see the tip of reality, when I encounter the real-life moment begin to blow and the filaments inside that hold me up begin to burn, then I run.
Running takes many forms. There are the tears, the ones that lately have become giant orbs of rage seeking to destroy myself and others. The visions of metal flying, sirens wailing, crushed bones and rivers of blood.
There is the hiding. The rage that wafts like air through wall and carpet, the absence of words the only mark of strangeness. The seed of resentment I hold on to for days, years.
Holding and holding, stroking, watering, kissing. I keep it mine, reminding myself of it when all is well, and then I remember, and then I’m mad once again. Cold with fear and rage. Closed as a cement box.
I see it all. It is not right. I am under no delusion of pureness, authority. I see the error in my words, in my steps, in my gestures that signify more than my tongue could ever spit, but they keep coming, for this beast is wild. It lacks a master. I am the beast.
So how can I write about it? What can I say if I watch the city burn, the statues crumbles, the houses cave? I watch, hating the terror, but doing nothing to stop the flames.
I feel three threads, tugging. Around one nipple is the Voyeur, watching it all melt. Around the other is the Mender, seeing it as pettiness, knowing it should end.
But around my heart is the braided rope, holding on to the pain. It holds its indignant head high, feeling righteous, waving its colored flag.
I feel them all, yet I sit paralyzed; not acting, not changing, letting the center rope pull me to the grave.
Thursday, April 8, 2010
Training The Dragon
Did you know there was a dragon inside? I can see him through your eyes, while the green folds of your eyes flex and point, watching me with blunted teeth and heat so intense it has turned to ice.
Did you know there was a dragon? Angry in its cage? Angry in the skin that looks so different from green scales and long gray claws, different than the life it knew as a flying beast. But the rage is there, bottled into an even smaller vessel, so thin and long and hairless. So smooth.
Did you know it was there? Breathing your air like a parasite? Eating your food, transforming your thoughts into fire and coal.
I have looked, and in certain lights, certain mirrors, I see the dragon. Steam streams from my flared nose, its Semitic length perfect for this orange and blue life. I move slightly, just a little turn, and see the green in these otherwise brown eyes. Flecks of fire and rage. But only in certain lights, certain mirrors. I forget about the dragon, the beast that moves with every shake of my arm, every click of my tongue. It fills me from the inside, keeping my breasts pert, my stomach round.
Did you know it was there? Have you seen me in the gray light of dawn? Through tempered blinds? Through the lens my eyes hide?
It is there, waiting, breathing, spitting fire.
Did you know?
Did you know?
Each beast carries a rider, though I’m not sure who moves who. My arm is not my own. And when it roars, when the cage opens, the iron doors releasing the full fury of a pent-up beast, my toes move without direction. My tongue carries me to the worlds I hoped to never see again. I watch from above, riding the back of this black dragon, watching the dark city burn. Sporadic fires and fleeing screams. Horror, laughter, redemption. Are they my thoughts? Are they his? Who rides who?
Can I tame this beast? Train this dragon?
In the right light, in front of the right mirror, I see the dragon’s eyes. I feel the flames of heat moving in my chest, the moment before the explosion. And I remember. My training, my practice, my sword.
One deep breath….Veeeehhhhhhhhh
I hold my breath….Kaahhhhhhhhhhh
I release the breath….Daaayyyyy
I repeat.
Every sound in the room is ignored. I cannot hear who’s talking, what’s playing. There are no thoughts, not if I’m doing it right. Not if I have the sword in my hand and the beast on its belly.
One deep breath….Veeeehhhhhhhhh
I hold my breath….Kaahhhhhhhhhhh
I release the breath….Daaayyyyy
I repeat.
It is strong. It is old. It is me…entwined within the fabric of my eyes and ears and lifetimes of habit. We are coiled like snakes, lovers without boundaries and eyes.
In the right light, in front of the right mirror, I see the dragon’s eyes. I feel the flames of heat moving in my chest, the moment before the explosion.
One deep breath….Veeeehhhhhhhhh
I hold my breath….Kaahhhhhhhhhhh
I release the breath….Daaayyyyy
I repeat.
And as I repeat, I train the dragon.
My dragon.
Me.
Did you know there was a dragon? Angry in its cage? Angry in the skin that looks so different from green scales and long gray claws, different than the life it knew as a flying beast. But the rage is there, bottled into an even smaller vessel, so thin and long and hairless. So smooth.
Did you know it was there? Breathing your air like a parasite? Eating your food, transforming your thoughts into fire and coal.
I have looked, and in certain lights, certain mirrors, I see the dragon. Steam streams from my flared nose, its Semitic length perfect for this orange and blue life. I move slightly, just a little turn, and see the green in these otherwise brown eyes. Flecks of fire and rage. But only in certain lights, certain mirrors. I forget about the dragon, the beast that moves with every shake of my arm, every click of my tongue. It fills me from the inside, keeping my breasts pert, my stomach round.
Did you know it was there? Have you seen me in the gray light of dawn? Through tempered blinds? Through the lens my eyes hide?
It is there, waiting, breathing, spitting fire.
Did you know?
Did you know?
Each beast carries a rider, though I’m not sure who moves who. My arm is not my own. And when it roars, when the cage opens, the iron doors releasing the full fury of a pent-up beast, my toes move without direction. My tongue carries me to the worlds I hoped to never see again. I watch from above, riding the back of this black dragon, watching the dark city burn. Sporadic fires and fleeing screams. Horror, laughter, redemption. Are they my thoughts? Are they his? Who rides who?
Can I tame this beast? Train this dragon?
In the right light, in front of the right mirror, I see the dragon’s eyes. I feel the flames of heat moving in my chest, the moment before the explosion. And I remember. My training, my practice, my sword.
