Intimate Space

I watch with an open mouth. I try to shut my mouth, but it doesn’t seem possible to sit from this balcony’s edge and look onto the yellow and gold light of the stage without wide open lips. It doesn’t feel right to watch with a closed mouth. I note that I’m breathing though my nose and let the jaw hangs as it wants. A part of me keeps pulling my attention to look to the left, looking for a hand, an eye, a sentence whispered. I feel the tide pulling out towards the west, but I follow my mouth and move forward, giving my heart a center seat. I push my body forwards, my body moves north and I follow.

I look from the cellist to the drummer, jump like a pinball of shiny silver attention from the drummer to the guitarist, from the piano to the violin, from the violin to the conductor with cards and a waving baseball hat in his right hand. He puts the card down, picks up another, places the hat on his head. All hands are up, 14 hands. Pointing. A smile from the beaming violinist.

The balcony melts into a garage, we watch their improv session, not a concert, but a group of people playing, laughing, it’s fun and I somehow have a voyeur’s eye into their moment of creation. A few hundred eyes share their intimate space, scrunched tighter than usual, the lights are hot, but it is theirs. A sphere of intense communication, not an eye darts away. They stay together, moving up, where we could go if we keep on working.

My ears hear noise with only an occasional nod towards melody. My eyes see something, translate gesture into music for my slower ears. I coax my mind into relaxing, let it jump from yellow headband to waving hat, a hand over the mic and guttural bursts of energy. 14 instruments, taking turns, jumping, one eye towards the center in camouflage that’s disguised by the stage, one eye moving always around the semi-circle, those ears which remain open, an entire body like a cup full of hot water that remains still without burning. Pointing, the smiles, hands raised, another quick end, then a jump into rhythm.

I watch their eyes, yearn for something like that. They are talking, I can hear their words come out like screams and vibrato. Zorn writes something down on a piece of paper, he closes the cap of his pen. In the back is a man with a glowing Mac, his left hand moves delicately in the air and I hear corresponding sounds move towards us through the speakers. To his right is a balloon. A dark haired man licks the plastic world, I feel his wet tongue and the sex of a man and pink balloon.

They start fast, building into a fever pitch that starts to turn black, then moves towards red but never falls over the edge into green. The vocals, going so rapidly, the vocals, dark screams into a microphone, the smile, so insistent and so close to the floor.

Abraxas

The way out lies beyond the shell. It is hard and white and so solid it seems like I might stay here forever. So I think this might be my beginning and my death. The way out lays beyond this space, this tunnel of softness covered in thick syrup of ever-giving life. The way out is beyond this wall, an obstacle that I have been dreading, a feat requiring all my will. To live, it must break. To live, I must move through the wall. The egg is the world, the spinning earth on which all other eggs sit. They all wait, behind thin shells that keep like concrete. Waiting behind thin flesh filled with warmth and thick pieces of flesh that house our dreams.
I wait to be born. I await my death. The world awaits, holds still, takes a small breath. The hand is coming. The mouth with its beak and sharp teeth. My eyes that come with lasers and my fist for smashing. The world is out there. The shell sits, waiting for a crack. It sees the splinters, the house in ruins with forgotten windows and missing people and all the sadness of a world of missing dreams. They have all flown.
The world sits, waiting. God is in here. God is out there, waiting. We wait while it all spins. We wait while the rain spills over a thousand shells and full bellies. Our fists bang on the walls, our mouths suck on the food that spills into us without thought.
I see Abraxas in my dreams. God of 365 heavens, creator of my demons and my fists, creator of my beak and my shell.
There is a bird that flies overhead, it is a raven ringing a bell. It signals the birth of a fist, the first hammer that opened onto a desolate world. A world of lush vegetation stripped of its sheen and poetry. A world of sad promises left undone.
There is a bird out there, a cracked shell and tiny splinters. There is a fist. There is a world out there, a shell, an egg, an unborn hand ready to strike.
I must move through this wall. I must crack this shell, for the sky awaits another kiss. There is a bird out there, it is a raven, a bell rings in the distance, another death on a mountainside. Another fist is now born.
It is god’s world, the world of Abraxas and his spawn. His angels and demons, his lineage corrupted and his jewels that sparkle. All are in the sky and sprout little arms in my mind. All surround the egg, my world, both cursing and laughing. Watching for both life and the crumbles to come.
What comes must fight. What must be born will struggle, I will push against the hard forward wind. What comes must clench and grit and hit.
It is the egg. The spawn of the perverted seed. The angel with black wings calls from above, ringing a bell. I hear it through the wall of my shell, so curved and smooth. So absolutely thick it is the mountainside of my womb.
Who is it that calls from the mountaintop? Who knows of my arrival?
I come to destroy that which has made me. I will turn towards the east and then rise into the night, this fist that will move through the first wall and then find another thousand waiting behind what is left.
Brick and flesh.
It will be me, my birth, my flight into the night.
It is his name, his name that I seek.

Lineage of Desire

The family continues. Or it, as an organism, desires to continue. Despite murder, after betrayal and retribution, after an affair stained with indecent thoughts, the family continues. It is a lineage that travels though blood, mingling and marrying, sharing saliva and mucus, eventually forming other, smaller life forms, who in turn, reach out with tentacle-like arms to find those with a slight taste for blood and reflexes that can easily pull a trigger.
The family continues. It is the desire and impulse, not only of two-legged mammals that claim dominion over the earth, but in every creature that fucks and dies. To continue on, to multiply, to produce more. It is programmed so deep we don’t need brains, even single cells divide and divide and divide, creating more of themselves, not all too different from the warm blooded beings we call offspring. And though our babies cry and smile, it is nearly the same movement through generations, each new life engendered by the one preceding it.
In an old story told to me at a young, open age, it was Abraham who was asked by God to take the life of his son. It was a child hard to come by and with a quick slice of the knife the boy would die and the lineage might end, which would be the greatest of tragedies, but Abraham was willing to make the sacrifice.
My parents told me that story, and now they sit it their marble house, waiting as the clock ticks and no grandchildren are born, it is the greatest of tragedies. For when I die, they will die. The little branch will end, snubbed out, finally, after dozens of incarnations.
In my immediate family, the entire younger generation is female. There are six cousins, all female. Two of my cousins have children, all three of them are girls. Growing up, it was assumed I would have children. But as a minuscule deviate, I always imagined they would carry my last name. In my name I felt all the generations before mine and as a tribute, as a way to preserve them, I thought the most important thing to do was continue the family name, to insist that the next generation not assume the names of their fathers.
It seemed so important. I wanted the family to continue, not just in bodies, but in name. In name as a symbol.
It is different now. Entire species of animals go extinct under the hand of an indifferent man that uses the earth’s plants and soil for profit. Races of humans are taken out, babies are killed for preemptive retribution, one name seems to make little difference.
Is it the wish of every being to keep living? A life eternal, maybe not in their first body, but in the smaller bodies that come after them. Can my child take what I have not finished and redeem me? Can they carry on and change what I have failed? Is this the hope of any parent, that their failings will be altered, the dark memories of their lives changed for the better?
I sit on the edge of this bed and look at the white wall, there is no one who will redeem me, my failings will be my own. Each jealous outburst, each painting left undone, they will be mine. Those are the curses of the invisible generations and their echoes will reverberate through time, just as I carry the unfinished goals and dreams of the generations who never saw me, the ones that exist in faded photographs and memories that I can no longer retrieve.