One deep breath….Veeeehhhhhhhhh
I hold my breath….Kaahhhhhhhhhhh
I release the breath….Daaayyyyy
I repeat.
Every sound in the room is ignored. I cannot hear who’s talking, what’s playing. There are no thoughts, not if I’m doing it right. Not if I have the sword in my hand and the beast on its belly.
One deep breath….Veeeehhhhhhhhh
I hold my breath….Kaahhhhhhhhhhh
I release the breath….Daaayyyyy
I repeat.
It is strong. It is old. It is me…entwined within the fabric of my eyes and ears and lifetimes of habit. We are coiled like snakes, lovers without boundaries and eyes.
In the right light, in front of the right mirror, I see the dragon’s eyes. I feel the flames of heat moving in my chest, the moment before the explosion.
One deep breath….Veeeehhhhhhhhh
I hold my breath….Kaahhhhhhhhhhh
I release the breath….Daaayyyyy
I repeat.
And as I repeat, I train the dragon.
My dragon.
Me.
Sunday, April 4, 2010
Ghost Guest Geist
We prepare the space.
I, in my dirty jeans and yellow gloves, with piles of split lemons on a table. Each one gives beneath my grip, spilling its sour self to the floor. I push the mop, up and down over faded linoleum, humming a soft tune, because though I sometimes forget, music turns a chore into creation.
Fresh cut flowers sit in a short jar on the round kitchen table. The windows have been opened since dawn first broke, bringing in the smell of a cold spring and the faint whirring of dragonflies. I hear the sound of a vacuum cleaner downstairs, and I feel the dirty remnants of a used-up week disappearing into the black hole of plastic parts and noise.
This is our role. The vessel must be prepared before the Guest can come, before the guest can fall from an upside-down kingdom and land in the cushioned chair of our living room, or another body ripe for the taking. When the walls ring with the scent of myrrh and candles provide the only light, then the guest comes, the ghost. The guest.
It comes through, knocking over u’s and h’s and it takes a reminder to know that they are one and the same. That the man knocking on our door was a copy in flesh, a spark of what was to come.
“Geist!”
I hear someone call, and I turn, flipping through the dictionary until I realize once again, that words move like liquid over tongues and years. Adding u’s and h’s, transforming meaning until it takes a mind-shattering look to see their similar shape.
The same old name, with new letters, now books, new times. The same thing, a new form. Flesh to air, blood to power.
I look at my friend, at his plump smiling lips, his bobbing head. The hole was opened, the dishes washed, the bells rung, the seed planted, the intention set. The walls move with the beat of a ghostly guest, a dancer with no feet, a shaker with no hips. But the walls shake, and I feel my head turning, spinning, moving in ways that it has never moved.
I am spinning, moving through crystal water, bending and turning, following the curves in the music while my mouth runs to keep up.
The guest is here, though we only talk about it afterwards, when the lemons are squeezed again into brown mugs and we sit, using words that always come up short. The geist was among us, jumping between body and wall. Using the vessel, the one of concrete, the one of bone. Taking the water, the sound, the spirit, the space, taking it all for a ride, a lift to the place that can only be experienced.
The ghost is the clear water, the guest for which our doors are opened and the floors are scrubbed and our bodies are cleansed. We prepare for the three, the trifecta, the trinity, the one. I turn on the porch light and set out an extra cup, though there is no flesh and blood, though there is no hand, we set the cup, the plate and serve our snacks.
I, in my dirty jeans and yellow gloves, with piles of split lemons on a table. Each one gives beneath my grip, spilling its sour self to the floor. I push the mop, up and down over faded linoleum, humming a soft tune, because though I sometimes forget, music turns a chore into creation.
Fresh cut flowers sit in a short jar on the round kitchen table. The windows have been opened since dawn first broke, bringing in the smell of a cold spring and the faint whirring of dragonflies. I hear the sound of a vacuum cleaner downstairs, and I feel the dirty remnants of a used-up week disappearing into the black hole of plastic parts and noise.
This is our role. The vessel must be prepared before the Guest can come, before the guest can fall from an upside-down kingdom and land in the cushioned chair of our living room, or another body ripe for the taking. When the walls ring with the scent of myrrh and candles provide the only light, then the guest comes, the ghost. The guest.
It comes through, knocking over u’s and h’s and it takes a reminder to know that they are one and the same. That the man knocking on our door was a copy in flesh, a spark of what was to come.
“Geist!”
I hear someone call, and I turn, flipping through the dictionary until I realize once again, that words move like liquid over tongues and years. Adding u’s and h’s, transforming meaning until it takes a mind-shattering look to see their similar shape.
The same old name, with new letters, now books, new times. The same thing, a new form. Flesh to air, blood to power.
I look at my friend, at his plump smiling lips, his bobbing head. The hole was opened, the dishes washed, the bells rung, the seed planted, the intention set. The walls move with the beat of a ghostly guest, a dancer with no feet, a shaker with no hips. But the walls shake, and I feel my head turning, spinning, moving in ways that it has never moved.
I am spinning, moving through crystal water, bending and turning, following the curves in the music while my mouth runs to keep up.
The guest is here, though we only talk about it afterwards, when the lemons are squeezed again into brown mugs and we sit, using words that always come up short. The geist was among us, jumping between body and wall. Using the vessel, the one of concrete, the one of bone. Taking the water, the sound, the spirit, the space, taking it all for a ride, a lift to the place that can only be experienced.
The ghost is the clear water, the guest for which our doors are opened and the floors are scrubbed and our bodies are cleansed. We prepare for the three, the trifecta, the trinity, the one. I turn on the porch light and set out an extra cup, though there is no flesh and blood, though there is no hand, we set the cup, the plate and serve our snacks.
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