What I Wonder

What would the choice be? If lights were coming down, blinking and spinning, twirling with red, blue and white like psychedelic lollipops from beyond the bluest parts of the sky. What would I do?
The grass is swaying in the wind, rustling from side to side in the abnormal breeze. Mailboxes are popping open, the fridge door opens and slams shut every second. Nothing is how I know it. The books fly from the shelves, every loose-leaf bit of paper is airborne. None of this makes sense. When the blender whips through the air of my kitchen and the night sky beyond the window is alive with colors I have yet to discover, what will I do?
Maybe I start to run with all the adrenaline my body can find. Do I step back from the porch into the safety of the doorway, moving slowly into the hallway while my hand latches the flimsy lock? Will I run to save my life, this life that I think of as so valuable and precious. Unique and unlike all other lives. Would you find me under the blankets, breathing as shallow as possible though my chest beats out like hands on a tin drum. What would I do if The Other came to me with flashing lights, red and blue lights and hard gusts of hot air?
I see myself running, jumping over chain link fences and scraping my knees as I fall clumsily to the ground. I can see a tiny scared body hiding in the dark of a closet, my eyes closed and mouth rattling off a small prayer. I feel fear running through me like monstrous rivers, seeping out of every finger and toe.
I see these visions and ask myself, what would I do?
Would I walk towards the ship, my fear held tightly, controlled by a will forged in years of practice.
I walk towards the ship to see what lies just beyond the top of the metal stairs. I walk, hearing an inner voice, ‘Look,’ it says, ‘see what will happen.’ Can I take that step? Will I die? Will I fly? Will I ever look back and see their faces, looking towards me with fear and curiosity.
Or maybe I will take a tiny first step and glance back, seeing all that I have left and sacrificed. Will they hate me? Will they ever know what has happened to me? They will know that I went with a smile, holding hands with the Other, happiness and wonderment radiating out of me like a brilliant sun.
Maybe like now, I will step forward cautiously, taking backward glances, stepping forward, little by little, until the door opens. I walk slowly towards the space lit from inside, but it could shut at any moment. Will I act quickly enough? Will I curse myself afterwards when it closes? Will I walk towards that light, those things that my mind can still not define?
It is the Other, and I reach to try and grasp it, though it slips through the language I have learned. Will I learn new sounds, a simple pentatonic language with clear signals? Without words, will I be able to push my essence through the sounds without concept till they find other ears.
I do not want to run with fear, but my feet seem to carry me away. They are brains with tennis shoes that move on impulse. They run towards small solid corners and little boxes. I see myself running, but I do not want to be that character. The human defending the human. The machine defending the machine. I do not want to play that type of role.
But I have not come far enough. Fear still shoots through me like comets, coming and staining my body before I even realize the atmosphere was breached. Unless I work, I will be the hysterical woman shouting for the world to return to normal. I want the dishes and the clean rugs. I want the plants in their proper pots and the fence in the yard. I am that woman, though I get glimpses of the other one. The woman in dreams that smiles and hops on the back of a bike. The woman that takes the hand of a stranger, calling him by name. I am that woman too, a little of each. A lot of machine, a little bit of amazement that lies hidden under the metal plates and gears.
I need to poke holes in the armor. I need that rustoleum and that pickax. I need to make it crumple. The amazing voyage is here, in my backyard and beaming into my room. It is already here and I need to step towards that brilliant, skin-burning light.
I will leave those kids and pets. I will sacrifice those familial ties and the life of shopping and the mall and beer drinking. It will fall like dead skin and I will walk up the metal platform, holding onto the hand of the Other, watching in amazement as the door shuts and we rise into the dark night. Moving forward and up, towards a new home in the stars.

Deer Hunter

Everything was known. The limits of the rural town punctuated in the center with smoke stacks, the babushka that walked slowly to church every afternoon, even in the snow. The tiny grocery store that was stocked and always full of etched recognizable faces. Everything was known. There wasn’t a stone he hadn’t seen, not a person he couldn’t call by name. Those friends he had known since infancy, boys he had grown up with until they were full chested men ready to serve god and their country.

He could walk the streets of the town blindfolded. He could walk from his house, down the narrow treeless drive and go down the hill, knowing exactly as he was passing the Mason’s house, walking steadily as the street sloped until the shops of downtown appeared, he could smell them, could imagine their worn shutters and screen doors. Following the street, he could walk towards the edge of town delineated by the raised train tracks that created a tiny tunnel for the semi trucks that hurtled through town towards the plant.

Every breath he took came from that air, every sip of water fell towards his sink from the mountain chain in the distance. Everything was known. His friends with their worn out jokes, the clear beer glasses and the familiar bar. The seasons shifted, colors changed from orange to white to green to yellow and then back once more. Trucks came and went, paychecks were delivered and cashed. It was a familiar rhythm of gentle movement, but everything seemed to stay the same, it was all known.

But sometimes they escaped. Filling the car with the bodies he had grown up with, bringing along their guns and cans of food, they would drive recklessly to the purple mountains, going up and up the curving slopes until the air was thinner and colder, until thousands of trees did not appear to be the same and instead looked different and new. He would walk with the only man he trusted, climbing boulders in clear silence while they tracked the signs of antlers and nibbled leaves. He saw her walking through the trees, evading him, almost. He went towards it, taking her down with one shot, because even the other bleeds.

He drove back recklessly to the known, down the dark slope towards the familiar lights of the bar. There was blinking neon sign with its comforting welcome, the pool table, the waiting frosting mugs, that smell which was so familiar he could no longer distinguish it from his own.

And then he was taken away. A big jet engine and a uniform and god and country gave him the ride. He went to where the syllables all sounded different, where bodies lay for the flies and even babies were red targets. There the familiar memories crumbled and the smell on him changed. He couldn’t walk blindfolded here, there was jungle and bombs and soaring bullets. He managed to keep his breath and mind and was eventually flown back to the known.

But when he saw the smoke stacks and roads and faces it was not the same. They were the same, but he was different. A part of the other remained in him, hollowing out the familiar and turning it into images that rubbed at his heart, touching it all the wrong way.

He drove towards the mountains again, doing what he knew, what he had always done. He brought his gun and his cans and walked slowly and quietly, just as he had always done, following the nibbled leaves and the traces of antlers.

When he saw her, a wide body and dark eyes staring back at him, he did what he always did, raising his gun. One shot, that was what he always wanted. But the other stared back at him, and this time, he saw. He had been changed and this time, there was no need to shoot.

Within

Do you fear her? That woman with skin different than yours, with eyes that reflect only pure fire and determination?
Do you fear him? That man that lives a world away…whose sounds seem like rocks scattering on pavement.
Does their stare cover you with cold?

If you fear them, then fear yourself, for you are the man with icy words and you are the woman with death giving eyes.
You are what you think you aren’t.

So fear yourself. Fear the parts of you that remain covered in blankets and lies. Fear the self which hides, escaping only in gasps and bursts of red.

All that is not you is you.
All the things called evil, all the shades describes as dark, all the hairy monsters from fairy tales… they cling to your heart by invisible tendrils. They sleep in the caves you hide, in the places you cannot see.

An oval mirror hangs from the clouds, shining light upon a stage.
I am absolutely, completely oblivious to the Other within me. You…inside me.
It is there.
It is the dot of black in a canvas of white. The one dot.

In a clear blue pond resides a single pebble. Not just water, not just liquid…the Other.

I turn to look at the executives in their high rise suites with disgust. I cry when I hear about the man who could kill a young girl…I watch the bear in terror. I view them as totally separate. As something I could never be, of something I am not.
But that is a blind man’s fantasy. I am all the terror that could ever exist. I am the brute, the animal, the psychotic. I am the woman wearing a machine gun, the young girl holding bananas.

Everything I think I am not, I already am.
Right inside where I do not look, where I coat everything in a golden veneer and self righteous pride.
I am the bigot. I am the pebble in a blue lake, the single seed in a ripe piece of fruit.

Perhaps each twinge of pain can be a reminder. Every time I look at the dusty face of a man I think I could never be. It already exists. It is now. Just like I am nothing, I am everything. Every tendency, every shape, every manifestation of the human and its habits, every shift of energy that flows unabated.

There is no need to fear the Other.
I am the Other.
There is no need to fear the other.
I fear myself.

Executive Decisions

I once considered them monsters. Men without conscience in dark expensive suits and gelled back hair that reeked with the scent of hundred dollar bills and imported cologne. I pictured them as clearly as a dream, surrounded by smoke and ash, rising higher as they trampled over bodies in their shiny leather shoes. They never thought about the blood or the oil, the trash they left or the babies born without arms and organs. Men who lived so far away from the rubble and graves that their gated bubbles allowed in only certain parts of reality. Reality that smelled only of roses, filled only with the sound of cartoon cash registers opening and closing. Cha-ching!

Late at night, surrounded by books and pipes and stories I could hardly bear, I cried. How did those monsters sleep and move and breathe? How could a mirror not crumble with their stare? Were they just hollow shells of flesh, content with their bank accounts and fresh strawberries in winter and champagne at every meal? This was the evil in the world, the web of corporations and their flesh-covered robots that breathed in stocks and exhaled only blood. Money was their god. They sucked on half-dollars and bent over for the penetration of rising stock, orgasming into the bright red passing numbers of the trades. Maiming, bodies…it was just part of the game, those born without fortune.

I studied them in school, corporate criminals. Men who pushed hard towards the bottom line, relentless in their pursuit of power and wealth, one begetting the other in a perfect circle. In round table meetings, they decided to knowingly sell faulty cars and tainted food. They used algorithms to determine which would be cheaper, settling the wrongful death lawsuits or a massive auto recall? They were monsters that hid behind a massive establishment, never finding the harsh eyes of the jury upon them.

I thought of them as inhuman, men who could put money before human life.
I thought of them as monsters, until I became one, until I glimpsed the world through their eyes.

Early Saturday morning I loaded up my truck with baskets of fresh baked artisan bread. It was bread I was proud to sell, being both beautiful and delicious. I was in one of the worse neighborhoods in San Francisco, at the very end of Revere St, where the slumping houses gave way to gray warehouses on the edge of the bay. Here, there was graffiti and piles of refuse and old rotten couches on every other corner. Old Victorians sat crumbling, sagging under the weight of years and poverty; and shriveled, skinny prostitutes wandered the streets, looking for another way to score. It was trash and dog shit that littered the streets, and I drove through there every Saturday morning to load my car with handmade bread.

It was an overcast morning, but the air clung to my skin in humid clumps of moisture and I felt the day growing hotter with each minute. My truck was packed with an umbrella, two tables, and all the bread I could hold. There were loaves covered in sesame seeds, others with poppy, a bin of long plain baguettes. I closed the hatch of the truck and walked to the driver’s door, opening it and taking off my thin sweater before I got in. A sound made me look up and towards the back of the open bed truck. I saw a fluttering and before my mind knew what was happening, I was walking towards the bed of the truck, yelling and waving my hands. A tiny bird flew up and away from the bread basket, beating its wings as it dropped a few of the stolen sesame seeds. It flew back to the withered sapling that stood next to the blue door of the warehouse.

I looked into the basket. There were over ten loaves of bread in there, each one covered in bright white sesame seeds and a golden crust. I looked at them, searching for a sign of the bird; a hole, a place without seeds, I could find nothing. An ethical dilemma had been born, brought into existence by a hungry bird and my own conscience. I had no idea which loaves had been contaminated, if any. I just didn’t know. I knew I would not want any loaf in that basket, but I couldn’t just throw the entire basket away…could I? Should I? There was a chance the bread was fine, but there was a chance it was contaminated. It could make people sick. The possibilities played in my mind. Customers retching, wondering what they had eaten.

I got into the car and drove over the bridge to the market.

When the tables were arranged with a red table cloth and all the baskets, I stood, waiting for a customer. I still didn’t know what to do. The first customer of the day was a loyal regular. He reached out and grabbed one of the seeded breads, though luckily he picked one that was close to the edge of the basket, the least likely place to have been touched by the bird. After he left, I walked around the table and inspected the bread leaves another time. I couldn’t see any sign of the bird, but I grabbed the four loaves in the middle, the most likely ones to have been contaminated and put them behind the table.

These were regular customers, how could I knowingly put them in danger? But what if there was no problem, then I was wasting bread. Which was more important, a few sick people or the sale?

I realized it then. I am not pure. In me lies the flecked specks of every monster. In them must lie the sparks of flowers and soft kisses. In me is that which I despise. Now, I could see the bridge.